Urgent, serious, anticipatory. Euphoric strings set out an atmosphere ...Urgent, serious, anticipatory. Euphoric strings set out an atmosphere of alarm, visions of a disaster or cataclysmic event. Clarinets play through austere sequence, amplifying feelings of loss and terror. Rough percussion begins, giving energy to the scene as if someone has begun to look through the destruction to save people. Dissonant notes convey a sense of unease and disaster.
Urgent, serious, anticipatory. Euphoric strings set out an atmosphere ...Urgent, serious, anticipatory. Euphoric strings set out an atmosphere of alarm, visions of a disaster or cataclysmic event. Minor melodies and repetitive blooming strings convey a sense of loss and terror. Stripped back underscore version.
Explorative, astute, grand. Strings set out an ornate and grandiose ...Explorative, astute, grand. Strings set out an ornate and grandiose melody alongside rolling percussion. Rattling snare and hi hat conjure images of a big band playing at a celebratory event in a kingdom or large house. Repeated sequences give a slight sense of unease, the unsure feeling of triumph after a large battle where many died.
Explorative, astute, grand. Strings set out an ornate and grandiose ...Explorative, astute, grand. Strings set out an ornate and grandiose melody. Repeated bass sequence conveys a sense of underlying work, visions of a large celebration with waiters, dancers and a royal family. String melody becomes a little more dynamic, tinges of triumph and positivity. Stripped back underscore version.
Fancy, fun, meaningful. Steady piano sequence and muted plucked ...Fancy, fun, meaningful. Steady piano sequence and muted plucked strings set out an astute energy. Glissando piano blooms in time with rhythm, with bells augmenting organic feeling. Transition into more emotive section at 00:41 with deep meaningful string melody and heartfelt piano chords. Stripped back underscore version.
Fancy, fun, energetic. Strings with bouffant energy and striding flow ...Fancy, fun, energetic. Strings with bouffant energy and striding flow instantly conjure images of a grand house with well-trimmed fields and gardens. Pacy string melodies bloom in time with the steady rhythm, with bells augmenting the classy organic feeling. Transition into more emotive section at 00:41 with deep meaningful string melody and triumphant pedal piano note. Reminiscent of an aristocratic posh family that do have a loving and caring mentality at heart.
Urgent, very fast, sinister & warlike. Drums & traditional Korean ...Urgent, very fast, sinister & warlike. Drums & traditional Korean percussion: Samulnori, puk, janngu, jing, kkwaenggari. Break @ 1'12. Suggested for k-drama, action & pursuit scene with suspense.
Suspenseful. Almost military march. Solemn, martial, disturbing, ...Suspenseful. Almost military march. Solemn, martial, disturbing, percussive & dark. Samulnori, puk, jangu, jing, fx alarm @ 0'50. Suggested for k-drama, percussion underscore, tv series & games.
Post-classical. Sad & haunting with emotion. Piano & string textures. ...Post-classical. Sad & haunting with emotion. Piano & string textures. Long minimalist progression & string ensemble @ 1'08.
Post-classical. Introspective, deep & lonely. Synth layers, FX, low ...Post-classical. Introspective, deep & lonely. Synth layers, FX, low piano & clarinet. Moving finale @ 3'33 with lead alto.
Astute, sophisticated, confident. Dramatic riser leads into decorated ...Astute, sophisticated, confident. Dramatic riser leads into decorated trumpet and strings section. Proud melodies soaring over patiently played strings creates a professional sensibility. Feelgood melodies communicate a sense of grandeur, reminiscent of patriotic American news broadcast.
Astute, sophisticated, confident. Proud melodies soaring over ...Astute, sophisticated, confident. Proud melodies soaring over patiently played strings creates a professional sensibility. Feelgood melodies communicate a sense of grandeur, reminiscent of patriotic American news broadcast. Loop bed version.
Astute, sophisticated, confident. Proud trumpet melody soars over ...Astute, sophisticated, confident. Proud trumpet melody soars over strings with professional sensibility. Feelgood melody communicates a sense of patriotic grandeur. Sting A version.
Astute, sophisticated, confident. Large percussion gives way to ...Astute, sophisticated, confident. Large percussion gives way to rousing instrumentation. Proud trumpet melody soars over strings with professional sensibility. Sting B version.
Impassioned, heavy, rousing. Driving rock drumbeat sets out a ...Impassioned, heavy, rousing. Driving rock drumbeat sets out a determined rhythm joined by guitar and synth lines creating a raw but focused energy. Male vocals about inspiring others with relentless energy and never compromising. Uplifting aura from the triumphant lyrics and ruthless instrumentation. Chorus brings guitar breakdown and crash cymbals, repeated lyrics about doing better, encouragement and inspiration. Rock drum fills and cacophonous overdriven guitars. Heavy breakdown at 02:33 with sudden breaks and aggressive drumming.歌词
You Look volatile, keeping style, ready to go, You keep lighting fires, you inspire all who you know You're out front by miles, keeping eye, bringing it home, There's no second prize, compromise, losers go home. Don't stop me now, I'm having a ball.
Loud voices in my head are screaming, You could do better, You could do better, You could do better,
Loud voices have no reason screaming, You could do better, You could do better, You could do better now.
You Look volatile, keeping style, ready to go, You keep lighting fires, you inspire all who you know You're out front by miles, keeping eye, bringing it home, There's no second prize, compromise, losers go home. Don't stop me now, I'm having a ball.
Loud voices in my head are screaming, You could do better, You could do better, You could do better,
Loud voices have no reason screaming, You could do better, You could do better, You could do better now.
Impassioned, heavy, rousing. Driving rock drumbeat sets out a ...Impassioned, heavy, rousing. Driving rock drumbeat sets out a determined rhythm joined by guitar and synth lines creating a raw but focused energy. Determined aura from ruthless instrumentation. Guitar breakdown with repeating crash cymbals. Rock drum fills and cacophonous overdriven guitars. Heavy breakdown at 02:33 with sudden breaks and aggressive drumming. Instrumental version.
Impassioned, heavy, rousing. Driving rock drumbeat sets out a ...Impassioned, heavy, rousing. Driving rock drumbeat sets out a determined rhythm joined by phasing synth lines creating a raw but focused energy. Male vocals about inspiring others with relentless energy and never compromising. Uplifting aura from the triumphant lyrics and ruthless instrumentation. Chorus brings drum breakdown with crash cymbals, repeated lyrics about doing better, encouragement and inspiration. Stripped back underscore version.
Emotive, explosive, raw. Guitar plays through a downbeat sequence ...Emotive, explosive, raw. Guitar plays through a downbeat sequence with a post-rock feeling, male vocals sing about losing control in an impassioned manner. A heavy rock style coupled with a meaningful sensibility. Anti-climax bolsters real launching into chorus at 01:12, emotional catharsis. Vocals goad and entice with commands to break the rules. Floaty synth keys support emotive nature. Confident rock energy from slow tempo and commanding vocals.歌词
You're losing control every day The world still revolves You're just a mistake
I've been here now long enough I've been here too long I've been here now long enough to get this all wrong
The fever will rage and sweat out the blame Lovers less guilty by changing their name
I've been here now long enough I've been here too long I've been here now long enough to get this all wrong
Make your move and execute with style Break the rules Invisible man child You're losing control every day The world still revolves You're just a mistake
I've been here now long enough I've been here too long I've been here now long enough to get this all wrong
Make your move and execute with style Break the rules Invisible man child
I've been here now long enough I've been here too long I've been here now long enough to get this all wrong
Make your move and execute with style Break the rules Invisible man child
Emotive, explosive, raw. Guitar plays through a downbeat sequence ...Emotive, explosive, raw. Guitar plays through a downbeat sequence with a post-rock feeling. A heavy rock style coupled with a meaningful sensibility. Steady tempo driving forward in a confident, marching pace. Anti-climax bolsters real launching into chorus at 01:12, emotional catharsis. Overdriven guitars hit with a fiery power, contrasted by floaty keys supporting the emotive nature. Instrumental version.
Emotive, explosive, raw. Guitar plays through a downbeat sequence ...Emotive, explosive, raw. Guitar plays through a downbeat sequence with a post-rock feeling. Steady tempo driving forward with a confident, marching pace supported by light percussion. Anti-climax bolsters real launching into chorus at 01:12, emotional catharsis. Overdriven guitars hit with a fiery power, contrasted by floaty keys supporting the emotive nature. Stripped back underscore version.
Explosive, hopeful, energetic. Long drum fill conveys a ruthless ...Explosive, hopeful, energetic. Long drum fill conveys a ruthless energy, then supported by gritty overdriven guitar riffs and crash cymbals. Falls into subtle verse with sparse instrumentation as male vocals sing about listening to your heart and feeling something new running through your veins. Explosive chorus with lyrics repeating about being ready and waiting for whatever may come. Singing about fire and flames conjures images of hardship, struggle and conflict but driving energy conveys a determination.歌词
I think I'm ready for it Whatever comes before me
I think I'm ready for it Through fire and flames and fury
I think I'm ready for it It’s time to stop pretending
I think I'm ready for it Refrain is at an ending
I’m waiting for a message from my heart To tell me what to do and where to start There’s something new coursing through my veins There’s an energy flowing through my I can feel it
My hands are shaking legs are trembling and I love it I'm winding up and I'm ready to let go There’s pressure building and
Explosive, hopeful, energetic. Long drum fill conveys a ruthless ...Explosive, hopeful, energetic. Long drum fill conveys a ruthless energy, then supported by gritty overdriven guitar riffs and crash cymbals. Falls into subtle verse with sparse instrumentation that builds a tense and menacing atmosphere. Explosive chorus with guitar stabs and heavy drumwork. Instrumental version.
Avant-garde pop/folktronica ballad with a touch of African ...Avant-garde pop/folktronica ballad with a touch of African world-music. Progression. Intimate yet lively. Female singer, kalimbra, drum & claps.歌词
UnrevealingWe’ve kept our love on a tape Frozen morning By the lake where we skate Silver wellspring This was way more than just a fling I gave my dreamsYou’re the guardian of this house now Ouuh Ouuh Ouuh Ouuh You’re the guardian of this house You’re the guardian of this house now
Unrevealing We’ve kept our love on a tape I’ve heard and seen More than one take Precious offspring You will arrive in May My love my king You’re the guardian of this house now
Ouuh Ouuh Ouuh Ouuh You’re the guardian of this house You’re the guardian of this house now
Bossa Nova typical of Brazil in the early 60's. Tender, warm & ...Bossa Nova typical of Brazil in the early 60's. Tender, warm & charming with a touch of melancholy. Female singer, Brazilian guitar, shaker & flugelhorn @1'12.歌词
Como não recordar de nós dois, quanta saudade
Tantas lembranças tão antigas tão presentes
Que não posso esquecer, como poderia
Nao tem jeito não
Mesmo se eu quisesse renegar, anos depois
Cada passo lado a lado
Cada laço assim atado
Eu não poderia deslembrar jamais
Tem jeito não
Tempo passou pra nós dois
Mas ficou um gosto bom
Tempos depois pra nós dois
Tempo bom que passou
Que passou que ficou
Typical Bossa Nova from the 60's. tender, warm & charming with a ...Typical Bossa Nova from the 60's. tender, warm & charming with a touch of melancholy. Lead fuglehorn, guitar & light Brazilian percussion.
Massive & bombastic intro in a doom metal spirit. Fearless & fiery. ...Massive & bombastic intro in a doom metal spirit. Fearless & fiery. Heavy handed riff & drums. Stoner lead guitar build-up starting @ 0'43. Climax @ 1'26 with virtuoso lead guitar. Intense & indomitable finale. Metal music suggested for wresling, truck, extreme roads & lumberjack.
Folk ballad / Nu Folk. Charming, sweet & sentimental. Relaxed. Female ...Folk ballad / Nu Folk. Charming, sweet & sentimental. Relaxed. Female singer, acoustic guitar & rhythm.歌词
There was a time
When I thought that you were just a player
And all my time
Depended on what you would do
And i would try
To look and sound like someone that I wasn’t
Cause you were the guy
Oh man oh yes oh yes you were the guy
And i would
Dress my hair
Make it look nice
Make sure I would have some hypnotizing eyes
Touch up my lipstick with my tiny pocket glass
Wear some jeans that shape a pretty little ass
I guess, That’s how I met my first love
The best person that I could dream of
There were some times
When you would see your friends and other women
And all that time
I’d go and do the same ‘till you were home
And i would try
To ignore my jealous opinions
Cause you were the guy
Oh man oh yes you were my handsome guy
And they would
Dress their hair
Make it look nice
Make sure they would have some hypnotizing eyes
Touch up their lipstick with their tiny pocket glass
Wear some jeans that shape a pretty little ass
I guess, That’s how we end a first love
And now, I just have to move on
(Humming)
And they would
Dress their hair
Make it look nice
Make sure they would have some hypnotizing eyes
Touch up their lipstick with their tiny pocket glass
Wear some jeans that shape a pretty little ass
I guess, That’s how we end a first love
And now, I just have to move on
Daunting, tense, eerie. Unassuming percussion leads into glassy ...Daunting, tense, eerie. Unassuming percussion leads into glassy melody and tense bass undertones. Simplistic melody assumes a gradual evolution into a confident creepiness, like a march through a safe zone that is surrounded by danger and death. Instrumentation builds with layering of heavy distortion and euphoric dissonance, resulting in massive catharsis at 01:57. Triumphant grandeur very rapidly disappears, reprise of eerie bell melody.
Daunting, tense, eerie. Unassuming percussion leads into marching ...Daunting, tense, eerie. Unassuming percussion leads into marching kick drum. Dissonant euphoria with ominous string rises and a slowly evolving percussive section. Cymbal hits cause tension that is released at 01:57 with loud snare hits and more direct percussion. Stripped back underscore version.
Daunting, tense, eerie. Glassy melody with tense bass undertones ...Daunting, tense, eerie. Glassy melody with tense bass undertones creates creepy atmosphere. Slow build with fuzzy bass notes and echoing piano. Building to melodic catharsis at 01:47 with proud major chords. Stripped back underscore version.
Atmospheric, solemn, dramatic. Acoustic guitar plays pained minor ...Atmospheric, solemn, dramatic. Acoustic guitar plays pained minor chords, decorated by melancholic electric guitar trills. Male vocals singing about journeys, leaving a loved one or a place you call home. Classic rock energy from emotive melodies and dramatic drum performance.歌词
Send me some news from out thereI’ll waitTell the ones you have by your sideI had to stayThough I am the one who loves leaving without plansBetter yetBeing able to come back And every day is coming and going fromThis stationA station whereSome people will arrive and stayAnd some will go awayWill go away They’re just the two sides of the same tripThe train that comes is the same that leavesThe time to say hiIs also the time to say goodbye And every day is coming and going fromThis stationA station whereSome people will arrive and stayAnd some will go awayWill go away Some people comeBut long for a returnSome people leaveBut they just wanna staySome people hereJust smile and cry And every day is coming and going fromThis stationA station whereSome people will arrive and stayAnd some will go awayWill go away Some will come and some will go away(The station)(A station yeah)
Atmospheric, solemn, dramatic. Acoustic guitar plays pained minor ...Atmospheric, solemn, dramatic. Acoustic guitar plays pained minor chords, decorated by melancholic electric guitar trills. Classic rock energy from emotive melodies and dramatic drum performance. Instrumentation break at 02:43, charging back into chorus sequence with renewed energy and emotion. Instrumental version.
Solemn, dramatic. Acoustic guitar plays pained minor chords, ...Solemn, dramatic. Acoustic guitar plays pained minor chords, decorated by melancholic electric guitar trills. Classic rock energy from emotive melodies and guitar-led instrumentation. Break at 02:43, charging back into chorus sequence with renewed energy and emotion. Stripped back underscore version.
Solemn, dramatic. Acoustic guitar plays pained minor chords. ...Solemn, dramatic. Acoustic guitar plays pained minor chords. Melancholic energy shifting into a more hopeful feeling with triumphant major chords. Stripped back underscore version.
Swagger, attitude and power. Clattering beats, bass and synths ...Swagger, attitude and power. Clattering beats, bass and synths combine. Determined and confident with a percussive shuffle.
