| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Since We Met [BIB022 - 4] |
0 | 1'52 | William Benjamin Temlett | A romantic and melancholic violin & piano ensemble piece for those | 命运 伤心 抱歉 忧伤 | Dm | 93 | |||
|
While the Cat's Away [CEZ4176 - 13] |
0 | 1'52 | Baptiste Thiry | Urgent & childlike. Small instrumental ensemble. | 悲喜剧 动物喜感 天真幼稚 追逐场面 | Am | 140 | |||
|
Moving Horizon [CEO2025 - 9] |
0 | 2'37 | Selma Mutal | Tense & hesitating. Electronics, piano & percussion. | 抱歉 太空 都市景色 美国独立制片电影 | F | 87 | |||
|
Wandering in Lima [CEO2025 - 11] |
0 | 0'46 | Selma Mutal | Wandering & lonely. Treated piano & electronics. | 漂泊 都市景色 抱歉 地理政治 | Abm | 117 | |||
|
A Discovery [CEO2025 - 15] |
0 | 0'57 | Selma Mutal | Mysterious & suspensful. Synth pads & electronics. | 气氛 调查研究 合成背景音效 飞碟 | Db | 63 | |||
|
Irreversible [BIB021 - 3] |
0 | 2'37 | Richard Andrew Canavan | Electric vibraphone/bell layers with percussion which grows with | 高潮 单面鼓 社会悲剧 电吉他效果器 | C | 115 | |||
|
Immersion [BIB021 - 4] |
0 | 2'00 | William Benjamin Temlett | Dark yet romantic violin melody with electronic sound effects | 全景图 全景 感动 令人激动 | Gm | 108 | |||
|
Autumn Blues [BIB021 - 8] |
0 | 2'31 | Sergey Kolosov | Dark and emotionally tense piece with a slow rock beat accompanying | 沉重 忧伤 严谨 社会悲剧 | Em | 117 | |||
|
Battle's Dream [BIB021 - 13] |
0 | 2'32 | Sergey Kolosov | Powerful and triumphant chorus with a positive ending. | 改变 强调突出 令人激动 疑问 | G | 90 | |||
|
Northern Lights [BIB021 - 15] |
0 | 2'41 | Sergey Kolosov | Cinematic and powerful with a building chorus and a falling, | 懒惰 固执 强调突出 鼓 | Am | 101 | |||
|
Club 27 [BIB021 - 16] |
0 | 3'34 | Sergey Kolosov | Dramatic and resolving guitar lines with epic and powerful bursting | 回响 高潮 延迟 疑问 | B | 156 | |||
|
View From on High [CEO2021 - 1] |
0 | 1'27 | Bruno Alexiu | Suspended & mysterious. Orchestra & electronics. | 飞行 自然灾害 悬念 小说纪录片 | Abm | 117 | |||
|
High Altitude [CEO2021 - 10] |
0 | 1'28 | Bruno Alexiu | Ethereal & suspended. Orchestra & keyboards. Final with timpanies. | 飞行 抱歉 悬念 反省 | Abm | 61 | |||
|
Persistence With Echo [CEZ4171 - 19] |
0 | 2'17 | Christophe Zurfluh | Deep & regular. Electronic percussion. Fx echo. | 电子鼓 冲击 伴音 果断 | Am | 150 | |||
|
Subsurface Current [CEZ4171 - 23] |
0 | 2'18 | Christophe Zurfluh | Constant & aquatic. Electronic percussion & synth. | 电子鼓 冲击 伴音 调查研究 | Cm | 90 | |||
|
Bleeding Pebbles [CEO2024 - 3] |
0 | 1'22 | Bruno Alexiu | Lyric, sad & sorry. Strings orchestra. | 心理剧 命运 自然灾害 感动 | Cm | 113 | |||
|
Sea Sex and Samba [CEZ4165 - 7] |
0 | 5'39 | Patchworks | Energetic & rhythmic. Wah-wah guitar, Fender Rhodes & rhythm. | cocktail bar 世界电子音乐 团队运动 动人 | Dm | 127 | |||
|
Dawn of the Giants [BIB014 - 13] |
0 | 2'38 | Matthew Howes | Cinematic soundscaping with bomb-like sounds and building ominous low | 爆炸 轰隆声 粗糙 深邃 | Em | 68 | |||
|
Ghostly [BIB014 - 19] |
0 | 2'01 | Matthew Howes | Steady and minimal glowing bed with two peaks. | 嗡嗡声 稳定的 抱歉 悬念 | Abm | 76 | |||
|
Year of the Reptile [BIB013 - 5] |
0 | 3'25 | Sergey Kolosov | A dark, edgy and tough track. Rousing and gritty with distinct | 工业摇滚 间谍片 失真效果器 无情 | D | 120 |