| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
False Evidence [CEG5039 - 5] |
2'04 | DoubtingThomas | Trip-hop, dub & investigation. Deep, enigmatic & solitary. Rhythm, | 耐心 DUB 进行中 夜晚 | G | 67 | ||||
|
False Evidence Alternate [CEG5039 - 17] |
版本. | 2'27 | Aurélien Rivière | Alternate underscore. | 耐心 DUB 进行中 夜晚 | Dm | 67 | |||
|
Restyling Dub [CEG5039 - 10] |
2'20 | Aurélien Rivière | Dub-rock, investigation. Confident, constant & in anticipation, | 周期性的 警匪片 催眠 阴险 | Am | 163 | ||||
|
Restyling Dub Alternate [CEG5039 - 22] |
版本. | 1'01 | Aurélien Rivière | Alternate underscore. | 周期性的 警匪片 催眠 阴险 | C | 164 | |||
|
Taking Care [TBX177 - 11] |
2'17 | Lukas Roher | Bright, delicate, buoyant. Clean and upbeat piano sequence joined by | 稳定的 BEAT MAKING 电影节奏 社会悲剧 | Ebm | 73 | ||||
|
Taking Care (Underscore A) [TBX177 - 28] |
版本. | 02'07 | Lukas Roher | Bright, delicate, buoyant. Sub bass plods along with trappy | 稳定的 BEAT MAKING 电影节奏 社会悲剧 | Ebm | 145 | |||
|
Taking Care (Underscore B) [TBX177 - 29] |
版本. | 2'07 | Lukas Roher | Bright, delicate, buoyant. Sub bass plods along with trappy | 稳定的 BEAT MAKING 电影节奏 社会悲剧 | Ebm | 145 | |||
|
Where Does It Go? [CEZ4603 - 7] |
2'00 | Julien Vega | Investigative indie track. Mysterious, suspenseful, foggy but | 调查研究 神秘 疑问 伴音 | Dm | 81 | ||||
|
Where Does It Go? Alternate [CEZ4603 - 26] |
版本. | 1'59 | Julien Vega | Alternate no perc. | 调查研究 神秘 疑问 伴音 | Dm | 81 | |||
|
The Thrill of the Chase [CEZ4601 - 6] |
0 | 3'01 | Renaud Garcia-Fons | Cinematic jazz. Introduction with progressive acceleration. Haunting, | 追逐场面 拨奏低音提琴 电影爵士乐 果断 | A | 132 | |||
|
Beyond Deep Space [INP056 - 3] |
3'21 | Sergey Kolosov | Spacey, grand, exploratory. Large impact leads into burgeoning synth | 强调突出 疑问 固执 电子琴 | Gbm | 102 | ||||
|
Beyond Deep Space (Underscore) [INP056 - 17] |
版本. | 3'20 | Sergey Kolosov | Spacey, grand, exploratory. Burgeoning synth tunes and beeping, | 强调突出 疑问 固执 电子琴 | Gbm | 102 | |||
|
Industrial Artefact [CEZ4566 - 10] |
2'08 | Louis Edlinger | Weird, quirky, malicious & percussive. Electronics & drum machine. | 信息技术 抽象嘻哈 奇怪 工业 | Cm | 92 | ||||
|
Industrial Artefact Alternate
[CEZ4566 - 44] |
版本. | 2'08 | Louis Edlinger | Reduced alternate version | 工业 奇怪 调查研究 机械的 | Cm | 92 | |||
|
Industrial Artefact Alternate
[CEZ4566 - 45] |
版本. | 2'04 | Louis Edlinger | Destructured alternate version | 奇怪 信息技术 冲击 都市 | Cm | 123 | |||
|
Industrial Artefact Alternate
[CEZ4566 - 46] |
版本. | 2'08 | Louis Edlinger | Rhythmic alternate version | 调查研究 冲击 都市 都市景色 | Cm | 92 | |||
|
Sequenced Life [BIB236 - 1] |
3'03 | Pat Lennix, Xander Talim | Determined, brave, explorative. Modest but serious synth loop sets | 调查研究 紧急 工业 神秘 | Dm | 150 | ||||
|
Sequenced Life (Underscore A) [BIB236 - 11] |
版本. | 3'03 | Pat Lennix, Xander Talim | Determined, brave, explorative. Reversing echoed piano conveys a | 调查研究 紧急 工业 神秘 | Dm | 148 | |||
|
Sequenced Life (Underscore B) [BIB236 - 12] |
版本. | 3'03 | Pat Lennix, Xander Talim | Determined, brave, explorative. Reversing echoed piano joins with | 调查研究 紧急 工业 神秘 | Dm | 149 | |||
|
What You Going To Do [TBX156 - 8] |
2'05 | James Rogers | Rainy, atmospheric, pained. Immediate sense of haze and rain as | 电子 感动 2010 工业 | Cm | 128 | ||||
|
What You Going To Do
[TBX156 - 22] |
版本. | 2'03 | James Rogers | Rainy, atmospheric, pained. Immediate sense of haze and pressure as | 电子 感动 2010 电子乐宣传片 | Cm | 128 | |||
|
Organic Clockwork Machine
[CEZ4540 - 12] |
0 | 1'55 | Michel Barengo, Beda Thornton | Thoughtful version. Sparse, dreamy, constant, introspective & | 稀疏 调查研究 叙述 夜晚 | C | 110 | |||
|
Echo in Light Alternate 1 [CEZ4540 - 20] |
0 | 2'15 | Michel Barengo, Julia Maria Michels, Beda Thornton | Neutral version. Vibrating, trembling, mysterious, constant & | 调查研究 稳定的 社会悲剧 稀疏 | Dbm | 115 | |||
|
In Resonance with Nature
[CEZ4540 - 30] |
0 | 2'28 | Michel Barengo, Beda Thornton | Reflective version. Sparse, atmospheric & organic bed building-up | 工业 稀疏 调查研究 固执 | Em | 85 | |||
|
Crime City [AMS5003 - 3] |
1'41 | Philippe Briand | Crime score. Dark, enigmatic, tense & heavy. Piano, hip hop beat & | 夜晚 调查研究 电影节奏 司法 | D | 112 | ||||
|
Crime City Alternate 1 [AMS5003 - 14] |
版本. | 1'41 | Philippe Briand | Alternate without percussion. | 夜晚 调查研究 司法 社会悲剧 | D | 112 | |||
|
Crime City Alternate 2 [AMS5003 - 15] |
版本. | 1'41 | Philippe Briand | Alternate without voice. | 夜晚 调查研究 司法 社会悲剧 | D | 112 | |||
|
Dynamic Tension [AMS5003 - 6] |
1'51 | Philippe Briand | Crime score. Tense, suspenseful, serious & determined. Piano, | 紧急 电影节奏 无情 夜晚 | Bbm | 162 | ||||
|
Dynamic Tension Alternate [AMS5003 - 18] |
版本. | 1'51 | Philippe Briand | Alternate without percussion. | 紧急 无情 夜晚 悬念 | Bbm | 162 | |||
|
Space Jockey [TBX153 - 6] |
2'23 | Sergey Kolosov | Determined, futuristic, climactic. Light sci fi synths create a sense | 令人不安 动作片 警匪片 沉重 | Dm | 130 | ||||
|
Space Jockey (Underscore A) [TBX153 - 17] |
版本. | 2'21 | Sergey Kolosov | Determined, futuristic, climactic. Light sci fi synths create a sense | 令人不安 调查研究 沉重 神秘 | Dm | 130 | |||
|
Space Jockey (Underscore B) [TBX153 - 18] |
版本. | 1'50 | Sergey Kolosov | Determined, futuristic, climactic. Heavy muddy bass sets out a | 令人不安 动作片 警匪片 沉重 | Dm | 130 | |||
|
Time Is Money [TBX151 - 12] |
1'47 | Sergey Kolosov | Stirring, conclusive, riveting. Layered clock ticks meet with | (音效)计时声 时间(滴答声) 伴音 司法 | Cm | 147 | ||||
|
Time Is Money (Alt Version) [TBX151 - 34] |
版本. | 1'41 | Sergey Kolosov | Stirring, conclusive, riveting. Solitary bell sound gifts a feeling | 伴音 司法 调查研究 固执 | Cm | 147 | |||
|
Time Is Money (Underscore A) [TBX151 - 35] |
版本. | 1'27 | Sergey Kolosov | Stirring, conclusive, riveting. Clock ticking meet with solitary bell | (音效)计时声 时间(滴答声) 伴音 司法 | Cm | 98 | |||
|
Time Is Money (Underscore B) [TBX151 - 36] |
版本. | 1'27 | Sergey Kolosov | Stirring, conclusive, riveting. Solitary bell sound gifts a feeling | 时间(滴答声) 伴音 司法 调查研究 | Cm | 147 | |||
|
Solving the Unsolved [CEZ4529 - 2] |
0 | 2'44 | Julien Baril | Downtempo. Interrogative, mysterious & nocturne. Recommended for | 司法 神秘 社会悲剧 奇怪 | Am | 136 | |||
|
Surveillance [INP049 - 9] |
3'44 | Lukas Roher | Climactic, emotive, grandiose. Glassy euphoric synth builds up with | 稳定的 社会悲剧 神秘 科幻片 | Em | 120 | ||||
|
Surveillance (Underscore A) [INP049 - 25] |
版本. | 3'44 | Lukas Roher | Climactic, emotive, grandiose. Numb sub bass note provides a sturdy | 稳定的 神秘 科幻片 悬念 | Em | 120 | |||
|
Surveillance (Underscore B) [INP049 - 26] |
版本. | 3'44 | Lukas Roher | Climactic, emotive, grandiose. Glassy reversed synth builds up with | 稳定的 神秘 科幻片 悬念 | Em | 120 | |||
|
Levitation [TBX147 - 4] |
0 | 1'52 | Sergey Kolosov | Sophisticated, graceful, weighty. Worried piano sequence with organic | 无电声钢琴 高雅 稳定的 命运 | Gbm | 110 | |||
|
Going Up [TBX147 - 5] |
0 | 2'19 | Sergey Kolosov | Momentous, grandiose, important. Fragile high-pitched piano is joined | 反省 手工业 命运 社会悲剧 | Em | 119 |