| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Supercharge [MAG6070 - 3] |
0 | 1'36 | JUNK8 | Electro clash, electro French touch. Massive, nervous & tense. | 极限运动 固执 果断 态度 | Em | 118 | |||
|
Push And Pull [TBX120 - 7] |
3'22 | Philip Surtees | Soft, suspenseful, cool. Light piano tinged with melancholic feeling | 爵士俱乐部 夜晚 耐心 无电声钢琴 | Gm | 70 | ||||
|
Push And Pull (Underscore A) [TBX120 - 22] |
版本. | 2'49 | Philip Surtees | Soft, suspenseful, cool. Double bass ushers in improvisational jazz | 爵士俱乐部 夜晚 耐心 无电声钢琴 | Am | 70 | |||
|
Push And Pull (Underscore B) [TBX120 - 23] |
版本. | 3'22 | Philip Surtees | Soft, suspenseful, cool. Light piano tinged with melancholic feeling | 爵士俱乐部 夜晚 耐心 无电声钢琴 | Gm | 70 | |||
|
Come Travel With Me [CEZ4491 - 1] |
0 | 2'45 | Lucas Simoneau | Hip-hop beat, trap beat. Positive, confident & panoramic. Recommended | BEAT MAKING 都市景色 都市 夜晚 | Eb | 120 | |||
|
The Red Suite [CEZ4491 - 12] |
3'36 | Vsevolod Korecky, Daniil Zubkov | Chillhop, hip-hop beat, beat to study/relax to. Nocturne, nostalgic & | 电影节奏 BEAT MAKING 梦幻 小号 | Gm | 84 | ||||
|
The Red Suite (alternate
[CEZ4491 - 22] |
版本. | 3'36 | Vsevolod Korecky, Daniil Zubkov | Chillhop, hip-hop beat, beat to study/relax to. Nocturne, nostalgic & | 电影节奏 BEAT MAKING 小号 反省 | Gm | 84 | |||
|
The Red Suite (alternate
[CEZ4491 - 23] |
版本. | 2'34 | Vsevolod Korecky, Daniil Zubkov | Chillhop, hip-hop beat, beat to study/relax to. Nocturne, nostalgic & | 电影节奏 BEAT MAKING 小号 反省 | Gm | 84 | |||
|
A Day as Usual [CEZ4485 - 1] |
0 | 1'54 | Benjamin Doherty | Confident but slightly concerned. Intriguing & cyclic. Pizzicato | 手工业 独立电影 迷人 命运 | Bm | 130 | |||
|
The Abolition of Man [CCB1050 - 1] |
0 | 4'20 | Adrien Degioanni | Ambient electro, soundscape. Serious, suspended & mighty. Almost | 神秘 电子琴 自然灾害 背景电子乐 | Bm | 98 | |||
|
Identity Crisis [CCB1050 - 9] |
0 | 2'58 | Adrien Degioanni | Ambient electro, electro noise. Mysterious & strange intro, then | 固执 奇怪 令人不安 科幻片 | Gm | 143 | |||
|
Beyond the Mind [CCB1050 - 10] |
0 | 2'57 | Adrien Degioanni | Ambient electro, soundscape. Cyclic, disturbing & ominous. Constant | 奇怪 声音设计 气氛 电子琴 | Cm | 105 | |||
|
Patience [EOS66 - 7] |
0 | 2'04 | Roberto Negro | Introspective, wandering & calm. Cyclic piano & electronics. | 耐心 反省 中立 安静 | Gm | 85 | |||
|
History Repeats [EOS66 - 10] |
0 | 0'53 | Roberto Negro | Sad, gloomy & haunting. Strings & music box. Suggested for drama & | 自然灾害 社会悲剧 奇怪 神秘 | Gm | 100 | |||
|
Tarnished [INP037 - 9] |
2'23 | Sir Henry Rawlinson, Michael Tedstone | Melancholic, determined, grand. Organic plucked strings are submerged | 电影原声带 忧伤 原声乐器 后摇滚 | Dm | 73 | ||||
|
Tarnished (Underscore) [INP037 - 26] |
版本. | 2'22 | Sir Henry Rawlinson, Michael Tedstone | Melancholic, determined, grand. Muffled notes play out into sweeping | 电影原声带 自信 伴音 果断 | Dm | 73 | |||
|
Triple Threat [CET9050 - 8] |
2'17 | Garrett Weyenberg | Anticipating & foggy intro building-up with creepy pads & weird sound | 极限运动 画面感 电影乐团 预告片 | Cm | 141 | ||||
|
Triple Threat Alternate [CET9050 - 22] |
版本. | 2'17 | Garrett Weyenberg | Alternate without percussion. Anticipating & foggy intro building-up | 极限运动 画面感 电影乐团 预告片 | Cm | 140 | |||
|
Lives in the Balance [CEZ4484 - 15] |
2'36 | Anselm Kreuzer, Andreas Suttner | Worrying, dark, in doubt & mysterious. Regular cello pizz, insidious | 间谍片 伴音 令人不安 神秘 | D | 64 | ||||
|
Lives in the Balance Alternate [CEZ4484 - 38] |
版本. | 2'36 | Anselm Kreuzer, Andreas Suttner | Minimalist alternate version. Worrying, dark, in doubt & mysterious. | 间谍片 伴音 稀疏 令人不安 | D | 64 | |||
|
An Uncertain Diagnosis [CEZ4484 - 16] |
1'56 | Louis Edlinger, Anselm Kreuzer, Andreas Suttner | Hesitant, questioning, irregular & suspenseful. Electric bass, | 周期性的 科学 电声低音 稳定的 | D | 100 | ||||
|
An Uncertain Diagnosis
[CEZ4484 - 44] |
版本. | 1'56 | Louis Edlinger, Anselm Kreuzer, Andreas Suttner | Minimalist alternate version. Hesitant, questioning, irregular & | 周期性的 科学 电声低音 稳定的 | D | 100 | |||
|
One Step Forward, One Step
[CEZ4484 - 20] |
1'36 | Louis Edlinger, Anselm Kreuzer, Andreas Suttner | Investigative, ironic & discreet almost dramedy. Electro percussion, | 稳定的 悲喜剧 进行中 疑问 | Gm | 105 | ||||
|
One Step Forward, One Step
[CEZ4484 - 43] |
版本. | 1'36 | Louis Edlinger, Anselm Kreuzer, Andreas Suttner | Minimalist alternate version. Investigative, ironic & discreet almost | 稀疏 light tension 疑问 耐心 | Gm | 105 | |||
|
Fairy Weavers at Work [CEZ4483 - 7] |
0 | 2'03 | Mathieu Laurent | Mischievous, lively, festive, childlike & bouncy. Symphony orchestra, | 动画 开心 动人 多变的 | Em | 150 | |||
|
Like the Cat and Mouse Game [CEO2131 - 6] |
0 | 1'00 | Baptiste Charvet | Mysterious, crystalline & fairy in a dramedy spirit. Pizzicato | 悲喜剧 阴险 神秘 进行中 | Gm | 112 | |||
|
Polar Land Suite Part 5 [CEO2131 - 18] |
0 | 2'17 | Baptiste Charvet | Suspended, sparse & atmospheric. Cello, crystalline percussion & | 反省 抱歉 悬念 稀疏 | Ebm | 61 | |||
|
Novela Negra [CEL7012 - 14] |
0 | 3'21 | Daniel Diaz | Dissonant, disturbing, unstructured, reflective & doubtful. Piano, | 反省 无电声钢琴 南非 不和谐音 | Em | 70 | |||
|
The Ones We Lost [BIB173 - 2] |
2'55 | Chris Doney, Beth Perry | Epic, rousing, vast, touching. Vibrato strings venture into an open | 自然灾害 悲剧 电影原声带 命运 | Em | 81 | ||||
|
The Ones We Lost (Underscore) [BIB173 - 15] |
版本. | 2'55 | Chris Doney, Beth Perry | Epic, rousing, vast, touching. Preternatural choral voices present a | 自然灾害 感动 命运 全景 | Em | 99 |