| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Interference [ISC110 - 9] |
1'59 | Zoltan Zadori | Cinematic texture. Suspended intro with circular sounds. Build-up @ | 心理剧 进行中 恐怖片 令人不安 | Dm | 104 | ||||
|
Interference Alternate [ISC110 - 19] |
版本. | 1'59 | Zoltan Zadori | Underscore version. | 心理剧 进行中 恐怖片 令人不安 | D | 104 | |||
|
A Hint of Sadness [CEZ4651 - 6] |
0 | 1'03 | Marc-Olivier Dupin | Sparse, nagging & uncertain. Solo piano. Suggested for silent movie. | 疑问 后浪漫时期音乐 无电声钢琴 进行中 | Gbm | 89 | |||
|
Lies Travel Fast [CEZ4684 - 2] |
0 | 2'05 | Third Act | Post-classical music, neo-classical music, film score. Chanted, | 固执 orchestral score 命运 阴险 | Fm | 126 | |||
|
Expectations [CEO2181 - 16] |
0 | 0'42 | Antoine Glatard | Waiting & hoping. Longing. Piano & double bass. Suggested for serious | 内心 命运 进行中 电影原声带 | Am | 96 | |||
|
Forensic [EOS144 - 6] |
0 | 2'36 | Simon Gruwé | Investigative, serious & analytical. Marimba, percussion, electric | 伴音 周期性的 疑问 科学 | Fm | 126 | |||
|
Interstellar Dream [AUD049 - 2] |
2'08 | Richard Mortier | Mysterious, eerie & atmospheric synth pad. Stranger wave. | 合成背景音效 海底 调查研究 神秘 | Cm | 72 | ||||
|
Interstellar Dream (Short
[AUD049 - 7] |
版本. | 0'30 | Richard Mortier | Short edit version. | 合成背景音效 海底 调查研究 神秘 | Cm | 96 | |||
|
The Long Corridor [BIB289 - 4] |
2'01 | Richard Lewis, Paper Boy | Dramatic, investigative, serious. Reversed choral voice lands in | 海底 神秘 催眠 反省 | Cm | 118 | ||||
|
The Long Corridor Alt Version
[BIB289 - 16] |
版本. | 2'01 | Richard Lewis, Paper Boy | Dramatic, investigative, serious. Reversed choral voice lands in | 海底 神秘 催眠 反省 | Cm | 120 | |||
|
The Long Corridor Alt Version
[BIB289 - 17] |
版本. | 2'01 | Richard Lewis, Paper Boy | Dramatic, investigative, serious. Reversed choral voice lands in | 海底 神秘 催眠 反省 | Cm | 120 | |||
|
Cardcastle [CEO2180 - 2] |
0 | 2'17 | Antoine Glatard | Bittersweet, punctuated & inexorable. In a neo-baroque spirit & with | 命运 骄傲 强调突出 电影原声带 | Am | 144 | |||
|
Epilogue [CCB1069 - 8] |
1'58 | Hiroki Ishikura | Electro ambient. Doomed, nocturne & sad. Electronic piano, strings & | electronic score 伤心 社会悲剧 夜晚 | Gm | 81 | ||||
|
Epilogue Alternate 1 [CCB1069 - 18] |
版本. | 1'57 | Hiroki Ishikura | Extended version no rhythm. | electronic score 伤心 社会悲剧 夜晚 | Gm | 86 | |||
|
Epilogue Alternate 2 [CCB1069 - 19] |
版本. | 1'56 | Hiroki Ishikura | Alternate solo piano. | 伤心 夜晚 伴音 独立电影 | Gm | 60 | |||
|
Flatland Shadows [TBX223 - 9] |
2'49 | Lee Franklin, Ethan Maltby | Investigative, toiling, cool. Dissonant moaning from cymbals and | 电影原声带 令人不安 间谍片 阴险 | Em | 90 | ||||
|
Flatland Shadows Underscore [TBX223 - 20] |
版本. | 2'49 | Lee Franklin, Ethan Maltby | Investigative, toiling, cool. Rumbling euphoria from drums and | 电影原声带 令人不安 间谍片 阴险 | Em | 90 | |||
|
The Thrill - Closing Theme [CEZ4668 - 9] |
1'03 | Laetitia Frenod | Electronic score. Hypnotic, repetitive & futuristic. Bass, 1980s | 令人不安 科幻片 进行中 恐怖片 | Ebm | 154 | ||||
|
The Thrill - Closing Theme
[CEZ4668 - 50] |
版本. | 1'03 | Laetitia Frenod | Version without drums | 令人不安 科幻片 进行中 调查研究 | Ebm | 153 | |||
|
The Thrill - Closing Theme
[CEZ4668 - 51] |
版本. | 0'30 | Laetitia Frenod | 30 second cut | 令人不安 科幻片 进行中 调查研究 | Ebm | 153 | |||
|
The Thrill - Closing Theme
[CEZ4668 - 52] |
版本. | 0'30 | Laetitia Frenod | 30 second cut without drums | 令人不安 科幻片 进行中 调查研究 | Ebm | 154 | |||
|
The Thrill - Closing Theme
[CEZ4668 - 53] |
版本. | 0'20 | Laetitia Frenod | 20 second cut | 令人不安 科幻片 进行中 调查研究 | Ebm | 153 | |||
|
The Thrill - Closing Theme
[CEZ4668 - 54] |
版本. | 0'20 | Laetitia Frenod | 20 second cut without drums | 令人不安 科幻片 进行中 调查研究 | Ebm | 154 | |||
|
The Thrill - Closing Theme
[CEZ4668 - 55] |
版本. | 0'09 | Laetitia Frenod | Sting | 令人不安 科幻片 进行中 调查研究 | B | 153 | |||
|
Investigating Smartly [CEZ4671 - 4] |
1'41 | Julien Vega | Light Tension / Dramedy. Cautious & mysterious with a light suspense. | 悲喜剧 疑问 阴险 进行中 | Dm | 130 | ||||
|
Investigating Smartly
[CEZ4671 - 21] |
版本. | 1'35 | Julien Vega | Underscore version | 悲喜剧 疑问 阴险 进行中 | Dm | 130 | |||
|
All I Know [CEZ4670 - 1] |
2'13 | Rajaah | Hip hop. Heavy, bouncy, proud, provocative & nocturnal. Sample of | 态度 节奏感 陷阱音乐 骄傲 | Ebm | 119 | ||||
|
All I Know Alternate [CEZ4670 - 9] |
版本. | 2'13 | Rajaah | Instrumental version. | 态度 陷阱音乐 骄傲 都市景色 | Ebm | 119 | |||
|
All I Know Edit 60 sec [CEZ4670 - 10] |
版本. | 1'00 | Rajaah | 60 second cut. | 态度 陷阱音乐 骄傲 都市景色 | Bbm | 118 | |||
|
All I Know Edit 30 sec [CEZ4670 - 11] |
版本. | 0'30 | Rajaah | 30 second cut. | 态度 陷阱音乐 骄傲 都市景色 | Ebm | 119 | |||
|
All I Know Edit 20 sec [CEZ4670 - 12] |
版本. | 0'20 | Rajaah | 20 second cut. | 态度 陷阱音乐 骄傲 都市景色 | Ebm | 119 | |||
|
All I Know Edit Sting [CEZ4670 - 13] |
版本. | 0'11 | Rajaah | Sting. | 态度 陷阱音乐 骄傲 都市景色 | Bb | 149 | |||
|
Fast Lane to Legend [CEZ4670 - 5] |
2'14 | Rajaah | Drum & bass. French touch. Introduction with radiant synth sequence & | 滑行运动 鼓和贝司 团队运动 气氛 | Bbm | 89 | ||||
|
Fast Lane to Legend Alternate [CEZ4670 - 27] |
版本. | 2'14 | Rajaah | Instrumental version. | 滑行运动 鼓和贝司 团队运动 气氛 | Bbm | 89 | |||
|
Fast Lane to Legend Edit 60
[CEZ4670 - 28] |
版本. | 1'00 | Rajaah | 60 second cut. | 滑行运动 鼓和贝司 团队运动 气氛 | Bbm | 89 | |||
|
Fast Lane to Legend Edit 30
[CEZ4670 - 29] |
版本. | 0'30 | Rajaah | 30 second cut. | 滑行运动 鼓和贝司 团队运动 气氛 | Ab | 89 | |||
|
Fast Lane to Legend Edit 20
[CEZ4670 - 30] |
版本. | 0'20 | Rajaah | 20 second cut. | 滑行运动 鼓和贝司 团队运动 气氛 | Ab | 89 | |||
|
Fast Lane to Legend Edit Sting [CEZ4670 - 31] |
版本. | 0'13 | Rajaah | Sting. | 滑行运动 鼓和贝司 团队运动 气氛 | Bbm | 88 | |||
|
Echoes of the Wild [ISC099 - 3] |
3'18 | Loic Ghanem | Cinematic soundscape. Intriguing, mysterious, discontinuous & | 自然灾害 疑问 神秘 阴险 | G | 147 | ||||
|
Echoes of the Wild Alternate [ISC099 - 12] |
版本. | 3'18 | Loic Ghanem | Version without percussion. | 自然灾害 疑问 神秘 阴险 | G | 147 | |||
|
Every Lead Is Important [CEG5055 - 4] |
3'09 | Louis Edlinger | Organic electro. Interrogative, suspended, disturbing, repetitive & | 信息技术 调查研究 司法 神秘 | Gbm | 86 | ||||
|
Every Lead Is Important
[CEG5055 - 17] |
版本. | 3'02 | Louis Edlinger | Version with no rhythm & less synth. | 信息技术 调查研究 司法 神秘 | Gbm | 87 | |||
|
Every Lead Is Important
[CEG5055 - 18] |
版本. | 2'15 | Louis Edlinger | Version with less synth. | 极简电子音乐 间谍片 原声电子 令人不安 | Gbm | 86 | |||
|
Time Lingers [CCB1067 - 2] |
3'21 | Thomas Lucas | Emotional, inspirational & cinematic. Intro with piano ping. Female | 飞行 神秘 画面感 感动 | Bbm | 62 | ||||
|
Time Lingers Alternate [CCB1067 - 16] |
版本. | 3'20 | Thomas Lucas | Underscore version | 神秘 感动 稀疏 梦幻 | Bbm | 82 | |||
|
Time Lingers Edit 1 20 sec [CCB1067 - 17] |
版本. | 0'20 | Thomas Lucas | Cut 20 secondes | 神秘 感动 稀疏 梦幻 | Gb | 103 | |||
|
Time Lingers Edit 2 30 sec [CCB1067 - 18] |
版本. | 0'30 | Thomas Lucas | Cut 30 secondes | 神秘 感动 稀疏 梦幻 | Bbm | 104 | |||
|
Time Lingers Edit 3 60 sec [CCB1067 - 19] |
版本. | 1'00 | Thomas Lucas | Cut 60 secondes | 神秘 感动 稀疏 梦幻 | Bbm | 118 | |||
|
Time Lingers Edit 4 Sting [CCB1067 - 20] |
版本. | 0'12 | Thomas Lucas | Sting | 神秘 感动 稀疏 梦幻 | Gb | 105 | |||
|
Online Fact Verification [CEG5054 - 6] |
2'59 | Gopal Sound | Electro beat, chiptune with a vintage vibe. Bouncy, determined & | 间谍片 稳定的 信息技术 electro beat | Cm | 120 | ||||
|
Online Fact Verification
[CEG5054 - 39] |
版本. | 2'58 | Gopal Sound | Alternate no rhythm. | 间谍片 稳定的 信息技术 electro beat | Cm | 178 | |||
|
Online Fact Verification Edit
[CEG5054 - 40] |
版本. | 0'15 | Gopal Sound | 60 second cut. | 间谍片 稳定的 信息技术 electro beat | Cm | 120 | |||
|
Online Fact Verification Edit
[CEG5054 - 41] |
版本. | 0'30 | Gopal Sound | 30 second cut. | 间谍片 稳定的 信息技术 electro beat | Cm | 120 | |||
|
Online Fact Verification Edit
[CEG5054 - 42] |
版本. | 1'00 | Gopal Sound | 15 second cut. | 间谍片 稳定的 信息技术 electro beat | Cm | 120 | |||
|
Online Fact Verification Edit
[CEG5054 - 43] |
版本. | 0'06 | Gopal Sound | Sting. | 间谍片 稳定的 信息技术 electro beat | Cm | 172 | |||
|
Spamware [CEG5054 - 11] |
1'44 | Benjamin Doherty | Electro beat. Swarming, noisy & inexorable. Synth & sound design. | 间谍片 稳定的 背景电子乐 工业 | Gm | 120 | ||||
|
Spamware Alternate [CEG5054 - 59] |
版本. | 1'43 | Benjamin Doherty | Alternate underscore. | 间谍片 稳定的 背景电子乐 工业 | G | 120 | |||
|
Spamware Edit 60 sec [CEG5054 - 60] |
版本. | 0'15 | Benjamin Doherty | 60 second cut. | 间谍片 稳定的 背景电子乐 工业 | Gm | 118 | |||
|
Spamware Edit 30 sec [CEG5054 - 61] |
版本. | 0'30 | Benjamin Doherty | 30 second cut. | 间谍片 稳定的 背景电子乐 工业 | Gm | 118 | |||
|
Spamware Edit 15 sec [CEG5054 - 62] |
版本. | 0'59 | Benjamin Doherty | 15 second cut. | 间谍片 稳定的 背景电子乐 工业 | Gm | 120 | |||
|
Spamware Edit Sting [CEG5054 - 63] |
版本. | 0'11 | Benjamin Doherty | Sting. | 间谍片 稳定的 背景电子乐 工业 | Gm | 118 | |||
|
Up & Down [TBX212 - 6] |
2'00 | Yaacov Hokima | Playful, buoyant, dancey. Simple house beat rattles away with a | 俱乐部 动人 极限运动 tech house | Cm | 123 | ||||
|
Up & Down (Underscore) [TBX212 - 16] |
版本. | 2'00 | Yaacov Hokima | Playful, buoyant, dancey. Simple house beat rattles away with a | 俱乐部 动人 极限运动 朗朗上口 | Cm | 123 |