| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Circus of the Macabre [ISC012 - 5] |
1'40 | Emmanuel Rousseau | Ominous & dark horrific track with nightmarish FX & orchestra. | 混乱 恐怖 预告片 冲突 | Cm | 120 | ||||
|
Circus of the Macabre
[ISC012 - 16] |
版本. | 1'40 | Emmanuel Rousseau | Alternate without percussion. | 混乱 恐怖 预告片 冲突 | C | 120 | |||
|
Ghost Stories [ISC012 - 8] |
2'22 | Emmanuel Rousseau | Anxious & scary intro evolving with dramatic strings, ghostly synths | 神经病 恐怖片 阴险 画面感 | Dm | 105 | ||||
|
Ghost Stories Alternate [ISC012 - 20] |
版本. | 2'22 | Emmanuel Rousseau | Alternate without percussion. | 神经病 恐怖片 阴险 画面感 | Dm | 105 | |||
|
Possibly Innocent [CEZ4506 - 15] |
0 | 2'04 | Julien Baril | Electro beat. Inexorable, dark & tense @ 0'28. Suggested for | 调查研究 神秘 司法 electro beat | Em | 110 | |||
|
Death Row [CEZ4506 - 20] |
0 | 1'56 | Thomas Lucas | Electro. Sneaky, disturbing & constant. Waiting in the dark. | 司法 奇怪 阴险 神秘 | C | 135 | |||
|
Temporal Paradox [CET9062 - 4] |
0 | 2'11 | Giorgos Lorantakis | Clockwork intro building-up with heavy dark synth, trailer percussion | 声音设计 冲突 战士 固执 | Abm | 120 | |||
|
Critical Signal [CET9062 - 8] |
0 | 2'02 | Giorgos Lorantakis | Anticipating low intro rising with strange low percussion, trailer | 冲突 固执 声音设计 预告片 | Gm | 110 | |||
|
Matters of Time [CET9062 - 9] |
2'05 | Giorgos Lorantakis | Anxious & ominous clockwork intro building-up with weird low synth & | 令人不安 固执 声音设计 悬念 | Em | 151 | ||||
|
Matters of Time Alternate [CET9062 - 15] |
版本. | 2'01 | Giorgos Lorantakis | Alternate no percussion only. | 令人不安 固执 悬念 画面感 | Dm | 150 | |||
|
A Team [CET9059 - 1] |
2'24 | Lionel Fabert | Strong, stimulating & energetic hip hop trailer track with male 歌词 | 嘻哈预告风 态度 史诗 体育电竞 | Ebm | 90 | ||||
|
A Team Alternate [CET9059 - 11] |
版本. | 2'24 | Lionel Fabert | Alternate without percussion. | 嘻哈预告风 态度 史诗 体育电竞 | Ebm | 90 | |||
|
A Team Alternate 2 [CET9059 - 12] |
版本. | 2'24 | Lionel Fabert | Alternate without vocals. | 嘻哈预告风 态度 史诗 体育电竞 | Ebm | 90 | |||
|
Madness [CET9059 - 4] |
2'38 | Lionel Fabert | Insidious intro building-up with pitched voice, male rapper & brass. 歌词 | 固执 嘻哈预告风 预告片 史诗 | Cm | 144 | ||||
|
Madness Alternate [CET9059 - 17] |
版本. | 2'38 | Lionel Fabert | Alternate without percussion. | 固执 嘻哈预告风 预告片 史诗 | Cm | 144 | |||
|
Madness Alternate 2 [CET9059 - 18] |
版本. | 2'38 | Lionel Fabert | Alternate without vocals. | 固执 嘻哈预告风 预告片 史诗 | Cm | 144 | |||
|
Above the Law [ISC009 - 5] |
2'11 | Gabriel Saban | Bitter-sweet piano intro. Serious, dramatic & majestic. String & | 政治 预告片 命运 豪言壮语 | Am | 130 | ||||
|
Above the Law Alternate [ISC009 - 12] |
版本. | 2'11 | Gabriel Saban | Alternate version without percussion. | 政治 命运 豪言壮语 冒险片 | Am | 130 | |||
|
Time Is The Enemy [INP040 - 7] |
2'04 | Killian Magee | Desolate, uncertain, nervy. Droning low piano note sets out a | 画面感 动作片 令人不安 冲突 | Am | 120 | ||||
|
Time Is The Enemy (Underscore
[INP040 - 21] |
版本. | 2'04 | Killian Magee | Desolate, uncertain, nervy. Droning low piano note sets out a | 画面感 动作片 令人不安 冲突 | Am | 120 | |||
|
Time Is The Enemy (Underscore
[INP040 - 22] |
版本. | 2'04 | Killian Magee | Desolate, uncertain, nervy. Droning low piano note sets out a | 画面感 阴险 悬念 动作片 | A | 120 | |||
|
Dark Clouds [TBX124 - 7] |
2'06 | Yoav Alyagon | Tense, nervy, futuristic. Rough synth note creates a steady rhythm | pulsation 沉重 固执 体育中的戏剧性 | E | 162 | ||||
|
Dark Clouds (Underscore) [TBX124 - 17] |
版本. | 2'08 | Yoav Alyagon | Tense, nervy, futuristic. Rough synth note creates a steady rhythm | pulsation 沉重 固执 体育中的戏剧性 | E | 162 | |||
|
Gonna Be Someone [BIB190 - 2] |
0 | 2'46 | Jennifer Kate Dalby | Atmospheric, playful, quirky. Confident female vocals with male vocal 歌词 | 流行歌曲 青春剧 爱情 女歌手 | C | 90 | |||
|
Fight Me [BIB189 - 10] |
1'44 | Pete Wilson | Beastly, daunting, powerful. Bass section churns out a slow, | 沉重 固执 画面感 军事冲突 | D | 128 | ||||
|
Fight Me (Underscore) [BIB189 - 28] |
版本. | 1'44 | Pete Wilson | Beastly, daunting, powerful. Bass section churns out a slow, | 沉重 固执 画面感 军事冲突 | D | 129 | |||
|
Wheels of the Universe [CET9057 - 7] |
2'51 | Alexandros Nikolaidis | Underwater & floating intro with whale song FX. Alluring & majestic | 画面感 太空 令人不安 固执 | Abm | 130 | ||||
|
Wheels of the Universe
[CET9057 - 22] |
版本. | 2'51 | Alexandros Nikolaidis | Alternate without percussion. | 画面感 太空 令人不安 固执 | Abm | 130 | |||
|
Wheels of the Universe
[CET9057 - 23] |
版本. | 2'51 | Alexandros Nikolaidis | Alternate without choir. | 画面感 太空 令人不安 固执 | Abm | 130 | |||
|
Sweet Baby Blues [CEZ4496 - 2] |
0 | 1'52 | Julien Vega | Shuffle/ballad on a blues structure. Delicate & tender. Playful & | 无忧无虑 叙事曲/民谣 童年 进行曲 | C | 100 | |||
|
No Heroes in War [CET9056 - 10] |
2'49 | Felix Weber | Suspenseful & eerie intro evolving with oppressive synth, percussion | 冲突 动作片 固执 电影乐团 | Em | 113 | ||||
|
No Heroes in War Alternate [CET9056 - 24] |
版本. | 2'49 | Felix Weber | Alternate without percussion. | 冲突 动作片 固执 电影乐团 | Em | 113 | |||
|
Two Worlds [ISC007 - 1] |
3'17 | Emmanuel Rousseau | Fascinating, beautiful, adventurous & uplifting. Cinematic orchestra | 动物世界 冒险片 庄严 飞行 | Bb | 178 | ||||
|
Two Worlds Alternate 1 [ISC007 - 11] |
版本. | 3'17 | Emmanuel Rousseau | Alternate without percussion. | 庄严 飞行 豪言壮语 令人激动 | Bb | 178 | |||
|
Two Worlds Alternate 2 [ISC007 - 12] |
版本. | 3'17 | Emmanuel Rousseau | Alternate without choir. | 庄严 飞行 冒险片 画面感 | Bb | 90 | |||
|
Not So Bourgeoise [CEO2136 - 4] |
1'44 | Pablo Pico | Joyful, bouncy, lively & elegant but with a mischievous touch. String | 乡村 无忧无虑 天真幼稚 电影原声带 | C | 113 | ||||
|
Not So Bourgeoise Alternate 1 [CEO2136 - 19] |
版本. | 1'28 | Pablo Pico | Shorter alternate version without whistled melody. Joyful, bouncy, | 乡村 无忧无虑 天真幼稚 弦乐乐团 | C | 114 | |||
|
Not So Bourgeoise Alternate 2 [CEO2136 - 20] |
版本. | 0'40 | Pablo Pico | Alternate. Interlude without whistled melody. Joyful, bouncy, lively | 乡村 无忧无虑 天真幼稚 弦乐乐团 | C | 114 | |||
|
Festival de Cannes 1964 [CEO2136 - 8] |
0 | 1'31 | Pablo Pico | Suspense in a cinematic jazz spirit. Constant & syncopated. Double | 疑问 耐心 悬念 复古电影 | Gm | 90 |