You keep calling She hears you Fell no shame I want you
And I love how it feels And I love how it feels And I love
(You keep calling my name) You keep calling Do you see me (Ride in the name of love in the name of love in the name of love ouch) Picture me naked In your dreams (In my dreams)
And I love how it feels (How it feels) And I love how it feels And I love
You keep calling my name
Is she jealous of me like i’m jealous of her? Does she think about me like I thing about her?
Epic, rousing, vast, touching. Vibrato strings venture into an open ...Epic, rousing, vast, touching. Vibrato strings venture into an open soundscape with a hopeful energy. Preternatural choral voices help to grow this sense of sublime magnitude, tinging it with heartache. Meaningful, possibly religious energy with rousing, uplifting melodic sequences. Grandeur conjures images of some cosmic event playing out in front of billions of onlookers. A feeling of powerlessness, faced with a landmark, world-changing event.
Epic, rousing, vast, touching. Preternatural choral voices present a ...Epic, rousing, vast, touching. Preternatural choral voices present a sense of sublime magnitude, growing in intensity. Meaningful, possibly religious energy with rousing, uplifting melodic sequences. Grandeur conjures images of some cosmic event playing out in front of billions of onlookers. A feeling of powerlessness, faced with a landmark, world-changing event. Stripped back underscore version.
Asian film score. Moving, cyclic & poignant. Urgent then epic. ...Asian film score. Moving, cyclic & poignant. Urgent then epic. Evocation of seasons. Piano, guzheng, erhu & percussion. Suggested for time lapse,
it's over now
Coupl 1
And just like a child
Just like a child
you just need to have your way
it's Time to turn the page
Time to start a new
tell me somethin g I don't know
ref 1
oh it's so long for me
it's so long for me
sorry babe
oh it's so long for me
it's so long for me
don't worry babe
oh it's so long for me
it's so long
but it's over now ..
coupl2
Love is yours love is mine
something that we do
But it isn't something that we find
If you feel for me
If you need me to tell you
I can do it without you. houuu
i can do it without you
歌词 ... Modern classical arrangement, electro. Sad, inexorable & divine. ...Modern classical arrangement, electro. Sad, inexorable & divine. Iconoclastic. From "Dixit Dominus" by Handel. Recommended for religion. Synth, lyrical female singer & pizz.
Tecum principium in die virtutis tuae splendoribus sanctorum.Ex utero ante luciferum genui te. Traduction: In the day of thy power shall the people offer thee free-will offerings with an holy worship.The dew of thy birth is of the womb of the morning.
Modern classical arrangement, electro. Sad, inexorable & divine. ...Modern classical arrangement, electro. Sad, inexorable & divine. Iconoclastic. From "Dixit Dominus" by Handel. Recommended for religion. Synth & pizz.
歌词 ... Sorrowful & nostalgic folk-rock sung in Spanish. Male voice, folk ...Sorrowful & nostalgic folk-rock sung in Spanish. Male voice, folk guitar, electric piano, drums & strings @0'41. Full rock band @2'19.
ES:
La conocí yendo a casa espontánea yo sin fe.
Para creer me la encontraba a punto de llover.
Había un tercer personaje admitiré también lo que sé, lo que sé.
Bella que te ves con él, enamorada de cien.
Inevitable tu juego de a la mañana ven,
escondidas, tiroteos y crispetas también.
Pupilas que van a cien, no podremos negar bien,
nada, nada…
Nos hundimos trago a trago hasta devolver.
Luego te vas y es muy tarde para ya volver.
No crecimos cautivos y sabemos correr y correr y correr...
Somos el mejor juego, fichas el uno del otro
¿Que esperabas buen final?
No.
EN:
I met her going home spontaneously, I had no faith.
To believe I met her when it was about to rain.
There was a third character I will also admit what I know, what I know.
Beautiful you look with him, in love a hundred ways.
Inevitable your game of in the morning come,
hide-and-seek, shootings and pop corn too.
Pupils that go a hundred ways, we won't be able to deny well,
nothing, nothing...
We sink drink by drink until we return.
Then you leave and it's too late to come back.
We didn't grow up captive and we know how to run and run and run...
We're the best game, tokens for each other.
Did you expect a good ending?
No.
Repetitive music. narrative & emotional. Analog synth sequence, bass ...Repetitive music. narrative & emotional. Analog synth sequence, bass & layers. back-end @ 2'05 with solo piano. Suggested for human interest story documentary.