| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Percussion, Piano & Bass [BIB280 - 10] |
3'00 | Benedic Lamdin, Riaan Vosloo | Hurt, hopeful, determined. Glassy piano chords give a sense of loss | 电影爵士乐 夜晚 疑问 悬疑探案 | Dm | 96 | ||||
|
Percussion, Piano & Bass
[BIB280 - 20] |
版本. | 3'00 | Benedic Lamdin, Riaan Vosloo | Hurt, hopeful, determined. Piano chords give a sense of loss and | 电影爵士乐 夜晚 疑问 悬疑探案 | Dm | 96 | |||
|
Der Puls der Stadt [CEG5052 - 1] |
2'06 | Louis Edlinger | Minimal techno. Pulsating, industrial, hypnotic & futuristic. Driving | 简约科技 工业 都市景色 固执 | Cm | 122 | ||||
|
Der Puls der Stadt Alternate 1 [CEG5052 - 13] |
版本. | 1'59 | Louis Edlinger | Version without rhythm. | 工业 都市景色 闪回 固执 | Cm | 162 | |||
|
Der Puls der Stadt Alternate 2 [CEG5052 - 14] |
版本. | 1'50 | Louis Edlinger | Version without lead synth. | 简约科技 工业 都市景色 固执 | Cm | 121 | |||
|
Warschauer Strasse [CEG5052 - 7] |
2'14 | Louis Edlinger | Minimal Techno. Lively, catchy & trippy. Hypnotic beat, synths & drum | 俱乐部 简约科技 果断 动人 | D | 126 | ||||
|
Warschauer Strasse Alternate 1 [CEG5052 - 25] |
版本. | 2'05 | Louis Edlinger | Version without pad & percussion & with reduced rhythm. | 俱乐部 简约科技 果断 动人 | Dm | 126 | |||
|
Warschauer Strasse Alternate 2 [CEG5052 - 26] |
版本. | 1'43 | Louis Edlinger | Version without percussion & with reduced rhythm & bass. | 俱乐部 简约科技 果断 动人 | Bm | 126 | |||
|
No Time To Explain [AUD042 - 1] |
2'00 | Alexandre Koneski | Dubstep. Catchy, jerky & bouncy. Quirky repetitive synth, | 回响贝斯 体育电竞 2010 俱乐部 | Gbm | 108 | ||||
|
No Time To Explain (Short
[AUD042 - 6] |
版本. | 0'26 | Alexandre Koneski | Short Edit | 回响贝斯 体育电竞 2010 俱乐部 | Gbm | 107 | |||
|
No Time To Explain (No Drums) [AUD042 - 11] |
版本. | 2'00 | Alexandre Koneski | No Beat | 回响贝斯 体育电竞 2010 俱乐部 | Gb | 108 | |||
|
On A Ride [BIB276 - 2] |
3'00 | Thibault Pierens | Mysterious, emotional, murky. Rolling electronic beat gives a dynamic 歌词 | 周期性的 dream house 俱乐部 令人激动 | Fm | 117 | ||||
|
On A Ride (Underscore) [BIB276 - 13] |
版本. | 2'22 | Thibault Pierens | Mysterious, emotional, murky. Rolling electronic beat gives a dynamic | 周期性的 dream house 俱乐部 令人激动 | Fm | 117 | |||
|
On A Ride (Sting) [BIB276 - 14] |
版本. | 0'14 | Thibault Pierens | Mysterious, emotional, murky. Uplifting synth plays out with murky | dream house 俱乐部 令人激动 忧伤 | Fm | 118 | |||
|
Blossom Tonight [BIB276 - 3] |
2'49 | Thibault Pierens | Gorgeous, starry, stylish. Quaint glassy synths play out emotive 歌词 | 现代 令人激动 人物 朗朗上口 | Em | 142 | ||||
|
Blossom Tonight (Instrumental) [BIB276 - 15] |
版本. | 2'49 | Thibault Pierens | Gorgeous, starry, stylish. Quaint glassy synths play out emotive | 现代 令人激动 人物 朗朗上口 | G | 140 | |||
|
Blossom Tonight (Sting A) [BIB276 - 16] |
版本. | 0'19 | Thibault Pierens | Gorgeous, starry, stylish. Burst of glassy synth arpeggiations | 现代 令人激动 人物 朗朗上口 | G | 140 | |||
|
Blossom Tonight (Sting B) [BIB276 - 17] |
版本. | 0'07 | Thibault Pierens | Gorgeous, starry, stylish. Bubblegum euphoria hits with vocal samples | 现代 令人激动 人物 朗朗上口 | Em | 140 | |||
|
Coming Round Again [BIB276 - 4] |
2'42 | Mark Coupe, Eamonn Downes | Excitable, slick, determined. Plucked strings dance alongside fun 歌词 | 周期性的 鼓和贝司 时尚 固执 | Ebm | 130 | ||||
|
Coming Round Again
[BIB276 - 18] |
版本. | 2'42 | Mark Coupe, Eamonn Downes | Excitable, slick, determined. Plucked strings dance alongside fun | 周期性的 鼓和贝司 时尚 固执 | Ebm | 130 | |||
|
Coming Round Again
[BIB276 - 19] |
版本. | 2'42 | Mark Coupe, Eamonn Downes | Excitable, slick, determined. Plucked strings dance alongside fun | 周期性的 鼓和贝司 时尚 固执 | Ebm | 130 | |||
|
Find That Feeling [BIB276 - 5] |
3'14 | Iain Harper, Carlie Mahnke | Upbeat, quirky, bright. Soft cloudy synths float along until rolling 歌词 | 流行歌曲 青春剧 现代 动人 | C | 100 | ||||
|
Find That Feeling
[BIB276 - 20] |
版本. | 3'14 | Iain Harper, Carlie Mahnke | Upbeat, quirky, bright. Soft cloudy synths float along until rolling | 流行歌曲 青春剧 动人 现代 | Dm | 100 | |||
|
Find That Feeling (Underscore) [BIB276 - 21] |
版本. | 3'14 | Iain Harper, Carlie Mahnke | Upbeat, quirky, bright. Soft cloudy synths float along until rolling | 流行歌曲 青春剧 动人 现代 | Dm | 100 | |||
|
Searching For Something [BIB276 - 7] |
3'05 | Iain Harper | Fresh, dark, yearning. Dark garage percussion melds with 歌词 | 都市景色 英伦车库 俱乐部 社会悲剧 | A | 124 | ||||
|
Searching For Something
[BIB276 - 23] |
版本. | 3'05 | Iain Harper | Fresh, dark, yearning. Dark garage percussion melds with | 都市景色 英伦车库 俱乐部 社会悲剧 | A | 124 | |||
|
Searching For Something
[BIB276 - 24] |
版本. | 3'05 | Iain Harper | Fresh, dark, yearning. Dark garage percussion melds with | 都市景色 英伦车库 俱乐部 社会悲剧 | A | 124 | |||
|
Eye For Eye [CEZ4639 - 6] |
1'56 | Léo Natale, Sal3m | Electro Pop / Synthwave. Powerful, nocturnal, magnetic & 歌词 | 八十年代 果断 流行电子音乐 令人激动 | Abm | 114 | ||||
|
Eye For Eye Instrumental [CEZ4639 - 49] |
版本. | 1'55 | Léo Natale | Instrumental version. | 八十年代 合成波 态度 果断 | Abm | 114 | |||
|
Eye For Eye 15 sec edit [CEZ4639 - 50] |
版本. | 0'15 | Léo Natale, Sal3m | 15 second cut. | 八十年代 合成波 态度 果断 | Abm | 114 | |||
|
Eye For Eye 15 sec edit instru [CEZ4639 - 51] |
版本. | 0'15 | Léo Natale | 15 second cut. | 八十年代 合成波 态度 果断 | Abm | 114 | |||
|
Eye For Eye 30 sec edit [CEZ4639 - 52] |
版本. | 0'30 | Léo Natale, Sal3m | 30 second cut. | 八十年代 合成波 态度 果断 | Abm | 113 | |||
|
Eye For Eye 30 sec edit instru [CEZ4639 - 53] |
版本. | 0'30 | Léo Natale | 30 second cut. | 八十年代 合成波 态度 果断 | Abm | 114 | |||
|
Eye For Eye 60 sec edit [CEZ4639 - 54] |
版本. | 1'00 | Léo Natale, Sal3m | 60 second cut. | 八十年代 合成波 态度 果断 | Abm | 114 | |||
|
Eye For Eye 60 sec edit instru [CEZ4639 - 55] |
版本. | 1'00 | Léo Natale | 60 second cut. | 八十年代 合成波 态度 果断 | Abm | 114 | |||
|
Eye For Eye sting edit [CEZ4639 - 56] |
版本. | 0'06 | Léo Natale | Sting cut. | 八十年代 合成波 态度 果断 | Abm | 113 | |||
|
Eye For Eye Alternate 1 [CEZ4639 - 57] |
版本. | 1'41 | Léo Natale, Sal3m | Sped up version. | 八十年代 合成波 态度 果断 | Bbm | 129 | |||
|
Eye For Eye Alternate 2 [CEZ4639 - 58] |
版本. | 1'42 | Léo Natale | Instrumental sped up version. | 八十年代 合成波 态度 果断 | Bbm | 129 | |||
|
Eye For Eye Alternate 3 [CEZ4639 - 59] |
版本. | 2'15 | Léo Natale | Instrumental vaporwave version. | 八十年代 冷波 合成波 态度 | Ab | 97 | |||
|
Eye For Eye Alternate 4 [CEZ4639 - 60] |
版本. | 2'14 | Léo Natale, Sal3m | Vaporwave version. | 八十年代 冷波 合成波 态度 | Eb | 130 | |||
|
Night In Notre Dame [IOM007 - 1] |
2'34 | Joshua Arcoleo, Alex Munk | Frantic, fun, buoyant. Pacy french guitar and horns inspire a sudden | 无忧无虑 吉普赛爵士 复古法式喜剧 动人 | E | 119 | ||||
|
Night In Notre Dame
[IOM007 - 11] |
版本. | 2'29 | Joshua Arcoleo, Alex Munk | Frantic, fun, buoyant. Pacy french guitar inspires a sudden sense of | 无忧无虑 吉普赛爵士 复古法式喜剧 动人 | Am | 119 | |||
|
Overdrive [AMS5037 - 1] |
2'22 | Danijel Grubovic | Future House. Determined, rough, jerky & festive. Synthesizers, snap, | 俱乐部 果断 极限运动 舞动 | Dm | 126 | ||||
|
Overdrive Alternate 1 [AMS5037 - 9] |
版本. | 2'22 | Danijel Grubovic | Alternate version without percussion. | 俱乐部 果断 极限运动 舞动 | D | 126 | |||
|
Overdrive Alternate 2 [AMS5037 - 10] |
版本. | 2'22 | Danijel Grubovic | Alternate version with percussion only. | 俱乐部 果断 极限运动 舞动 | Bm | 126 | |||
|
Overdrive Alternate 3 [AMS5037 - 11] |
版本. | 2'22 | Danijel Grubovic | Alternate version without choirs. | 俱乐部 果断 极限运动 舞动 | Dm | 126 | |||
|
Overdrive Alternate 4 [AMS5037 - 12] |
版本. | 2'22 | Danijel Grubovic | Alternate "Bed" version. | 俱乐部 果断 极限运动 舞动 | Dm | 126 | |||
|
Overdrive Alternate 5 [AMS5037 - 13] |
版本. | 2'22 | Danijel Grubovic | Alternate underscore version. | 俱乐部 果断 极限运动 舞动 | Dm | 126 | |||
|
Overdrive Edit 1 (60 sec) [AMS5037 - 14] |
版本. | 1'00 | Danijel Grubovic | 60 second edit. | 俱乐部 果断 极限运动 舞动 | Dm | 126 | |||
|
Overdrive Edit 2 (30 sec) [AMS5037 - 15] |
版本. | 0'30 | Danijel Grubovic | 30 second edit. | 俱乐部 果断 极限运动 舞动 | Dm | 124 | |||
|
Overdrive Edit 3 (15 sec) [AMS5037 - 16] |
版本. | 0'15 | Danijel Grubovic | 15 second edit. | 俱乐部 果断 极限运动 舞动 | Dm | 129 | |||
|
Seismic [AMS5037 - 2] |
2'12 | Danijel Grubovic | Future House. Robotic, driving, cyclical & distorted. Arpeggiator, | 俱乐部 果断 态度 动人 | Gbm | 104 | ||||
|
Seismic Alternate 1 [AMS5037 - 17] |
版本. | 2'12 | Danijel Grubovic | Alternate version without percussion. | 俱乐部 果断 态度 动人 | Gbm | 104 | |||
|
Seismic Alternate 2 [AMS5037 - 18] |
版本. | 2'12 | Danijel Grubovic | Alternate version with percussion only. | 俱乐部 果断 态度 动人 | Gbm | 104 | |||
|
Seismic Alternate 3 [AMS5037 - 19] |
版本. | 2'12 | Danijel Grubovic | Alternate version without choirs. | 俱乐部 果断 态度 动人 | Gbm | 104 | |||
|
Seismic Alternate 4 [AMS5037 - 20] |
版本. | 2'12 | Danijel Grubovic | Alternate "Bed" version. | 俱乐部 果断 态度 动人 | Gbm | 104 | |||
|
Seismic Alternate 5 [AMS5037 - 21] |
版本. | 2'12 | Danijel Grubovic | Alternate underscore version. | 俱乐部 果断 态度 动人 | Gbm | 104 | |||
|
Seismic Edit 1 (60 sec) [AMS5037 - 22] |
版本. | 1'00 | Danijel Grubovic | 60 second edit. | 俱乐部 果断 态度 动人 | Gbm | 104 | |||
|
Seismic Edit 2 (30 sec) [AMS5037 - 23] |
版本. | 0'32 | Danijel Grubovic | 30 second edit. | 俱乐部 果断 态度 动人 | Gbm | 104 | |||
|
Seismic Edit 3 (15 sec) [AMS5037 - 24] |
版本. | 0'15 | Danijel Grubovic | 15 second edit. | 俱乐部 果断 态度 动人 | Gbm | 104 | |||
|
Step Up [AMS5037 - 3] |
2'33 | Danijel Grubovic | Future House. Saccadic, stubborn, rough & powerful. Synthesizers, | 俱乐部 动人 冲突 喜庆 | Gm | 124 | ||||
|
Step Up Alternate 1 [AMS5037 - 25] |
版本. | 2'33 | Danijel Grubovic | Alternate version without percussion. | 俱乐部 动人 冲突 喜庆 | Gm | 124 | |||
|
Step Up Alternate 2 [AMS5037 - 26] |
版本. | 2'33 | Danijel Grubovic | Alternate version with percussion only. | 俱乐部 动人 冲突 喜庆 | Bm | 124 | |||
|
Step Up Alternate 3 [AMS5037 - 27] |
版本. | 2'33 | Danijel Grubovic | Alternate version without choirs. | 俱乐部 动人 冲突 喜庆 | Gm | 124 | |||
|
Step Up Alternate 4 [AMS5037 - 28] |
版本. | 2'33 | Danijel Grubovic | Alternate "Bed" version. | 俱乐部 动人 冲突 喜庆 | Gm | 123 | |||
|
Step Up Alternate 5 [AMS5037 - 29] |
版本. | 2'33 | Danijel Grubovic | Alternate underscore version. | 俱乐部 动人 冲突 喜庆 | Gm | 123 | |||
|
Step Up Edit 1 (60 sec) [AMS5037 - 30] |
版本. | 1'00 | Danijel Grubovic | 60 second edit. | 俱乐部 动人 冲突 喜庆 | Gm | 123 | |||
|
Step Up Edit 2 (30 sec) [AMS5037 - 31] |
版本. | 0'30 | Danijel Grubovic | 30 second edit. | 俱乐部 动人 冲突 喜庆 | Gm | 124 | |||
|
Step Up Edit 3 (15 sec) [AMS5037 - 32] |
版本. | 0'15 | Danijel Grubovic | 15 second edit. | 俱乐部 动人 冲突 喜庆 | Gm | 124 | |||
|
New Day Rising [BIB273 - 10] |
1'45 | Max Mayers | Inspirational, youthful, aspirational. EDM-style tune leads into 歌词 | 开心 人物 流行歌曲 青春剧 | Bm | 110 | ||||
|
New Day Rising (Instrumental) [BIB273 - 33] |
版本. | 1'45 | Max Mayers | Inspirational, youthful, aspirational. Muddy EDM-style tune with | 开心 人物 流行歌曲 青春剧 | Bm | 110 | |||
|
New Day Rising (Underscore) [BIB273 - 34] |
版本. | 1'45 | Max Mayers | Inspirational, youthful, aspirational. Muddy EDM-style tune with | 开心 人物 流行歌曲 青春剧 | Bm | 110 | |||
|
From Bar to Bar [CEB6008 - 2] |
0 | 2'21 | Luiz De Aquino Junior, Laurent De Oliveira | Bossa nova lounge. Nocturnal, lively, confident, alluring & chill. | cocktail bar 放松 桑巴舞 安静 | Dm | 150 | |||
|
Midnight Serenade [CEB6008 - 10] |
0 | 2'18 | Luiz De Aquino Junior, Laurent De Oliveira | Bossa nova lounge. Loving, romantic & intimate. Brazilian guitar, | cocktail bar 爵士俱乐部 冷爵士 夜晚 | E | 127 | |||
|
March Of The Dead [BIB267 - 4] |
2'10 | Omer Agca | Stylish, confident, loud. Tragic melody plays out on a piano with an | 合成贝斯 dark pop 时尚 态度 | Gm | 114 | ||||
|
March Of The Dead
[BIB267 - 17] |
版本. | 2'10 | Omer Agca | Stylish, confident, loud. Tragic melody plays out on a piano before | 合成贝斯 dark pop 时尚 态度 | Gm | 114 | |||
|
March Of The Dead (Underscore) [BIB267 - 18] |
版本. | 2'10 | Omer Agca | Stylish, confident, loud. Tragic melody plays out on a piano before | 合成贝斯 dark pop 时尚 态度 | G | 114 | |||
|
Te Amo [IOM027 - 9] |
2'12 | Markus Gleissner | Reminiscent, affectionate, emotive. Bright piano and warm saxophone | cocktail bar 无忧无虑 放松 爵士俱乐部 | Em | 78 | ||||
|
Te Amo (Underscore) [IOM027 - 24] |
版本. | 2'12 | Markus Gleissner | Reminiscent, affectionate, emotive. Bright piano and warm saxophone | cocktail bar 无忧无虑 放松 爵士俱乐部 | D | 78 | |||
|
Duckwalk [IOM026 - 4] |
0 | 2'28 | Benedic Lamdin, Riaan Vosloo | Pacy, loose, groovy. Warm guitar noodling joined by sharp | cocktail bar 动人 冷爵士 舞动 | Cm | 115 |