| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Storm [CEZ4517 - 8] |
2'40 |
Lionel Fabert Sebastien Graux Patrick Kabongo Louis Lepine |
Hip hop / rap with a touch of rock. Parable of the storm seen as a 歌词 | 极限运动 都市 态度 美国 | Dbm | 156 | ||||
|
Storm Underscore [CEZ4517 - 32] |
版本. | 2'40 |
Lionel Fabert Sebastien Graux |
Instrumental hip hop with a touch of rock. Bouncy, dynamic, forceful | 团队运动 态度 摇滚说唱 动作游戏 | Dbm | 156 | |||
|
Storm Alternate [CEZ4517 - 33] |
版本. | 2'30 |
Lionel Fabert Sebastien Graux Patrick Kabongo Louis Lepine |
Alternate without rhythm. | 态度 团队运动 男歌手 电吉他效果器 | Dbm | 155 | |||
|
Storm Rhythm Track [CEZ4517 - 34] |
版本. | 2'30 |
Lionel Fabert Sebastien Graux |
Rhythm track only. | 电影节奏 沉重 固执 都市景色 | Dm | 156 | |||
|
Paranoia [TBX135 - 9] |
2'57 | Marko Prodanovic | Tense, epic, vengeful. Low droning euphoria follows a commanding bass | 画面感 阴险 预告片 令人不安 | D | 92 | ||||
|
Paranoia (Underscore) [TBX135 - 16] |
版本. | 2'57 | Marko Prodanovic | Tense, epic, vengeful. Low droning euphoria introduces an ominous | 画面感 阴险 预告片 令人不安 | D | 61 | |||
|
Biophilic Cities [TBX134 - 2] |
2'15 | Benjamin Mcelroy | Quaint, positive, pacy. Organic bell sounds play out a buoyant | 自信 公司 日常生活 果断 | G | 140 | ||||
|
Biophilic Cities (Underscore
[TBX134 - 13] |
版本. | 2'15 | Benjamin Mcelroy | Quaint, positive, pacy. Organic bells sounds play out a buoyant | 自信 公司 日常生活 果断 | G | 140 | |||
|
Biophilic Cities (Underscore
[TBX134 - 14] |
版本. | 1'29 | Benjamin Mcelroy | Quaint, positive, pacy. Steady kick drum meets with muddy bass pedal | 自信 公司 日常生活 果断 | G | 140 | |||
|
Crushing It [INP043 - 11] |
2'26 | Niklas Aaman | Raw, enlivening, wondrous. Electronic euphoria bursts into a | 赛事 影院摇滚 冲击 电子琴 | E | 80 | ||||
|
Crushing It (Underscore) [INP043 - 37] |
版本. | 1'18 | Niklas Aaman | Raw, enlivening, wondrous. Organic guitar meets with light percussion | 赛事 影院摇滚 冲击 电子琴 | E | 162 | |||
|
Behind the Crime [CET9066 - 2] |
1'40 | Zoltan Zadori | Insidious intro with impact & drone signals. Claustrophobic & | 冲突 画面感 大电影打击乐 悬念 | Dm | 90 | ||||
|
Behind the Crime Alternate [CET9066 - 12] |
版本. | 1'40 | Zoltan Zadori | Alternate without percussion. | 冲突 画面感 悬念 预告片 | D | 90 | |||
|
Martial Law [CET9066 - 7] |
1'47 | Zoltan Zadori | Anticipating & dark intro with punctuated low impact, synth & trailer | 冲突 画面感 悬念 预告片 | Dbm | 81 | ||||
|
Martial Law Alternate [CET9066 - 15] |
版本. | 1'47 | Zoltan Zadori | Alternate without percussion. | 冲突 画面感 悬念 预告片 | Db | 81 | |||
|
Through The Pain [BIB201 - 3] |
2'36 | Kohshi Kamata | Nervy, sophisticated, impassioned. Complex string layers interweave | 命运 电影原声带 历史旁白 充满热情 | Cm | 115 | ||||
|
Through The Pain (Underscore) [BIB201 - 18] |
版本. | 2'34 | Kohshi Kamata | Nervy, sophisticated, impassioned. Bells and strings form an | 命运 电影原声带 历史旁白 充满热情 | F | 116 | |||
|
Body Pulsation [MAG6075 - 1] |
0 | 2'33 | Christophe Zurfluh | Constant pulsation, anticipating & hypnotic. Repetitive bass synth | 周期性的 催眠 工业 pulsation | C | 78 | |||
|
Get Outta My Way [BIB199 - 9] |
2'02 | Joseph Isaac Archer, George Hollingdrake | Cooperative, carefree, sassy. Solid instrumental stabs lead into | 放克 七十年代 态度 自信 | Em | 105 | ||||
|
Get Outta My Way
[BIB199 - 23] |
版本. | 2'36 | Joseph Isaac Archer, George Hollingdrake | Cooperative, carefree, sassy. Solid instrumental stabs lead into | 放克 七十年代 态度 自信 | C | 98 | |||
|
Get Outta My Way (Underscore) [BIB199 - 24] |
版本. | 2'02 | Joseph Isaac Archer, George Hollingdrake | Cooperative, carefree, sassy. Solid instrumental stabs lead into | 放克 七十年代 态度 自信 | Em | 105 | |||
|
Celebration Bounce [BIB200 - 18] |
0 | 1'56 | Olivier Bibeau | Upbeat, summery, fun. Relaxed, cool piano is joined by atmospheric 歌词 | 广告 现代 自信 喜庆 | Am | 96 | |||
|
Eastern Sunrise [BIB200 - 34] |
0 | 2'06 | Benedic Lamdin, Riaan Vosloo | Daring, serious, mysterious. Fast drumbeat produces an immediate | 自信 都市景色 严谨 节奏乐器组 | Dm | 112 | |||
|
King of the City [ISC013 - 5] |
2'05 | Brian Delgado, Garrett Weyenberg | Anticipating intro with filtered synth & low impact. Electro beat in | 动作游戏 冲击 预告片 冲突 | Cm | 162 | ||||
|
King of the City Alternate [ISC013 - 13] |
版本. | 2'05 | Brian Delgado, Garrett Weyenberg | Alternate without percussion. | 电子琴 动作游戏 沉重 固执 | Cm | 155 | |||
|
Victoria [CEO2142 - 10] |
0 | 1'35 | Baptiste Thiry | Introspective, narrative, cinematic & melancholic. Electric guitar, | 叙述 BEAT MAKING 稳定的 古典吉他 | Am | 83 | |||
|
Supercomputer [CEZ4512 - 13] |
0 | 2'51 | Rémo | Electro. Constant crescendo of electronic arpeggios, massive & | 电子乐宣传片 信息技术 神秘 户外 | Gm | 162 | |||
|
Online Investigation [CEG5033 - 6] |
0 | 2'23 | Claude Samard | Electro. Ominous, mysterious & obstinate. Recommended for digital | 令人不安 阴暗氛围 奇怪 神秘 | Dm | 84 | |||
|
Hacking in Progress [CEG5033 - 12] |
0 | 1'58 | Colo Colo | Electro beat. Edgy, stressed & dark. Urgent. Suggested for digital | 神秘 信息技术 令人不安 调查研究 | Dm | 130 | |||
|
Digital Discoveries [TBX132 - 6] |
1'43 | Darren Campbell | Explorative, suspicious, anticipatory. Muffled keys play out into an | 信息技术 electro beat 固执 电子琴 | F | 120 | ||||
|
Digital Discoveries
[TBX132 - 18] |
版本. | 1'43 | Darren Campbell | Explorative, suspicious, anticipatory. Muffled keys play out into an | 信息技术 electro beat 固执 电子琴 | F | 120 | |||
|
Digital Discoveries
[TBX132 - 19] |
版本. | 1'43 | Darren Campbell | Explorative, suspicious, anticipatory. Muffled keys play out into an | 信息技术 electro beat 夜晚 电子琴 | F | 120 | |||
|
In Too Deep [BIB196 - 9] |
2'14 | Conor O'Brien | Dangerous, urgent, powerful. Screeching FX followed by rapid | 工业 令人不安 沉重 科幻片 | Bbm | 178 | ||||
|
In Too Deep (Underscore) [BIB196 - 19] |
版本. | 2'14 | Conor O'Brien | Dangerous, urgent, powerful. Airy ambience leads to rapid crescendo | 工业 令人不安 沉重 科幻片 | Bbm | 178 | |||
|
Black Skies [BIB194 - 1] |
0 | 2'03 | Jack Baker | Propulsive, playful with power. Rolling percussive drums, new orleans | 节奏感 团队运动 赛事 喜庆 | Em | 119 | |||
|
Match Point [BIB194 - 6] |
0 | 2'04 | Konstantinos Panagiotidis | Rousing, determined, heroic. Cool, contemporary electronic beats with | 赛事 沉重 冲击 态度 | Em | 90 |