| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Half A Lie [AMS5062 - 2] |
2'47 | Anthony Damario, Guillaume Boisseau | Cinematic trailer. Strange & on hold intro with female voice, | 画面感 高潮 令人不安 预告片 | Dm | 125 | ||||
|
Half A Lie Alternate 1 [AMS5062 - 17] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate without percussion. | 画面感 高潮 令人不安 预告片 | Dm | 125 | |||
|
Half A Lie Alternate 2 [AMS5062 - 18] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate with percussion only. | 画面感 高潮 令人不安 预告片 | Ebm | 124 | |||
|
Half A Lie Alternate 3 [AMS5062 - 19] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate without string section | 画面感 高潮 令人不安 预告片 | D | 124 | |||
|
Half A Lie Alternate 4 [AMS5062 - 20] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate without choir. | 画面感 高潮 令人不安 预告片 | Dm | 125 | |||
|
Half A Lie Alternate 5 [AMS5062 - 21] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate bed version. | 画面感 高潮 令人不安 预告片 | D | 125 | |||
|
Half A Lie Alternate 6 [AMS5062 - 22] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate underscore. | 画面感 高潮 令人不安 预告片 | Dm | 125 | |||
|
Half A Lie Edit 1 30 sec [AMS5062 - 23] |
版本. | 0'34 | Anthony Damario, Guillaume Boisseau | 30 second cut. | 画面感 令人不安 预告片 史诗 | Dm | 125 | |||
|
Half A Lie Edit 2 15 sec [AMS5062 - 24] |
版本. | 0'19 | Anthony Damario, Guillaume Boisseau | 15 second cut. | 画面感 高潮 令人不安 预告片 | Dm | 125 | |||
|
Consequences [ISC110 - 6] |
2'30 | Zoltan Zadori | Cinematic texture. Repetitive & mechanical build up with an ever | 画面感 悬念 恐怖片 间谍片 | C | 82 | ||||
|
Consequences Alternate [ISC110 - 16] |
版本. | 2'30 | Zoltan Zadori | Underscore version. | 画面感 悬念 恐怖片 间谍片 | C | 164 | |||
|
Softly on Tiptoes [CEZ4651 - 15] |
0 | 0'57 | Marc-Olivier Dupin | Delicate, shy, restrained & waiting. Solo piano. | 疑问 后浪漫时期音乐 无电声钢琴 默剧 | Em | 97 | |||
|
Sparkles in the Darkness [CEZ4685 - 7] |
0 | 2'11 | Third Act | Post-classical music, neo-classical music, film score. Cold, dreamy & | 反省 社会悲剧 气氛 画面感 | G | 100 | |||
|
An uncertain time [CEO2181 - 14] |
0 | 2'10 | Antoine Glatard | Discreet, thoughtful, intimate & narrative. Progression from 0'59. | 进行中 反省 电影原声带 司法 | Cm | 167 | |||
|
Tomorrow [AMS5059 - 4] |
1'53 | Philippe Briand | Cinematic piano. Playful piano intro with ticking fx. Mysterious | 画面感 调查研究 神秘 进行中 | Cm | 96 | ||||
|
Tomorrow Alternate [AMS5059 - 16] |
版本. | 1'53 | Philippe Briand | Solo piano version | 画面感 调查研究 神秘 进行中 | Eb | 96 | |||
|
Tomorrow Edit 1 30 sec [AMS5059 - 17] |
版本. | 0'30 | Philippe Briand | 30 second cut | 画面感 调查研究 神秘 进行中 | Cm | 93 | |||
|
Tomorrow Edit 2 15 sec [AMS5059 - 18] |
版本. | 0'15 | Philippe Briand | 15 second cut | 画面感 调查研究 神秘 进行中 | Cm | 93 | |||
|
Voltage Quartet [ISC105 - 7] |
0 | 1'54 | Davide Tammaro | Neoclassical string quartet. Dark, relentless & determined. Break @ | 新古典音乐 司法 无情 固执 | Cm | 162 | |||
|
Serendipitous Insight [TBX224 - 4] |
2'14 | Edoardo Bombace, Luca Uggias | Fresh, inquisitive, curious. Light percussion gives rise to breathy | light tension 神秘 周期性的 疑问 | Dm | 155 | ||||
|
Serendipitous Insight
[TBX224 - 19] |
版本. | 2'14 | Edoardo Bombace, Luca Uggias | Fresh, inquisitive, curious. Breathy Bell's build into a proactive | light tension 神秘 周期性的 疑问 | Dm | 103 | |||
|
Serendipitous Insight
[TBX224 - 20] |
版本. | 2'14 | Edoardo Bombace, Luca Uggias | Fresh, inquisitive, curious. Breathy Bell's build into a wandering | light tension 神秘 周期性的 疑问 | Dm | 103 | |||
|
Moving Clouds [TBX224 - 6] |
2'27 | Edoardo Bombace | Dreamy, serious, journey. Quaint Bell's land, with delay cascading | 疑问 light tension 马林巴琴 反省 | Fm | 97 | ||||
|
Moving Clouds Underscore No
[TBX224 - 23] |
版本. | 2'27 | Edoardo Bombace | Dreamy, serious, journey. Quaint Bell's land, with delay cascading | 疑问 light tension 马林巴琴 反省 | Fm | 129 | |||
|
Moving Clouds Underscore
[TBX224 - 24] |
版本. | 2'27 | Edoardo Bombace | Dreamy, serious, journey. Quaint Bell's land, with delay cascading | 疑问 light tension 马林巴琴 反省 | Fm | 129 | |||
|
The Logical End [CCB1069 - 5] |
2'21 | Hiroki Ishikura | Electro ambient. Delicate, reminiscent & a bit tragic. Constant | 飞行 反省 outro (end credits) 内心 | Fm | 70 | ||||
|
The Logical End Alternate [CCB1069 - 16] |
版本. | 2'19 | Hiroki Ishikura | Alternate solo piano. | 进步 内心 悲剧 感动 | Bb | 70 | |||
|
Contradictions [CCB1069 - 9] |
2'51 | Hiroki Ishikura | Electro ambient. Ethereal, lost & alone. Synth & strings. Ideal for | 悬念 稀疏 冷沙漠 抱歉 | Am | 65 | ||||
|
Contradictions Alternate [CCB1069 - 20] |
版本. | 2'53 | Hiroki Ishikura | Alternate with noise FX. | 悬念 稀疏 冷沙漠 抱歉 | Am | 117 | |||
|
Reinventing the Wheel [CEZ4679 - 11] |
4'33 | Joaquim Plossu | Electro beat, corporate electro. Cyclic, uplifting & determined. | 催眠 果断 工业 追逐场面 | Dm | 134 | ||||
|
Reinventing the Wheel
[CEZ4679 - 64] |
版本. | 3'44 | Joaquim Plossu | Extended intro version. | 催眠 果断 工业 追逐场面 | Dm | 134 | |||
|
Reinventing the Wheel
[CEZ4679 - 65] |
版本. | 4'13 | Joaquim Plossu | Underscore version. | 催眠 果断 工业 追逐场面 | Gm | 134 | |||
|
Reinventing the Wheel
[CEZ4679 - 66] |
版本. | 3'30 | Joaquim Plossu | Underscore version 2. | 催眠 果断 工业 追逐场面 | Gm | 134 | |||
|
Reinventing the Wheel Edit 60
[CEZ4679 - 67] |
版本. | 1'00 | Joaquim Plossu | 60 second cut. | 催眠 果断 工业 追逐场面 | Dm | 134 | |||
|
Reinventing the Wheel Edit 30
[CEZ4679 - 68] |
版本. | 0'30 | Joaquim Plossu | 30 second cut. | 催眠 果断 工业 追逐场面 | Dm | 134 | |||
|
Reinventing the Wheel Edit 20
[CEZ4679 - 69] |
版本. | 0'20 | Joaquim Plossu | 20 second cut. | 催眠 果断 工业 追逐场面 | Dm | 134 | |||
|
Reinventing the Wheel Edit
[CEZ4679 - 70] |
版本. | 0'10 | Joaquim Plossu | Sting. | 催眠 果断 工业 追逐场面 | Em | 127 | |||
|
One Step Ahead [BIB288 - 1] |
2'24 | Iain Harper | Wild, manic, competitive. Shouting vocals blurt out a frantic shout 歌词 | 广告 团队运动 电影节奏 时尚 | Cm | 145 | ||||
|
One Step Ahead Instrumental [BIB288 - 11] |
版本. | 2'24 | Iain Harper | Wild, manic, competitive. Big snare rolls and booming tom drums offer | 态度 极限运动 电影节奏 动人 | Cm | 145 | |||
|
One Step Ahead Underscore [BIB288 - 12] |
版本. | 2'24 | Iain Harper | Wild, manic, competitive. Big bass drum boom following stick rolls | 态度 打击流行乐 极限运动 动人 | Cm | 145 | |||
|
Do You Hear Me Now [INP079 - 9] |
2'24 | Sidney Kennedy, Mike Newport | Daring, confident, tragic. Shivering male vocals over dark electronic 歌词 | 态度 cinematic pop 青春剧 男歌手 | Abm | 92 | ||||
|
Do You Hear Me Now
[INP079 - 30] |
版本. | 2'24 | Sidney Kennedy, Mike Newport | Daring, confident, tragic. Pulsing bass over dark electronic beats | 态度 cinematic pop 青春剧 令人激动 | Abm | 92 | |||
|
Do You Hear Me Now Underscore [INP079 - 31] |
版本. | 2'24 | Sidney Kennedy, Mike Newport | Daring, confident, tragic. Pulsing bass over dark electronic beats | 态度 cinematic pop 青春剧 令人激动 | Abm | 92 | |||
|
A Minor Hitch [CEZ4671 - 1] |
1'06 | Emma Jackson | Dramedy. Elegant, reflective & investigative. Double bass, cello & | 疑问 light tension 悲喜剧 反省 | Fm | 120 | ||||
|
A Minor Hitch Alternate [CEZ4671 - 17] |
版本. | 1'06 | Emma Jackson | Underscore version | 疑问 light tension 悲喜剧 反省 | Fm | 120 | |||
|
How Unfortunate [CEZ4671 - 2] |
2'01 | Jack Pierce | Dramedy. Stealthy & cunning with a light suspense. Clarinet bass, | 阴险 悲喜剧 讽刺 & 恶意 疑问 | Abm | 97 | ||||
|
How Unfortunate Alternate 1 [CEZ4671 - 18] |
版本. | 2'01 | Jack Pierce | Underscore version | 阴险 悲喜剧 讽刺 & 恶意 疑问 | Ab | 97 | |||
|
How Unfortunate Alternate 2 [CEZ4671 - 19] |
版本. | 2'01 | Jack Pierce | Underscore version | 阴险 悲喜剧 讽刺 & 恶意 疑问 | Abm | 97 | |||
|
Oasis of Peace [ISC101 - 8] |
0 | 2'25 | Michel-Yves Kochmann | Middle Eastern. Mystical, dreamlike, captivating & atmospheric. Oud & | 热沙漠 漂泊 传统东方音乐 中东 | Am | 130 | |||
|
Just Getting Started [TBX218 - 7] |
2'09 | Paul Thorne | Energetic, carefree, confident. Tuneful percussive elements meld with 歌词 | 打击流行乐 动人 广告 团队运动 | Abm | 120 | ||||
|
Just Getting Started
[TBX218 - 24] |
版本. | 2'09 | Paul Thorne | Energetic, carefree, confident. Tuneful percussive elements meld with | 打击流行乐 动人 广告 团队运动 | Abm | 120 | |||
|
Just Getting Started
[TBX218 - 25] |
版本. | 2'09 | Paul Thorne | Energetic, carefree, confident. Tuneful percussive elements meld with | 打击流行乐 动人 广告 团队运动 | Abm | 120 | |||
|
Fight for Life [CET9105 - 2] |
2'55 | Brian Delgado | Epic tension trailer. Intro as a psychological preparation with | 动作片 战争 画面感 史诗 | Dm | 140 | ||||
|
Fight for Life Alternate 1 [CET9105 - 13] |
版本. | 2'55 | Brian Delgado | Version without percussion. | 画面感 史诗 动作片 战争 | Dm | 140 | |||
|
Fight for Life Alternate 2 [CET9105 - 14] |
版本. | 2'55 | Brian Delgado | Tense version without choir, strings & brass. | 画面感 史诗 动作片 战争 | Dm | 105 | |||
|
Beyond Slumber [CCB1066 - 6] |
0 | 3'24 | Laurence Crevoisier | Post-minimalist music. Soaring introduction. Theme @ 0'35. Cyclical, | 反省 命运 后古典 感动 | Bb | 107 |