| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Distant Cannon [CEZ4043 - 20] |
0 | 1'04 | Marc-Olivier Dupin | Freeze frame in time. Circling insistent strings with bass stabs. | 波动感 嗡嗡声 神秘 恐怖片 | Abm | 130 | |||
|
Adieu Moscou [CEZ4043 - 37] |
0 | 1'32 | Marc Marder | Slow whimsical descent. Music-box style. Fatalistic. Solo piano. | 稀疏 简单 通透 恐怖片 | Cm | 89 | |||
|
Between Emotions [CEZ4041 - 35] |
0 | 2'33 | Loïs Blanca | Dark & threatening. Unknown. Slow strings & piano. | 稳定的 冰冷 抱歉 恐怖片 | Db | 111 | |||
|
The Calling [CEZ4040 - 8] |
0 | 1'39 | Elisabeth Skornik, Guy Skornik | Slow & menacing. Heavy drone with bell chiming & heartbeat. | 调查研究 悬念 进行中 (音效)心跳 | C | 60 | |||
|
Criminal Profile [CEZ4040 - 33] |
0 | 1'18 | Elisabeth Skornik, Guy Skornik | Unemotional. Solo atonal & prepared piano with FX. | 稀疏 不和谐音 恐怖片 疑问 | Eb | 72 | |||
|
Frenzy [CEZ4040 - 37] |
0 | 2'09 | Elisabeth Skornik, Guy Skornik | Slowly builds from swirling drone/ strings to fast attack. | 调查研究 悬念 恐怖片 阴险 | Ab | 116 | |||
|
Someone Somewhere [CEZ4376 - 1] |
2'03 | Mime | Post rock / horror movie / US independent cinema. Virile, heavy & | 后摇滚 男人 沉重 气势 | Cm | 77 | ||||
|
Somewhere Someone Alternate [CEZ4376 - 7] |
版本. | 4'42 | Mime | Post rock / horror movie / US independent cinema. Disturbing, heavy & | 后摇滚 气势 恐怖片 沉重 | Cm | 152 | |||
|
Brain Damage [CEZ4288 - 5] |
2'05 | John Greaves, Baptiste Thiry | Frightening & inexorable. Electronics & rhythm. | 警匪片 令人不安 调查研究 伴音 | Ebm | 100 | ||||
|
Brain Damage Alternate Version [CEZ4288 - 37] |
版本. | 1'29 | John Greaves, Baptiste Thiry | Psychotic & frightful. Electronics, hang & rhythm. | 警匪片 调查研究 伴音 恐怖 | Eb | 100 | |||
|
Brain Damage Alternate
[CEZ4288 - 38] |
版本. | 1'29 | John Greaves, Baptiste Thiry | Disturbing & urgent. Electronics, hang & rhythm. | 警匪片 令人不安 悬念 社会悲剧 | Eb | 100 | |||
|
Last Call [INP049 - 6] |
2'32 | Lukas Roher | Spooky, strange, austere. Slow electronic beat plays out next to | 科幻片 电子琴 稳定的 electro beat | Ebm | 120 | ||||
|
Last Call (Underscore) [INP049 - 20] |
版本. | 2'32 | Lukas Roher | Spooky, strange, austere. Slow electronic dissonance plays out next | 科幻片 电子琴 声音设计 稳定的 | Ebm | 120 | |||
|
Transfixed [INP049 - 7] |
2'08 | Lukas Roher | Dramatic, anticipatory, focused. Muffled synth arpeggiation emerges | 科幻片 琶音器 电子琴 动荡 | Bbm | 90 | ||||
|
Transfixed (Underscore A) [INP049 - 21] |
版本. | 2'08 | Lukas Roher | Dramatic, anticipatory, focused. Light feedback meets with sci fi | 科幻片 画面感 electro beat 调查研究 | Bbm | 90 | |||
|
Transfixed (Underscore B) [INP049 - 22] |
版本. | 2'08 | Lukas Roher | Dramatic, anticipatory, focused. Muffled synth arpeggiation emerges | 科幻片 琶音器 电子琴 动荡 | Bbm | 89 | |||
|
Utter Loneliness [CEG5010 - 9] |
2'39 | Abaji | Desert. Panoramic, contemplative & solitary. Flute, synths, cymbals, | 地理政治 逝去的文明 热沙漠 抱歉 | Cm | 114 | ||||
|
Utter Loneliness Alternate 1 [CEG5010 - 23] |
版本. | 2'38 | Abaji | Aftermath. Landscape. Panoramic & solitary. Ud, cymbals, fx wind & | 地理政治 逝去的文明 热沙漠 抱歉 | Cm | 69 | |||
|
Utter Loneliness Alternate 2 [CEG5010 - 24] |
版本. | 2'40 | Abaji | Aftermath. Landscape. Disturbing & desolate. Synths, cymbals, | 诡异 逝去的文明 热沙漠 抱歉 | Cm | 136 | |||
|
Orchestral Pieces No6 [AUD052 - 1] |
2'54 | Bruno Letort | Avant-garde classical. Mysterious, esoteric & unsettling. String | 军事冲突 灾难 漂泊 令人不安 | Dm | 60 | ||||
|
Orchestral Pieces No6 (Short
[AUD052 - 6] |
版本. | 0'38 | Bruno Letort | Short edit version | 军事冲突 灾难 漂泊 令人不安 | Dm | 91 | |||
|
Orchestral Pieces No10 [AUD052 - 5] |
2'03 | Bruno Letort | Avant-garde classical. Edgy, adventurous & tense. String orchestra & | 悬念 军事冲突 令人不安 无调性音乐 | G | 60 | ||||
|
Orchestral Pieces No10 (Short
[AUD052 - 10] |
版本. | 0'36 | Bruno Letort | Short edit version | 后古典 悬念 军事冲突 令人不安 | G | 105 | |||
|
Escape the Surveillance [CEG5064 - 8] |
1'53 | Joaquim Plossu | Cinematic beat. Suspended intro. Dark & threatening @ 0'27. Piano, | 无情 令人不安 神秘 画面感 | Bm | 115 | ||||
|
Escape the Surveillance
[CEG5064 - 19] |
版本. | 1'30 | Joaquim Plossu | Alternate edit. | 令人不安 无情 神秘 画面感 | Bm | 115 | |||
|
Escape the Surveillance
[CEG5064 - 20] |
版本. | 1'51 | Joaquim Plossu | Alternate no drums. | 无情 令人不安 神秘 画面感 | Bm | 114 | |||
|
Escape the Surveillance
[CEG5064 - 21] |
版本. | 1'29 | Joaquim Plossu | Alternate edit no drums. | 无情 令人不安 神秘 画面感 | Bm | 114 | |||
|
City of Chrome [ISC117 - 5] |
3'13 | Caleb Swift | Hybrid Dystopian Trailer. Slow, breathless & muffled progression | 科幻片 预告片 史诗 战士 | E | 140 | ||||
|
City of Chrome Alternate [ISC117 - 18] |
版本. | 3'13 | Caleb Swift | Version without percussion. | 科幻片 预告片 史诗 战士 | E | 140 | |||
|
Fury Rising [ISC116 - 4] |
2'03 | Francesco Bondi | Electro. Jerky & discontinuous, constantly progressing. Psychotic, | 神经病 冲突 electro beat 动作片 | D | 90 | ||||
|
Fury Rising Alternate [ISC116 - 17] |
版本. | 2'03 | Francesco Bondi | Version without percussion. | 神经病 冲突 electro beat 动作片 | A | 90 | |||
|
Pulse Root [AMS5063 - 8] |
2'06 | Zoltan Zadori | Investigation underscore. Suspended yet relentless. Dark pulses, | 进行中 悬念 画面感 间谍片 | C | 130 | ||||
|
Pulse Root Alternate 1 [AMS5063 - 31] |
版本. | 2'06 | Zoltan Zadori | Version without percussion | 悬念 画面感 间谍片 令人不安 | C | 132 | |||
|
Pulse Root Alternate 2 [AMS5063 - 32] |
版本. | 2'06 | Zoltan Zadori | Bed version | 悬念 画面感 间谍片 令人不安 | C | 131 | |||
|
Pulse Root Alternate 3 [AMS5063 - 33] |
版本. | 2'06 | Zoltan Zadori | Underscore version | 悬念 画面感 间谍片 令人不安 | C | 130 | |||
|
Protagonist [INP083 - 4] |
2'08 | Joel Stoner | Epic, strong, climactic. Dramatic piano note into drifting euphoric | 悬念 画面感 无情 动作游戏 | Gm | 60 | ||||
|
Protagonist (Underscore) [INP083 - 16] |
版本. | 2'08 | Joel Stoner | Epic, strong, climactic. Dramatic piano note into drifting euphoric | 悬念 画面感 无情 动作游戏 | Gm | 60 | |||
|
Escape [INP083 - 10] |
1'58 | Joel Stoner | Panicked, apocalyptic, cinematic. Dramatic drone emerges as drums | 令人不安 科幻片 冲突 画面感 | Cm | 109 | ||||
|
Escape (Underscore) [INP083 - 22] |
版本. | 1'58 | Joel Stoner | Panicked, apocalyptic, cinematic. Quiet dramatic ambience rises up as | 令人不安 科幻片 冲突 画面感 | Cm | 110 | |||
|
Low Orbit [AMS5061 - 7] |
2'16 | Felix Weber | Cinematic trap. Edgy, tense & dark. Trap beat, strings, vox fx, flute | 电影节奏 固执 悬念 态度 | D | 162 | ||||
|
Low Orbit Alternate 1 [AMS5061 - 50] |
版本. | 2'16 | Felix Weber | Version without percussion | 电影节奏 固执 悬念 态度 | D | 161 | |||
|
Low Orbit Alternate 2 [AMS5061 - 51] |
版本. | 2'16 | Felix Weber | Version with percussion only | 电影节奏 固执 悬念 态度 | Gbm | 162 | |||
|
Low Orbit Alternate 3 [AMS5061 - 52] |
版本. | 2'16 | Felix Weber | Version without vox | 电影节奏 固执 悬念 态度 | Dm | 162 | |||
|
Low Orbit Alternate 4 [AMS5061 - 53] |
版本. | 2'16 | Felix Weber | Bed version | 电影节奏 固执 悬念 态度 | D | 162 | |||
|
Low Orbit Alternate 5 [AMS5061 - 54] |
版本. | 2'16 | Felix Weber | Underscore version | 电影节奏 固执 悬念 态度 | D | 162 | |||
|
Low Orbit Edit 1 30 sec [AMS5061 - 55] |
版本. | 0'31 | Felix Weber | 30 second cut | 电影节奏 固执 悬念 态度 | Dm | 161 | |||
|
Low Orbit Edit 2 15 sec [AMS5061 - 56] |
版本. | 0'17 | Felix Weber | 15 second cut | 电影节奏 固执 悬念 态度 | Dm | 162 |