| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Ambient II [EOS148 - 6] |
0 | 2'06 | Mathieu Harlaut | Wandering, floating & nocturnal. Layers of analog synth. | 美国独立制片电影 环境 模拟合成器 气氛 | Ab | 62 | |||
|
Your Eyes Are Landscapes [EOS148 - 7] |
0 | 2'27 | Mathieu Harlaut | Tender, floating & nostalgic. Analog synth. Suggested for ending | outro (end credits) 美国独立制片电影 慢镜头 模拟合成器 | Ab | 81 | |||
|
Hidden Springs [CEL7047 - 30] |
2'11 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Enigmatic, narrative, rootsy & wild. 7-string guitar, cavaquinho, | 热沙漠 巴西吉他 公路电影 自信 | Dm | 110 | ||||
|
Hidden Springs Alternate [CEL7047 - 77] |
版本. | 2'06 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Version without percussion | 热沙漠 巴西吉他 公路电影 自信 | Dm | 109 | |||
|
Way Too Good [BIB298 - 8] |
2'09 | Olivier Bibeau | Upbeat, fun, energetic. Build up from vocal samples and rolling | 舞蹈流行音乐 喜庆 人物 态度 | Fm | 103 | ||||
|
Way Too Good (Instrumental) [BIB298 - 25] |
版本. | 2'09 | Olivier Bibeau | Upbeat, fun, energetic. Build up from goofy melody and rolling snares | 舞蹈流行音乐 喜庆 人物 态度 | Fm | 103 | |||
|
Way Too Good (Bed) [BIB298 - 26] |
版本. | 2'09 | Olivier Bibeau | Upbeat, fun, energetic. Build up from decisive melody and rolling | 舞蹈流行音乐 喜庆 人物 态度 | Fm | 103 | |||
|
After Hours [IOM045 - 5] |
2'27 | David Birnie, Luke Hinchliffe | Fancy, glamorous, fun. Hi hats trickle into bass and drums giving an | 动人 间谍片 舞动 喜庆 | Fm | 118 | ||||
|
After Hours (Underscore) [IOM045 - 19] |
版本. | 2'27 | David Birnie, Luke Hinchliffe | Fancy, glamorous, fun. Hi hats trickle into bass and drums giving an | 动人 间谍片 舞动 喜庆 | Fm | 118 | |||
|
After Hours (Drums Only) [IOM045 - 20] |
版本. | 2'27 | David Birnie, Luke Hinchliffe | Fancy, glamorous, fun. Hi hats trickle into bass and drums giving an | 动人 间谍片 舞动 喜庆 | Cm | 118 | |||
|
Speed Story [INP084 - 4] |
2'33 | Edward Pszeniczka | Energetic, harsh, fast. Hum of distorted guitar rises along with fast | 影院摇滚 火热 动作游戏 冲击 | Dm | 100 | ||||
|
Speed Story (Underscore) [INP084 - 14] |
版本. | 2'33 | Edward Pszeniczka | Energetic, harsh, fast. Hum of distorted guitar rises along with fast | 影院摇滚 火热 动作游戏 冲击 | Dm | 100 | |||
|
Strumming Travelers [TBX234 - 9] |
2'06 | Reid Durtschi | Noble, stoic, adventurous. Acoustic guitar notes land with a proud | 全景图 地理政治 内心 画面感 | Ebm | 105 | ||||
|
Strumming Travelers
[TBX234 - 20] |
版本. | 2'06 | Reid Durtschi | Noble, stoic, adventurous. Acoustic guitar notes land with a proud | 全景图 地理政治 内心 伴音 | Ebm | 105 | |||
|
Want Ur Love [TBX235 - 5] |
3'20 | Anna Straker | Sultry, modern, romantic. Swirling choral voices push into an 歌词 | 态度 青春剧 女歌手 cinematic pop | Ebm | 96 | ||||
|
Want Ur Love (Instrumental) [TBX235 - 24] |
版本. | 3'20 | Anna Straker | Sultry, modern, romantic. Dusty ambience pushes through into R&B pop | 态度 青春剧 cinematic pop 自信 | Ebm | 96 | |||
|
Want Ur Love (Underscore) [TBX235 - 25] |
版本. | 3'20 | Anna Straker | Sultry, modern, romantic. Dusty ambience pushes through into deep | 态度 青春剧 cinematic pop 自信 | Ebm | 96 | |||
|
Sink Or Swim [TBX235 - 12] |
2'07 | Luca Poloni, Carlie Randall | Sultry, powerful, lustful. Watery vocals call out alongside 歌词 | 态度 cinematic pop 青春剧 女歌手 | Ebm | 97 | ||||
|
Sink Or Swim (Instrumental) [TBX235 - 39] |
版本. | 2'07 | Luca Poloni, Carlie Randall | Sultry, powerful, lustful. Squelching bass slide into sub bass as big | 态度 cinematic pop 青春剧 令人激动 | Ebm | 97 | |||
|
Sink Or Swim (Underscore) [TBX235 - 40] |
版本. | 2'07 | Luca Poloni, Carlie Randall | Sultry, powerful, lustful. Bass swells in an uncertain ambience | 态度 cinematic pop 青春剧 令人激动 | Ebm | 97 | |||
|
Terminal Dawn [ISC117 - 2] |
2'42 | Caleb Swift | Hybrid Dystopian Trailer. Intro on hold & ominous. Slow hypnotic | 令人不安 预告片 画面感 史诗 | Gbm | 130 | ||||
|
Terminal Dawn Alternate 1 [ISC117 - 12] |
版本. | 2'42 | Caleb Swift | Version without percussion. | 令人不安 预告片 画面感 史诗 | Gbm | 130 | |||
|
Terminal Dawn Alternate 2 [ISC117 - 13] |
版本. | 2'42 | Caleb Swift | Version without lead. | 令人不安 预告片 画面感 史诗 | Gbm | 130 | |||
|
Broken Future [ISC117 - 6] |
2'20 | Caleb Swift | Hybrid Dystopian Trailer. Tragic & desolate intro. Tense, warlike | 史诗 悲剧 画面感 轰隆声 | Am | 110 | ||||
|
Broken Future Alternate [ISC117 - 19] |
版本. | 2'20 | Caleb Swift | Version without percussion. | 史诗 悲剧 画面感 轰隆声 | Am | 110 | |||
|
Parallel Universe [ISC117 - 7] |
2'13 | Caleb Swift | Hybrid Dystopian Trailer. Slow, disturbing, mysterious & tense | 科幻片 史诗 令人激动 固执 | C | 120 | ||||
|
Parallel Universe Alternate [ISC117 - 20] |
版本. | 2'13 | Caleb Swift | Version without percussion. | 科幻片 史诗 令人激动 固执 | C | 120 | |||
|
Tenebris [ISC115 - 3] |
2'39 | Christophe Le Guen | Horror trailer. Perfect jump scar intro with rumbling sounds & dull | 恐怖 沉重 预告片 冲突 | Dbm | 100 | ||||
|
Tenebris Alternate 1 [ISC115 - 15] |
版本. | 2'39 | Christophe Le Guen | Version without percussion. | 恐怖 预告片 强调突出 画面感 | Dbm | 100 | |||
|
Tenebris Alternate 2 [ISC115 - 16] |
版本. | 2'39 | Christophe Le Guen | Light version. | 恐怖 沉重 预告片 冲突 | Dbm | 100 | |||
|
Invocation of Dread [ISC115 - 7] |
3'54 | Christophe Le Guen | Horror trailer. Mysterious intro with piano, floating soundscape & | 进步 画面感 高潮 史诗 | Fm | 140 | ||||
|
Invocation of Dread Alternate
[ISC115 - 23] |
版本. | 3'54 | Christophe Le Guen | Version without percussion. | 进步 画面感 高潮 史诗 | Fm | 140 | |||
|
Invocation of Dread Alternate
[ISC115 - 24] |
版本. | 3'54 | Christophe Le Guen | Light version. | 进步 画面感 高潮 史诗 | Fm | 140 | |||
|
The Gates of Hell [ISC115 - 10] |
3'59 | Christophe Le Guen | Horror trailer. Dark & murky intro with shrilling strings & synth. | 固执 冲突 画面感 史诗 | Cm | 120 | ||||
|
The Gates of Hell Alternate 1 [ISC115 - 29] |
版本. | 3'59 | Christophe Le Guen | Version without percussion. | 固执 画面感 史诗 动作片 | Cm | 120 | |||
|
The Gates of Hell Alternate 2 [ISC115 - 30] |
版本. | 3'59 | Christophe Le Guen | Light version. | 固执 冲突 画面感 史诗 | Cm | 120 | |||
|
Behind the Scenes [CEO2187 - 5] |
0 | 1'48 | Kirosen | Neoclassical. Serious, determined & emphatic. Piano & string quartet. | 果断 严谨 新古典音乐 命运 | Em | 86 | |||
|
Day by Day Electro version [CEZ4700 - 12] |
0 | 2'29 | Elisabeth Skornik, Guy Skornik | Electronic version with a new-age feel. Relaxed, mystical & dreamy | 稳定的 气氛 神奇 从容 | F | 78 | |||
|
Doubt and Resolution - Piano
[CEZ4700 - 20] |
0 | 2'11 | Elisabeth Skornik, Guy Skornik | Solo piano version. First interrogative, uncertain, sparse & simple. | 稀疏 阴险 叙述 无电声钢琴 | Gm | 70 | |||
|
Catch Me If You Can [AMS5065 - 3] |
2'09 | Flaviu Ciocan, Revesz Gabor | Heavy Rock. Urgent, blistering & syncopated. Metal rock band & | 火热 极限运动 击金属 冲突 | Dm | 140 | ||||
|
Catch Me If You Can Alternate
[AMS5065 - 19] |
版本. | 2'09 | Flaviu Ciocan, Revesz Gabor | Version without drums. | 火热 极限运动 击金属 态度 | Dm | 140 | |||
|
Catch Me If You Can Alternate
[AMS5065 - 20] |
版本. | 2'09 | Flaviu Ciocan, Revesz Gabor | Version with drums only | 火热 极限运动 击金属 冲突 | Fm | 140 | |||
|
Catch Me If You Can Alternate
[AMS5065 - 21] |
版本. | 2'09 | Flaviu Ciocan, Revesz Gabor | Underscore version | 火热 极限运动 击金属 态度 | Dm | 140 | |||
|
Catch Me If You Can Edit 1 30
[AMS5065 - 22] |
版本. | 0'32 | Flaviu Ciocan, Revesz Gabor | 30 second cut | 火热 极限运动 击金属 冲突 | Dm | 142 | |||
|
Catch Me If You Can Edit 2 15
[AMS5065 - 23] |
版本. | 0'15 | Flaviu Ciocan, Revesz Gabor | 15 second cut | 火热 极限运动 击金属 冲突 | Dm | 140 | |||
|
Streams of Blessing [CEZ4690 - 8] |
3'03 | André Charlier, Benoît Sourisse | Bluesy instrumental gospel. Quiet but determined & full of | 自信 福音 蓝调 蓝调 | Bb | 86 | ||||
|
Streams of Blessing Alternate [CEZ4690 - 17] |
版本. | 3'03 | André Charlier, Benoît Sourisse | Alternate version with temple reverb effect | 自信 福音 蓝调 蓝调 | Bb | 86 |