| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Chosen One [CET9106 - 7] |
3'35 | Brian Delgado | Majestic epic trailer. Rising & light-filled introduction with synth | 豪言壮语 凯旋 庄严 预告片 | C | 89 | ||||
|
The Chosen One Alternate [CET9106 - 17] |
版本. | 3'35 | Brian Delgado | Version without percussion. | 豪言壮语 凯旋 庄严 预告片 | C | 178 | |||
|
Superhuman [INP078 - 9] |
2'17 | RONNIE VERBOOM | Urgent, dramatic, thrilling. Droning bass and fast-paced strings set | 史诗 紧急 画面感 火热 | D | 162 | ||||
|
Superhuman (Underscore A) [INP078 - 22] |
版本. | 1'54 | RONNIE VERBOOM | Urgent, dramatic, thrilling. Drums and sci-fi sounds slide past with | 史诗 画面感 火热 战士 | Dm | 80 | |||
|
Superhuman (Underscore B) [INP078 - 23] |
版本. | 1'48 | RONNIE VERBOOM | Urgent, dramatic, thrilling. Drums and sci-fi sounds slide past with | 史诗 紧急 画面感 火热 | Gm | 80 | |||
|
Rolling In [IOM036 - 10] |
2'57 | Justin Krol, Quinn Scharber, John Williams | Rustic, rough, rousing. Cold piano and light percussion push a quaint | 流行歌曲 感动 忧伤 日常生活 | Bm | 96 | ||||
|
Rolling In (Instrumental) [IOM036 - 31] |
版本. | 2'57 | Justin Krol, Quinn Scharber, John Williams | Rustic, rough, rousing. Cold piano and light percussion push a quaint | 感动 忧伤 日常生活 浪漫喜剧 | Bm | 96 | |||
|
Rolling In (Underscore) [IOM036 - 32] |
版本. | 2'57 | Justin Krol, Quinn Scharber, John Williams | Rustic, rough, rousing. Cold piano pushes a quaint sense of emotion | 感动 忧伤 日常生活 浪漫喜剧 | Bm | 96 | |||
|
Modern Research [TBX220 - 7] |
2'47 | Sergey Kolosov | Investigative, persistent, intelligent. Wild rough synth barrels out | 工业 果断 调查研究 固执 | Gm | 120 | ||||
|
Modern Research (Underscore) [TBX220 - 19] |
版本. | 2'47 | Sergey Kolosov | Investigative, persistent, intelligent. Wild rough synth barrels out | 果断 工业 调查研究 固执 | Gm | 120 | |||
|
Undercover Operations [CEG5056 - 1] |
2'05 | Hiroki Ishikura | Electro Jazz. Fast, stubborn & urgent. Double bass, brass stabs & | 追逐场面 悬念 拨奏低音提琴 电子爵士 | Ab | 117 | ||||
|
Undercover Operations
[CEG5056 - 13] |
版本. | 2'05 | Hiroki Ishikura | Underscore 1. | 追逐场面 悬念 拨奏低音提琴 电子爵士 | Db | 116 | |||
|
Undercover Operations
[CEG5056 - 14] |
版本. | 2'05 | Hiroki Ishikura | Underscore 2. | 追逐场面 悬念 拨奏低音提琴 电子爵士 | Ab | 117 | |||
|
Undercover Operations Edit 1
[CEG5056 - 15] |
版本. | 0'20 | Hiroki Ishikura | 20 second cut. | 追逐场面 悬念 拨奏低音提琴 电子爵士 | Ab | 117 | |||
|
Undercover Operations Edit 2
[CEG5056 - 16] |
版本. | 0'30 | Hiroki Ishikura | 30 second cut. | 追逐场面 悬念 拨奏低音提琴 电子爵士 | Ab | 117 | |||
|
Undercover Operations Edit 3
[CEG5056 - 17] |
版本. | 1'00 | Hiroki Ishikura | 60 second cut. | 追逐场面 悬念 拨奏低音提琴 电子爵士 | Ab | 117 | |||
|
Undercover Operations Edit 4
[CEG5056 - 18] |
版本. | 0'14 | Hiroki Ishikura | Sting. | 追逐场面 悬念 拨奏低音提琴 电子爵士 | Db | 117 | |||
|
The King of Harlem [CEZ4654 - 9] |
2'25 | Nicolas Giraud, Stephane Waltzer | Afro Jazz / Afrobeat. 1970s. Funky, bouncy & upbeat. In a | 黑人电影 时髦 非洲节拍 电声低音 | Fm | 112 | ||||
|
The King of Harlem Edit 1
[CEZ4654 - 37] |
版本. | 1'00 | Nicolas Giraud, Stephane Waltzer | 60 second cut | 黑人电影 时髦 非洲节拍 电声低音 | Fm | 111 | |||
|
The King of Harlem Edit 2
[CEZ4654 - 38] |
版本. | 0'30 | Nicolas Giraud, Stephane Waltzer | 30 second cut | 黑人电影 时髦 非洲节拍 电声低音 | C | 111 | |||
|
The King of Harlem Edit 3
[CEZ4654 - 39] |
版本. | 0'15 | Nicolas Giraud, Stephane Waltzer | 15 second cut | 黑人电影 时髦 非洲节拍 电声低音 | Cm | 112 | |||
|
Fight for Glory [CEO2175 - 7] |
0 | 1'58 | Olivier Militon | Cinematic/Orchestral score. Warlike, determined & heroic. Full | 爱国主义 史诗 战士 战争 | F | 133 | |||
|
Miniatures No 4 [AUD046 - 4] |
1'06 | Bruno Letort | Orchestral. Plodding, insistent & edgy. String orchestra, vibraphone | 阴险 orchestral score 摇摆 舞动 | Gbm | 107 | ||||
|
Miniatures No 4 Short Edit [AUD046 - 9] |
版本. | 0'18 | Bruno Letort | Short edit version | 阴险 orchestral score 摇摆 舞动 | A | 106 | |||
|
Fading Signal [EOS135 - 12] |
0 | 2'43 | Astronotes | Magnificent & dramatic. Piano, strings, synth, choir & cinematic | 魔幻电影 神秘 科幻片 悬念 | Cm | 111 | |||
|
Immaterial Voices [CCB1067 - 7] |
2'54 | Thomas Lucas | Celestial, floating & celestial. Bright heavenly vocals, panoramic | 电子 飞行 神秘 夜晚 | Ab | 80 | ||||
|
Immaterial Voices Alternate [CCB1067 - 43] |
版本. | 2'53 | Thomas Lucas | Underscore version | 神秘 夜晚 背景电子乐 悬念 | Ab | 106 | |||
|
Immaterial Voices Edit 1 20
[CCB1067 - 44] |
版本. | 0'20 | Thomas Lucas | Cut 20 secondes | 神秘 夜晚 背景电子乐 悬念 | Fm | 108 | |||
|
Immaterial Voices Edit 2 30
[CCB1067 - 45] |
版本. | 0'30 | Thomas Lucas | Cut 30 secondes | 神秘 夜晚 背景电子乐 悬念 | Fm | 93 | |||
|
Immaterial Voices Edit 3 60
[CCB1067 - 46] |
版本. | 1'00 | Thomas Lucas | Cut 60 secondes | 神秘 夜晚 背景电子乐 悬念 | Fm | 72 | |||
|
Immaterial Voices Edit 4 Sting [CCB1067 - 47] |
版本. | 0'13 | Thomas Lucas | Sting | 神秘 夜晚 背景电子乐 悬念 | Fm | 97 | |||
|
Useless Burglars [TBX215 - 8] |
2'08 | Anthony Sallis, Ben Bodie, Christopher Hardwick | Clownish, foolish, hilarious. Clarinet steps out in confident but | 动画 电影原声带 童年 讽刺 & 恶意 | Abm | 120 | ||||
|
Useless Burglars (Underscore) [TBX215 - 18] |
版本. | 1'27 | Anthony Sallis, Ben Bodie, Christopher Hardwick | Clownish, foolish, hilarious. Bass plods along in confident but silly | 电影原声带 讽刺 & 恶意 动画 悲喜剧 | Abm | 118 | |||
|
The Race Is On [IOM035 - 4] |
1'37 | David Birnie | Heavy, confident, powerful. Fuzzy rock bass gives a sense of badass | 极限运动 画面感 动作片 气势 | Am | 172 | ||||
|
The Race Is On (Underscore) [IOM035 - 34] |
版本. | 1'37 | David Birnie | Heavy, confident, powerful. Eerie string euphoria is nailed down by | 极限运动 画面感 动作片 气势 | A | 87 | |||
|
The Race Is On (Percussion
[IOM035 - 35] |
版本. | 1'37 | David Birnie | Heavy, confident, exciting. Tick tock percussion is met with heavy | 极限运动 画面感 动作片 气势 | A | 87 | |||
|
The Race Is On (60 sec) [IOM035 - 36] |
版本. | 1'03 | David Birnie | Heavy, confident, exciting. Excited instrumentation with muted | 极限运动 画面感 动作片 气势 | Am | 172 | |||
|
The Race Is On (30 sec) [IOM035 - 37] |
版本. | 0'30 | David Birnie | Heavy, confident, exciting. Excited instrumentation with muted | 极限运动 画面感 动作片 气势 | Am | 172 | |||
|
The Race Is On (15 sec) [IOM035 - 38] |
版本. | 0'16 | David Birnie | Heavy, confident, exciting. Excited rock instrumentation with | 极限运动 画面感 动作片 气势 | Am | 87 | |||
|
The Race Is On (10 sec) [IOM035 - 39] |
版本. | 0'12 | David Birnie | Heavy, confident, exciting. Excited rock instrumentation with | 极限运动 画面感 动作片 气势 | Am | 86 | |||
|
The Race Is On (5 sec) [IOM035 - 40] |
版本. | 0'04 | David Birnie | Heavy, confident, exciting. Excited rock instrumentation with | 极限运动 画面感 动作片 气势 | Gbm | 172 | |||
|
The Race Is On (Sting) [IOM035 - 41] |
版本. | 0'02 | David Birnie | Heavy, confident, exciting. Thud for rock action cue. Sting version. | 极限运动 画面感 动作片 气势 | A | 172 | |||
|
Brash [INP077 - 5] |
2'21 | Willie Eaglin, Ashley Holbrook | Confident, climactic, epic. String sequence trickles down through | 冲击 火热 嘻哈预告风 沉重 | Dm | 162 | ||||
|
Brash (Underscore) [INP077 - 15] |
版本. | 2'20 | Willie Eaglin, Ashley Holbrook | Confident, climactic, epic. String sequence falls from the back of | Dm | 162 | ||||
|
Scratch And Claw [INP077 - 9] |
2'36 | Willie Eaglin, Ashley Holbrook | Dramatic, heroic, meaningful. Large bass impact fires out, giving | 嘻哈预告风 沉重 固执 极限运动 | Cm | 130 | ||||
|
Scratch And Claw (Underscore) [INP077 - 19] |
版本. | 2'36 | Willie Eaglin, Ashley Holbrook | Dramatic, heroic, meaningful. Large bass impact fires out, giving | Cm | 130 | ||||
|
Neural Pulse [AMS5048 - 1] |
1'58 | Philippe Briand, Salvador Casais | Cinematic rock trailer. Ominous introduction with electric guitar and | 冲突 影院摇滚 战士 动作游戏 | B | 120 | ||||
|
Neural Pulse Alternate 1 [AMS5048 - 7] |
版本. | 1'58 | Philippe Briand, Salvador Casais | Version without percussion | 影院摇滚 战士 动作游戏 气势 | B | 120 | |||
|
Neural Pulse Alternate 2 [AMS5048 - 8] |
版本. | 1'58 | Philippe Briand, Salvador Casais | Version with percussion only | 冲突 影院摇滚 战士 动作游戏 | Abm | 120 | |||
|
Neural Pulse Alternate 3 [AMS5048 - 9] |
版本. | 1'58 | Philippe Briand, Salvador Casais | Bed version | 冲突 影院摇滚 战士 动作游戏 | B | 120 | |||
|
Neural Pulse Alternate 4 [AMS5048 - 10] |
版本. | 1'58 | Philippe Briand, Salvador Casais | Underscore version | 冲突 影院摇滚 战士 动作游戏 | B | 120 | |||
|
Neural Pulse Edit 1 30 sec [AMS5048 - 11] |
版本. | 0'27 | Philippe Briand, Salvador Casais | 30 second cut | 冲突 影院摇滚 战士 动作游戏 | B | 120 | |||
|
Neural Pulse Edit 2 15 sec [AMS5048 - 12] |
版本. | 0'16 | Philippe Briand, Salvador Casais | 15 second cut | 冲突 影院摇滚 战士 动作游戏 | B | 120 | |||
|
Diamonds On Point [CEZ4661 - 3] |
2'08 | Rémo | Chillout / Lounge. Sumptuous, floating, dreamy & lush. Piano, drum | 高雅 时尚 女性 酒吧音乐 | Cm | 86 | ||||
|
Diamonds On Point Alternate 1 [CEZ4661 - 22] |
版本. | 2'08 | Rémo | Instrumental version | 高雅 女性 酒吧音乐 迷人 | Cm | 86 | |||
|
Diamonds On Point Alternate 2 [CEZ4661 - 23] |
版本. | 2'08 | Rémo | Underscore version | 高雅 女性 酒吧音乐 迷人 | Cm | 86 | |||
|
Diamonds On Point Edit 1 15
[CEZ4661 - 24] |
版本. | 0'15 | Rémo | 15 seconds instrumental cut | 高雅 女性 酒吧音乐 迷人 | C | 85 | |||
|
Diamonds On Point Edit 2 30
[CEZ4661 - 25] |
版本. | 0'30 | Rémo | 30 seconds instrumental cut | 高雅 女性 酒吧音乐 迷人 | Cm | 86 | |||
|
Diamonds On Point Edit 3 60
[CEZ4661 - 26] |
版本. | 1'00 | Rémo | 60 seconds instrumental cut | 高雅 女性 酒吧音乐 迷人 | Cm | 86 | |||
|
Diamonds On Point Sting [CEZ4661 - 27] |
版本. | 0'05 | Rémo | Sting | 高雅 女性 酒吧音乐 迷人 | Cm | 86 | |||
|
The Joy [MAG6101 - 6] |
2'17 | Penelope Antena | Folktronica song. Graceful female vocals with subtle auto-tune fx. 歌词 | 内心活动 爱情 女歌手 新民谣 | Ab | 118 | ||||
|
The Joy Instrumental [MAG6101 - 43] |
版本. | 2'17 | Penelope Antena | Instrumental version | 内心活动 爱情 新民谣 精致 | Ab | 155 | |||
|
The Joy Edit 1 20 sec [MAG6101 - 44] |
版本. | 0'20 | Penelope Antena | 20 seconds instrumental cut | 内心活动 爱情 新民谣 精致 | Ab | 153 | |||
|
The Joy Edit 2 30 sec [MAG6101 - 45] |
版本. | 0'30 | Penelope Antena | 30 seconds instrumental cut | 内心活动 爱情 新民谣 精致 | Ab | 163 | |||
|
The Joy Edit 3 60 sec [MAG6101 - 46] |
版本. | 1'00 | Penelope Antena | 60 seconds instrumental cut | 内心活动 爱情 新民谣 精致 | Ab | 162 | |||
|
The Joy Edit 4 Sting [MAG6101 - 47] |
版本. | 0'14 | Penelope Antena | Sting | 内心活动 爱情 新民谣 精致 | Ab | 149 | |||
|
Legacy of the Past [ISC094 - 7] |
2'28 | Jérémy Dirat, Thomas Duran, Gabriel Saban | Cinematic neoclassical. Dramatic, epic & legendary. Starts with moody | 军事冲突 史诗 画面感 预告片 | Gm | 109 | ||||
|
Legacy of the Past Alternate [ISC094 - 19] |
版本. | 2'28 | Jérémy Dirat, Thomas Duran, Gabriel Saban | Version without percussion. | 军事冲突 史诗 画面感 预告片 | Gm | 110 | |||
|
Zombie Computer [CEG5054 - 4] |
2'51 | Airsouth | Electro beat. Ominous, complex & dark. Synth, piano & rhythm. Outro @ | 间谍片 阴险 electro beat 神秘 | Bm | 100 | ||||
|
Zombie Computer Alternate [CEG5054 - 29] |
版本. | 2'50 | Airsouth | Alternate no rhythm. | 间谍片 阴险 electro beat 神秘 | Bm | 100 | |||
|
Zombie Computer Edit 60 sec [CEG5054 - 30] |
版本. | 0'15 | Airsouth | 60 second cut. | 间谍片 阴险 electro beat 神秘 | Bm | 100 | |||
|
Zombie Computer Edit 30 sec [CEG5054 - 31] |
版本. | 0'30 | Airsouth | 30 second cut. | 间谍片 阴险 electro beat 神秘 | Gb | 100 | |||
|
Zombie Computer Edit 15 sec [CEG5054 - 32] |
版本. | 1'00 | Airsouth | 15 second cut. | 间谍片 阴险 electro beat 神秘 | Gb | 100 | |||
|
Zombie Computer Edit Sting [CEG5054 - 33] |
版本. | 0'09 | Airsouth | Sting. | 间谍片 阴险 electro beat 神秘 | Gb | 133 | |||
|
Lost in the Cloud [CEG5054 - 9] |
3'26 | Gopal Sound | Electronica. Ethereal, pensive yet determined. Synth & rhythm. Ideal | 司法 社会悲剧 阴险 夜晚 | A | 144 | ||||
|
Lost in the Cloud Alternate [CEG5054 - 49] |
版本. | 3'26 | Gopal Sound | Alternate no rhythm. | 司法 社会悲剧 阴险 夜晚 | A | 144 | |||
|
Lost in the Cloud Edit 60 sec [CEG5054 - 50] |
版本. | 0'15 | Gopal Sound | 60 second cut. | 司法 社会悲剧 阴险 夜晚 | A | 144 | |||
|
Lost in the Cloud Edit 30 sec [CEG5054 - 51] |
版本. | 0'30 | Gopal Sound | 30 second cut. | 司法 社会悲剧 阴险 夜晚 | A | 144 | |||
|
Lost in the Cloud Edit 15 sec [CEG5054 - 52] |
版本. | 0'59 | Gopal Sound | 15 second cut. | 司法 社会悲剧 阴险 夜晚 | A | 144 | |||
|
Lost in the Cloud Edit Sting [CEG5054 - 53] |
版本. | 0'12 | Gopal Sound | Sting. | 司法 社会悲剧 阴险 夜晚 | A | 140 |