Cool, sneaky, fun. Fun piano style gives way to big band drumming and Cool, sneaky, fun. Fun piano style gives way to big band drumming and a sense of lighthearted suspiciousness. A comedy involving a detective or some situation involving old-fashioned New York. Saxophone solo at 01:45 gives a slick jazzy energy, with duelling brass instruments offering an impassioned performance.
Sharp, stylish, classy. Fast flapper drums launch into inquisitive Sharp, stylish, classy. Fast flapper drums launch into inquisitive big band instrumentation with brass and fun but sneaky melody. Intricate tunes join with fiery instrumentation, saxophone solo at 00:50 to create a sultry old-fashioned atmosphere. A speakeasy or old style bar with pinstripe suits. Breakdown at 01:17 creates a fun, energetic dance moment.
Sharp, stylish, classy. Fast flapper drums launch into inquisitive Sharp, stylish, classy. Fast flapper drums launch into inquisitive piano and bass. Searching piano melodies mix with pacy percussion to create a sultry, old-fashioned atmosphere. A speakeasy or old style bar with pinstripe suits. Breakdown at 01:17 creates a fun, energetic dance moment. Stripped back underscore version.
Fun, impassioned, nimble. Flapper drumming slides into buoyant bass Fun, impassioned, nimble. Flapper drumming slides into buoyant bass and piano, followed by lighter instrumentation with horn and sibilant cymbals. Light-footed feeling, agile and carefree dancing. Saxophone solo at 01:20 provides a passionate refrain joined by lower trumpets all cloying with cool tunes and riffs. Visions of large rooms of people dancing non-stop, old-fashioned cocktails.
Mischievous, fashionable, fun-loving. Instrumentation dives straight Mischievous, fashionable, fun-loving. Instrumentation dives straight in with 12-bar blues bassline and call and response brass elements. Wandering bassline gives a sense of community and social energy, a bar of people laughing and joking, a basement that's a little gloomy but hip and stylish. Saxophone solo at 00:43 languishes in the midst of instrumentation, supporting feeling of freeform chill. Sharp melodic impacts peppered throughout track give a feeling of energy.
Song sung in French. 40's. Cabaret. Sensual & melancholic. Female Song sung in French. 40's. Cabaret. Sensual & melancholic. Female singer, string orchestra, piano & trumpet.歌词
C’est fini Mon chériC’est finiC’est la vieJe m’ennuieMais je t’oublieC’est la vieTant pis Nous n’irons plus dans cette chambre bleueAvec un balcon sur la merNous n’aurons plus tous ces matins grisEnlacés mais solitaires
English translation :
It’s over That’s lifeIt’s overMy darlingThat’s lifeI am boredBut I forget youThat’s lifeToo bad We’ll never go again to that blue roomWith a balcony over the seaWe’ll never again see those grey morningsEntwined but alone
Instrumental version, no voice. France. 40's. Cabaret. Sensual & Instrumental version, no voice. France. 40's. Cabaret. Sensual & melancholic. String orchestra, piano & trumpet.
Jazz song / hollywood classic / jazz swing. Lively, classy & refined. Jazz song / hollywood classic / jazz swing. Lively, classy & refined. Big band with crooner, piano, brass hits & rhythm.歌词
Most of all I love you And more than this, I need you I dream of you all day long I’m just like a child I must say
Most of all I’ve tried to Keep your heart, and give you mine I’m so sad; it’s time to confess I’ve missed the boat to happiness, But you’re my girl, And most of all I love you
I would give anything To have you back in my dreams Those tears falling from the sky ‘Cause the sun goes down when you go
Most of all I’ve tried to Keep your heart, and give you mine I agree, it’s time to confess I’ve missed the boat to happiness, But you’re my girl, And most of all I love you
I would give anything To have you back in my dreams Tears falling from the sky ‘Cause the sun goes down when you go
Most of all I’ve tried to Keep your heart, and give you mine I agree, it’s time to confess I’ve missed the boat to happiness, You’re my girl, And most of all I love you
Jazz swing / hollywood classic / romantic comedy. Relax, classy & Jazz swing / hollywood classic / romantic comedy. Relax, classy & lively. Big band with solo trumpet, piano, brass hits & rhythm.
Jazz song / hollywood classic / romantic comedy / jazz swing. Classy, Jazz song / hollywood classic / romantic comedy / jazz swing. Classy, refined & carefree. Big band with crooner. Trumpet solo @ 1'33. 歌词
I wanna say to the stars That light the sky My tears to dry And scold that doggoned moon Who drives me loon and makes me croon
She’s on my mind forever And I may be wrong for the rest of my days But I can’t ignore the girl next door
You must believe in the sun that’s shining above Burning my love And if I forgot to eat or sleep and pray I have to say Happiness is all that I wish I want you to cuddle and kiss
I’m so sorry For lovin’ you so
She’s on my mind forever And I’ll be waiting for the rest of my days The one I adore the girl next door
You must believe in the sun that shines above Burning my love And if I forgot to eat or sleep and pray I have to say Happiness is all that I wish I want you to cuddle and kiss
Jazz swing / hollywood classic / romantic comedy. Classy, refined & Jazz swing / hollywood classic / romantic comedy. Classy, refined & carefree. Big band & alto saxophone. Sax solo @ 1'32.
Suspicious, cunning, devious. Leading saxophone melody joins with Suspicious, cunning, devious. Leading saxophone melody joins with light percussion to create a sense of cool suspicion. Visions of an old school police car roaming the streets and looking for a culprit. Jazzy style gives the impression of a big industrial city in the USA. An innocent person escaping from prison and going on the run.
Jazzy, stylish, sultry. Sharp instrumentation and a general sense of Jazzy, stylish, sultry. Sharp instrumentation and a general sense of passion carries a refreshing vibe, visions of a city in the 1920s and 1930s, men in hats and suits and women in modest dresses. More intimidating tone around 00:45 with muted trumpet solo until catharsis comes in warmer instrumentation.
Propulsive, energetic, intriguing. Upbeat and determined jazz drums Propulsive, energetic, intriguing. Upbeat and determined jazz drums with cool trumpet melodies. Solo percussive interludes rise with dramatic brass stabs to huge, confident peaks. Sensational big band jazz track with style.
Propulsive, energetic, intriguing. Upbeat and determined jazz drums Propulsive, energetic, intriguing. Upbeat and determined jazz drums with cool brass melodies. Sensational big band jazz track with style.
Jazz song / hollywood classic / romantic comedy. Refined, relax & Jazz song / hollywood classic / romantic comedy. Refined, relax & classy. Big band, female singer, piano, vibraphone & rhythm. 歌词
Oh why don't you take me to the moonI'll fly with you in a baloonand there you'll kiss me and we will walk back to you. Oh this is just happening all too soonmy life looks like a cartoonand then you'll kiss meand i am all stuck with you. And I oh Ijust wanna fly highwhatever you say i'll blindly go your wayto the sky And when we kissit seems as if we're glued togetherforever and ever'till the end of time. Oh why don't you take me to the moonI'll fly with you in a baloonand there you'll kiss me and we will walk back to you. Tu tu ru tu to you.
Jazz song / hollywood classic / romantic comedy. Refined, relax & Jazz song / hollywood classic / romantic comedy. Refined, relax & classy. Big band, female singer, piano, vibraphone & rhythm.
Bluesy, anxious, pacy. Fast rhythm begins with subtle 12-bar blues Bluesy, anxious, pacy. Fast rhythm begins with subtle 12-bar blues bass. Tight instrumentation communicates a high-strung vibe. Someone at their wits end, making their way through a crowded city street. Trumpet solo at 01:18 gives a more freeform energy, a person wandering the street in despair.
Jazzy, carefree, heated. Big band instrumentation with a slow dynamic Jazzy, carefree, heated. Big band instrumentation with a slow dynamic rhythm sets out with trumpets and brass instrumentations reaching out with impassioned melodies. Change of tone at 00:45 into more freeform section, warm saxophone solo with an altogether more welcoming vibe. A band working hard, playing in unison allowing players to solo with energy and feeling before going back into suspicious melodies.
Sneaky, fiery, cool. Descending bassline and muted brass gives an Sneaky, fiery, cool. Descending bassline and muted brass gives an impression of subtlety and stylishness mixed with liveliness and energy. Saxophone solo at 00:49 moves into a passionate place as duelling solos begin, trills and emotive performances offer a more hearty vibe to icy instrumentation. Someone in the early 20th century walking down the street of a bustling city in a cool and groovy way.
Fiery, passionate, classy. Build up into emotive big bang sound with Fiery, passionate, classy. Build up into emotive big bang sound with cool rhythm and high-pitched trumpets. Solemn feeling communicated by the main tune, mixed with wandering solos and subtle bass keeping things moving. A shady bar or restaurant.
Energetic, hearty, jazzy. Lone timpani drumbeats stretch out, Energetic, hearty, jazzy. Lone timpani drumbeats stretch out, becoming rhythmic off the back of trickling percussive hits, falling into big band late-night jazz and diving into intense double bass beat. Fiery jazz with a passionate pace. The bright lights of the big city with frantic movement and fun happening all around. Trilling saxophones and agile ride cymbal rhythms.
Energetic, hearty, jazzy. Lone timpani drumbeats stretch out, Energetic, hearty, jazzy. Lone timpani drumbeats stretch out, becoming rhythmic off the back of trickling percussive hits, diving into intense double bass beat. A passionate pace. The bright lights of the big city with frantic movement and fun happening all around. Agile ride cymbals convey a sense of quickening spirit. Stripped back underscore version.
Energetic, hearty, jazzy. Lone timpani drumbeats stretch out, Energetic, hearty, jazzy. Lone timpani drumbeats stretch out, becoming rhythmic off the back of trickling percussive hits. The bright lights of the big city with frantic movement and fun happening all around. Retro vibe, the 1930s and 1940s. Drums only version.
Confident, positive, uplifting. Playful piano is joined by warm, Confident, positive, uplifting. Playful piano is joined by warm, reflective brass melodies with romantic moments. Upbeat drums build an energetic feel. Catchy and carefree jazz with relaxed solos and a lighthearted, fun feel.
Confident, positive, uplifting. Playful piano creates romantic Confident, positive, uplifting. Playful piano creates romantic moments. Upbeat drums build an energetic feel. Catchy and carefree jazz with a relaxed solo and a lighthearted, fun feel. Stripped back underscore version.
Confident, positive, uplifting. Playful piano is joined by warm, Confident, positive, uplifting. Playful piano is joined by warm, reflective brass melodies. Upbeat drums build an energetic feel. Catchy and carefree jazz with a lighthearted, fun feel.
1st part jazz ballad. Sentimental & intimate song in late night mood. 1st part jazz ballad. Sentimental & intimate song in late night mood. 2nd part @ 1'30 medium swing. Female singer, symphonic jazz orchestra, vibraphone, piano, brass & rhythm. Tempo change @ 1'33. Coda with lead alto sax @ 2'06.歌词
No Dice (It’s Time to Leave)
Words and music John Greaves
Not prone to exaggerating
No more than my conscience allows
I tend more to understating
Rather than looking a fool
Don’t like giving the game away
I keep my cards close to my chest
Just in case it’s my lucky day
I don’t want to spoil my chances
Joking apart this poor old heart is
Worn out on my sleeve
It’s time to leave
I’m no percentage player
I’ll tear off every layer
And later I’ll be cleaned out
Washed up mangled,
Hanging on the line to dry.
1st part jazz ballad. Sentimental & intimate in late night mood. 2nd 1st part jazz ballad. Sentimental & intimate in late night mood. 2nd part @ 1'30 medium swing. Flugelhorn, symphonic jazz orchestra, vibraphone, piano, brass & rhythm. Tempo change @ 1'33. Coda with lead alto sax @ 2'06.
