| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Touch Of Heaven [BIB200 - 4] |
0 | 1'59 | James Francis, Tatjana Iljasova, Cleo Miller-Stewart, Christopher Morris, Yvonne Park | Spiritual, meaningful, celebratory. R&B piano accompanies light 歌词 | 福音 爱情 女歌手 浪漫喜剧 | C | 65 | |||
|
Der Wiener Prater [CEZ4508 - 6] |
0 | 3'02 | Antoine Glatard | Viennese waltz. Light, old-fashionned & punctuated in the spirit of | 维也纳华尔兹 过时 爱情 多愁善感 | Bb | 140 | |||
|
Schloss Schönbrunn [CEZ4508 - 9] |
0 | 2'52 | Antoine Glatard | Romantic, pleasant & dreamy waltz with a touch of nostalgia. Symphony | 爱情 爱情 命运 高雅 | A | 128 | |||
|
A Life of Adventure [CEZ4513 - 13] |
0 | 2'55 | Benoit Cimbé | Determined, punctuated & conquering. Symphony orchestra with staccato | 冒险片 史诗 动画 画面感 | Am | 107 | |||
|
Hopefully Plucky [TBX127 - 4] |
1'58 | Guy Thackeray | Comical, anxious, suspicious. Patient pizzicato string melody and | 悲喜剧 讽刺 & 恶意 动画 悲喜剧 | Cm | 100 | ||||
|
Hopefully Plucky (Underscore) [TBX127 - 15] |
版本. | 1'58 | Guy Thackeray | Comical, anxious, suspicious. Patient pizzicato strings and horns | 悲喜剧 讽刺 & 恶意 动画 悲喜剧 | Cm | 100 | |||
|
Criminal Code [CEZ4506 - 6] |
0 | 2'26 | Hiroki Ishikura | Electro beat. Violent, hammered & lively. Suggested for action movie, | electro beat 固执 冲突 果断 | Dm | 105 | |||
|
Preemptive War [CET9062 - 3] |
2'06 | Giorgos Lorantakis | Anticipating & dark synth intro with trailer percussion & weapon FX. | 声音设计 冲突 爆炸 令人不安 | Fm | 100 | ||||
|
Preemptive War Alternate [CET9062 - 12] |
版本. | 2'06 | Giorgos Lorantakis | Alternate no percussion. | 冲突 爆炸 令人不安 固执 | Fm | 100 | |||
|
Supernatural Conflict [CET9062 - 5] |
0 | 2'10 | Giorgos Lorantakis | Piano ping & synth building-up with weapon FX & punctuated trailer | 声音设计 恐怖片 冲突 令人不安 | B | 90 | |||
|
Against The Clock [BIB192 - 4] |
2'04 | Paper Boy | Urgent, crucial, worrying. Minor piano melody gives a sense of | 警匪片 调查研究 新闻 固执 | Em | 129 | ||||
|
Against The Clock (Underscore
[BIB192 - 17] |
版本. | 2'04 | Paper Boy | Urgent, crucial, worrying. Minor piano melody gives a sense of | 警匪片 调查研究 固执 无电声钢琴 | Em | 129 | |||
|
Against The Clock (Underscore
[BIB192 - 18] |
版本. | 2'04 | Paper Boy | Urgent, crucial, worrying. Minor piano melody gives a sense of | 警匪片 令人不安 调查研究 伴音 | Em | 129 | |||
|
Betrayer [CET9061 - 2] |
2'19 | Sergiu-Dan Muresan | Mournful & dark clocklike intro announcing a death sentence. | 史诗 固执 果断 画面感 | Dbm | 86 | ||||
|
Betrayer Alternate [CET9061 - 12] |
版本. | 2'19 | Sergiu-Dan Muresan | Alternate no percussion. | 史诗 固执 果断 令人不安 | Dbm | 86 | |||
|
Harsh Reality [ISC009 - 10] |
2'08 | Gabriel Saban | Grave, serious & disturbing. Heavy piano & disturbing strings. Climax | 画面感 轰隆声 令人不安 政治 | G | 120 | ||||
|
Harsh Reality Alternate [ISC009 - 17] |
版本. | 2'08 | Gabriel Saban | Alternate version without percussion. | 画面感 轰隆声 令人不安 政治 | G | 120 | |||
|
Architects of Mind [CET9057 - 6] |
2'48 | Alexandros Nikolaidis | Sonar like intro with reverbered piano & arpeggiator. Tense build-up | 果断 史诗 固执 气势 | Em | 120 | ||||
|
Architects of Mind Alternate [CET9057 - 20] |
版本. | 2'48 | Alexandros Nikolaidis | Alternate without percussion. | 果断 史诗 固执 气势 | Em | 120 | |||
|
Architects of Mind Alternate 2 [CET9057 - 21] |
版本. | 2'48 | Alexandros Nikolaidis | Alternate without choir. | 果断 史诗 固执 气势 | Em | 120 | |||
|
Piano Lesson [CEZ4496 - 20] |
0 | 1'14 | Baptiste Thiry | Carefree, simple, poetic, light & elegant. Solo piano. Suggested for | 过时 天真幼稚 温柔 默剧 | E | 163 | |||
|
Preparation is the Key [CET9056 - 9] |
3'04 | Salvador Casais | Menacing & anticipating intro evolving with industrial percussion & | 冲突 气势 画面感 军事冲突 | Bm | 86 | ||||
|
Preparation is the Key
[CET9056 - 23] |
版本. | 3'04 | Salvador Casais | Alternate without percussion. | 冲突 气势 画面感 军事冲突 | Bm | 86 | |||
|
Love and Destiny [CEO2136 - 2] |
3'14 | Pablo Pico | Adagio. Emotional, loving & majestic. Near pathos. String orchestra & | 感动 忧伤 弦乐乐团 使人心碎 | Am | 70 | ||||
|
Love and Destiny Alternate [CEO2136 - 17] |
版本. | 1'55 | Pablo Pico | Shorter alternate version. Adagio. Emotional, loving & majestic. Near | 感动 忧伤 弦乐乐团 使人心碎 | Am | 70 | |||
|
The Rise of a Star [CEO2136 - 3] |
2'48 | Pablo Pico | Crescendo introduction, tender & sentimental with strings & piano. | 电影原声带 法国电影 多愁善感 艺术风格 | Am | 162 | ||||
|
The Rise of a Star Alternate [CEO2136 - 18] |
版本. | 1'04 | Pablo Pico | Interlude alternate. Crescendo introduction, tender & sentimental | 电影原声带 法国电影 多愁善感 艺术风格 | Am | 162 | |||
|
Tristana [CEO2136 - 13] |
0 | 2'18 | Pablo Pico | Sad, desolate & plaintive then poignant & melodramatic @ 1'20. String | 神秘 法国电影 梦幻 魔幻电影 | Cm | 117 | |||
|
Shades of Light [CET9055 - 5] |
3'12 | Brian Delgado | Disturbing intro with creepy sound design. Ethereal & suspended | 画面感 气势 预告片 高潮 | Dm | 130 | ||||
|
Shades of Light Alternate [CET9055 - 21] |
版本. | 3'12 | Brian Delgado | Alternate without percussion. | 画面感 气势 预告片 高潮 | Dm | 130 | |||
|
Shades of Light Alternate 2 [CET9055 - 22] |
版本. | 3'12 | Brian Delgado | Alternate without choir. | 画面感 气势 预告片 高潮 | Dm | 130 | |||
|
No Better Place [CET9054 - 3] |
2'44 | Gabriel Saban, Claude Samard | Suspended & confident intro with banjo, picking guitar & pedal steel | 当代西部片 自信 气势 画面感 | F | 166 | ||||
|
No Better Place Alternate 1 [CET9054 - 13] |
版本. | 2'44 | Gabriel Saban, Claude Samard | Alternate version without percussion. | 自信 气势 画面感 庄严 | F | 166 | |||
|
No Better Place Alternate 2 [CET9054 - 14] |
版本. | 2'39 | Gabriel Saban, Claude Samard | Stripped alternate version with guitar, banjo, pedal-steel & | 全景图 当代西部片 自信 乡村音乐 | F | 166 | |||
|
Nomad Soul [INP039 - 10] |
2'11 | Sergey Kolosov, Paul Thorne | Raw, powerful, spirited. Whirring dissonance creates a sense of | 影院摇滚 进步 气势 赛车 | G | 110 | ||||
|
Nomad Soul (Instrumental) [INP039 - 34] |
版本. | 2'10 | Sergey Kolosov, Paul Thorne | Raw, powerful, spirited. Whirring dissonance creates a sense of | 影院摇滚 进步 气势 赛车 | Gm | 110 | |||
|
Nomad Soul (Underscore) [INP039 - 35] |
版本. | 2'10 | Sergey Kolosov, Paul Thorne | Raw, powerful, spirited. Whirring dissonance creates a sense of | 影院摇滚 果断 进步 电子琴 | G | 144 |