| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Middle-East Fascination [CEO2182 - 4] |
0 | 1'45 | Gregory Cotti | Introspective, contemplative & aerial. Mesmerising. Oud & piano. | 梦幻 ud 宁静 热沙漠 | Gm | 63 | |||
|
Bagpipes And Hustle [AMS5057 - 1] |
2'26 | Mylène Ballion, SHIFUMI | Baroque & medieval trap. Solemn, bewitching & bold. Beatless break @ | 态度 陷阱音乐 电影节奏 沉重 | Dm | 130 | ||||
|
Bagpipes And Hustle Alternate
[AMS5057 - 9] |
版本. | 2'26 | Mylène Ballion, SHIFUMI | Version without beat | 态度 抒情 固执 广告 | Dm | 130 | |||
|
Bagpipes And Hustle Alternate
[AMS5057 - 10] |
版本. | 2'26 | Mylène Ballion, SHIFUMI | Instrumental version | 态度 陷阱音乐 电影节奏 沉重 | Dm | 130 | |||
|
Bagpipes And Hustle Edit 1 60
[AMS5057 - 11] |
版本. | 1'00 | Mylène Ballion, SHIFUMI | 60 second cut | 态度 陷阱音乐 电影节奏 沉重 | Dm | 130 | |||
|
Bagpipes And Hustle Edit 2 30
[AMS5057 - 12] |
版本. | 0'30 | Mylène Ballion, SHIFUMI | 30 second cut | 态度 陷阱音乐 电影节奏 沉重 | Dm | 130 | |||
|
Bagpipes And Hustle Edit 3 15
[AMS5057 - 13] |
版本. | 0'15 | Mylène Ballion, SHIFUMI | 15 second cut | 态度 陷阱音乐 电影节奏 沉重 | Dm | 130 | |||
|
Ballad Of The Fallen King [AMS5057 - 2] |
2'09 | Mylène Ballion, SHIFUMI | Baroque & medieval trap. Graceful, noble & emotional. Beatless break | 电影节奏 羽管键琴 抒情 忧伤 | Dbm | 63 | ||||
|
Ballad Of The Fallen King
[AMS5057 - 14] |
版本. | 2'09 | Mylène Ballion, SHIFUMI | Version without beat | 时尚 广告 羽管键琴 抒情 | Dbm | 63 | |||
|
Ballad Of The Fallen King
[AMS5057 - 15] |
版本. | 2'09 | Mylène Ballion, SHIFUMI | Instrumental version | 电影节奏 羽管键琴 抒情 忧伤 | Ab | 62 | |||
|
Ballad Of The Fallen King
[AMS5057 - 16] |
版本. | 1'00 | Mylène Ballion, SHIFUMI | 60 second cut | 电影节奏 羽管键琴 抒情 忧伤 | Dbm | 63 | |||
|
Ballad Of The Fallen King
[AMS5057 - 17] |
版本. | 0'30 | Mylène Ballion, SHIFUMI | 30 second cut | 电影节奏 羽管键琴 抒情 忧伤 | Dbm | 63 | |||
|
Ballad Of The Fallen King
[AMS5057 - 18] |
版本. | 0'15 | Mylène Ballion, SHIFUMI | 15 second cut | 电影节奏 羽管键琴 抒情 忧伤 | Dbm | 62 | |||
|
Arena [AMS5057 - 3] |
2'36 | Mylène Ballion, SHIFUMI | Baroque & medieval trap. Weird, antique & haunting. Squeaky synth | 态度 进行曲 过时 强调突出 | Am | 65 | ||||
|
Arena Alternate 1 [AMS5057 - 19] |
版本. | 2'36 | Mylène Ballion, SHIFUMI | Version without beat | 态度 进行曲 过时 强调突出 | Am | 65 | |||
|
Arena Alternate 2 [AMS5057 - 20] |
版本. | 2'36 | Mylène Ballion, SHIFUMI | Instrumental version | 态度 进行曲 过时 强调突出 | Am | 65 | |||
|
Arena Edit 1 60 sec [AMS5057 - 21] |
版本. | 1'00 | Mylène Ballion, SHIFUMI | 60 second cut | 态度 进行曲 过时 强调突出 | Am | 65 | |||
|
Arena Edit 2 30 sec [AMS5057 - 22] |
版本. | 0'30 | Mylène Ballion, SHIFUMI | 30 second cut | 态度 进行曲 过时 强调突出 | Am | 65 | |||
|
Arena Edit 3 15 sec [AMS5057 - 23] |
版本. | 0'15 | Mylène Ballion, SHIFUMI | 15 second cut | 态度 进行曲 过时 强调突出 | Am | 65 | |||
|
Gold Of The Kingdom [AMS5057 - 4] |
2'11 | Mylène Ballion, SHIFUMI | Baroque & medieval trap. Elegant, classy & smooth. Break @ 1'09. | 过时 电影节奏 态度 电子鼓 | Gm | 140 | ||||
|
Gold Of The Kingdom Alternate
[AMS5057 - 24] |
版本. | 2'11 | Mylène Ballion, SHIFUMI | Version without beat | 过时 中世纪音乐(800-1400) 态度 社会悲剧 | Gm | 140 | |||
|
Gold Of The Kingdom Alternate
[AMS5057 - 25] |
版本. | 2'11 | Mylène Ballion, SHIFUMI | Instrumental version | 过时 电影节奏 态度 电子鼓 | Gm | 140 | |||
|
Gold Of The Kingdom Edit 1 60
[AMS5057 - 26] |
版本. | 1'00 | Mylène Ballion, SHIFUMI | 60 second cut | 过时 电影节奏 态度 电子鼓 | Gm | 140 | |||
|
Gold Of The Kingdom Edit 2 30
[AMS5057 - 27] |
版本. | 0'30 | Mylène Ballion, SHIFUMI | 30 second cut | 过时 电影节奏 态度 电子鼓 | Gm | 140 | |||
|
Gold Of The Kingdom Edit 3 15
[AMS5057 - 28] |
版本. | 0'15 | Mylène Ballion, SHIFUMI | 15 second cut | 过时 电影节奏 态度 电子鼓 | Gm | 140 | |||
|
Moonlight [AMS5056 - 3] |
2'36 | Dmytro Berezhnyi from P.D. | Classical remix. Stealthy & elegant. From "Moonlight sonata" by L. | 时尚 古典音乐改编曲 令人激动 广告 | Em | 80 | ||||
|
Moonlight Alternate 1 [AMS5056 - 24] |
版本. | 2'36 | Dmytro Berezhnyi from P.D. | Version without percussion | 时尚 古典音乐改编曲 令人激动 广告 | Em | 80 | |||
|
Moonlight Alternate 2 [AMS5056 - 25] |
版本. | 2'36 | Dmytro Berezhnyi from P.D. | Version with percussion only | 古典音乐改编曲 广告 时尚 画面感 | Abm | 80 | |||
|
Moonlight Alternate 3 [AMS5056 - 26] |
版本. | 2'36 | Dmytro Berezhnyi from P.D. | Version without strings | 时尚 古典音乐改编曲 令人激动 广告 | Em | 80 | |||
|
Moonlight Alternate 4 [AMS5056 - 27] |
版本. | 2'36 | Dmytro Berezhnyi from P.D. | Bed version | 时尚 古典音乐改编曲 令人激动 广告 | Em | 80 | |||
|
Moonlight Alternate 5 [AMS5056 - 28] |
版本. | 2'36 | Dmytro Berezhnyi from P.D. | Underscore version | 时尚 古典音乐改编曲 令人激动 广告 | Em | 80 | |||
|
Moonlight Edit 1 30s [AMS5056 - 29] |
版本. | 0'30 | Dmytro Berezhnyi from P.D. | 30 second cut | 时尚 古典音乐改编曲 令人激动 广告 | Bm | 80 | |||
|
Moonlight Edit 2 15s [AMS5056 - 30] |
版本. | 0'15 | Dmytro Berezhnyi from P.D. | 15 second cut | 时尚 古典音乐改编曲 令人激动 广告 | Em | 80 | |||
|
Last Pink dusk [EOS136 - 5] |
0 | 4'29 | Farnaz Tabatabaee | Delicate, suspended piano intro. Poignant, moving & melancholic. | orchestral score 感动 悬念 夜晚 | Cm | 108 | |||
|
The Illusionist [CEZ4673 - 4] |
4'40 | Antoine Berquet | Electro ambient. Introspective, delicate & subtile. Synth & piano. | 通透 精致 背景电子乐 催眠 | Fm | 120 | ||||
|
The Illusionist Edit 60 sec [CEZ4673 - 28] |
版本. | 1'00 | Antoine Berquet | 60 second cut. | 通透 精致 背景电子乐 催眠 | Fm | 121 | |||
|
The Illusionist Edit 30 sec [CEZ4673 - 29] |
版本. | 0'30 | Antoine Berquet | 30 second cut. | 通透 精致 背景电子乐 催眠 | Fm | 122 | |||
|
The Illusionist Edit 20 sec [CEZ4673 - 30] |
版本. | 0'20 | Antoine Berquet | 20 second cut. | 通透 精致 背景电子乐 催眠 | Fm | 118 | |||
|
The Illusionist Edit Sting [CEZ4673 - 31] |
版本. | 0'11 | Antoine Berquet | Sting. | 通透 精致 背景电子乐 催眠 | Db | 123 | |||
|
Agitada [EOS56 - 10] |
0 | 3'33 | Dominique Malan | Constant & determined. Moving forward. Harp, electric guitar, string | 果断 电吉他 魔幻电影 节奏乐器组 | Am | 95 | |||
|
Eyez On Me [BIB287 - 3] |
2'19 | Regina Glover, Daniel Lobel | Arrogant, stylish, bumping. Comedic intro with trappy percussion and 歌词 | 舞蹈流行音乐 态度 固执 青春剧 | Gbm | 150 | ||||
|
Eyez On Me No Lead Vocal [BIB287 - 16] |
版本. | 2'19 | Regina Glover, Daniel Lobel | Arrogant, stylish, bumping. Trappy percussion explodes into sub bass | 态度 舞蹈流行音乐 固执 青春剧 | Fm | 150 | |||
|
Eyez On Me Instrumental [BIB287 - 17] |
版本. | 2'19 | Regina Glover, Daniel Lobel | Arrogant, stylish, bumping. Trappy percussion explodes into sub bass | 态度 舞蹈流行音乐 固执 青春剧 | Fm | 150 | |||
|
Eyez On Me Underscore [BIB287 - 18] |
版本. | 2'17 | Regina Glover, Daniel Lobel | Arrogant, stylish, bumping. Trappy percussion explodes into sub bass | 态度 舞蹈流行音乐 固执 青春剧 | Fm | 150 | |||
|
Fog on the lake [EOS111 - 8] |
0 | 1'07 | Olivier Samouillan | Mysterious, mystical & calm. Evocation of a legend. Cello. Suggested | 大提琴 安静 疑问 忧伤 | Am | 60 | |||
|
Camel Caravan [ISC101 - 1] |
2'10 | Michel-Yves Kochmann | Middle Eastern. Blissful, bright & breezy. Sunny tambur, zurna, | 开心 传统东方音乐 全景图 跟踪摄影 | D | 162 | ||||
|
Camel Caravan Alternate 1 [ISC101 - 11] |
版本. | 2'10 | Michel-Yves Kochmann | Version without percussion. | 开心 传统东方音乐 全景图 跟踪摄影 | D | 162 | |||
|
Camel Caravan Alternate 2 [ISC101 - 12] |
版本. | 2'10 | Michel-Yves Kochmann | Version without lead. | 开心 传统东方音乐 全景图 跟踪摄影 | D | 161 | |||
|
Medina [ISC101 - 5] |
2'20 | Michel-Yves Kochmann | Middle Eastern. Inspirational, moody & changing. Shimmering intro. | 阳光 热沙漠 传统东方音乐 地理政治 | C | 105 | ||||
|
Medina Alternate 1 [ISC101 - 17] |
版本. | 2'20 | Michel-Yves Kochmann | Version without percussion. | 阳光 热沙漠 传统东方音乐 地理政治 | C | 156 | |||
|
Medina Alternate 2 [ISC101 - 18] |
版本. | 2'20 | Michel-Yves Kochmann | Underscore version. | 阳光 热沙漠 传统东方音乐 地理政治 | C | 155 | |||
|
Nomadic Soul [ISC101 - 7] |
2'11 | Michel-Yves Kochmann | Middle Eastern. Repetitive, mysterious & spellbinding. Female vocals | 地理政治 催眠 跟踪摄影 传统东方音乐 | Am | 81 | ||||
|
Nomadic Soul Alternate 1 [ISC101 - 21] |
版本. | 2'11 | Michel-Yves Kochmann | Version without percussion. | 地理政治 催眠 跟踪摄影 传统东方音乐 | Am | 106 | |||
|
Nomadic Soul Alternate 2 [ISC101 - 22] |
版本. | 2'11 | Michel-Yves Kochmann | Version without lead. | 地理政治 催眠 跟踪摄影 传统东方音乐 | Am | 81 | |||
|
Just Getting Started [TBX218 - 7] |
2'09 | Paul Thorne | Energetic, carefree, confident. Tuneful percussive elements meld with 歌词 | 打击流行乐 动人 广告 团队运动 | Abm | 120 | ||||
|
Just Getting Started
[TBX218 - 24] |
版本. | 2'09 | Paul Thorne | Energetic, carefree, confident. Tuneful percussive elements meld with | 打击流行乐 动人 广告 团队运动 | Abm | 120 | |||
|
Just Getting Started
[TBX218 - 25] |
版本. | 2'09 | Paul Thorne | Energetic, carefree, confident. Tuneful percussive elements meld with | 打击流行乐 动人 广告 团队运动 | Abm | 120 | |||
|
Jump [TBX218 - 11] |
2'21 | Paul Thorne, Amanda Ventrice | Fit, trendy, powerful. Drooping lead melody sways in between before 歌词 | 舞蹈流行音乐 动人 令人激动 朗朗上口 | Gm | 124 | ||||
|
Jump (No Lead Vocal) [TBX218 - 31] |
版本. | 2'21 | Paul Thorne, Amanda Ventrice | Fit, trendy, powerful. Drooping lead melody sways in between before | 舞蹈流行音乐 动人 令人激动 朗朗上口 | Gm | 124 | |||
|
Jump (Instrumental) [TBX218 - 32] |
版本. | 2'21 | Paul Thorne, Amanda Ventrice | Fit, trendy, powerful. Drooping lead melody sways in between before | 舞蹈流行音乐 动人 令人激动 朗朗上口 | Gm | 124 | |||
|
Jump (Underscore) [TBX218 - 33] |
版本. | 2'21 | Paul Thorne, Amanda Ventrice | Fit, trendy, powerful. Drooping lead melody sways in between before | 舞蹈流行音乐 动人 令人激动 朗朗上口 | Gm | 124 | |||
|
Lost Biome [ISC099 - 4] |
4'58 | Loic Ghanem | Cinematic soundscape. Alternating between rhythmic and non-rhythmic | 令人不安 神秘 改变 固执 | Gm | 90 | ||||
|
Lost Biome Alternate [ISC099 - 13] |
版本. | 4'58 | Loic Ghanem | Version without percussion. | 令人不安 神秘 改变 固执 | Gm | 136 | |||
|
Cyber Doom [AMS5052 - 2] |
2'31 | Thomas Lucas | Electro clash. Determined, marching, robotic, insidious & aggressive. | 俱乐部 撞击电子乐 时尚 固执 | Bm | 103 | ||||
|
Cyber Doom Alternate 1 [AMS5052 - 13] |
版本. | 2'31 | Thomas Lucas | Percussion only version. | 俱乐部 撞击电子乐 时尚 固执 | Bm | 103 | |||
|
Cyber Doom Alternate 2 [AMS5052 - 14] |
版本. | 2'31 | Thomas Lucas | Underscore version. | 俱乐部 撞击电子乐 时尚 固执 | Bm | 103 | |||
|
Cyber Doom Edit 1 30 sec [AMS5052 - 15] |
版本. | 0'37 | Thomas Lucas | 30 second cut. | 俱乐部 撞击电子乐 时尚 固执 | B | 103 | |||
|
Cyber Doom Edit 2 15 sec [AMS5052 - 16] |
版本. | 0'18 | Thomas Lucas | 15 second cut. | 俱乐部 撞击电子乐 时尚 固执 | B | 103 | |||
|
Bit Crusher [TBX217 - 6] |
2'09 | Gary Meek | Gritty, cyber, daring. Squelching futuristic atmosphere from resonant | 信息技术 电子琴 动人 调查研究 | A | 100 | ||||
|
Bit Crusher (Underscore) [TBX217 - 31] |
版本. | 2'09 | Gary Meek | Gritty, cyber, daring. Squelching futuristic atmosphere from resonant | 信息技术 电子琴 调查研究 神秘 | A | 100 | |||
|
Bit Crusher (Underscore No
[TBX217 - 32] |
版本. | 2'09 | Gary Meek | Gritty, cyber, daring. Squelching futuristic atmosphere from resonant | 信息技术 电子琴 调查研究 神秘 | A | 100 | |||
|
Bit Crusher (30 Sec) [TBX217 - 33] |
版本. | 0'30 | Gary Meek | Gritty, cyber, daring. Icy futuristic textures lead into factory-like | 信息技术 电子琴 调查研究 神秘 | A | 100 | |||
|
Bit Crusher (Sting) [TBX217 - 34] |
版本. | 0'14 | Gary Meek | Gritty, cyber, daring. Icy futuristic textures lead into and sharp | 信息技术 电子琴 调查研究 神秘 | A | 133 | |||
|
Source Code [TBX217 - 8] |
2'03 | Gary Meek | Cold, eerie, distant. Simply ascending tune is frozen by icey lead | 信息技术 神秘 电子琴 气氛 | E | 110 | ||||
|
Source Code (Underscore) [TBX217 - 38] |
版本. | 2'03 | Gary Meek | Cold, eerie, distant. Simply ascending tune is met with signal-like | 信息技术 神秘 电子琴 气氛 | E | 110 | |||
|
Source Code (Underscore No
[TBX217 - 39] |
版本. | 2'03 | Gary Meek | Cold, eerie, distant. Simply ascending tune is frozen by icey lead | 信息技术 神秘 电子琴 气氛 | E | 110 | |||
|
Source Code (30 Sec) [TBX217 - 40] |
版本. | 0'30 | Gary Meek | Cold, eerie, distant. Simply ascending tune is frozen by icey lead | 信息技术 神秘 电子琴 气氛 | E | 110 | |||
|
Source Code (Sting) [TBX217 - 41] |
版本. | 0'13 | Gary Meek | Cold, eerie, distant. Icey synths driven forward by drums with | 信息技术 神秘 电子琴 气氛 | E | 109 |