| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Shadow of the Law [ISC088 - 8] |
2'33 | Lionel Fabert | Hip-Hop investigation. Pulsating, serious & increase intensity. | 警匪片 调查研究 陷阱音乐 电影节奏 | Em | 138 | ||||
|
Shadow of the Law Alternate 1 [ISC088 - 24] |
版本. | 2'33 | Lionel Fabert | Version without beat | 警匪片 调查研究 陷阱音乐 电影节奏 | Em | 137 | |||
|
Shadow of the Law Alternate 2 [ISC088 - 25] |
版本. | 2'33 | Lionel Fabert | Underscore | 警匪片 调查研究 陷阱音乐 电影节奏 | Em | 138 | |||
|
Danger Street [CEZ4649 - 12] |
2'18 | GASTON DDD | Drill beat, hip-hop beat. Ominous, lost & inevitable. Piano, synth & | drill 令人不安 固执 电子鼓 | Abm | 145 | ||||
|
Danger Street Alternate 1 [CEZ4649 - 78] |
版本. | 2'18 | GASTON DDD | Alternate with water FX. | drill 令人不安 固执 电子鼓 | Gm | 145 | |||
|
Danger Street Alternate 2 [CEZ4649 - 79] |
版本. | 1'00 | GASTON DDD | 60 second cut. | drill 令人不安 固执 电子鼓 | Gm | 144 | |||
|
Danger Street Alternate 3 [CEZ4649 - 80] |
版本. | 0'30 | GASTON DDD | 30 second cut. | drill 令人不安 固执 电子鼓 | Gm | 144 | |||
|
Danger Street Alternate 4 [CEZ4649 - 81] |
版本. | 0'15 | GASTON DDD | 15 second cut. | drill 令人不安 固执 电子鼓 | Gm | 144 | |||
|
Danger Street Alternate 5 [CEZ4649 - 82] |
版本. | 0'08 | GASTON DDD | Sting. | drill 令人不安 固执 电子鼓 | Gm | 144 | |||
|
Ultimate Truth [ISC086 - 10] |
2'35 | Stanislav Barantsov | Cinematic hybrid trailer. Sinister & atmospheric intro with synth & | 冲击 战士 冲突 画面感 | Gbm | 165 | ||||
|
Ultimate Truth Alternate [ISC086 - 20] |
版本. | 2'35 | Stanislav Barantsov | Version without percussion | 战士 冲突 画面感 预告片 | Gbm | 110 | |||
|
Olympus Has Fallen [AMS5042 - 2] |
1'57 | Danijel Grubovic | Hybrid trailer. Dramatic, mighty & forceful. Suspended intro with | 冲突 预告片 画面感 爆炸 | Abm | 118 | ||||
|
Olympus Has Fallen Alternate 1 [AMS5042 - 16] |
版本. | 1'57 | Danijel Grubovic | No percussion version | 冲突 预告片 画面感 爆炸 | Abm | 162 | |||
|
Olympus Has Fallen Alternate 2 [AMS5042 - 17] |
版本. | 1'57 | Danijel Grubovic | Percussion only version | 冲突 预告片 画面感 爆炸 | Em | 119 | |||
|
Olympus Has Fallen Alternate 3 [AMS5042 - 18] |
版本. | 1'57 | Danijel Grubovic | No strings version | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 4 [AMS5042 - 19] |
版本. | 1'57 | Danijel Grubovic | No voice fx version | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 5 [AMS5042 - 20] |
版本. | 1'57 | Danijel Grubovic | Bed | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 6 [AMS5042 - 21] |
版本. | 1'57 | Danijel Grubovic | Underscore | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Edit 1 (60
[AMS5042 - 22] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 80 | |||
|
Olympus Has Fallen Edit 2 (30
[AMS5042 - 23] |
版本. | 0'30 | Danijel Grubovic | 30 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 80 | |||
|
Olympus Has Fallen Edit 3 (15
[AMS5042 - 24] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 81 | |||
|
Solemn [AMS5041 - 7] |
3'08 | Salvador Casais, Felix Weber | Cinematic orchestral hip hop. Solemn & exhilarating in a neoclassical | 嘻哈预告风 固执 预告片 史诗 | Am | 120 | ||||
|
Solemn Alternate 1 [AMS5041 - 51] |
版本. | 3'08 | Salvador Casais, Felix Weber | No percussion version | 嘻哈预告风 固执 预告片 史诗 | Am | 120 | |||
|
Solemn Alternate 2 [AMS5041 - 52] |
版本. | 3'08 | Salvador Casais, Felix Weber | Percussion only version | 嘻哈预告风 固执 预告片 史诗 | Gbm | 119 | |||
|
Solemn Alternate 3 [AMS5041 - 53] |
版本. | 3'08 | Salvador Casais, Felix Weber | Instrumental version | 嘻哈预告风 固执 预告片 史诗 | A | 120 | |||
|
Solemn Alternate 4 [AMS5041 - 54] |
版本. | 3'08 | Salvador Casais, Felix Weber | Bed | 嘻哈预告风 固执 预告片 史诗 | Am | 120 | |||
|
Solemn Alternate 5 [AMS5041 - 55] |
版本. | 3'08 | Salvador Casais, Felix Weber | Underscore | 嘻哈预告风 固执 预告片 史诗 | Am | 120 | |||
|
Solemn Edit 1 (30 sec) [AMS5041 - 56] |
版本. | 0'30 | Salvador Casais, Felix Weber | 30 seconds cut | 嘻哈预告风 固执 预告片 史诗 | Am | 120 | |||
|
Solemn Edit 2 (15 sec) [AMS5041 - 57] |
版本. | 0'17 | Salvador Casais, Felix Weber | 15 seconds cut | 嘻哈预告风 固执 预告片 史诗 | Am | 120 | |||
|
Get Stomping [AMS5040 - 1] |
1'36 | Ilan Kunik | Energetic, motivational & fun. Claps & snaps meet metallic percussion | 打击乐合奏 广告 打击流行乐 节奏感 | Ebm | 89 | ||||
|
Get Stomping Edit 1 (30 sec) [AMS5040 - 9] |
版本. | 0'30 | Ilan Kunik | 30 seconds cut | 打击乐合奏 广告 打击流行乐 节奏感 | Abm | 89 | |||
|
Get Stomping Edit 2 (15 sec) [AMS5040 - 10] |
版本. | 0'15 | Ilan Kunik | 15 seconds cut | 打击乐合奏 广告 打击流行乐 节奏感 | Abm | 178 | |||
|
Seismic [AMS5037 - 2] |
2'12 | Danijel Grubovic | Future House. Robotic, driving, cyclical & distorted. Arpeggiator, | 俱乐部 果断 态度 动人 | Gbm | 104 | ||||
|
Seismic Alternate 1 [AMS5037 - 17] |
版本. | 2'12 | Danijel Grubovic | Alternate version without percussion. | 俱乐部 果断 态度 动人 | Gbm | 104 | |||
|
Seismic Alternate 2 [AMS5037 - 18] |
版本. | 2'12 | Danijel Grubovic | Alternate version with percussion only. | 俱乐部 果断 态度 动人 | Gbm | 104 | |||
|
Seismic Alternate 3 [AMS5037 - 19] |
版本. | 2'12 | Danijel Grubovic | Alternate version without choirs. | 俱乐部 果断 态度 动人 | Gbm | 104 | |||
|
Seismic Alternate 4 [AMS5037 - 20] |
版本. | 2'12 | Danijel Grubovic | Alternate "Bed" version. | 俱乐部 果断 态度 动人 | Gbm | 104 | |||
|
Seismic Alternate 5 [AMS5037 - 21] |
版本. | 2'12 | Danijel Grubovic | Alternate underscore version. | 俱乐部 果断 态度 动人 | Gbm | 104 | |||
|
Seismic Edit 1 (60 sec) [AMS5037 - 22] |
版本. | 1'00 | Danijel Grubovic | 60 second edit. | 俱乐部 果断 态度 动人 | Gbm | 104 | |||
|
Seismic Edit 2 (30 sec) [AMS5037 - 23] |
版本. | 0'32 | Danijel Grubovic | 30 second edit. | 俱乐部 果断 态度 动人 | Gbm | 104 | |||
|
Seismic Edit 3 (15 sec) [AMS5037 - 24] |
版本. | 0'15 | Danijel Grubovic | 15 second edit. | 俱乐部 果断 态度 动人 | Gbm | 104 | |||
|
Deadly Premonition [ISC075 - 4] |
2'21 | Francesco Bondi | Cinematic Thriller / Horror trailer. Introduction with high & | 画面感 恐怖片 固执 诡异 | Cm | 90 | ||||
|
Deadly Premonition Alternate [ISC075 - 14] |
版本. | 2'21 | Francesco Bondi | Underscore version. | 画面感 恐怖片 固执 诡异 | C | 90 | |||
|
Unalusion [AUD027 - 3] |
2'07 | Frederic Langlais, Matthieu Rabaté | Medium-fast - Energetic and phat dubstep electro tango. Heavy beat | 沉重 体育中的戏剧性 电子探戈 电子鼓 | Fm | 154 | ||||
|
Unalusion Edit [AUD027 - 8] |
版本. | 0'21 | Frederic Langlais, Matthieu Rabaté | 15 second cut. | 沉重 体育中的戏剧性 电子探戈 电子鼓 | Fm | 77 | |||
|
Unalusion Alternate [AUD027 - 13] |
版本. | 2'08 | Frederic Langlais, Matthieu Rabaté | Alternate version. | 沉重 体育中的戏剧性 电子探戈 电子鼓 | Fm | 154 | |||
|
The Recline [AMS5028 - 2] |
2'31 | Willie Eaglin, Shawn Horton | Boom Bap. Insistent, rhythmic & outgoing. Beat box, drums, brass | boom bap 街头运动 怪异 态度 | Gbm | 94 | ||||
|
The Recline Alternate 1 [AMS5028 - 16] |
版本. | 2'31 | Willie Eaglin, Shawn Horton | Alternate without percussion. | boom bap 街头运动 怪异 态度 | Abm | 185 | |||
|
The Recline Alternate 2 [AMS5028 - 17] |
版本. | 2'31 | Willie Eaglin, Shawn Horton | Alternate with percussion only. | boom bap 街头运动 怪异 态度 | Gbm | 94 | |||
|
The Recline Alternate 3 [AMS5028 - 18] |
版本. | 2'31 | Willie Eaglin, Shawn Horton | Alternate instrumental. | boom bap 街头运动 怪异 态度 | Gbm | 94 | |||
|
The Recline Alternate 4 [AMS5028 - 19] |
版本. | 2'31 | Willie Eaglin, Shawn Horton | Alternate underscore. | boom bap 街头运动 怪异 态度 | Abm | 185 | |||
|
The Recline Edit 1 (30 sec) [AMS5028 - 20] |
版本. | 0'30 | Willie Eaglin, Shawn Horton | 30 second cut. | boom bap 街头运动 怪异 态度 | Gbm | 94 | |||
|
The Recline Edit 2 (15 sec) [AMS5028 - 21] |
版本. | 0'15 | Willie Eaglin, Shawn Horton | 15 second cut. | boom bap 街头运动 怪异 态度 | Fm | 94 | |||
|
Furious [ISC071 - 1] |
2'36 | Norbert Gobor | Industrial Rock. Cinematic Rock. Intriguing, jerky intro with | 固执 冲突 影院摇滚 动作片 | Em | 140 | ||||
|
Furious Alternate 1 [ISC071 - 11] |
版本. | 2'36 | Norbert Gobor | Alternate without percussion. | 影院摇滚 动作片 火热 垃圾音效 | Em | 140 | |||
|
Furious Alternate 2 [ISC071 - 12] |
版本. | 2'36 | Norbert Gobor | Alternate without orchestra. | 固执 冲突 影院摇滚 动作片 | Em | 140 | |||
|
Navigate [CET9095 - 1] |
1'16 | Sigurd Johnk-Jensen | Trailer Track. Intro with clocklike sound design. Tense, psychotic, | 冲突 画面感 恐怖片 爆炸 | Cm | 120 | ||||
|
Navigate Alternate 1 [CET9095 - 11] |
版本. | 1'16 | Sigurd Johnk-Jensen | Alternate without percussion. | 冲突 画面感 恐怖片 爆炸 | C | 120 | |||
|
Navigate Alternate 2 [CET9095 - 12] |
版本. | 1'16 | Sigurd Johnk-Jensen | Alternate percussion only. | 冲突 画面感 恐怖片 爆炸 | Ebm | 120 | |||
|
Navigate Alternate 3 [CET9095 - 13] |
版本. | 1'16 | Sigurd Johnk-Jensen | Alternate underscore. | 冲突 画面感 恐怖片 爆炸 | C | 120 | |||
|
Navigate Alternate 4 [CET9095 - 14] |
版本. | 0'33 | Sigurd Johnk-Jensen | Alternate 30 second. | 冲突 画面感 恐怖片 爆炸 | Cm | 120 | |||
|
Navigate Alternate 5 [CET9095 - 15] |
版本. | 0'17 | Sigurd Johnk-Jensen | Alternate 15 second. | 冲突 画面感 恐怖片 爆炸 | Cm | 120 | |||
|
Concrete Tribe [AMS5026 - 4] |
2'04 | Felix Weber | Beat making. Attitude, metallic & waiting. Percussion, synth & clap | 态度 工业 冲突 金属 | Abm | 140 | ||||
|
Concrete Tribe Alternate 1 [AMS5026 - 31] |
版本. | 2'04 | Felix Weber | Alternate version without percussion. | 态度 工业 冲突 金属 | Abm | 140 | |||
|
Concrete Tribe Alternate 2 [AMS5026 - 32] |
版本. | 2'04 | Felix Weber | Alternate version with percussion only. | 态度 工业 冲突 金属 | Abm | 140 | |||
|
Concrete Tribe Alternate 3 [AMS5026 - 33] |
版本. | 2'04 | Felix Weber | Alternate bed version. | 态度 工业 冲突 金属 | Abm | 140 | |||
|
Concrete Tribe Alternate 4 [AMS5026 - 34] |
版本. | 1'00 | Felix Weber | Alternate underscore version. | 态度 工业 冲突 金属 | Abm | 140 | |||
|
Concrete Tribe Alternate 5 [AMS5026 - 35] |
版本. | 0'30 | Felix Weber | Alternate 60 seconds version. | 态度 工业 冲突 金属 | Abm | 140 | |||
|
Concrete Tribe Alternate 6 [AMS5026 - 36] |
版本. | 0'15 | Felix Weber | Alternate 30 seconds version. | 态度 工业 冲突 金属 | Abm | 140 | |||
|
Concrete Tribe Alternate 7 [AMS5026 - 37] |
版本. | 1'37 | Felix Weber | Alternate 16 seconds version. | 态度 工业 冲突 金属 | Bm | 94 | |||
|
Dangerous Machine [AUD017 - 2] |
2'18 | Matthieu Rabaté | Mid-tempo - Circular and rising intro. Heavy impacts @ 0'35. Synth, | 大电影打击乐 冲突 爆炸 野性 | B | 106 | ||||
|
Dangerous Machine Alternate 1 [AUD017 - 7] |
版本. | 0'32 | Matthieu Rabaté | Short Edit. | 大电影打击乐 冲突 爆炸 野性 | B | 106 | |||
|
Dangerous Machine Alternate 2 [AUD017 - 12] |
版本. | 2'16 | Matthieu Rabaté | Alternative version without drums. | 间谍片 令人不安 调查研究 pulsation | Bm | 106 | |||
|
Dystopia [ISC067 - 6] |
1'54 | Loic Ghanem | Cinematic ambient metal. Intro with pizzicato strings. Urgent, tense | 固执 进步 赛车 悬念 | Bb | 137 | ||||
|
Dystopia Alternate [ISC067 - 17] |
版本. | 1'54 | Loic Ghanem | Alternate version without percussion. | 固执 进步 赛车 悬念 | Bb | 137 | |||
|
Vintage [AMS5025 - 1] |
2'00 | Philippe Briand, Salvador Casais | Rock stadium & FM 80's. Nervous, catchy & jubilant. 80's synth, | 果断 赛车 态度 联盟 | Am | 144 | ||||
|
Vintage Alternate 1 [AMS5025 - 9] |
版本. | 2'00 | Philippe Briand, Salvador Casais | Alternate version without percussion. | 果断 赛车 态度 联盟 | Am | 144 | |||
|
Vintage Alternate 2 [AMS5025 - 10] |
版本. | 2'00 | Philippe Briand, Salvador Casais | Alternate version with only percussion. | 果断 赛车 态度 动作片 | Gm | 144 | |||
|
Vintage Alternate 3 [AMS5025 - 11] |
版本. | 2'00 | Philippe Briand, Salvador Casais | Alternate underscore version. | 果断 赛车 态度 联盟 | Am | 144 | |||
|
Vintage Alternate 4 [AMS5025 - 12] |
版本. | 0'31 | Philippe Briand, Salvador Casais | Alternate 30 seconds version. | 果断 赛车 态度 联盟 | Am | 144 | |||
|
Vintage Alternate 5 [AMS5025 - 13] |
版本. | 0'14 | Philippe Briand, Salvador Casais | Alternate 15 seconds version. | 果断 赛车 态度 联盟 | Am | 144 | |||
|
Crash Landing [TBX183 - 13] |
3'22 | Charles Blount, Matthew Jesubatham, Jin Wooh | Euphoric, hopeful, heavy. Big open chords from pads give a sense of 歌词 | 男歌手 电子鼓 态度 果断 | Gbm | 125 | ||||
|
Crash Landing (Instrumental) [TBX183 - 38] |
版本. | 3'22 | Charles Blount, Matthew Jesubatham, Jin Wooh | Euphoric, hopeful, heavy. Big open chords from pads give a sense of | 电子鼓 态度 果断 动人 | Gbm | 125 | |||
|
Crash Landing (Underscore) [TBX183 - 39] |
版本. | 3'22 | Charles Blount, Matthew Jesubatham, Jin Wooh | Euphoric, hopeful, heavy. Big open chords from pads give a sense of | 电子鼓 态度 果断 动人 | Gbm | 125 | |||
|
We Are the Street [EOS116 - 9] |
0 | 1'58 | Gaëtan Demoen, Florent Gayat | Blues rock, brit rock. Powerful, driving & exhilarating. Guitar, bass | 果断 动人 英格兰 电声低音 | Em | 121 | |||
|
The Monarch [BIX009 - 9] |
2'29 | Matthew Terry | Gritty, strong, bold. Resonant bass plays out a sharp rhythmic tune, 歌词 | 冲击 流行摇滚 气势 令人激动 | Gm | 120 | ||||
|
The Monarch (Instrumental) [BIX009 - 28] |
版本. | 2'29 | Matthew Terry | Gritty, strong, bold. Resonant bass plays out a sharp rhythmic tune, | 冲击 流行摇滚 气势 令人激动 | Gm | 120 | |||
|
The Monarch (Underscore) [BIX009 - 29] |
版本. | 2'29 | Matthew Terry | Gritty, strong, bold. Resonant bass plays out a sharp rhythmic tune, | 冲击 流行摇滚 气势 令人激动 | Gm | 120 | |||
|
Dangerous Encounter [BIB260 - 2] |
2'18 | Niels De Koning | Cool, rocky, odd. Muffled drums launch into straightforward, dirtbag | 广告 团队运动 果断 青春剧 | Bm | 123 | ||||
|
Dangerous Encounter
[BIB260 - 13] |
版本. | 2'18 | Niels De Koning | Cool, rocky, odd. Muffled drums launch into straightforward, dirtbag | 广告 团队运动 果断 青春剧 | Bm | 123 | |||
|
Dangerous Encounter
[BIB260 - 14] |
版本. | 2'18 | Niels De Koning | Cool, rocky, odd. Muffled drums launch into straightforward, dirtbag | 广告 团队运动 果断 青春剧 | Bm | 123 |