| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM |
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I Saw You [IOM043 - 1] |
2'32 | Justin Krol, Quinn Scharber, Kirk Tatnall, Shelley Thomas | Adventurous, rustic, Turkish. Spiky harmonised guitar spirals out 歌词 | 动人 舞动 果断 自信 | Em | 104 |
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I Saw You (Instrumental) [IOM043 - 13] |
版本. | 2'32 | Justin Krol, Quinn Scharber, Kirk Tatnall, Shelley Thomas | Adventurous, rustic, Turkish. Spiky harmonised guitar spirals out | 动人 舞动 果断 自信 | Em | 104 |
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I Saw You (Bed) [IOM043 - 14] |
版本. | 2'28 | Justin Krol, Quinn Scharber, Kirk Tatnall, Shelley Thomas | Adventurous, rustic, Turkish. Drums land with a fun rocky bassline | 动人 舞动 果断 自信 | Em | 104 |
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I Saw You (Underscore) [IOM043 - 15] |
版本. | 2'21 | Justin Krol, Quinn Scharber, Kirk Tatnall, Shelley Thomas | Adventurous, rustic, Turkish. Spiky harmonised guitar spirals out | 动人 舞动 果断 自信 | Em | 104 |
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Silk & Velvet [IOM043 - 2] |
3'29 | Andrew Wilkins | Mystic, serious, authentic. Classically coded Oud string with Arabic | 自信 动人 骄傲 严谨 | Gm | 90 |
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Silk & Velvet (Bed) [IOM043 - 16] |
版本. | 1'33 | Andrew Wilkins | Mystic, serious, authentic. Bass and drums are joined by Oud with | 自信 动人 骄傲 严谨 | Gm | 90 |
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Silk & Velvet (Oud Only) [IOM043 - 17] |
版本. | 1'49 | Andrew Wilkins | Mystic, serious, authentic. Rustic Oud riff lays down a sense of | 自信 地理政治 传统东方音乐 骄傲 | G | 104 |
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Magical Nights [IOM043 - 3] |
2'15 | Omer Agca | Fun, modern, stylish. Drums launch into slick funk-rock style with 歌词 | 女歌手 舞动 流行摇滚 浪漫喜剧 | Em | 104 |
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Magical Nights (Instrumental) [IOM043 - 18] |
版本. | 2'15 | Omer Agca | Fun, modern, stylish. Drums launch into slick funk-rock style with | 舞动 流行摇滚 浪漫喜剧 动人 | Em | 104 |
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Magical Nights (Bed) [IOM043 - 19] |
版本. | 2'15 | Omer Agca | Fun, modern, stylish. Drums launch into slick funk-rock style with | 舞动 流行摇滚 浪漫喜剧 动人 | Em | 104 |
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Istanbul Contrast [IOM043 - 4] |
2'39 | Omer Agca | Stylish, sultry, modern. Oud riff falls into trappy rhythm conveying | 电影节奏 社会悲剧 疑问 态度 | Gm | 140 |
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Istanbul Contrast
[IOM043 - 20] |
版本. | 2'38 | Omer Agca | Stylish, sultry, modern. Oud riff falls into trappy rhythm conveying | 电影节奏 社会悲剧 疑问 态度 | Gm | 140 |
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Istanbul Contrast (Bed) [IOM043 - 21] |
版本. | 2'38 | Omer Agca | Stylish, sultry, modern. Traditional strings fall into trappy rhythm | 电影节奏 社会悲剧 疑问 态度 | Gm | 140 |
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Hey Kanka [IOM043 - 5] |
2'47 | Thomas Caruana | Communal, warm, cool. Laidback but lively rhythm is joined by big | 阳光 电影原声带 自信 动人 | Fm | 92 |
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Hey Kanka (Bed) [IOM043 - 22] |
版本. | 2'47 | Thomas Caruana | Communal, warm, cool. Laidback but lively rhythm is joined by big | 阳光 电影原声带 自信 动人 | Fm | 92 |
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Hey Kanka (Bed Sparse) [IOM043 - 23] |
版本. | 2'47 | Thomas Caruana | Communal, warm, cool. Laidback but lively rhythm is joined by big | 阳光 电影原声带 自信 动人 | Fm | 92 |
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Hey Kanka (Underscore) [IOM043 - 24] |
版本. | 2'36 | Thomas Caruana | Communal, warm, cool. Bass lays out a fun rhythm, joined by vocals | 阳光 电影原声带 自信 动人 | Fm | 92 |
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Oh, Love [IOM043 - 6] |
2'34 | Justin Krol, Sirma Munyar, Quinn Scharber, Kirk Tatnall | Blossoming, lovesick, upbeat. Sparking Arabic strings launch into 歌词 | 动人 女歌手 舞动 忧伤 | D | 120 |
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Oh, Love (Instrumental) [IOM043 - 25] |
版本. | 2'34 | Justin Krol, Sirma Munyar, Quinn Scharber, Kirk Tatnall | Blossoming, lovesick, upbeat. Sparking Arabic strings launch into | 动人 舞动 固执 六十年代迷幻乐 | Gm | 120 |
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Oh, Love (Bed) [IOM043 - 26] |
版本. | 2'34 | Justin Krol, Sirma Munyar, Quinn Scharber, Kirk Tatnall | Blossoming, lovesick, upbeat. Sparking melody erupts from strange | 动人 舞动 固执 六十年代迷幻乐 | Gm | 120 |
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Oh, Love (Bed Sparse) [IOM043 - 27] |
版本. | 2'32 | Justin Krol, Sirma Munyar, Quinn Scharber, Kirk Tatnall | Blossoming, lovesick, upbeat. Drum and bass come together with | 动人 舞动 固执 六十年代迷幻乐 | Gm | 120 |
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Oh, Love (Underscore) [IOM043 - 28] |
版本. | 2'34 | Justin Krol, Sirma Munyar, Quinn Scharber, Kirk Tatnall | Blossoming, lovesick, upbeat. Sparking melody erupts from strange | 动人 忧伤 固执 六十年代迷幻乐 | D | 120 |
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Enlightenment [IOM043 - 7] |
2'35 | Justin Krol, Quinn Scharber, Kirk Tatnall | Quirky, rustic, odd. Slinking guitar bass partnership and echoing | 怪异 六十年代迷幻乐 喜剧 动人 | Gm | 163 |
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Enlightenment (Bed) [IOM043 - 29] |
版本. | 2'35 | Justin Krol, Quinn Scharber, Kirk Tatnall | Quirky, rustic, odd. Slinking guitar bass partnership and echoing | 怪异 六十年代迷幻乐 喜剧 动人 | Cm | 163 |
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Enlightenment (Underscore) [IOM043 - 30] |
版本. | 2'35 | Justin Krol, Quinn Scharber, Kirk Tatnall | Quirky, rustic, odd. Slinking guitar bass partnership gets off to a | 怪异 六十年代迷幻乐 喜剧 动人 | Cm | 82 |
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Bursa Beats [IOM043 - 8] |
3'47 | Thomas Caruana, Richard Halligan | Cool, dirty, desolate. Overdriven guitar chugs along as melody | 自信 六十年代迷幻乐 日常生活 七十年代 | E | 98 |
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Bursa Beats (Bed) [IOM043 - 31] |
版本. | 3'46 | Thomas Caruana, Richard Halligan | Cool, dirty, desolate. Overdriven guitar chugs along as melody | 自信 六十年代迷幻乐 日常生活 七十年代 | Em | 98 |
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Bursa Beats (Bed Sparse) [IOM043 - 32] |
版本. | 3'27 | Thomas Caruana, Richard Halligan | Cool, dirty, desolate. Overdriven guitar chugs along as melody | 自信 六十年代迷幻乐 日常生活 七十年代 | E | 98 |
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Cappadocia Landing [IOM043 - 9] |
2'13 | Christopher Rome | Strange, rustic, traditional. Twanging guitar with echo is joined by | 阴险 电视连续剧 好玩 动人 | Bbm | 95 |
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Cappadocia Landing (Bed) [IOM043 - 33] |
版本. | 2'07 | Christopher Rome | Strange, rustic, traditional. Steady organ launches into wary | 阴险 电视连续剧 好玩 动人 | Fm | 95 |
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Far Out [IOM043 - 10] |
2'59 | Omer Agca | Eerie, hypnotic, trippy. Screeching strings create a strange 歌词 | 神秘 放松 催眠 懒惰 | Ebm | 98 |
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Far Out (Instrumental) [IOM043 - 34] |
版本. | 2'59 | Omer Agca | Eerie, hypnotic, trippy. Screeching strings create a strange | 神秘 放松 催眠 懒惰 | Ebm | 98 |
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Far Out (Bed) [IOM043 - 35] |
版本. | 2'59 | Omer Agca | Eerie, hypnotic, trippy. Screeching dissonance falls into a sultry | 神秘 放松 催眠 懒惰 | Eb | 98 |
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The Gently Blowing Winds [IOM043 - 11] |
2'44 | Nazim Cinar, Justin Krol, Quinn Scharber, Kirk Tatnall | Upbeat, adventurous, determined. Spiky riff gives an Arabic style 歌词 | 喜剧 动人 六十年代 态度 | Em | 123 |
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The Gently Blowing Winds
[IOM043 - 36] |
版本. | 2'44 | Nazim Cinar, Justin Krol, Quinn Scharber, Kirk Tatnall | Upbeat, adventurous, determined. Spiky riff gives an Arabic style | 喜剧 动人 六十年代 态度 | Em | 124 |
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The Gently Blowing Winds (Bed) [IOM043 - 37] |
版本. | 2'44 | Nazim Cinar, Justin Krol, Quinn Scharber, Kirk Tatnall | Upbeat, adventurous, determined. Hand drums give way to distorted | 喜剧 动人 六十年代 态度 | Am | 124 |
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The Gently Blowing Winds (Bed
[IOM043 - 38] |
版本. | 2'44 | Nazim Cinar, Justin Krol, Quinn Scharber, Kirk Tatnall | Upbeat, adventurous, determined. Hand drums give way to rock bassline | 喜剧 动人 六十年代 态度 | Dm | 124 |
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The Gently Blowing Winds
[IOM043 - 39] |
版本. | 2'44 | Nazim Cinar, Justin Krol, Quinn Scharber, Kirk Tatnall | Upbeat, adventurous, determined. Spiky detuned riff gives an Arabic | 喜剧 动人 六十年代 态度 | E | 124 |
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Edges Of Ankara [IOM043 - 12] |
3'00 | Andrew Wilkins | Determined, rustic, traditional. Oud melody sends out an austere | 自信 热沙漠 六十年代迷幻乐 周期性的 | D | 90 |
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Edges Of Ankara (Oud Only) [IOM043 - 40] |
版本. | 1'23 | Andrew Wilkins | Determined, rustic, traditional. Oud melody sends out an austere | 自信 热沙漠 周期性的 果断 | D | 143 |
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Edges Of Ankara (Sting) [IOM043 - 41] |
版本. | 0'24 | Andrew Wilkins | Determined, rustic, traditional. Oud melody lands with seriousness as | 自信 热沙漠 果断 动人 | D | 90 |
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