
Jonny Greenwood composes for film using techniques drawn from contemporary and minimalist music. He combines dissonant strings, irregular rhythmic patterns & analog treatments to maintain a constant sense of tension. His scores focus on texture and instability rather than melody, creating an atmosphere of unease and restraint, as heard in his collaborations with Paul Thomas Anderson & Jane Campion.
| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Moonless Night on the Plain [CEO2139 - 10] |
0 | 2'35 | Bruno Alexiu | Dark, intermittent & descriptive. Repetitive cello ensemble with echo | 抱歉 命运 自然灾害 叙述 | Gb | 70 | |||
|
The Calm Before the Storm [CEZ4186 - 4] |
1'59 | Frédéric Dunis, Bernard Grimaldi | Calm & moving. Windy & tormented @ 0'54. Orchestra & electronics. | 进步 气氛 冒险片 改变 | D | 62 | ||||
|
The Calm Before the Storm 2 [CEZ4186 - 32] |
版本. | 1'06 | Frédéric Dunis, Bernard Grimaldi | Tumultuous. Evocation of tempest. String cluster. Build-up & climax. | 音簇 自然灾害 恐怖 恐怖片 | D | 152 | |||
|
On the Front Line [CEO2094 - 3] |
0 | 1'45 | Bruno Alexiu | Fatal, tragic & imperious. String orchestra with dramatic piano | 无情 军事冲突 后古典 悲剧 | Dbm | 80 | |||
|
The Great White Silence [CEO2015 - 2] |
0 | 1'36 | Bruno Alexiu | Dark & stark. Orchestra with piano. | 冷沙漠 抱歉 嗡嗡声 历史旁白 | Cm | 96 | |||
|
Partir, Revenir [CEZ4039 - 29] |
0 | 2'49 | Hélène Blazy | As happy as Ulysses whoever has had a fine trip... Electronic and | 后古典 悬念 响亮 气氛 | A | 144 | |||
|
Life in the Balance [CEO2177 - 11] |
0 | 1'55 | Antoine Glatard | Atmospheric, narrative, uncertain & tense. String orchestra playing | 弦乐乐团 神秘 后古典 电影原声带 | G | 117 | |||
|
Dying Embers [CEZ4161 - 3] |
5'45 | David Reyes | Suspended atmosphere. Moving & panoramic. Orchestra with bassoon & | 感动 使人心碎 美国独立制片电影 画面感 | Gm | 82 | ||||
|
Dying Embers 2 [CEZ4161 - 26] |
版本. | 2'44 | David Reyes | Emotional & sad. Violin & string orchestra. Finale with climax. | 感动 美国独立制片电影 画面感 渐强 | Gm | 86 | |||
|
Caught in a Cycle -
[BIB150 - 11] |
2'28 | Callum Kit Murray | Expansive, emotive, inspiring. Brooding, atmospheric low strings | 极简风格音乐 全景图 飞行 社会悲剧 | Dbm | 93 | ||||
|
Caught in a Cycle [BIB150 - 1] |
版本. | 2'38 | Callum Kit Murray | Expansive, emotive, inspiring. Dreamy high short strings with | 全景图 后古典 飞行 社会悲剧 | E | 95 | |||
|
Dementia [EOS147 - 1] |
0 | 2'47 | Simon Gruwé | Introspective, hypnotic & choppy. Build-up. Strings, electric guitar | 气氛 悬念 电子琴 sequencing | Fm | 75 | |||
|
The Very Heart of Darkness [CCB1058 - 14] |
3'09 | Rémo | Dark ambient, experimental electro. Sinuous, gloomy & disturbing. | 阴险 奇怪 神秘 恐怖片 | Cm | 111 | ||||
|
The Very Heart of Darkness
[CCB1058 - 22] |
版本. | 3'07 | Rémo | Alternate no noise FX. | 阴险 奇怪 神秘 恐怖片 | Cm | 153 | |||
|
The Whole World in Shangai [CEO2068 - 13] |
0 | 0'34 | Pablo Pico | US independent cinema. Suspended & restrained. Solo piano with echo | 稀疏 反省 悬念 冷沙漠 | Bbm | 60 | |||
|
Left Unsaid [CEZ4684 - 9] |
0 | 2'10 | Third Act | Post-classical music, neo-classical music, film score. Suspended, | 心理剧 画面感 抱歉 悬念 | Em | 80 | |||
|
Night Train [CEO2160 - 9] |
0 | 2'31 | Erwann Chandon | Nocturnal, tragic, desolate, sinister & moving. Low synth layer, | 忧伤 画面感 历史旁白 夜晚 | Gm | 90 | |||
|
End of an Era [CEO2160 - 8] |
0 | 2'55 | Erwann Chandon | Dark, sinister & tragic. String orchestra. Suggested for human drama | 悲剧 神秘 画面感 悬念 | Am | 117 | |||
|
Asphyxia 2 [CEZ4097 - 43] |
3'04 | Denis Levaillant | Shocking & scary. Intermittent percussion, treated electric guitar & | 太空 恐怖 自然灾害 嗡嗡声 | A | 129 | ||||
|
Asphyxia [CEZ4097 - 12] |
版本. | 3'10 | Denis Levaillant | Insidious & unstable. Change @ 1'09. Bass drum, toms & electronics. | 紧急 改变 恐怖片 动作片 | Gbm | 153 | |||
|
The Dark Ages [CEO2133 - 10] |
0 | 1'33 | Baptiste Thiry | Dark, threatening & suspended. String orchestra & timpanies. | 神秘 反省 命运 社会悲剧 | E | 76 | |||
|
Voice of the night [CEZ4015 - 9] |
0 | 1'50 | Calin Ioachimescu | Disturbing & harrowing. Strings & percussion @ 0'19. | 神经病 当代艺术 上升 不和谐音 | Gm | 91 | |||
|
Inevitable Disaster [CEZ4267 - 15] |
0 | 0'48 | Laurent Couson | Tense & threatening. String ensemble. | 令人不安 震音 完成 渐强 | Cm | 77 | |||
|
Concerto pour violoncelle N°2 [CLA1802 - 7] |
0 | 8'07 | Krzysztof Penderecki | 4th movement. Lento. Disturbing & tragical. Cello and symphony | 令人不安 神秘 悲剧 悬念 | Dm | 62 | |||
|
Extrait du Catalogue
[CLA2719 - 30] |
0 | 9'40 | 奥利维埃·梅西安 | Le Courlis cendré | 六十年代 现代音乐 无电声钢琴 | Abm | 62 | |||
|
The Art of Patterns [CCB1060 - 4] |
0 | 4'05 | Thibault Gomez, Teddy Lasry | Graceful, luminous, repetitive, calm & cyclical. Fender Rhodes piano, | 旋律重复的音乐 社会悲剧 Fender Rhodes 医疗 | Fm | 134 | |||
|
The Last Chance [CEO2110 - 3] |
0 | 1'01 | Pablo Pico | Underscore. Cyclic, disturbing & sad. String ensemble & sequencing. | 社会悲剧 伴音 伤心 心理剧 | Dm | 120 | |||
|
The Sound and the Fury [CEZ4650 - 10] |
0 | 2'26 | Olivier Militon | Cinematic. Eerie, secretive & haunted. Full orchestra with emotional | 画面感 自然灾害 背景音 漂泊 | Dm | 62 | |||
|
Symmetrical Eyeliner [MAG6069 - 8] |
0 | 3'00 | Variéras | Ambient electro, post-minimalist electro, organic electro. Inspiring | 反省 漂泊 忧伤 逝去的文明 | Bm | 114 | |||
|
Leaving the Nest [CEZ4465 - 3] |
0 | 2'55 | Nils Bö | Interrogative & peaceful. Confident @ 1'19. Piano, string ensemble & | 乡村 温带森林 精致 诞生 | F | 110 | |||
|
Cloud's Cradle [CCB1062 - 2] |
0 | 2'13 | Antoine Glatard | Peaceful, pensive, romantic, dreamy, & emotional. Piano, cello, | 感动 高雅 多愁善感 内心活动 | E | 96 | |||
|
Heart of Darkness [CEZ4043 - 15] |
0 | 2'05 | Marc-Olivier Dupin | Atmospheric & dark. Shimmering string drones with menacing cello. | 自然灾害 嗡嗡声 令人不安 历史旁白 | D | 77 | |||
|
Winter Crystals [CEZ4186 - 31] |
0 | 2'45 | Frédéric Dunis, Bernard Grimaldi | Diaphanous, moving & sentimental. String orchestra, electronics & | 冷沙漠 飞行 冰冷 气氛 | Am | 109 | |||
|
Aral Sea [CEZ4057 - 18] |
0 | 1'38 | Cyrille Aufort | Static & uneasy. Long atmospheric chords & waterphone. | 冰冷 令人不安 抱歉 悬念 | G | 71 | |||
|
Washed Ashore [CEZ4058 - 27] |
0 | 1'51 | Loïs Blanca | Futility of resistance. Shimmering strings with soundscape chords. | 飞行 悬念 伤心 气氛 | Em | 114 |