| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Hope [IOM005 - 9] |
2'20 | Michael Peter Sajic | Life-affirming, hopeful, inspiring. Large synth swells begin to | 明朗 飞行 赛事 画面感 | C | 85 | ||||
|
Hope (Underscore) [IOM005 - 19] |
版本. | 2'20 | Michael Peter Sajic | Life-affirming, hopeful, inspiring. Large synth swells begin to | 明朗 飞行 赛事 画面感 | C | 85 | |||
|
The Night It All Began [CEZ4578 - 9] |
2'27 | Anthony Corteel, Morgan Sansous | Cinematic. Mysterious, strange & fantastic. Constant progression. | 万圣节 画面感 恐怖片 令人不安 | Bbm | 120 | ||||
|
The Night It All Began
[CEZ4578 - 31] |
版本. | 2'27 | Anthony Corteel, Morgan Sansous | Alternate no fx & no vocal. | 画面感 恐怖片 令人不安 万圣节 | Bbm | 120 | |||
|
Silver Comet [CEZ4576 - 2] |
0 | 3'44 | Haring | Electro corporate. Confident, rigorous, innovative & bright. Arpeggio | 朗朗上口 电子 自信 电子乐宣传片 | Am | 107 | |||
|
The Karman Line [CEZ4576 - 5] |
3'25 | RARI | Electro corporate. Exhilarating, inspiring & catchy arpeggio with | 电子乐宣传片 令人激动 信息技术 严谨 | B | 125 | ||||
|
The Karman Line Alternate [CEZ4576 - 17] |
版本. | 1'16 | RARI | Alternate version. | 令人激动 电子乐宣传片 信息技术 严谨 | Em | 111 | |||
|
Jumbo's Stroll [CEO2146 - 4] |
0 | 3'33 | Yan Volsy | Childlike, hesitating, on tip-toe & surreptitious. Bassoon, marimba, | 动画 害羞 好玩 巴松管 | Em | 110 | |||
|
Just a Dream [CEO2146 - 5] |
0 | 2'40 | Pierre-André Athané | Childlike, peaceful, bucolic & dreamy. Chinese flute, clarinet, harp, | 动画 宁静 梦幻 中音单簧管 | Dm | 65 | |||
|
The Big Day [ISC037 - 5] |
0 | 2'02 | Anne-Sophie Versnaeyen | Thoughtful, serious, but light, constant & cyclical. Pizz arpeggios & | 悲喜剧 严谨 手工业 周期性的 | Cm | 120 | |||
|
Morning Routine [ISC037 - 9] |
0 | 2'11 | Anne-Sophie Versnaeyen | Like a string dialogue, confident, fun, light & satisfied. Pizz & | 拨奏 悲喜剧 讽刺 & 恶意 好玩 | Dm | 90 | |||
|
On a Wagon Train [CEZ4575 - 6] |
2'12 | Jamie Rutherford | Cinematic/Acoustic. Confident. On the trail. Rural and arid.Voices @ | 公路电影 田园 跟踪摄影 画面感 | Gm | 103 | ||||
|
On a Wagon Train Alternate 1 [CEZ4575 - 22] |
版本. | 2'11 | Jamie Rutherford | Alternate without choir. | 田园 跟踪摄影 画面感 自信 | Gm | 102 | |||
|
On a Wagon Train Alternate 2 [CEZ4575 - 23] |
版本. | 2'11 | Jamie Rutherford | Alternate without percussion. | 田园 跟踪摄影 画面感 自信 | Gm | 102 | |||
|
On a Wagon Train Alternate 3 [CEZ4575 - 24] |
版本. | 2'10 | Jamie Rutherford | Alternate without percussion & choir. | 田园 跟踪摄影 画面感 自信 | Gm | 102 | |||
|
Long Loss [AMS5008 - 8] |
3'15 | Sebastian Jakoby, Norman Wille | Wandering, atmospheric, melancholic piano intro. Gentle build-up at | 飞行 令人激动 人物 觉醒 | G | 130 | ||||
|
Long Loss Alternate 1 [AMS5008 - 23] |
版本. | 3'15 | Sebastian Jakoby, Norman Wille | Alternate version without percussions. | 飞行 令人激动 人物 觉醒 | G | 129 | |||
|
Long Loss Alternate 2 [AMS5008 - 24] |
版本. | 3'15 | Sebastian Jakoby, Norman Wille | Instrumentale version. | 飞行 令人激动 人物 觉醒 | G | 130 | |||
|
Eagle's Vision Variation [CEZ4570 - 16] |
0 | 1'58 | Elisabeth Skornik, Guy Skornik | Ominous, threatening, cyclical & inexorable. Drone, constant low | 嗡嗡声 间谍片 令人不安 悬念 | C | 120 | |||
|
Wild and Free (Revisited
[CET9080 - 8] |
1'13 | Philippe Briand | Cinematic hip-hop trailer in a conquering mood with male rapping & 歌词 | 男歌手 电影节奏 固执 铜管部分 | Em | 145 | ||||
|
Wild and Free (Revisited
[CET9080 - 22] |
版本. | 1'13 | Philippe Briand | Alternate version without percussion. | 男歌手 电影节奏 固执 铜管部分 | Em | 144 | |||
|
Wild and Free (Revisited
[CET9080 - 23] |
版本. | 1'13 | Philippe Briand | Alternate version without voices. | 电影节奏 固执 铜管部分 态度 | Em | 145 | |||
|
Elsewhere and Otherwise [CEZ4565 - 7] |
2'28 | Citokid, Andreas Suttner | Tender, atmospheric, narrative & introspective. Acoustic guitar, | 感动 全景图 爱情 内心活动 | C | 72 | ||||
|
Elsewhere and Otherwise
[CEZ4565 - 27] |
版本. | 2'28 | Citokid, Andreas Suttner | Alternare version without synth. | 感动 全景图 爱情 内心活动 | C | 71 | |||
|
Elsewhere and Otherwise
[CEZ4565 - 28] |
版本. | 2'28 | Citokid, Andreas Suttner | Alternate version with guitars only. | 感动 爱情 稀疏 内心活动 | Am | 71 | |||
|
Down On The Farm [TBX161 - 8] |
2'48 | Mark Revell | Homespun, dirty, gritty. Acoustic guitar plays out a heavy and | 自信 民族摇滚 公路电影 蓝调 | Em | 94 | ||||
|
Down On The Farm (Underscore) [TBX161 - 24] |
版本. | 2'47 | Mark Revell | Homespun, dirty, gritty. Acoustic guitar plays out a heavy and | 民族摇滚 蓝调 民族吉他 鼓 | Em | 94 | |||
|
All The Glory [TBX158 - 2] |
2'22 | Justin Desjardins West, Gordon Nance | Deserving, cool, uplifting. Meaningful melody gradually rises up with | 动作片 男歌手 固执 说唱 | Cm | 83 | ||||
|
All The Glory (Instrumental) [TBX158 - 13] |
版本. | 2'22 | Justin Desjardins West, Gordon Nance | Deserving, cool, uplifting. Meaningful melody gradually rises up with | 动作片 男歌手 固执 说唱 | Cm | 83 | |||
|
All The Glory (Underscore) [TBX158 - 14] |
版本. | 2'22 | Justin Desjardins West, Gordon Nance | Deserving, cool, uplifting. Resonant bass rises up with muffled bass | 动作片 男歌手 固执 说唱 | Cm | 83 | |||
|
Back From The Dead [INP055 - 2] |
2'42 | Markus Gleissner, Michael Mcquaid | Dark, macabre, raw. Funereal dissonance sets out a grave atmosphere, | 印度流行音乐 气势 动作片 电影节奏 | Am | 124 | ||||
|
Back From The Dead
[INP055 - 18] |
版本. | 2'42 | Markus Gleissner, Michael Mcquaid | Dark, macabre, raw. Funereal dissonance sets out a grave atmosphere, | 印度流行音乐 气势 动作片 电影节奏 | Am | 124 | |||
|
Back From The Dead
[INP055 - 19] |
版本. | 2'42 | Markus Gleissner, Michael Mcquaid | Dark, macabre, raw. Funereal dissonance sets out a grave atmosphere, | 印度流行音乐 气势 动作片 电影节奏 | Dm | 124 | |||
|
Heroes [INP055 - 3] |
2'48 | Marvin Mcmahon, Amanda Nordelius | Epic, emotional, elegant. Gentle female vocals join feathery piano | cinematic pop 女歌手 令人激动 全景 | Am | 135 | ||||
|
Heroes (Instrumental) [INP055 - 20] |
版本. | 2'47 | Marvin Mcmahon, Amanda Nordelius | Epic, emotional, elegant. Gentle piano offers an emotive poignance. | cinematic pop 令人激动 全景 明朗 | F | 134 | |||
|
Heroes (Underscore A) [INP055 - 21] |
版本. | 2'47 | Marvin Mcmahon, Amanda Nordelius | Epic, emotional, elegant. Gentle piano offers an emotive poignance. | cinematic pop 令人激动 全景 明朗 | F | 134 | |||
|
Heroes (Underscore B) [INP055 - 22] |
版本. | 2'48 | Marvin Mcmahon, Amanda Nordelius | Epic, emotional, elegant. Gentle female vocals join feathery piano | cinematic pop 女歌手 令人激动 全景 | Am | 133 | |||
|
Stand Your Ground [INP054 - 6] |
2'00 | Alessandro Ciani | Climactic, apocalyptic, serious. Metallic impacts glitch and judder | 极限运动 摇滚电子音乐 动作片 动作游戏 | Dm | 162 | ||||
|
Stand Your Ground (Underscore
[INP054 - 21] |
版本. | 2'00 | Alessandro Ciani | Climactic, apocalyptic, serious. Metallic impacts glitch and judder | 极限运动 摇滚电子音乐 动作片 动作游戏 | Dm | 80 | |||
|
Stand Your Ground (Underscore
[INP054 - 22] |
版本. | 2'00 | Alessandro Ciani | Climactic, apocalyptic, serious. Metallic impacts glitch and judder | 极限运动 摇滚电子音乐 动作片 动作游戏 | Dm | 80 | |||
|
Stand Your Ground [BIB235 - 6] |
3'10 | Ian Britt, Richard Lewis | Empowering, inspirational, explosive. Dramatic synth melody conjures | 追逐场面 赛车 冲突 回响贝斯 | Am | 125 | ||||
|
Stand Your Ground
[BIB235 - 21] |
版本. | 3'10 | Ian Britt, Richard Lewis | Empowering, inspirational, explosive. Dramatic synth melody conjures | 追逐场面 赛车 冲突 回响贝斯 | Am | 125 | |||
|
Stand Your Ground (Underscore) [BIB235 - 22] |
版本. | 3'10 | Ian Britt, Richard Lewis | Empowering, inspirational, explosive. Dramatic pads conjures a sense | 追逐场面 赛车 冲突 回响贝斯 | Am | 124 | |||
|
Going For Gold [BIB234 - 3] |
2'21 | David Birnie | Victorious, tenacious, unforgiving. A burst of excited energy is | 火热 果断 动人 动作片 | Abm | 138 | ||||
|
Going For Gold (Underscore) [BIB234 - 13] |
版本. | 2'22 | David Birnie | Victorious, tenacious, unforgiving. A burst of excited energy is | 火热 果断 动人 动作片 | Dbm | 138 |