| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Requiem of War [CEZ4124 - 11] |
1'52 | Thierry Caroubi | Warlike & powerful. Symphony orchestra. & choir. | 逝去的文明 交响乐队 历史巨片 气势 | Gm | 145 | ||||
|
Requiem of War #2 [CEZ4124 - 37] |
版本. | 1'51 | Thierry Caroubi | Warlike & powerful. Symphony orchestra. | 军事冲突 战争 交响乐队 气势 | Gm | 72 | |||
|
Honeymoon in Paris [CEZ4117 - 1] |
0 | 1'40 | Baptiste Thiry | Slow Waltz. Peaceful & romantic. String orchestra, piano & flute. | 经典好莱坞 爱情 浪漫喜剧 多愁善感 | Gm | 122 | |||
|
Sunbeam Through the Clouds [CEO2016 - 3] |
0 | 2'29 | Pierre Adenot | Dreamy, tender & romantic. Orchestra with piano & celesta. | 多愁善感 爱情 法国电影 浪漫喜剧 | Gbm | 89 | |||
|
Invincible [CEZ4064 - 5] |
0 | 1'01 | Bernard Becker | Epic, proud & imposing. Orchestra & percussion. | 冒险片 史诗 令人激动 气势 | Bbm | 103 | |||
|
Unconditional Surrender [CEZ4064 - 8] |
0 | 1'07 | Bernard Becker | Violent, fiery & uplifting. Orchestra, percussion & sound effects. | 动作片 冲突 冒险片 混乱 | Bbm | 125 | |||
|
The Last Combat [CEZ4064 - 10] |
0 | 1'11 | Bernard Becker | Powerful, fiery & imposing. Orchestra. | 冒险片 史诗 魔幻电影 orchestral score | Bbm | 103 | |||
|
Green Pastures [CEZ4053 - 11] |
0 | 2'00 | Nicolas Mizrachi, Jean-Francois Morin | Longing. Strummed acoustic guitar with sentimental slide guitar | 公路电影 跟踪摄影 冒险片 乡村民谣 | G | 126 | |||
|
Quiproquo [CEZ4701 - 2] |
1'47 | Alain Bernard Denis | Bouncy, playful, carefree, retro & teasing. Amusing flute, xylophone, | 无忧无虑 开心 动画 复古法式喜剧 | B | 92 | ||||
|
Quiproquo Alternate [CEZ4701 - 16] |
版本. | 1'47 | Alain Bernard Denis | Version without drums | B | 92 | ||||
|
Grim Reverie [ISC115 - 1] |
2'51 | Christophe Le Guen | Horror trailer. Gothic, evil & macabre. Scary intro with creaky | 恐怖片 画面感 恐怖 预告片 | Cm | 120 | ||||
|
Grim Reverie Alternate 1 [ISC115 - 11] |
版本. | 2'51 | Christophe Le Guen | Version without percussion. | 恐怖片 画面感 恐怖 预告片 | Cm | 120 | |||
|
Grim Reverie Alternate 2 [ISC115 - 12] |
版本. | 2'51 | Christophe Le Guen | Light version. | 恐怖片 画面感 恐怖 预告片 | Cm | 120 | |||
|
Where Mountains Touch the Sky [CET9110 - 3] |
2'52 | Gabriel Saban, Bo Tian | Orchestral East Asian trailer. Peaceful & sentimental intro with | 中国电影 中国 画面感 笛子 | C | 150 | ||||
|
Where Mountains Touch the Sky
[CET9110 - 14] |
版本. | 2'52 | Gabriel Saban, Bo Tian | Version without percussion | 中国电影 中国 画面感 笛子 | C | 150 | |||
|
Where Mountains Touch the Sky
[CET9110 - 15] |
版本. | 2'52 | Gabriel Saban, Bo Tian | Version without choir | 中国电影 中国 画面感 笛子 | C | 150 | |||
|
Half A Lie [AMS5062 - 2] |
2'47 | Anthony Damario, Guillaume Boisseau | Cinematic trailer. Strange & on hold intro with female voice, | 画面感 高潮 令人不安 预告片 | Dm | 125 | ||||
|
Half A Lie Alternate 1 [AMS5062 - 17] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate without percussion. | 画面感 高潮 令人不安 预告片 | Dm | 125 | |||
|
Half A Lie Alternate 2 [AMS5062 - 18] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate with percussion only. | 画面感 高潮 令人不安 预告片 | Ebm | 124 | |||
|
Half A Lie Alternate 3 [AMS5062 - 19] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate without string section | 画面感 高潮 令人不安 预告片 | D | 124 | |||
|
Half A Lie Alternate 4 [AMS5062 - 20] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate without choir. | 画面感 高潮 令人不安 预告片 | Dm | 125 | |||
|
Half A Lie Alternate 5 [AMS5062 - 21] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate bed version. | 画面感 高潮 令人不安 预告片 | D | 125 | |||
|
Half A Lie Alternate 6 [AMS5062 - 22] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate underscore. | 画面感 高潮 令人不安 预告片 | Dm | 125 | |||
|
Half A Lie Edit 1 30 sec [AMS5062 - 23] |
版本. | 0'34 | Anthony Damario, Guillaume Boisseau | 30 second cut. | 画面感 令人不安 预告片 史诗 | Dm | 125 | |||
|
Half A Lie Edit 2 15 sec [AMS5062 - 24] |
版本. | 0'19 | Anthony Damario, Guillaume Boisseau | 15 second cut. | 画面感 高潮 令人不安 预告片 | Dm | 125 | |||
|
Consequences [ISC110 - 6] |
2'30 | Zoltan Zadori | Cinematic texture. Repetitive & mechanical build up with an ever | 画面感 悬念 恐怖片 间谍片 | C | 82 | ||||
|
Consequences Alternate [ISC110 - 16] |
版本. | 2'30 | Zoltan Zadori | Underscore version. | 画面感 悬念 恐怖片 间谍片 | C | 164 | |||
|
Tears of Happiness [CEZ4677 - 8] |
0 | 3'56 | Laurent Couson | Film score. Tender, romantic & heartwarming. Piano. Strings @ 0'40. | 爱情 爱情 多愁善感 温柔 | C | 70 | |||
|
Warriors on Parade [CEC8062 - 3] |
1'28 | Zhang Hao, Peng Qu | Combative, heroic, conquering ceremonial & proud. Percussions, | 功夫 战士 画面感 进行中 | Dm | 80 | ||||
|
Warriors on Parade Alternate [CEC8062 - 10] |
版本. | 1'28 | Zhang Hao, Peng Qu | Instrumental version. | 功夫 战士 画面感 进行中 | Dm | 79 | |||
|
Sundrops Sparkle on the Waves [EOS136 - 1] |
0 | 3'15 | Farnaz Tabatabaee | Orchestral score. Twirling, grandiose & enchanting. Crystalline and | 爱情 爱情 orchestral score 命运 | Fm | 86 | |||
|
Haunting Ghost [IOM040 - 1] |
2'51 | Emma Jackson | Haunting, beautiful, pained. Gentle and morose piano settles with a 歌词 | 流行民谣 cinematic pop 忧伤 感动 | Bbm | 161 | ||||
|
Haunting Ghost No Lead Vocal [IOM040 - 7] |
版本. | 2'51 | Emma Jackson | Haunting, beautiful, pained. Gentle and morose piano settles with a | 忧伤 感动 爱情 流行民谣 | Bbm | 161 | |||
|
Haunting Ghost Instrumental [IOM040 - 8] |
版本. | 2'51 | Emma Jackson | Haunting, beautiful, pained. Gentle and morose piano settles with a | 忧伤 感动 爱情 独立电影 | Bbm | 162 | |||
|
Haunting Ghost Strings Only [IOM040 - 9] |
版本. | 2'51 | Emma Jackson | Haunting, beautiful, pained. Strings and euphoria gentle emerge with | 忧伤 感动 爱情 独立电影 | Bbm | 162 | |||
|
The Missing Hour [ISC103 - 4] |
1'53 | Emmanuel Rousseau | Classic movie score. Stressful & tense high staccato by strident | 有节奏感 神经病 无情 固执 | Gm | 162 | ||||
|
The Missing Hour Alternate [ISC103 - 14] |
版本. | 1'53 | Emmanuel Rousseau | Version without percussion. | 有节奏感 神经病 无情 固执 | Gm | 161 | |||
|
Fortitude [CCB1069 - 2] |
1'59 | Hiroki Ishikura | Electro ambient. Inspiring, intense & obsessive. Constant | 命运 electronic score 感动 反省 | Bm | 130 | ||||
|
Fortitude Alternate [CCB1069 - 14] |
版本. | 1'59 | Hiroki Ishikura | Alternate no organ. | 命运 electronic score 感动 opening (opening credits) | Bm | 130 | |||
|
Devastator [IOM037 - 9] |
1'53 | David Birnie | Gritty, sci fi, cool. Tick tock percussion and solid kick drum gives | 冲击 画面感 爆炸 预告片 | Am | 78 | ||||
|
Devastator Alt Version [IOM037 - 32] |
版本. | 1'53 | David Birnie | Gritty, sci fi, cool. Tick tock percussion and solid kick drum gives | 冲击 画面感 爆炸 预告片 | Am | 78 | |||
|
Devastator Percussion Only [IOM037 - 33] |
版本. | 1'53 | David Birnie | Gritty, sci fi, cool. Tick tock percussion and solid kick drum gives | 冲击 画面感 爆炸 预告片 | Ebm | 78 | |||
|
Ten Feet Away [INP079 - 6] |
3'09 | Marvin Mcmahon, Amanda Nordelius | Hopeful, feelgood, aspirational. Soft and wistful folk vocal melody 歌词 | cinematic pop 令人激动 青春剧 爱情 | C | 110 | ||||
|
Ten Feet Away Instrumental [INP079 - 24] |
版本. | 3'09 | Marvin Mcmahon, Amanda Nordelius | Hopeful, feelgood, aspirational. Soft and wistful piano melody with | 画面感 cinematic pop 令人激动 预告片 | C | 110 | |||
|
Ten Feet Away Underscore [INP079 - 25] |
版本. | 3'09 | Marvin Mcmahon, Amanda Nordelius | Hopeful, feelgood, aspirational. Soft and wistful piano melody with | cinematic pop 令人激动 青春剧 爱情 | C | 110 |