Straight-ahead driving darker electronic pop. Building synths and ...Straight-ahead driving darker electronic pop. Building synths and drums. Energetic but with a slightly brooding feel.
The arrows and the squares are not even shapes to meI leave this world forgivingThe fate for which i cared Let's all make a fire and talk about those spheres
Glitchy, chopped-up feel dance/samba track with some mechanical ...Glitchy, chopped-up feel dance/samba track with some mechanical sounds and a driving bassline.
Brazilian disco. Builds up gradually. Traditional & electronic ...Brazilian disco. Builds up gradually. Traditional & electronic percussion. Solid bass line & guitar riff @ 0'52.
Latin Pop Song. Male vocal & choir. Joyful & exhilariting. Solo ...Latin Pop Song. Male vocal & choir. Joyful & exhilariting. Solo trumpet @ 1'49.歌词
Sal de la playa mi amor que yo te quiero llevar a gozar el nuevo ritmo que hace furor ponte tus zapatitos de charol que toda la noche vamos a gozar del cha-cha-cha
Te tienes que decidir porque la orquesta ya va a comenzar al son de maracas trompeta y bongo musica y dulces palabras de amor, mira y el universo va girando al compas del cha-cha-cha
Cha-cha-cha
chara-chara-cha cha-cha-cha
chara-chara-cha
Y bailalo bonito todo meneadito con ese cuerpito aaay!
Electro-batucada. Festive & industrial. Percussion ensemble with fx & ...Electro-batucada. Festive & industrial. Percussion ensemble with fx & electronics.
Frantic, dynamic, tense. Ornate plucked string of middle-eastern ...Frantic, dynamic, tense. Ornate plucked string of middle-eastern tradition plays out a glissando trilling sequence with a sense of purpose and drive as percussion grows into modern bass and dance beat. Determined chord sequence rises through mystic-sounding melodies. A sense of panic and intrigue. A race through a middle eastern market or city street.
Frantic, dynamic, tense. Ornate plucked string of middle-eastern ...Frantic, dynamic, tense. Ornate plucked string of middle-eastern tradition plays out a glissando trilling sequence with a sense of purpose and drive as percussion grows into modern bass and dance beat. Determined chord sequence rises through mystic-sounding melodies. A sense of panic and intrigue. A race through an Arabian market or city street. Instrumental version.
Frantic, dynamic, tense. Ornate plucked string of middle-eastern ...Frantic, dynamic, tense. Ornate plucked string of middle-eastern tradition plays out a glissando trilling sequence with a sense of purpose and drive as percussion grows into modern bass and dance beat. Determined chord sequence rises through mystic-sounding melodies. A sense of panic and intrigue. A race through an Arabian market or city street. Stripped back underscore version.
Rough, intense, strong. Flutes and middle-eastern hand drums launch ...Rough, intense, strong. Flutes and middle-eastern hand drums launch into fast-paced beat chased by agile traditional string instruments. A chase scene through a market or desert city. DJ FX offer a more modern touch. Flurry of notes in quick succession give a sense of panic or nervousness. Female vocals improvise in passionate manner in the backdrop.
Rough, intense, strong. Flutes and middle-eastern hand drums launch ...Rough, intense, strong. Flutes and middle-eastern hand drums launch into fast-paced beat chased by agile traditional string instruments. A chase scene through a market or desert city. DJ FX offer a more modern touch. Flurry of notes in quick succession give a sense of panic or nervousness. Instrumental version.
Rough, intense, strong. Flutes and middle-eastern hand drums give ...Rough, intense, strong. Flutes and middle-eastern hand drums give rise to pacy instrumentation. A chase scene through a market or desert city. Flurry of notes in quick succession give a sense of panic or nervousness. Stripped back underscore version.
A song about unrequited love sung in Spanish to a cumbia pop beat: ...A song about unrequited love sung in Spanish to a cumbia pop beat: ''You, you were bad, you broke my heart, oh how it hurt''. Sentimental, swinging, danceable & exotic. Female vocals, Latin percussion, keys & rhythm section.歌词
ES:
Tú fuiste malo, tú fuiste malo oh oh
Tu, tú fuiste malo, rompiste mi Corazón hay como me dolió.
Tu, tú fuiste malo, hay ya no tienes perdón, que perdone Dios.
Baby yo no te deseo nada malo, quiero que te vaya, te vaya bien, todo el amor que te di me salió caro tú te la gozaste pero yo también.
Hay mañana sale sol y no siento tu olor yo creo que te olvide de ti bebe
Mejor sola que mal acompaña,
No extraño tus besos ni tu mirada
Me puse mamasita, pero pa ti nada
Tu, tú fuiste malo, rompiste mi Corazón hay como me dolió.
Tu, tú fuiste malo, hay ya no tienes perdón, que perdone Dios.
Ya yo no te creo
No te creo nada
Caí en tu terreno por que estaba enamorada
Hay mañana sale sol y no siento tu olor yo creo que te olvide de ti bebe
Ya yo no te creo
No te creo nada
Caí en tu terreno por que estaba enamorada
Mejor sola que mal acompaña,
No extraño tus besos ni tu mirada
Me puse mamasita, pero pa ti nada
Tu, tú fuiste malo, rompiste mi Corazón hay como me dolió.
Tu, tú fuiste malo, hay ya no tienes perdón, que perdone Dios.
ENG:
You were bad, you were bad, oh oh.
You, you were bad, you broke my heart, oh how it hurt.
You, you were bad, oh, there's no forgiveness, may God forgive you.
Baby, I don't wish you any harm, I want you to go, I want you to do well, all the love I gave you cost me dearly, you enjoyed it, but so did I.
Tomorrow the sun will rise and I won't smell your scent, I think I've forgotten you, baby.
Better alone than in bad company,
I don't miss your kisses or your gaze.
I got hot, but not for you.
You, you were bad, you broke my heart, oh how it hurt.
You, you were bad, now you have no forgiveness, may God forgive you.
I don't believe you anymore.
I don't believe you at all.
I fell into your trap because I was in love.
Tomorrow the sun will rise and I won't smell your scent. I think I've forgotten you, baby.
I don't believe you anymore.
I don't believe you at all.
I fell into your trap because I was in love.
Better alone than in bad company.
I don't miss your kisses or your gaze.
I got hot, but not for you.
You, you were bad, you broke my heart, oh how it hurt.
You, you were bad, now you have no forgiveness, may God forgive you.
FR:
Tu étais mauvais, tu étais mauvais oh oh oh
Tu as été méchant, tu as été méchant, tu m'as brisé le cœur, c'est comme ça que ça m'a fait mal.
Tu, tu as été méchant, tu as été méchant, il n'y a pas de pardon, que Dieu te pardonne.
Bébé, je ne te souhaite rien de mal, je veux que tu partes, je veux que tu partes bien, tout l'amour que je t'ai donné est sorti cher, tu l'as apprécié mais moi aussi.
Je ne sens pas ton odeur, je crois que je t'ai oubliée bébé
Mieux vaut être seul que mal accompagné,
Tes baisers et ton regard ne me manquent pas
J'ai la mamasita, mais pour toi rien
Tu as été méchant, tu m'as brisé le cœur, c'est comme ça que ça m'a fait mal.
Tu as été mauvais, tu as été mauvais, il n'y a pas de pardon, que Dieu te pardonne.
Je ne te crois plus
Je ne te crois plus du tout
Je suis tombée dans ton pays parce que j'étais amoureuse
Je ne te crois pas, je ne te crois pas, je ne te crois pas, je ne te crois pas.
Je ne te crois plus
Je ne te crois plus du tout
Je suis tombé sur ton sol parce que j'étais amoureux
Mieux vaut être seul que mal accompagné
Tes baisers et ton regard ne me manquent pas
J'ai une mamasita, mais pour toi rien
Tu as été méchant, tu m'as brisé le cœur, c'est comme ça que ça m'a fait mal.
Tu as été mauvais, tu as été mauvais, il n'y a pas de pardon, que Dieu te pardonne.
Arrogant, stylish, bumping. Comedic intro with trappy percussion and ...Arrogant, stylish, bumping. Comedic intro with trappy percussion and charismatic female vocals asking mirror who the most stylish person is. Explosion into trappy sub bass energy, a person who commands attention. Loud and proud energy. Winning attitude supported by inane instrumentation with bouncy sub bass and chattering hi hats. A charismatic or arrogant character demanding looks and whispers.歌词
Mirror, mirror on the wall, Am I the prettiest? Am I the flyest? You can't walk like me, you can't talk like me, So what you gonna do, Let’s Go.
All them eyes on me, all them eyes on me ya ya, All them eyes on me, Who run it, All them eyes on me, all them eyes on me ya ya, All them eyes on me.
Cuz I'm up, watch me turn it up, Walking in the club yea yea, Pull it pull it up, give me what I want.
I'm a big stepper, all eyes on me, When I walk in, I move like a queen, Gold on my neck, ice on my sleeve, I do with real rich, I do with ease.
My money super long, stack super neat, And I ain't gotta flex but they still try to compete, My crown super high, my throne super deep, And I don't lose no sleep, I just win and repeat.
Cuz I'm up, watch me turn it up, Walking in the club yea yea, Pull it pull it up, sipping from my cup yea yea, And I'm super fly and you know whatsup yea yea, I'm just swiping by, give me what I want.
All them eyes on me, all them eyes on me ya ya, All them eyes on me, Who run it, All them eyes on me, all them eyes on me ya ya, All them eyes on me.
I'm shameless, find me in the bag girl pages, Soon as you get home, gimme that, And your wages, You like it don't you, yea we on the same pages, I'm rude and I'm famous, I take a lot of patience.
Now baddies come in threes and the money come go early, So gimme all the cheese, You don't need it, you ain't worthy, And look me in my eyes and show me all your pearlys, Bet you've never ever seen a body this curvy.
All them eyes on me, all them eyes on me ya ya, All them eyes on me, Who run it, All them eyes on me, all them eyes on me ya ya, All them eyes on me.
Arrogant, stylish, bumping. Trappy percussion explodes into sub bass ...Arrogant, stylish, bumping. Trappy percussion explodes into sub bass energy, a person who commands attention. Loud and proud energy. Inane instrumentation with bouncy sub bass and chattering hi hats. A charismatic or arrogant character demanding looks and whispers from onlookers. No lead vocal version.
Arrogant, stylish, bumping. Trappy percussion explodes into sub bass ...Arrogant, stylish, bumping. Trappy percussion explodes into sub bass energy, a person who commands attention. Loud and proud energy. Inane instrumentation with bouncy sub bass and chattering hi hats. A charismatic or arrogant character demanding looks and whispers from onlookers. Instrumental version.
Arrogant, stylish, bumping. Trappy percussion explodes into sub bass ...Arrogant, stylish, bumping. Trappy percussion explodes into sub bass energy, a person who commands attention. Loud and proud energy. Inane instrumentation with bouncy sub bass and chattering hi hats. A charismatic or arrogant character demanding looks and whispers from onlookers. Stripped back underscore version.