| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Beyond The Horizon [INP062 - 2] |
3'07 | James Cullen, Mike Newport | Wondrous, adventurous, heroic. Soft piano plays out into an expansive | 史诗 冒险片 画面感 果断 | D | 128 | ||||
|
Beyond The Horizon
[INP062 - 14] |
版本. | 3'07 | James Cullen, Mike Newport | Wondrous, adventurous, heroic. Soft piano plays out into an expansive | 史诗 冒险片 画面感 果断 | D | 128 | |||
|
Beyond The Horizon
[INP062 - 15] |
版本. | 3'07 | James Cullen, Mike Newport | Wondrous, adventurous, heroic. Soft piano plays out into an expansive | 史诗 冒险片 画面感 果断 | D | 128 | |||
|
Edge Of Infinity [INP062 - 6] |
2'46 | James Cullen, Mike Newport | Graceful, warm, epic. Light piano conveys an emotional poignance, | 史诗 冒险片 画面感 令人激动 | A | 149 | ||||
|
Edge Of Infinity (Underscore) [INP062 - 21] |
版本. | 2'45 | James Cullen, Mike Newport | Graceful, warm, epic. Light piano conveys an emotional poignance, | 史诗 冒险片 画面感 令人激动 | A | 149 | |||
|
You Will Live Forever [INP062 - 9] |
2'28 | Thomas Eggensberger, Marvin Mcmahon | Exciting, welcoming, formidable. Slowly emerging pads are followed by | 冒险片 史诗 进步 凯旋 | Em | 96 | ||||
|
You Will Live Forever
[INP062 - 25] |
版本. | 2'24 | Thomas Eggensberger, Marvin Mcmahon | Exciting, welcoming, formidable. Slowly emerging pads bring light and | 冒险片 史诗 进步 凯旋 | Em | 96 | |||
|
You Will Live Forever
[INP062 - 26] |
版本. | 2'04 | Thomas Eggensberger, Marvin Mcmahon | Exciting, formidable. War drums push out proudly, joined gradually by | 冒险片 史诗 进步 凯旋 | Am | 96 | |||
|
Wholesome [INP062 - 11] |
2'26 | Marvin Mcmahon | Brave, adventurous, triumphant. Euphoric sounds give a feeling of | 冒险片 画面感 史诗 气势 | C | 120 | ||||
|
Wholesome (Underscore A) [INP062 - 28] |
版本. | 2'26 | Marvin Mcmahon | Brave, adventurous, triumphant. Euphoric sounds give a feeling of | 冒险片 画面感 史诗 气势 | C | 120 | |||
|
Wholesome (Underscore B) [INP062 - 29] |
版本. | 2'26 | Marvin Mcmahon | Brave, adventurous, triumphant. Euphoric sounds give a feeling of | 冒险片 画面感 史诗 气势 | C | 120 | |||
|
How Does it End [ISC072 - 8] |
2'58 | Gabriel Saban, IDALIA, Sandia | Epic trailer pop song. Filtered intro with arpeggiator & ethereal 歌词 | cinematic pop 史诗 预告片 果断 | Abm | 66 | ||||
|
How Does it End Alternate 1 [ISC072 - 23] |
版本. | 2'58 | Gabriel Saban, IDALIA, Sandia | Instrumental version. | cinematic pop 史诗 预告片 果断 | Dbm | 132 | |||
|
How Does it End Alternate 2 [ISC072 - 24] |
版本. | 2'58 | Gabriel Saban, IDALIA, Sandia | Version without percussion. | cinematic pop 史诗 预告片 果断 | B | 132 | |||
|
A Love Beyond Time [INP070 - 5] |
2'25 | Michael Beever, Mike Newport | Stirring, astute, dramatic. Eerie piano notes push out gently | 冒险片 画面感 史诗 进步 | Cm | 135 | ||||
|
A Love Beyond Time
[INP070 - 16] |
版本. | 2'26 | Michael Beever, Mike Newport | Stirring, astute, dramatic. Eerie piano notes push out gently | 冒险片 画面感 史诗 进步 | Cm | 135 | |||
|
Echoes Of Eternity [INP070 - 9] |
2'31 | Michael Beever, Mike Newport | Intriguing, airy, inspirational. Promising, modest piano edges out | 史诗 令人激动 画面感 进步 | G | 130 | ||||
|
Echoes Of Eternity
[INP070 - 20] |
版本. | 2'31 | Michael Beever, Mike Newport | Intriguing, airy, inspirational. Promising, modest piano edges out | 史诗 令人激动 画面感 进步 | G | 130 | |||
|
He Is Coming He Is Here [AUD017 - 3] |
2'13 | Matthieu Rabaté | Mid-tempo - Drone like intro building up with electronic percs. | 混乱 爆炸 战争 冲突 | Dbm | 104 | ||||
|
He Is Coming He Is Here
[AUD017 - 8] |
版本. | 0'30 | Matthieu Rabaté | Short Edit. | 混乱 爆炸 战争 冲突 | Dbm | 104 | |||
|
He Is Coming He Is Here
[AUD017 - 13] |
版本. | 2'14 | Matthieu Rabaté | Alternative version without drums. | 诡异 科幻片 悬念 嗡嗡声 | Db | 104 | |||
|
Chiaroscuro [ISC066 - 4] |
3'04 | Dan Thiessen | Cinematic investigation. Waiting, mysterious, patient & dark. | 神秘 司法 社会悲剧 耐心 | Gm | 80 | ||||
|
Chiaroscuro Alternate [ISC066 - 14] |
版本. | 3'04 | Dan Thiessen | Alternate version without percussion. | 神秘 司法 社会悲剧 耐心 | Gm | 80 | |||
|
Epidemic Threat [CEG5043 - 2] |
0 | 2'48 | Denis Levaillant | Tense, terrifying, toxic, inexorable & tragic. Drone/sound design | 嗡嗡声 恐怖 恐怖片 调查研究 | Bbm | 62 | |||
|
Journey Into the Past [CEO2160 - 6] |
0 | 1'35 | Erwann Chandon | Bouncy, naive, childish, old-fashioned & bucolic. Romantic @ 0'26. | 过时 动人 无忧无虑 讽刺 & 恶意 | C | 144 | |||
|
It's Now Or Never [TBX184 - 9] |
2'11 | Jack Pierce | Urgent, climatic, important. Riser hits, launching into stirring | 画面感 动作片 令人不安 紧急 | A | 113 | ||||
|
It's Now Or Never (Underscore) [TBX184 - 28] |
版本. | 2'11 | Jack Pierce | Urgent, climatic, important. Stirring strings conveying a sense of | 画面感 动作片 令人不安 紧急 | A | 113 | |||
|
It's Now Or Never (Underscore
[TBX184 - 29] |
版本. | 2'11 | Jack Pierce | Urgent, climatic, important. Reverbed boom leads into stirring | 画面感 动作片 令人不安 紧急 | A | 113 | |||
|
T-Rex Awakes [INP068 - 8] |
1'51 | Richard Reinhardt | Urgent, monstrous, dangerous. Small yawning dissonance suggests | 画面感 高潮 动作游戏 大电影打击乐 | C | 120 | ||||
|
T-Rex Awakes (Underscore) [INP068 - 18] |
版本. | 1'51 | Richard Reinhardt | Urgent, monstrous, dangerous. Small echoed impacts suggest trouble or | 画面感 高潮 动作游戏 预告片 | C | 120 | |||
|
Memory Erosion [ISC064 - 7] |
2'41 | Emmanuel Rousseau | Cinematic orchestral underscore. Dark, ominous, urgent & tense. | 伴音 画面感 自然灾害 令人不安 | Em | 101 | ||||
|
Memory Erosion Alternate [ISC064 - 17] |
版本. | 2'41 | Emmanuel Rousseau | Alternate orchestral version. | 伴音 画面感 自然灾害 令人不安 | Em | 101 | |||
|
Timebreaker [CET9092 - 2] |
2'13 | Zoltan Zadori | Cinematic. Pending & ominous intro with clocklike fx, sound design & | 战士 恐怖 战争 冲突 | Em | 90 | ||||
|
Timebreaker Alternate 1 [CET9092 - 13] |
版本. | 2'13 | Zoltan Zadori | Alternate version without percussion. | 战士 恐怖 战争 冲突 | Em | 89 | |||
|
Timebreaker Alternate 2 [CET9092 - 14] |
版本. | 2'13 | Zoltan Zadori | Alternate version with percussion only. | 战士 恐怖 战争 冲突 | Abm | 90 | |||
|
Time is Up [CET9092 - 3] |
2'03 | Zoltan Zadori | Cinematic. Threatening & ominous intro with rumbling sound design & | 画面感 军事冲突 恐怖片 (音效)滴答声 | Em | 140 | ||||
|
Time is Up Alternate 1 [CET9092 - 15] |
版本. | 2'03 | Zoltan Zadori | Alternate version without percussion. | 画面感 恐怖片 战争 令人不安 | E | 140 | |||
|
Time is Up Alternate 2 [CET9092 - 16] |
版本. | 2'03 | Zoltan Zadori | Alternate version with percussion only. | 画面感 恐怖片 (音效)滴答声 战争 | Em | 140 | |||
|
Inner Scream [CET9092 - 4] |
2'00 | Zoltan Zadori | Cinematic. Scary, discontinuous & clamorous sound design intro. | 恐怖 战士 固执 预告片 | Em | 120 | ||||
|
Inner Scream Alternate 1 [CET9092 - 17] |
版本. | 2'00 | Zoltan Zadori | Alternate version without percussion. | 恐怖 战士 固执 预告片 | Em | 120 | |||
|
Inner Scream Alternate 2 [CET9092 - 18] |
版本. | 2'00 | Zoltan Zadori | Alternate version with percussion only. | 恐怖 战士 固执 预告片 | Gbm | 120 | |||
|
Time Breach [CET9092 - 6] |
1'58 | Zoltan Zadori | Cinematic. Discontinuous, anxiety-inducing intro with rumbling, | 冲突 战争 (音效)开火 战士 | Dbm | 89 | ||||
|
Time Breach Alternate 1 [CET9092 - 21] |
版本. | 1'48 | Zoltan Zadori | Alternate version without percussion. | 冲突 战争 (音效)开火 战士 | Gbm | 89 | |||
|
Time Breach Alternate 2 [CET9092 - 22] |
版本. | 1'58 | Zoltan Zadori | Alternate version with percussion only. | 冲突 战争 (音效)开火 战士 | Fm | 90 | |||
|
Future Noir [INP064 - 1] |
2'20 | Sergey Kolosov | Bold, futuristic, daunting. Resonant bass tones are joined by | 轰隆声 固执 冲突 失真效果器 | Am | 120 | ||||
|
Future Noir (Underscore A) [INP064 - 11] |
版本. | 2'20 | Sergey Kolosov | Bold, futuristic, daunting. Resonant bass tones are joined by | 轰隆声 固执 失真效果器 沉重 | C | 120 | |||
|
Future Noir (Underscore B) [INP064 - 12] |
版本. | 2'04 | Sergey Kolosov | Bold, futuristic, daunting. Thumping bass and percussion surge | 轰隆声 固执 冲突 失真效果器 | Am | 120 | |||
|
Infinite Power [ISC057 - 3] |
2'51 | Torsti Spoof | Space Opera. Cosmic, cyclical & narrative. Climax @ 1'45 epic & | 画面感 庄严 科幻片 预告片 | Cm | 113 | ||||
|
Infinite Power Alternate 1 [ISC057 - 15] |
版本. | 2'51 | Torsti Spoof | Alternate version without percussion. | 画面感 庄严 科幻片 周期性的 | Cm | 113 | |||
|
Infinite Power Alternate 2 [ISC057 - 16] |
版本. | 2'51 | Torsti Spoof | Alternate version without choir. | 画面感 庄严 科幻片 周期性的 | Cm | 113 |