| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Secret Network [CEZ4056 - 7] |
0 | 1'45 | Nicolas Mizrachi, Jean-Francois Morin | Mysterious & furtive. Slow tremolo guitar arpeggio & fuzz guitar @ | 电吉他效果器 疑问 垃圾音效 吵闹 | Em | 69 | |||
|
Raid Round Up [CEZ4056 - 19] |
0 | 2'05 | Nicolas Mizrachi, Jean-Francois Morin | Aggressive & harsh. Big bass & drum loops with synth & guitar washes. | 动作片 都市景色 神经病 固执 | Em | 100 | |||
|
Industrial Disease [CEZ4056 - 21] |
0 | 2'23 | Nicolas Mizrachi, Jean-Francois Morin | Hopeless. Slow mournful guitars & strings with sparse rhythms. | 调查研究 社会悲剧 警匪片 都市景色 | Em | 85 | |||
|
Bad News Day [CEZ4051 - 2] |
0 | 2'24 | Nicolas Mizrachi, Jean-Francois Morin | Emotional synth & strings with slow broken loops & distant fx. | 调查研究 缓拍 夜晚 独立摇滚 | Em | 75 | |||
|
Falsely Accused [CEZ4051 - 8] |
0 | 2'33 | Nicolas Mizrachi, Jean-Francois Morin | Soundtrack. Dark sound design, filtered rhythm & electric guitar. | 调查研究 灾难 令人不安 沉重 | Em | 85 | |||
|
The Calling [CEZ4040 - 8] |
0 | 1'39 | Elisabeth Skornik, Guy Skornik | Slow & menacing. Heavy drone with bell chiming & heartbeat. | 调查研究 悬念 进行中 (音效)心跳 | C | 60 | |||
|
The Fear Within [CEZ4040 - 29] |
0 | 1'37 | Elisabeth Skornik, Guy Skornik | Dark slow drone with subtle FX. | 抱歉 低沉 有毒 深邃 | C | 123 | |||
|
Enchanted Requiem [AMS5057 - 5] |
2'02 | Mylène Ballion, SHIFUMI | Baroque & medieval trap. Ethreal, shimmering & bewitching. Beatless | 固执 态度 电影节奏 沉重 | Am | 130 | ||||
|
Enchanted Requiem Alternate 1 [AMS5057 - 29] |
版本. | 2'02 | Mylène Ballion, SHIFUMI | Version without beat | 固执 态度 电影节奏 抒情 | Am | 130 | |||
|
Enchanted Requiem Alternate 2 [AMS5057 - 30] |
版本. | 2'02 | Mylène Ballion, SHIFUMI | Instrumental version | 固执 态度 电影节奏 沉重 | Am | 130 | |||
|
Enchanted Requiem Edit 1 60
[AMS5057 - 31] |
版本. | 1'00 | Mylène Ballion, SHIFUMI | 60 second cut | 固执 态度 电影节奏 沉重 | Am | 130 | |||
|
Enchanted Requiem Edit 2 30
[AMS5057 - 32] |
版本. | 0'30 | Mylène Ballion, SHIFUMI | 30 second cut | 固执 态度 电影节奏 沉重 | Am | 130 | |||
|
Enchanted Requiem Edit 3 15
[AMS5057 - 33] |
版本. | 0'15 | Mylène Ballion, SHIFUMI | 15 second cut | 固执 态度 电影节奏 沉重 | Am | 130 | |||
|
Hello Hometown [CEZ4630 - 13] |
2'25 | Last Day In Paradise | Hip-hop beat. Lively, light & confident. Piano, glockenspiel, pizz & | BEAT MAKING 自信 日常生活 稳定的 | Am | 96 | ||||
|
Hello Hometown Alternate 1 [CEZ4630 - 67] |
版本. | 2'25 | Last Day In Paradise | Alternate no vocal. | BEAT MAKING 自信 日常生活 稳定的 | Am | 96 | |||
|
Hello Hometown Alternate 2 [CEZ4630 - 68] |
版本. | 1'00 | Last Day In Paradise | 60 second cut. | BEAT MAKING 自信 日常生活 稳定的 | Am | 96 | |||
|
Hello Hometown Alternate 3 [CEZ4630 - 69] |
版本. | 0'30 | Last Day In Paradise | 30 second cut. | BEAT MAKING 自信 日常生活 稳定的 | Am | 96 | |||
|
Drop down [CEZ4583 - 11] |
0 | 2'12 | Chomsk' | Beatmaking. Slow, marching, attitude, relentless & heavy. Synth & | 都市景色 态度 摇摆 沉重 | Dm | 88 | |||
|
Children's Choir [AMS5016 - 4] |
0 | 1'53 | SHIFUMI | Orchestral trap. Stubborn, dark & melancholy. Beat trap, children's | 都市 社会悲剧 神秘 固执 | Dm | 135 | |||
|
Runaway [EOS88 - 1] |
0 | 1'48 | Sébastien Gisbert, Lone Kent | Introduction track. Cyclic piano & constant progression. Exalting & | 上升 周期性的 调查研究 神秘 | Cm | 133 | |||
|
Wrecking Ball [CET9077 - 2] |
2'40 | Salvador Casais | Creepy intro with vibrant sound design, strings & riser. Epic build | 史诗 冒险片 画面感 高潮 | Em | 125 | ||||
|
Wrecking Ball Alternate 1 [CET9077 - 16] |
版本. | 2'40 | Salvador Casais | Alternative version without percussion. | 史诗 冒险片 画面感 高潮 | Em | 125 | |||
|
Wrecking Ball Alternate 2 [CET9077 - 17] |
版本. | 2'40 | Salvador Casais | Alternative version without choirs. | 史诗 冒险片 画面感 高潮 | Em | 125 | |||
|
The Private [CEZ4519 - 15] |
0 | 2'30 | Chomsk', Skence | Instrumental West Coast Hip-Hop / Cinematic Soul in a 70s spirit. | 夜晚 电声低音 电吉他 无忧无虑 | Am | 155 | |||
|
Gimme the Glory Alternate 2 [ISC024 - 14] |
2'57 | Lionel Fabert, Patrik Kabongo | Alternative version without percussion. | 现代 男歌手 美国 电子琴 | Dbm | 134 | ||||
|
Gimme the Glory [ISC024 - 2] |
版本. | 2'57 | Lionel Fabert, Patrik Kabongo | ☆☆ WINNER "Best Hip Hop" @Production Music Awards UK 2024 ☆☆ 歌词 | 团队运动 极限运动 态度 动作片 | Dbm | 134 | |||
|
Vintage Motor Sports [CEZ4455 - 19] |
0 | 01'46 | Bruno Alexiu | Evocation of speed. Animated & clashing. Orchestra with brass, | 紧急 交响乐队 新闻片 改变 | Bm | 155 | |||
|
A Tragic Accident [CEZ4455 - 28] |
0 | 01'39 | Bruno Alexiu | Minimalist, atmospheric, threatening & surreal. Sound-design & fx. | 深邃 声音设计 气氛 令人不安 | Abm | 110 | |||
|
Loud and Proud [CEG5022 - 14] |
0 | 2'31 | Mark Alberts | Anguish, powerful & relentless. Rock band. Electric guitar with | 恐怖片 移相器 诡异 恐怖 | Am | 73 | |||
|
Becoming the Bad Guy [CEZ4402 - 15] |
0 | 2'19 | Sebastijan Duh | Cinematic electro beat. Mysterious, relentless, imminent danger. | 科幻片 预告片 动作片 无情 | Bbm | 76 | |||
|
Under Surveillance [CET9003 - 8] |
2'39 | Gabriel Saban, Philippe Briand, Thierry Caroubi | Brutal intro with narrative piano & alarm fx. Build up to broad | 预告片 画面感 冲突 间谍片 | Cm | 120 | ||||
|
Under Surveillance Alternate
[CET9003 - 22] |
版本. | 2'39 | Gabriel Saban, Philippe Briand, Thierry Caroubi | Brutal intro with narrative piano & alarm fx. Build up to broad | 预告片 画面感 恐怖 间谍片 | C | 119 |