专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
---|---|---|---|---|---|---|---|---|---|---|---|
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Screaming Demons [CET9014 - 3] |
2'25 | Martin Emilio Insaurgarat | Threatening & thrilling intro with clock. Terrorizing, shrill & ... | 恐怖 诡异 神经病 恐怖片... | Ebm | 110 | ||||
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Screaming Demons Alternate [CET9014 - 15] |
版本. | 2'25 | Martin Emilio Insaurgarat | Alternate with less percussion. Threatening intro with clock. ... | 恐怖 诡异 神经病 恐怖片... | Ebm | 110 | |||
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Damnation [CET9014 - 8] |
2'09 | Martin Emilio Insaurgarat | Dark, clanking & nightmarish first part. Disruptive, abstract & ... | 恐怖 恐怖片 悬念 摩擦声... | Bbm | 120 | ||||
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Damnation Alternate [CET9014 - 20] |
版本. | 2'04 | Martin Emilio Insaurgarat | Alternate without percussion. Worrying, clanching & menacing first ... | 恐怖 恐怖片 悬念 摩擦声... | Bb | 120 | |||
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Anxiety [CET9014 - 11] |
2'06 | Martin Emilio Insaurgarat | Wacky, chaotic, horrifying & distressing. Regular clock @ 0'36. Weird ... | 恐怖 调查研究 冲突 恐怖片... | Ebm | 120 | ||||
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Anxiety Alternate [CET9014 - 23] |
版本. | 2'06 | Martin Emilio Insaurgarat | Alternate without percussion. Wacky, horrifying & irritating. Regular ... | 恐怖 调查研究 冲突 恐怖片... | Eb | 120 | |||
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Necrosis [CET9014 - 12] |
2'08 | Martin Emilio Insaurgarat | Disruptive & bizarre with a mischievous & nightmarish touch. Trailer ... | 恐怖片 追逐场面 神经病 悬念... | Bm | 120 | ||||
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Necrosis Alternate [CET9014 - 24] |
版本. | 2'07 | Martin Emilio Insaurgarat | Alternate with less percussion. Disruptive & bizarre with a ... | 恐怖片 追逐场面 神经病 悬念... | B | 120 | |||
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Hours Passing Slowly [CEO2101 - 7] |
0 | 2'14 | Alice Guerlot Kourouklis | Suspended, regular & patient. String quartet & electronics playing ... | 稳定的 进行中 时间(滴答声) 社会悲剧... | E | 110 | |||
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Disappearing Forest [CEG5015 - 3] |
0 | 2'07 | Baptiste Thiry | Interrogative & tense. Build-up gradually. Hang drum, acoustic ... | 热带雨林 钢鼓 疑问 科学... | D | 123 | |||
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Giant Trees [CEG5015 - 12] |
0 | 2'23 | Baptiste Thiry | Anticipation, punctuated but suspended. Constant progression. ... | 画面感 热带雨林 全景图 伴音... | A | 68 | |||
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A Pledge [CEO2096 - 10] |
0 | 1'54 | Baptiste Thiry | Corporate / waltz movement / underscore. Serious & driving. @ 1'20 ... | 命运 政治 严谨 公司... | A | 162 | |||
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Man About Town [BIB108 - 2] |
3'13 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Upbeat, dynamic, reflective. Determined piano chords with thoughtful ... | 严谨 科学 朗朗上口 公司... | Am | 130 | ||||
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Man About Town 30sec [BIB108 - 11] |
版本. | 0'30 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Upbeat, dynamic, reflective. Determined piano chords with thoughtful ... | 严谨 科学 朗朗上口 公司... | Dm | 130 | |||
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Evident [BIB088 - 2] |
3'25 | Conor O'Brien | Restless, mysterious, intriguing. Investigative cue featuring pulsing ... | 悬念 间谍片 令人不安 调查研究... | Em | 89 | ||||
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Evident - Underscore [BIB088 - 12] |
版本. | 3'27 | Conor O'Brien | Restless, mysterious, intriguing. Stripped back underscore version. ... | 令人不安 调查研究 悬念 间谍片... | Em | 89 | |||
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Enemy Lines [BIB088 - 3] |
3'31 | Conor O'Brien | Investigative, propulsive, mysterious. Stripped back underscore ... | 无情 悬念 间谍片 调查研究... | Dm | 120 | ||||
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Enemy Lines - Underscore [BIB088 - 13] |
版本. | 3'30 | Conor O'Brien | Investigative, propulsive, mysterious. Stripped back underscore ... | 无情 悬念 间谍片 调查研究... | Dm | 93 | |||
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Unknown Source [BIB088 - 8] |
2'45 | Conor O'Brien | Ethereal, mysterious, atmospheric. Investigative, curious chiming ... | 科学 气氛 自然灾害 催眠... | Am | 136 | ||||
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Unknown Source - Underscore [BIB088 - 18] |
版本. | 2'49 | Conor O'Brien | Ethereal, mysterious, atmospheric. Stripped back underscore version. ... | 科学 气氛 自然灾害 催眠... | F | 136 | |||
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Half Asleep [BIB088 - 9] |
2'30 | Conor O'Brien | Curious, intriguing, quirky. Inquisitive and playful pizzicato ... | 讽刺 & 恶意 手工业 悲喜剧 疑问... | Abm | 100 | ||||
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Half Asleep - Underscore [BIB088 - 19] |
版本. | 2'30 | Conor O'Brien | Curious, intriguing, quirky. Stripped back underscore version. ... | 手工业 讽刺 & 恶意 好玩 悲喜剧... | Abm | 100 | |||
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Cape Canaveral [CEG5014 - 18] |
0 | 2'01 | Gregory Cotti | Urgent, tense & frightening. Programming & electronic percussion. | 机器人 混乱 固执 太空... | Am | 105 | |||
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Success on the Wave [CET9011 - 4] |
2'57 | Gabriel Saban, Philippe Briand | Romantic piano intro evolving with synth pulse & staccato string ... | 公司 联盟 工业 果断... | Db | 118 | ||||
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Success on the Wave Alternate [CET9011 - 17] |
版本. | 2'57 | Gabriel Saban, Philippe Briand | Alternate without percussion. Romantic piano intro evolving with ... | 公司 联盟 工业 果断... | Db | 118 | |||
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Mercury [INP015 - 4] |
2'58 | Jeremy Levy | Heroic, epic, brooding. Dark, bleak introduction with industrial ... | 军事冲突 史诗 科幻片 电子琴... | Fm | 85 | ||||
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Mercury 30sec [INP015 - 17] |
版本. | 0'30 | Jeremy Levy | Heroic, epic, brooding. Mysterious introduction with piano is joined ... | 军事冲突 史诗 科幻片 电子琴... | Fm | 113 | |||
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Spark of Hope [TBX033 - 9] |
2'37 | Opium Flirt | Positive, inspiring, summery. A dreamy intro of emotive, uplifting ... | 联盟 工业 电子琴 气氛... | C | 128 | ||||
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Spark of Hope 30Sec [TBX033 - 21] |
版本. | 0'30 | Opium Flirt | Positive, inspiring, summery. A dreamy intro of emotive, uplifting ... | 联盟 工业 电子琴 气氛... | C | 127 | |||
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Before We Fade [TBX031 - 7] |
3'19 | Ronnie W Verboom | Atmospheric, propulsive, mysterious. Reflective piano is joined by ... | 果断 科学 周期性的 固执... | Gm | 125 | ||||
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Before We Fade 30 sec [TBX031 - 20] |
版本. | 0'30 | Ronnie W Verboom | Atmospheric, propulsive, mysterious. Reflective piano with driving ... | 果断 科学 周期性的 固执... | Gm | 94 | |||
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Train to Andalsnes [TBX031 - 12] |
2'00 | Ronnie W Verboom | Minimal, atmospheric, suspenseful. Bright, echoing synths are joined ... | 冷沙漠 魔幻电影 科学 悬念... | Gm | 81 | ||||
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Train to Andalsnes 30 sec [TBX031 - 25] |
版本. | 0'30 | Ronnie W Verboom | Minimal, atmospheric, suspenseful. Bright, echoing synths are joined ... | 冷沙漠 魔幻电影 科学 悬念... | Gm | 81 | |||
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Come Around [BIB101 - 4] |
3'02 | Conor O'Brien | Emotional, inspiring, wondrous. Expansive introduction of dreamy, ... | 全景图 全景 宁静 自信... | D | 68 | ||||
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Come Around 30 sec [BIB101 - 16] |
版本. | 0'30 | Conor O'Brien | Emotional, inspiring, wondrous. Expansive introduction of dreamy, ... | 气氛 工业 全景图 梦幻... | D | 68 |