| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Gathering At The Water [BIB168 - 1] |
2'02 | Kohshi Kamata | Energetic, fun, mischievous. Bright, industrious mallets are joined | 疑问 自信 讽刺 & 恶意 医疗 | G | 121 | ||||
|
Gathering At The Water
[BIB168 - 13] |
版本. | 2'02 | Kohshi Kamata | Energetic, fun, mischievous. Bright, industrious mallets are joined | 疑问 自信 讽刺 & 恶意 医疗 | G | 122 | |||
|
Scarborough [BIB166 - 5] |
4'22 | James Grunwell | Summery, determined, atmospheric. Hypnotic crowd ambience FX is | 自信 果断 室外 电子 | Am | 110 | ||||
|
Scarborough (Instrumental) [BIB166 - 19] |
版本. | 4'15 | James Grunwell | Summery, determined, atmospheric. Dreamy synth sustains and | 自信 电子 果断 室外 | C | 110 | |||
|
Scarborough (Underscore) [BIB166 - 20] |
版本. | 4'15 | James Grunwell | Summery, determined, atmospheric. Dreamy keyboards are joined by | 自信 电子 果断 室外 | C | 110 | |||
|
As We Wander Forth [EOS68 - 3] |
0 | 2'06 | Lone Kent | Gentle, longing then hopeful. Acoustic Guitar & electric guitar. | 稀疏 漂泊 电吉他 叙述 | D | 100 | |||
|
The Bullet Tooth [EOS68 - 6] |
0 | 2'22 | Lone Kent | Post-rock. Nostalgic, introspective & narrative. Electric guitar, | 反省 漂泊 电吉他 后摇滚 | Gm | 91 | |||
|
Good Day for Flying [EOS68 - 8] |
0 | 3'09 | Lone Kent | Post-rock. Aerial, peaceful then confident but a bit nostalgic. | 漂泊 电吉他 忧伤 后摇滚 | B | 106 | |||
|
Footsteps in Sand [EOS68 - 12] |
0 | 2'11 | Lone Kent | Lonesome, arid & suspended. Sparse acoustic guitar & distorted | 漂泊 沉闷 稀疏 电吉他 | Em | 117 | |||
|
Nothing to Hide [EOS68 - 19] |
0 | 2'47 | Lone Kent | Post-rock. Anticipating then rebellious & wide. Electric guitar, | 电吉他 疑问 后摇滚 果断 | B | 110 | |||
|
Slowly it Dawned [EOS68 - 20] |
0 | 3'28 | Lone Kent | Panoramic, scenic & suspended. Electric guitar & electronics. | 气氛 漂泊 电吉他 后摇滚 | Gb | 118 | |||
|
Into Ninja [EOS68 - 22] |
0 | 4'06 | Lone Kent | Introspective & meditative. Electric guitar & flute. | 反省 漂泊 电吉他 叙述 | Em | 129 | |||
|
String Theory [EOS68 - 24] |
0 | 3'41 | Lone Kent | Post-rock. Introspective, serious. Electric guitar & rhythm. | 稀疏 电吉他 反省 社会悲剧 | C | 72 | |||
|
Knowing What is Right [EOS68 - 25] |
0 | 1'33 | Lone Kent | Suspended & floating. Electric guitar & electronics. | 稀疏 漂泊 电吉他 神秘 | D | 118 | |||
|
Julia [MAG6064 - 4] |
0 | 2'26 | Ben Williamson | Electro pop. Mecanical, crispy & dynamic. Catchy. Analog synth, piano | 流行电子音乐 工业 机械的 果断 | G | 134 | |||
|
Odeon [MAG6064 - 10] |
0 | 2'47 | Ben Williamson | Electro beat, electro house. Catchy, upbeat & dynamic. Synth & | 室内乐 朗朗上口 时尚 俱乐部 | Dm | 123 | |||
|
Grenadine Blues [MAG6064 - 11] |
0 | 2'16 | Ben Williamson | Blues. Relaxed, swaying & sensual. Electric guitar, keyboard & rhythm. | 性感 蓝调 懒惰 摇摆 | Gm | 117 | |||
|
Love Trap [MAG6064 - 14] |
0 | 3'12 | Ben Williamson | Type beat, trap, hip-hop beat. Relaxed, tender & sensual. Synth & | 冷阱 日间节目 放松 BEAT MAKING | Em | 152 | |||
|
Launch Sequence [TBX106 - 3] |
1'53 | Jack Richard Pierce | Suspenseful, dramatic, courageous. Driving short strings with tense | 画面感 果断 史诗 气势 | Gm | 164 | ||||
|
Launch Sequence (Alt Version) [TBX106 - 21] |
版本. | 1'53 | Jack Richard Pierce | Suspenseful, dramatic, courageous. Driving short strings with pulsing | 画面感 果断 史诗 气势 | Gm | 164 | |||
|
Launch Sequence (Underscore A) [TBX106 - 22] |
版本. | 1'53 | Jack Richard Pierce | Suspenseful, dramatic, courageous. Driving short strings with pulsing | 画面感 果断 史诗 气势 | Gm | 163 | |||
|
Launch Sequence (Underscore B) [TBX106 - 23] |
版本. | 1'53 | Jack Richard Pierce | Suspenseful, dramatic, courageous. Driving short strings build with | 画面感 果断 史诗 气势 | Gm | 82 | |||
|
Tick Tock Terror [CET9045 - 2] |
1'40 | Philippe Briand | Ominous clock intro in a suspenseful spirit building-up with | 恐怖片 恐怖 令人不安 气势 | Fm | 120 | ||||
|
Tick Tock Terror Alternate [CET9045 - 14] |
版本. | 1'40 | Philippe Briand | Ominous clock intro in a suspenseful spirit building-up with | 恐怖片 恐怖 令人不安 气势 | Fm | 120 | |||
|
Dark Stomp [CET9045 - 3] |
1'42 | Philippe Briand | Weird & cavernous beat building-up with anxious synth alarm FX & low | 军事冲突 恐怖 固执 冲突 | A | 120 | ||||
|
Dark Stomp Alternate [CET9045 - 15] |
版本. | 1'42 | Philippe Briand | Weird & cavernous beat building-up with anxious synth alarm FX & low | 军事冲突 恐怖 固执 冲突 | A | 120 | |||
|
The Colorado Trail [CEZ4472 - 2] |
0 | 1'58 | Abaji | Interrogative & sparse like a suspenseful Western. Banjo, violin, | 当代西部片 全景图 热沙漠 漂泊 | Dm | 70 | |||
|
Sweet Nothings [TBX107 - 6] |
3'04 | Michael Edward Beever | Emotive, determined, poignant. Reflective, pensive piano becomes | 感动 新古典音乐 果断 反省 | Bm | 103 | ||||
|
Sweet Nothings (Underscore) [TBX107 - 16] |
版本. | 2'45 | Michael Edward Beever | Emotive, determined, poignant. Reflective, pensive piano melody | 感动 新古典音乐 果断 反省 | G | 103 |