| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Geopolitics of Climate Change [CEO2155 - 20] |
0 | 2'50 | Alice Guerlot Kourouklis | Constant, disturbing & serious. Electronic percussion, synth layers & | 科学 社会悲剧 工业 严谨 | Gm | 95 | |||
|
Silver Fingers [CEZ4601 - 13] |
0 | 2'25 | Renaud Garcia-Fons | Lively,stirring & cheerful. Double bass playing in unison with vibes | 自信 果断 动人 拨奏低音提琴 | Dm | 136 | |||
|
Lemurian Groove [CEZ4600 - 5] |
0 | 2'07 | Renaud Garcia-Fons | Jazz world. Stealthy, bouncy, playful & exotic. Double bass, Fender | 异域 疑问 调查研究 世界爵士 | Dm | 144 | |||
|
I'm Coming Home [INP057 - 9] |
3'25 | Rein Godefroij | Triumphant, heartfelt, epic. Twinkling instrumentation moves into | 自信 电子琴 电子鼓 梦幻 | Bbm | 86 | ||||
|
I'm Coming Home (Underscore) [INP057 - 22] |
版本. | 3'25 | Rein Godefroij | Triumphant, heartfelt, epic. Twinkling instrumentation moves into | 自信 电子琴 梦幻 有节奏感 | Bbm | 85 | |||
|
Creepy Memories [CET9085 - 5] |
2'00 | Zoltan Zadori | Horror track. Discontinuous & ominous intro with loud cinematic | 中断 进行中 恐怖片 悬念 | Cm | 105 | ||||
|
Creepy Memories Alternate [CET9085 - 14] |
版本. | 2'00 | Zoltan Zadori | Alternate version without strings. | 中断 进行中 恐怖片 悬念 | Cm | 104 | |||
|
Driving At The Golden Hour [CEZ4591 - 14] |
3'41 | Paul Thorne | Vaporwave / Dark Disco / Electro. Deep, nocturnal, upbeat & hazy. | 都市 夜晚 固执 信息技术 | Em | 124 | ||||
|
Driving At The Golden Hour
[CEZ4591 - 32] |
版本. | 1'34 | Paul Thorne | Alternate underscore with mysterious synth & vocal FX fitting | 都市 夜晚 固执 信息技术 | B | 124 | |||
|
Driving At The Golden Hour
[CEZ4591 - 34] |
版本. | 3'41 | Paul Thorne | Alternate no vocal. | 都市 夜晚 固执 信息技术 | Em | 123 | |||
|
Driving At The Golden Hour
[CEZ4591 - 35] |
版本. | 3'41 | Paul Thorne | Alternate no FX. | 都市 夜晚 固执 信息技术 | Em | 124 | |||
|
Driving At The Golden Hour
[CEZ4591 - 36] |
版本. | 3'41 | Paul Thorne | Alternate no vocal & FX. | 都市 夜晚 固执 信息技术 | Em | 124 | |||
|
Thrust [INP059 - 6] |
2'57 | Niklas Aaman | Energetic, beastly, technological. Rumbling moves into glitchy | 赛车 固执 极限运动 冲突 | C | 110 | ||||
|
Thrust (Underscore) [INP059 - 18] |
版本. | 0'48 | Niklas Aaman | Energetic, beastly, technological. Glitchy bassline and bleeping FX | 赛车 固执 极限运动 冲突 | Fm | 110 | |||
|
Night City Driving [INP056 - 6] |
2'31 | Sergey Kolosov | Raw, cool, groovy. Bubbly synth bass plays out with a funky marching | 固执 动人 电吉他 神秘 | Bm | 88 | ||||
|
Night City Driving
[INP056 - 20] |
版本. | 2'31 | Sergey Kolosov | Raw, cool, groovy. Straightforward funky percussion plays in a slow, | 固执 动人 神秘 节奏乐器组 | Bm | 88 | |||
|
Night City Driving
[INP056 - 21] |
版本. | 2'25 | Sergey Kolosov | Raw, cool, groovy. Bubbly synth bass plays out with a funky marching | 固执 动人 电吉他 神秘 | Bm | 117 | |||
|
Unseen Chapter [EOS103 - 6] |
0 | 2'55 | Stéphane Augier de Moussac, Eric Volpatti | Dynamic, mysterious & repetitive. Electric guitar, electric piano, | 神秘 果断 疑问 夜晚 | Bbm | 138 | |||
|
The Final Question [CEZ4592 - 1] |
0 | 1'41 | Thomas Didier | Suspense, time passing bed. Sudden, tense & stressful. Intro with | 竞猜节目 时间(滴答声) 悬念 周期性的 | Dm | 105 | |||
|
Solving the Crime [CEZ4592 - 6] |
1'38 | Thomas Didier | Suspenseful, ticking bed. Mysterious, nocturne & patient. Synth & | 进行中 调查研究 耐心 时间(滴答声) | Ebm | 112 | ||||
|
Solving the Crime Alternate [CEZ4592 - 20] |
版本. | 1'38 | Thomas Didier | Alternate no clock fx. | 催眠 神秘 时间(滴答声) 耐心 | Ebm | 112 | |||
|
Puzzle Room [CEZ4592 - 10] |
1'35 | Thomas Didier | Suspense bed. Enigmatic, tense & dark. Synth & percussion. Ideal for | 耐心 调查研究 进行中 令人不安 | Bbm | 100 | ||||
|
Puzzle Room Alternate [CEZ4592 - 23] |
版本. | 1'31 | Thomas Didier | Alternate no percussion. | 调查研究 进行中 令人不安 竞猜节目 | Bbm | 100 | |||
|
Hesitation and Reflection [CEZ4574 - 10] |
0 | 2'37 | Arnaud de Buchy | Intriguing, haunting & regular. String orchestra & kalimba. | 社会悲剧 反省 命运 地理政治 | Am | 100 | |||
|
Level It Up [TBX164 - 11] |
1'58 | Erik Liden, Hannes Liden | Significant, charged, smart. Subtle strings create an atmosphere of | 电子琴 电影节奏 固执 都市景色 | Cm | 86 | ||||
|
Level It Up (Underscore) [TBX164 - 26] |
版本. | 1'58 | Erik Liden, Hannes Liden | Significant, charged, smart. Subtle strings create an atmosphere of | 电影节奏 固执 都市景色 冲击 | Cm | 87 | |||
|
Warface [ISC041 - 5] |
2'00 | Giorgos Lorantakis | Urgent & metallic intro with rhythmic & gun loading sounds. | 战争 冲突 紧急 战士 | Gm | 146 | ||||
|
Warface Alternate [ISC041 - 19] |
版本. | 2'00 | Giorgos Lorantakis | Alternate version without guns. | 战争 冲突 紧急 战士 | Gm | 146 | |||
|
Shades Of Blue [TBX162 - 6] |
2'50 | Jonathan Spanyol | Smokey, solemn, suave. Piano and impassioned muted trumpet branch out | 懒惰 夜晚 黑色电影 都市景色 | Am | 105 | ||||
|
Shades Of Blue (Underscore) [TBX162 - 17] |
版本. | 02'50 | Jonathan Spanyol | Smokey, solemn, suave. Piano lands soft and sorrowful chords as brush | 懒惰 夜晚 黑色电影 都市景色 | Am | 105 | |||
|
For All The World [TBX162 - 9] |
3'00 | Philip Surtees | Hopeful, melancholy, uncertain. Nervy piano plays softy, creating an | 电影爵士乐 黑色电影 忧伤 耐心 | Ebm | 85 | ||||
|
For All The World (Underscore) [TBX162 - 20] |
版本. | 3'00 | Philip Surtees | Hopeful, melancholy, uncertain. Nervy piano plays softy, creating an | 电影爵士乐 黑色电影 伤心 忧伤 | Ebm | 85 | |||
|
Asteroid Rain [CEO2149 - 1] |
0 | 2'18 | Thomas Lucas | Cinematic Hip-Hop, cinematic beat. Edgy, panoramic & a bit | 内心 明朗 都市景色 电影节奏 | Gm | 100 | |||
|
Is That Him Again [BIB243 - 13] |
1'53 | RONNIE VERBOOM | Dangerous, hypnotic. Fuzzy off-kilter notes echo out into an | 令人不安 神秘 神经病 画面感 | Dm | 120 | ||||
|
Is That Him Again (Underscore) [BIB243 - 25] |
版本. | 1'53 | RONNIE VERBOOM | Dangerous, hypnotic. Fuzzy off-kilter notes echo out into an | 令人不安 神秘 神经病 画面感 | Dm | 161 | |||
|
Supernaturally Charged [CCB1058 - 9] |
0 | 2'00 | Rémo | Dark ambient, experimental electro. Disturbing, scary & threatening. | 无情 进步 科幻片 有毒 | Cm | 65 |