Exotic, determined, hypnotic. Drooping synth notes play out over a Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Male autotuned vocals sing about an individual that treats them bad, but they can't get enough of, a lustful love situation. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men.歌词
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
So cold sayin' things you don’t mean, Only time we good when I’m in dem jeans, Either that or bad ain no in between, But I want ya I be feelin' like a fiend, Goosebumps every time dat you touch me, When we up I be feelin' like I’m lucky, When we down I be feelin like I’m cursed, Slick talk and attitudes be da worse, But you love it when dem racks in yo purse, Nails done hair did girl I see you work, But u steady playin' wit my top like a jerk, Heart so cold I got used to the hurt.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you got me hard, Like Medusa, From the back, you know I kill it, I’m the ruler, Iced out, chain on, Shout out to my jeweler, Big rocks, big clocks, Hmmmm Frank Mueller, He might russel with you, But I’m tryna be ya future, If you are scared of the thunder, Then go, If you stay, mmmmm Ima watch it roll, Don’t be shy, Baby come up out them clothes, Shawty slow down, When you wine down that poll,
Left cheek, right cheek, Mamma shaking fast,Shawty getting money, And she got her haters mad, You don’t pay her bills, Keep them slicks to yourself, Shawty she a G and, She don't need nobody else.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future,
I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you know you cold like Medusa,
I can tell you been messin' wit losers,
But I got some things I wanna do to ya, But I know you bad for my future,
I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya,
Exotic, determined, hypnotic. Drooping synth notes play out over a Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men. Instrumental version.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Lyrics about a toxic relationship, someone looking for affection at the wrong times. Two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy.歌词
Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line. You got needs, I got what you need, It’s so good ima bring you to ya knees, You looking good girl you need some high fashion, It’s first-class when you rollin' out with me, Money be callin', you know dat I answer, Way dat you movin' dat body like dancers, Hope dat you don’t mind I pull out my camera, You just do yo thing, we gone shoot a scene, When I pop a Xanny I might need some bed rest, Servin' Off White in the trap dead fresh, In a jump, pushing work leg press, Put you on a test just to see where to head at, Run off in yo spot be like where dat bread at, Rollin off a addy so my eyes dead red, I ain’t even vote but I need dead presidents, Drop me da location I’m pullin' up yo residence, in the late night. Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Reminiscent of a sad but emotionally charged situation, two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy. Instrumental version.
Serious, determined, stylish. Austere guitar lines sets out a Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass, rhythm and emotive lyrical delivery. Lyrics about being popular and only trusting friends due to negative experiences and betrayals of trust. Concealing criminal activity successfully from authorities, fast delivery asserting a skill. Organ notes further supporting a feeling of seriousness, an individual who means business.歌词
You go to that level I can’t go there with ya, I be fresh to death they wanna take my picture,
Rolling up da gas when I break down my swisher, Know I’m high, go inside, You ain’t gang, you ain’t live, You can’t tell me nothin' baby, I done been through it all, Need my fix or I get sick, I need that money to ball, She gone trip and flip on me, If I be missing her call, But that all go out the window, When I’m beating them walls.
Money steady callin' got me answering,
Saran wrapping them packages wit Vaseline, They think I work at the corner store got gasoline, Know da vibes, even wit a stick you never beat the price, Know dat I get it, run up da digits, All of my pockets, money can’t fit it, Girl, I’m a dog, give me da kitty, Know ima hit it I get to da city, Mane I’m addicted to hustle committed, DNA I got Benjamin in me, Seen a likk, I’m so tempted to hit it, Then ima call a Uber when we finish.
Rollin' up the doh I feel like Homer Simpson, Baby I'm a mack but don't play with my pimping, We can ball together like we Jordan Pippen Moral of the story I don't do the trippin’,
You go to that level I can’t go there with ya,
I be fresh to death they wanna take my picture,
Rolling up da gas when I break down my swisher, Know I’m high, go inside, You ain’t gang, you ain’t live, You can’t tell me nothin' baby, I done been through it all, Need my fix or I gzt sick, I need that money to ball, She gone trip and flip on me, If I be missing her call, But that all go out the window, When I’m beating them walls.
Serious, determined, stylish. Austere guitar lines sets out a Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass and rhythm. Organ notes further supporting a feeling of seriousness, an individual who means business. Instrumental version.
Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass, with swiftly delivered ad libs. Lyrics about stacking a lot of money in a short time, conducting business with a merciless demeanour. Lyrics with wordplay asserting a talent and a carefree energy. Slick instrumental asserts a sinister power.歌词
Hey, hey, hey, Hey, hey, hey, Hey, hey, hey, Hey, hey, hey. You say you ready let yo soul float away, Big racks they on me and that’s all from today, Runnin' dat check up crazy gotta pay to play, Money heist I only want the code to the safe, Man down man down, I advise everybody just to stand down, Don’t ask don’t tell, Asking me questions no I do not hear a sound, Shawty she silly go dumb don’t it, I got the remedy bum bum, Out of yo misery that’s what you finna be, After we finished I’m done done. Runnin' through big stacks, Wit a quarter pound no Big Mac, Mane ima flex like a 6 pack, I come off uh da hip make em get back, Cross my ex no tic tac, Ion even really do chit chat, Big sawed off wit a kickback, Looking for the cheese where the likkz at. You switching up like you Brady, Ballin' they never could play me, Carry the drum like a cadence, Wanna talk to me gone pay me, Pop me a 30 go crazy, Rollin' could never be lazy, Alter my thoughts and be changing my mind when I think about it it’s amazing, I got a plug on the latest, Better handcuff to your lady, I ain’t trying to make you my baby, I want the cake like a happy belated, Rollin' stone I be so many places, Yellowstone call me Rip never play, Diamond on him lookin' like some Dasani, U can just call me the dock of the bay, Diamond on him lookin' like some Dasani, U can just call him the dock of the bay. And I go so hard, I really don't play You mess with my cake I come at yo face, Feel like I’m part of the alphabet a G wit a K, Feel like I’m part of the alphabet a G wit a K. You say you ready let yo soul float away, Big racks they on me and that’s all from today, Runnin' dat check up crazy gotta pay to play, Money heist I only want the code to the safe, Man down man down, I advise everybody just to stand down, Don’t ask don’t tell, Asking me questions no I do not hear a sound, Shawty she silly go dumb don’t it, I got the remedy bum bum, Out of yo misery that’s what you finna be, After we finished I’m done done.
Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass. Slick instrumental asserts a sinister power. Instrumental version.
Alternative hip hop. Classy, hybrid, confident, streetwise & proud. Alternative hip hop. Classy, hybrid, confident, streetwise & proud. Break @ 1'31. Drum machine, piano, brass & strings. Music for entertainment, lifestyle & tv underscore.
Daunting, mean, serious. Deep rumbling synth bass meets with Daunting, mean, serious. Deep rumbling synth bass meets with heartbeat kick, instantly carving out an atmosphere of suspense and menace. Large impacts make way for descending electronic notes, offering a futuristic energy reminiscent of a city about to come under attack. Droning notes become more persistent as danger closes in, war drums beating out a steady and deep beat. Climax at 01:28 as piercing electronic lead powers through alongside incessant hammering drums.
Daunting, mean, serious. Deep rumbling heartbeat kick, instantly Daunting, mean, serious. Deep rumbling heartbeat kick, instantly carves out an atmosphere of suspense and menace. Large impacts follow along, increasing feeling of suspense and menace. A futuristic energy reminiscent of a city about to come under attack. Droning notes become more persistent as danger closes in, war drums beating out a steady and deep beat. Climax at 01:28 as piercing electronic lead powers through alongside incessant hammering drums. Stripped back underscore version.
Worrying, intense, raw. Impact meets with gurgling synth bass and Worrying, intense, raw. Impact meets with gurgling synth bass and tick tock percussion. Large metallic sounds are counterpointed by fizzling synth notes. Launch into horrifying percussion and mean note sequence conveying danger. Build into incessant climax at 01:40 with galloping percussion and heavy duty synth and drums.
Worrying, intense, raw. Impact meets with gurgling synth bass and Worrying, intense, raw. Impact meets with gurgling synth bass and large metallic sounds causing an atmosphere of eeriness and distress. Launch into marching percussion and mean note sequence conveying danger. Build into incessant climax at 01:40 with galloping percussion and heavy duty synth and drums. Stripped back underscore version.
Scary, silly, rushed. Rush into low thrumming bass sequence with Scary, silly, rushed. Rush into low thrumming bass sequence with light umpapa rhythm. Pacy string melody conveys a sense of tension and panic, joined by theremin conveying a spooky, alien or ghost vibe. A spectre or spaceship floating above an unassuming town, causing havoc and sending the people into a frenzy. Silly melody combined with austere choirs and more serious moments. Chord change at 01:27 conveys an unstoppable force, plaguing individuals for hours or days on end.
Scary, silly, rushed. Rush into low thrumming bass sequence with Scary, silly, rushed. Rush into low thrumming bass sequence with light umpapa rhythm. Pacy string melody conveys a sense of tension and panic, joined by theremin conveying a spooky, alien or ghost vibe. A spectre or spaceship floating above an unassuming town, causing havoc and sending the people into a frenzy. Silly melody combined with more serious moments. Chord change at 01:27 conveys an unstoppable force, plaguing individuals for hours or days on end. Instrumental version.
Scary, silly, rushed. Rush into low thrumming bass sequence with Scary, silly, rushed. Rush into low thrumming bass sequence with light umpapa rhythm. Pacy style conveys a sense of tension and panic, some evil force bearing down upon an unassuming town, causing havoc and sending people into a frenzy. Silly melody combined with more serious moments. Chord change at 01:27 conveys an unstoppable force, plaguing individuals for hours or days on end. Stripped back underscore version.
Sneaky, ghostly, mischievous. Resonant bells play out a quaint but Sneaky, ghostly, mischievous. Resonant bells play out a quaint but creepy sequence, joined by percussive FX. Finger clicking conjures images of naughty children on Halloween, rushing about and causing trouble under a dark black sky. Theremin conveys a ghostly presence, contrasted by theatrical bass strings.
Sneaky, ghostly, mischievous. Resonant bells play out a quaint but Sneaky, ghostly, mischievous. Resonant bells play out a quaint but creepy sequence. Images of naughty children on Halloween, rushing about and causing trouble under a dark black sky. Sharp bell sounds contrasted by theatrical bass strings. Stripped back underscore version.
Sneaky, ghostly, mischievous. Theatrical string sequence asserts an Sneaky, ghostly, mischievous. Theatrical string sequence asserts an atmosphere of fun, with finger clicking conjuring images of naughty children on Halloween, rushing about and causing trouble under a dark black sky. Spooky melody conveys a ghostly presence, contrasted by theatrical bass strings. Stripped back underscore version.
Heavy metal, trash metal. Enraged, propulsive & unstoppable. Metal Heavy metal, trash metal. Enraged, propulsive & unstoppable. Metal band. Suggested for video games, fast cutting, motor racing & bloopers.
Hip Hop track. Swagger, bouncy, stimulating, street-smart, stylish & Hip Hop track. Swagger, bouncy, stimulating, street-smart, stylish & confrontational. Strings @ 1'23. Beat, brass, choir & synth. For sport, entrance, competition, challenge, play off & video games.