| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
He Is Coming He Is Here [AUD017 - 3] |
2'13 | Matthieu Rabaté | Mid-tempo - Drone like intro building up with electronic percs. | 混乱 爆炸 战争 冲突 | Dbm | 104 | ||||
|
He Is Coming He Is Here
[AUD017 - 8] |
版本. | 0'30 | Matthieu Rabaté | Short Edit. | 混乱 爆炸 战争 冲突 | Dbm | 104 | |||
|
He Is Coming He Is Here
[AUD017 - 13] |
版本. | 2'14 | Matthieu Rabaté | Alternative version without drums. | 诡异 科幻片 悬念 嗡嗡声 | Db | 104 | |||
|
In The Deep Dark Hood [INP069 - 1] |
2'15 | Alessandro Ciani, Marco De Bonis | Eerie, dangerous, dramatic. Chilling piano and large thudding impacts | 画面感 预告片 高潮 史诗 | Fm | 104 | ||||
|
In The Deep Dark Hood (Alt
[INP069 - 11] |
版本. | 2'14 | Alessandro Ciani, Marco De Bonis | Eerie, dangerous, dramatic. Chilling piano treads out softly, joined | 画面感 预告片 高潮 史诗 | Fm | 104 | |||
|
In The Deep Dark Hood (Alt
[INP069 - 12] |
版本. | 2'13 | Alessandro Ciani, Marco De Bonis | Eerie, dangerous, dramatic. Squelching dubby impacts give a sense of | 画面感 预告片 高潮 史诗 | Fm | 100 | |||
|
In The Deep Dark Hood
[INP069 - 13] |
版本. | 2'10 | Alessandro Ciani, Marco De Bonis | Eerie, dangerous, dramatic. Dissonant strings give way to foreboding | 画面感 预告片 高潮 史诗 | Fm | 118 | |||
|
In The Deep Dark Hood
[INP069 - 14] |
版本. | 2'17 | Alessandro Ciani, Marco De Bonis | Eerie, dangerous, dramatic. Chilling piano gives a sense of danger | 画面感 预告片 高潮 动作片 | C | 105 | |||
|
Mind Games [ISC066 - 5] |
2'09 | Dan Thiessen | Cinematic investigation. Pulsating, foreboding, windy, dark. Build up | 动作片 无情 间谍片 紧急 | Ebm | 111 | ||||
|
Mind Games Alternate [ISC066 - 15] |
版本. | 2'09 | Dan Thiessen | Alternate version without percussion. | 动作片 无情 间谍片 紧急 | Ebm | 110 | |||
|
The Ordeal of Boiling [CEG5043 - 6] |
0 | 2'30 | Denis Levaillant | Aquatic, bubbling, dark & deep, then torrid, grating & wandering. | 嗡嗡声 海底 潮湿 神秘 | Am | 152 | |||
|
The Call of Cthulhu [CEG5043 - 12] |
0 | 3'04 | Denis Levaillant | Constant, rumbling, frightening, claustrophobic & suffocating. | 嗡嗡声 地下 自然灾害 低沉 | Cm | 112 | |||
|
Voices from Beyond [CEG5042 - 12] |
0 | 3'04 | Denis Levaillant | Rumbling, paranormal, spectral, sinister, abysmal & frightening. | 嗡嗡声 地下 深邃 灾难 | Bbm | 136 | |||
|
Timebreaker [CET9092 - 2] |
2'13 | Zoltan Zadori | Cinematic. Pending & ominous intro with clocklike fx, sound design & | 战士 恐怖 战争 冲突 | Em | 90 | ||||
|
Timebreaker Alternate 1 [CET9092 - 13] |
版本. | 2'13 | Zoltan Zadori | Alternate version without percussion. | 战士 恐怖 战争 冲突 | Em | 89 | |||
|
Timebreaker Alternate 2 [CET9092 - 14] |
版本. | 2'13 | Zoltan Zadori | Alternate version with percussion only. | 战士 恐怖 战争 冲突 | Abm | 90 | |||
|
Inner Scream [CET9092 - 4] |
2'00 | Zoltan Zadori | Cinematic. Scary, discontinuous & clamorous sound design intro. | 恐怖 战士 固执 预告片 | Em | 120 | ||||
|
Inner Scream Alternate 1 [CET9092 - 17] |
版本. | 2'00 | Zoltan Zadori | Alternate version without percussion. | 恐怖 战士 固执 预告片 | Em | 120 | |||
|
Inner Scream Alternate 2 [CET9092 - 18] |
版本. | 2'00 | Zoltan Zadori | Alternate version with percussion only. | 恐怖 战士 固执 预告片 | Gbm | 120 | |||
|
Chronophobia [CET9092 - 5] |
1'57 | Zoltan Zadori | Cinematic. Pulsating & tense intro with heartbeat noise, ticking | 画面感 战士 预告片 冲突 | Cm | 86 | ||||
|
Chronophobia Alternate 1 [CET9092 - 19] |
版本. | 1'57 | Zoltan Zadori | Alternate version without percussion. | 画面感 战士 预告片 冲突 | Ebm | 86 | |||
|
Chronophobia Alternate 2 [CET9092 - 20] |
版本. | 1'57 | Zoltan Zadori | Alternate version with percussion only. | 画面感 战士 预告片 冲突 | Gm | 86 | |||
|
Game Over [CET9092 - 8] |
1'45 | Zoltan Zadori | Cinematic. Discontinuous & eerie intro with sound design & heartbeat. | 冲突 画面感 (音效)滴答声 战争 | Dm | 120 | ||||
|
Game Over Alternate 1 [CET9092 - 25] |
版本. | 1'45 | Zoltan Zadori | Alternate version without percussion. | 冲突 画面感 战争 战士 | Dm | 120 | |||
|
Game Over Alternate 2 [CET9092 - 26] |
版本. | 1'45 | Zoltan Zadori | Alternate version with percussion only. | 冲突 画面感 (音效)滴答声 战争 | Am | 120 | |||
|
Strikeforce [CET9092 - 9] |
2'03 | Zoltan Zadori | Cinematic. Insidious, pure, undulating & metallic intro with sound | (音效)滴答声 冲突 画面感 恐怖片 | G | 162 | ||||
|
Strikeforce Alternate [CET9092 - 27] |
版本. | 2'03 | Zoltan Zadori | Alternate version with percussion only. | (音效)滴答声 冲突 画面感 恐怖片 | Gbm | 162 | |||
|
Domino [INP064 - 10] |
2'42 | Niklas Aaman | Climactic, anticipatory, strong. Large thud with sick resonant bass | 画面感 史诗 科幻片 恐怖 | Gm | 95 | ||||
|
Domino (Underscore) [INP064 - 22] |
版本. | 1'29 | Niklas Aaman | Climactic, anticipatory, strong. Sweeping scanning chords give a | 画面感 史诗 科幻片 恐怖 | Gm | 95 | |||
|
Jah Agent [CEG5039 - 6] |
2'25 | Mathieu Laurent, Isabelle Salmon | Dub, electro-dub, investigation. Speed. Intriguing, mysterious & | 间谍片 社会悲剧 阴险 电声低音 | Em | 143 | ||||
|
Jah Agent Alternate [CEG5039 - 18] |
版本. | 2'16 | Mathieu Laurent, Isabelle Salmon | Alternate underscore. | 间谍片 社会悲剧 阴险 电声低音 | Em | 143 | |||
|
Dark Matter [INP061 - 2] |
2'24 | Damir Agovic | Meaningful, desperate, vast. Thoughtful string noise encounters | 声音设计 冲突 画面感 渐强 | D | 120 | ||||
|
Dark Matter (Underscore) [INP061 - 12] |
版本. | 2'20 | Damir Agovic | Meaningful, desperate, vast. Thoughtful string noise encounters | 声音设计 冲突 画面感 渐强 | D | 89 | |||
|
Prisoners of War [INP061 - 9] |
1'46 | Damir Agovic | Meaningful, scary, desperate. Booming ominous bass plays out into | 战士 无情 声音设计 冲突 | Dm | 80 | ||||
|
Prisoners of War (Underscore) [INP061 - 19] |
版本. | 1'46 | Damir Agovic | Meaningful, scary, desperate. Booming ominous bass plays out into | 战士 无情 声音设计 冲突 | Dm | 162 | |||
|
Monstermind [CEZ4604 - 9] |
0 | 2'19 | Borussia | Electronic hip hop. Trap. Future beat. Wonky beat. Tormented, | 都市景色 都市 态度 社会悲剧 | Bb | 80 | |||
|
Auld Lang Syne [INP060 - 1] |
2'12 | Trad | Anticipatory, creepy, eerie. Soft female vocal sings old fashioned | 科幻片 令人不安 固执 冲击 | F | 128 | ||||
|
Auld Lang Syne (Instrumental) [INP060 - 14] |
版本. | 2'11 | Trad | Anticipatory, creepy, eerie. Gentle piano playing out old fashioned | 科幻片 令人不安 固执 冲击 | F | 129 | |||
|
Auld Lang Syne (Underscore) [INP060 - 15] |
版本. | 2'11 | Trad | Anticipatory, creepy, eerie. Gentle piano playing out old fashioned | 科幻片 令人不安 固执 冲击 | F | 128 | |||
|
Jingle Bells [INP060 - 8] |
2'36 | James Pierpont (J S) | Trippy, powerful, cool. Large droning bass and dramatic riser gives a | 工业噪音 令人不安 沉重 固执 | Gm | 74 | ||||
|
Jingle Bells (Instrumental) [INP060 - 27] |
版本. | 2'36 | James Pierpont (J S) | Trippy, powerful, cool. Large droning bass and dramatic riser gives a | 工业噪音 令人不安 沉重 固执 | Gm | 74 | |||
|
Jingle Bells (Underscore) [INP060 - 28] |
版本. | 1'20 | James Pierpont (J S) | Trippy, powerful, cool. Large droning bass is contrasted by upbeat | 工业噪音 令人不安 沉重 固执 | Gm | 74 | |||
|
Danger is Closing in [CEO2154 - 9] |
1'50 | Marc-Olivier Dupin | Enigmatic, nightmarish, atmospheric, metallic & resonating. Cymbals | 复杂 神秘 恐怖 恐怖片 | Abm | 78 | ||||
|
Danger is Closing in Alternate [CEO2154 - 14] |
版本. | 1'44 | Marc-Olivier Dupin | Squeaky, disturbing & strange. Cymbals played with brushes & rain | 神秘 恐怖 恐怖片 金属 | Abm | 78 | |||
|
The Offering [CET9087 - 10] |
0 | 2'23 | Sigurd Johnk-Jensen | Tension Tribal Trailer. Anticipating & dark intro with insidious | 冲突 冲击 画面感 恐怖 | Dm | 120 |