Lively, festive & sensual instrumental reggaeton. Ideal for joyful ...Lively, festive & sensual instrumental reggaeton. Ideal for joyful Latin party scenes. Electric guitar, synth, sampling, electronic & Latin percussion.
Optimistic, ecological, important. Bright bell sequence joins with ...Optimistic, ecological, important. Bright bell sequence joins with shakers to offer a feeling of propulsion, a society pushing towards equality and sustainability. Austere melodies display a sense of yearning, with percussion inferring a less classically-developed nation. Visions of structures being built and people working hard to improve their living standards in a natural way.
Optimistic, ecological, important. Bright bell sequence joins with ...Optimistic, ecological, important. Bright bell sequence joins with shakers to offer a feeling of propulsion, a society pushing towards equality and sustainability. Austere melodies display a sense of yearning, with percussion inferring a less classically-developed nation.Visions of structures being built and people working hard to improve their living standards in a natural way. Stripped back underscore version.
Uplifting, spirited, cool. Female vocals begin with lyrics expressing ...Uplifting, spirited, cool. Female vocals begin with lyrics expressing that its a climactic moment, preparing for battle. Twangy rock guitar supports this with a cool vibe, people readying themselves to be brave. Shouted passionate vocals about how its a vital moment is joined by movement into a more triumphant mood with epic piano. A slick but serious situation.
Uplifting, spirited, cool. Twangy rock guitar brings a cool vibe ...Uplifting, spirited, cool. Twangy rock guitar brings a cool vibe supported by rumbling drums, people readying themselves to be brave. Movement into a more triumphant phase with epic piano and dramatic instrumentation. A slick but serious situation. Instrumental version.
Uplifting, spirited, cool. Twangy rock guitar brings a cool vibe ...Uplifting, spirited, cool. Twangy rock guitar brings a cool vibe before launching into a dramatic sequence with elegant but triumphant piano and proud guitar chords. People readying themselves to fight a crucial battle. Stripped back underscore version.
Uplifting, spirited, cool. Female vocals begin with lyrics expressing ...Uplifting, spirited, cool. Female vocals begin with lyrics expressing that its a climactic moment, preparing for battle. Twangy rock guitar supports this with a cool vibe, people readying themselves to be brave. Shouted passionate vocals about how its a vital moment is joined by movement into a more triumphant mood with epic piano. A slick but serious situation. Stripped back underscore version.
Confident, adventurous, impulsive. Fun disco instrumentation casts a ...Confident, adventurous, impulsive. Fun disco instrumentation casts a cool atmosphere, matched with smooth male vocals with lyrics speaking confidently and with a flare. Sense of adventure and fun grows in chorus as electronic chords and drums grow in stature, as vocals ask a significant other to trust them and run away to have a wild time.
Confident, adventurous, impulsive. Fun disco instrumentation casts a ...Confident, adventurous, impulsive. Fun disco instrumentation casts a cool atmosphere. Sense of adventure and fun grows in chorus as electronic chords and drums grow in stature. Two people vibing with eachother while dancing in a club. Instrumental version.
Confident, adventurous, impulsive. Fun disco instrumentation casts a ...Confident, adventurous, impulsive. Fun disco instrumentation casts a cool atmosphere. Visions of people dancing in a club. Dance percussion and sharp guitar at 00:48 reiterates a fun dance vibe. Stripped back underscore version.
Optimistic, bright, wondrous. Excitable piano plays out a lively and ...Optimistic, bright, wondrous. Excitable piano plays out a lively and emotive refrain, joined by pearlescent bells and decorative melodies offering a feeling of warmth and peaceful inspiration. Break at 01:16 provides anticipation into awe-inspiring sequence with euphoric reversed notes and softly reassuring percussion. A positive atmosphere, people learning, working and connecting for the betterment of society.
Optimistic, bright, wondrous. Excitable piano plays out a lively and ...Optimistic, bright, wondrous. Excitable piano plays out a lively and emotive refrain, joined by pearlescent bells and decorative melodies offering a feeling of warmth and peaceful inspiration. Break at 01:16 provides anticipation into awe-inspiring sequence with euphoric reversed notes and softly reassuring percussion. A positive atmosphere, people learning, working and connecting for the betterment of society. Stripped back underscore version.
Optimistic, bright, wondrous. Notes play out rapidly with a windswept ...Optimistic, bright, wondrous. Notes play out rapidly with a windswept energy joined by pearlescent bells and decorative melodies offering a feeling of warmth and peaceful inspiration. A positive atmosphere, people learning, working and connecting for the betterment of society. Stripped back underscore version.
Laidback, atmospheric, spirited. Dreamy synths play out resonant ...Laidback, atmospheric, spirited. Dreamy synths play out resonant chords with repeated vocal sample swirling around to create a peaceful atmosphere. Interrupted at 00:20 as loud lead synth stabs play out hyped melody. Heavy deep kicks join with light percussion. Vocal samples offer a soulful edge to sharp electronic sound.歌词
Can't we come a little closer, Closer, Closer, Closer. Cant we come a little closer, Closer, Closer, Closer. Can't we come a little closer, Closer, Closer, Closer, Closer, Closer. Can't we come a little closer, Closer, Closer, Closer. Can't we come a little closer, Closer, Closer, Closer.
Laidback, atmospheric, spirited. Dreamy synths play out resonant ...Laidback, atmospheric, spirited. Dreamy synths play out resonant chords with repeated vocal sample swirling around to create a peaceful atmosphere. Interrupted at 00:20 as loud lead synth stabs play out hyped melody. Heavy deep kicks join with light percussion. Instrumental version.
Laidback, atmospheric, spirited. Synth arpeggiations meet with ...Laidback, atmospheric, spirited. Synth arpeggiations meet with swirling vocals to create a dreamy atmosphere. Interrupted at 00:20 as heavy kick drum beat starts with chattering hi hats. Stripped back underscore version.
Traditional prison, logging, and railroad work song from the late ...Traditional prison, logging, and railroad work song from the late 19th century also known as Nine Pound Hammer. "Take this hammer and carry it to the captain". Country & western style singer, banjo, harmonica & slide dobro. Sousaphone & drums @ 0'58. Instrumental tr-16.歌词
Chorus
Take this hammer and carry it to the captain Take this hammer and carry it to the captain Take this hammer and carry it to the captain
An’ Tell him I’m gone Tell him I’m gone
Verse 1
If he ask you was I runnin’ If he ask you was I runnin’ If he ask you was I runnin’ Tell him I was flyin’ Tell him I was flyin’ If he ask you was I laughin’ If he ask you was I laughin’ If he ask you was I laughin’ Tell him I was cryin’ Tell him I was cryin’
Chorus
Take this hammer carry it to the captain Take this hammer carry it to the captain Take this hammer carry it to the captain
Tell him I’m gone Tell him I’m gone
Verse 2
I don’t want no green back dollar I don’t want no green back dollar I don’t want no green back dollar
It hurts my pride It hurts my pride
Chorus
Take this hammer carry it to the captain Take this hammer carry it to the captain Take this hammer carry it to the captain
Tell him I’m gone Tell him I’m gone
Take this hammer carry it to the captain Tell him I’m gone Tell him I’m gone
Traditional arranged byManuel Galvin & Jean-Jacques Milteau
Well-known American blues song & jazz standard of uncertain origin. ...Well-known American blues song & jazz standard of uncertain origin. "Well, I’m going down to the St. James Infirmary, to see my baby there". Sad & disillusioned. Blues/soul singer, snaps, sousaphone, drums & marimba. Instrumental tr-17 & 18.歌词
Verse 1
Well, I’m going down to the St. James Infirmary, to see my baby there
She was all stretched out, on a long white table So sweet, so cold, so bare
Verse 2
Let her go, go ! Ahh, my little Baby, Where ever she can beYou may search this whole world all over But she’d never find a sweet man like me
Verse 3
Now, when I die, bury me in Stetson shoesA Stetson coat, and a Stetson hat And put a twenty dollar gold piece on my watch chain So the cats know, that I died fat Ad Lib
St. James Infirmary, where can my baby be ? It’s just at St. James Infirmary, yeah Let my baby go, let my baby goLet my Baby go, go, go Let my Baby go !
Traditional arranged by : Manuel Galvin & Jean-Jacques Milteau
Traditional American ballad of the late 19th century originating from ...Traditional American ballad of the late 19th century originating from South Appalachian area also known as Black Girl or My Girl. "In the pines, in the pines, where the sun never shines, And you shiver when the cold winds blow". Male country singer, double-bass, slide dobro, banjo & e-bow guitar @ 0'54. Instrumental tr-21 & 22.歌词
Chorus
In the pines, in the pines Where the sun never shines And you shiver when the cold winds blow
Verse 1
Little girl, little girl, what have I done That makes you treat me so? You caused me to weep, you caused me to mourn And you caused me to leave my home
Chorus
In the pines, in the pines Where the sun never shines And you shiver when the cold winds blow
Verse 2
The longest train I ever saw Came down that Georgia line The engine passed at six o'clock And the cab came by at nine
Chorus
In the pines, in the pines Where the sun never shines And we shiver when the cold winds blow
In the pines, in the pines Where the sun never shines And you shiver when the cold winds blow
Traditional arranged by Manuel Galvin & Jean-Jacques Milteau
Aura Lea" (sometimes spelled "Aura Lee") American Civil War ballad ...Aura Lea" (sometimes spelled "Aura Lee") American Civil War ballad about a maiden. "Aura Lee! Aura Lee! Maid of golden hair, sunshine came along with thee and swallows in the air." Male singer in a country & western spirit, mandolin à l'unisson, lap-steel, banjo, e-bow guitar & acoustic guitar. Instrumental tr-24.歌词
Verse 1 As the blackbird in the spring 'neath the willow tree Sat and piped I heard him sing
Praising Aura Lee.
Chorus Aura Lea! Aura Lea! Maid of golden hair Sunshine came along with thee And swall-ows in the air.
Verse 2 Take my heart and take my ring I give my all to thee Take me for eternity Dearest Aura Lee!
Chorus Aura Lea! Aura Lea! Maid of golden hair Sunshine came along with thee And swall-ows in the air.
Verse 3 In her blush the rose was born 'twas music when she spoke In her eyes the light of morn Sparkling seemed to break.
Chorus Aura Lee! Aura Lee! Maid of golden hair Sunshine came along with thee And swall-ows in the air.
Verse 4 Aura Lee the bird may flee The willow' golden hair Then the wintry winds may be Blowing ev'rywhere.
Chorus Aura Lee! Aura Lee! Maid of golden hair Sunshine came along with thee And swall-ows in the air.
Verse 5 Yet if thy blue eyes I see Gloom will soon depart For to me sweet Aura Lee Is sunshine to the heart.
Chorus Aura Lee! Aura Lee! Maid of golden hair Sunshine came along with thee And swall-ows in the air.
Words by William W. Fosdick (D.P) Music by George R. Poulton (D.P)
Arrangement by Manuel Galvin & Jean-Jacques Milteau
Country/folk version of track-1. Introduction with a cappella male ...Country/folk version of track-1. Introduction with a cappella male singer. Ukulele @ 0'33, strings & bass @ 1'05. Banjo @ 1'37.
Instrumental version of tr-3 in a 1920s blues spirit. Sad & ...Instrumental version of tr-3 in a 1920s blues spirit. Sad & wandering. Lead fiddle, banjo, mandolin,, marimba, sousaphone & drums @ 0'43.
Instrumental version of tr-3 in a bluesy spirit. Lead electric ...Instrumental version of tr-3 in a bluesy spirit. Lead electric guitar, snaps, sousaphone, slide dobro & drums @ 0'43.
Alternate version of tr-13 in an Americana spirit. Swaying & ...Alternate version of tr-13 in an Americana spirit. Swaying & carefree. Lead slide Dobro, rhythm section, claps & baritone guitar @ 1'05.
Creepy, ghostly & disturbing intro with weird voice FX & sound ...Creepy, ghostly & disturbing intro with weird voice FX & sound design. Epic build up with fast staccato strings & loud cinematic impact. Atmospheric & emotive break @ 0'59 with guitar line & synth pads. Urgent 2nd build up @ 1'33 with intense percussion, strings & brass. Powerful & nervous climax @ 2'02 with full hybrid orchestra, male choir in a spirit of victory. Suggested for extreme sport, adventure games & sci-fi trailers.
☆ Nominated "Best Use - Commercial Advertisement" @Mark Awards US ...☆ Nominated "Best Use - Commercial Advertisement" @Mark Awards US 2024 & "Best Trailer" @Production Music Awards UK 2023 ☆ Trailer in a neo classical spirit. Urgent, nervous & obstinate intro with intense staccato & pizzicato strings & clockwork FX. Extravagant & animated with a touch of humour. Funny back-end. Suggested for period adventure movies, musketeers & heroic fantasy trailers.
Emotional, nocturnal & swaying reggaeton sung in Spanish. Unrequited ...Emotional, nocturnal & swaying reggaeton sung in Spanish. Unrequited love for a friend. Male singer, autotune, male backing vocals, sampling, electronic percussion & synth.歌词
ES:
(D D DNAVAZ, woh oh)
Eras mi amiga y no podía decirte
Lo que sentía por ti
Por ese miedo de perderte
Y nunca te lo pude decir
Pero yo notaba
Que le gustaba la vida loca
Los hombres la amaban
Miles de corazones robaba
Nos vimos y directo
Intercambiamos miradas
No entendíamos
Y no me lo explicaba
Yo se que tu de mi tú confiabas
En mi pieza te cambiabas
Mejor amiga de la noche a la mañana
Y nunca mordimos la manzana
A escondidas la mas que amaba
Yo a ti canciones cantaba
Fuiste mi mejor fanática
En esa época, en esa época
Y no me imaginaba sin ti
Y sin tu perfume pegado a mi
Eras mi amiga y no podía decirte
Lo que sentía por ti
Por ese miedo de perderte
Y nunca te lo pude decir
Pero yo notaba
Que le gustaba la vida loca
Los hombres la amaban
Miles de corazones robaba
Bailábamos bien pegadito en la disco
Para volver celosa una ex
Con un reggaeton bien suavecito
Tal como sonaba ayer
En las buenas y en las malas
Yo estaba siempre bien cerca de ti
Pero cuando te enamoraste de él
Lo hice todo pero no pude quedarme
En esta amistad, se que fallé
El ultimo día dije todo lo que sentía
Y del hecho que no serás nunca mía
Eras mi amiga y no podía decirte
Lo que sentía por ti
Por ese miedo de perderte
Y nunca te lo pude decir
Pero yo notaba
Que le gustaba la vida loca
Los hombres la amaban
Miles de corazones robaba
EN:
(D D DNAVAZ, woh oh)
You were my friend and I couldn't tell you
What I felt for you
Because of that fear of losing you
And I could never tell you
But I could see
That she liked the crazy life
Men loved her
Thousands of hearts she stole
We saw each other and straight away
We exchanged glances
We didn't understand
And I couldn't explain it to myself
I know that you trusted me
In my room you got changed
Best friend overnight
And we never bit the apple
In secret the one I loved the most
I used to sing songs to you
You were my best fan
At that time, at that time
And I couldn't imagine myself without you
And without your perfume clinging to me
You were my friend and I couldn't tell you
What I felt for you
Because of that fear of losing you
And I could never tell you
But I could see
That she liked the crazy life
Men loved her
Thousands of hearts she stole
We'd dance real tight at the disco
To make an ex jealous
With a very soft reggaeton
Just as they used to sound yesterday
In good times and bad times
I was always close to you
But when you fell in love with him
I did everything but I couldn't stay
In this friendship, I know I failed
On the last day I said all that I felt
And about the fact that you'll never be mine
You were my friend and I couldn't tell you
What I felt for you
Because of that fear of losing you
And I could never tell you
But I could see
That she liked the crazy life
Men loved her
Thousands of hearts she stole
Striking, supportive, groovy. Wavering synth work gives cushion to ...Striking, supportive, groovy. Wavering synth work gives cushion to impassioned male vocals singing about providing company and companionship. Determined tone gives a sense of adversity, helping a friend who is suffering as if its a mission. Phased bass and guitar offer a soulful energy. Cathartic breakthrough at 01:40 with big drums and twinkling synth lead solo.歌词
Will you come out today, Will you come out and spend a little time, I know you've been through so much, I know I've been out of touch, You're on my mind.
I want you to know, I want you to know, I want you to know.
That I'm here….
We all need a little hand, Need a second chance, To get it right, If I could help you through, Through all the things, That’ve been hurting you.
I want you to know, I want you to know, I want you to know.
Striking, supportive, groovy. Wavering synth work gives way to phased ...Striking, supportive, groovy. Wavering synth work gives way to phased bass into funky and determined instrumentation. A sense of adversity, helping a friend who is suffering as if its a mission. Guitar offers a soulful energy. Instrumental version.
Striking, supportive, groovy. Wavering synth work gives way to phased ...Striking, supportive, groovy. Wavering synth work gives way to phased bass into funky and determined instrumentation. A sense of adversity, helping a friend who is suffering as if its a mission. Guitar offers a soulful energy. Stripped back underscore version.
