专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
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Ruta del Macaco [CEZ4049 - 13] |
0 | 1'57 | Pajaro Canzani | Primitive & lively. Percussion ensemble. (South America) | 嘉年华 民族 异域 其他打击乐器... | Bbm | 130 | |||
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Call of the Deep [CEZ4046 - 6] |
0 | 2'52 | Christof Déjean | Dark & mysterious. Plaintive horn over filmic drones. Portent. | 热沙漠 调查研究 自然灾害 冰冷... | Dm | 66 | |||
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Science in Action [CEZ4034 - 29] |
0 | 1'40 | Elisabeth Skornik, Guy Skornik | Simple rhythmic sound design with filtered synths. | 金属 工业噪音 机器人 稳定的... | G | 96 | |||
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Amoebic Groove [CEZ4034 - 33] |
0 | 1'31 | Elisabeth Skornik, Guy Skornik | Constant ethereal chords hypnotic groove. | 工业 稳定的 调查研究 pulsation... | Em | 115 | |||
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Ebbing Darkness [CEZ4033 - 15] |
0 | 4'24 | Christian Zanesi | Ambient & descriptive. Footstep FX wih birdsong & synths. | (音效)脚步 电子音乐 声音设计 恐怖片... | Gbm | 118 | |||
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Subway Vortex [CEZ4033 - 20] |
0 | 3'20 | Christian Zanesi | Heavy descending synth drones, with resonant FX. Falling slowly. | (音效)地铁 科学 灾难 令人不安... | Bm | 166 | |||
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Autumn Wind [CEZ4032 - 6] |
0 | 2'00 | Philippe Hersant | Mysterious, introspective & weird. Solo piano. | 抽象艺术 ... | Dbm | 112 | |||
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One Step Above 2 [EOS12 - 26] |
0'27 | David Poirier | Loop. Tense. Rhythm & sleigh bell. | 循环 (音效)警报声 鼓 通透... | Dbm | 140 | ||||
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One Step Above [EOS12 - 5] |
版本. | 1'29 | David Poirier | Urban & powerful. Electronics, synths & rhythm. | 介绍 电子鼓 不平稳 凯旋... | Gm | 140 | |||
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Contaminated 2 [CEZ4097 - 40] |
2'35 | Denis Levaillant | Irritating & frightening. Treated cellos, & electronics. Distortion ... | 气氛 嗡嗡声 恐怖 稀疏... | G | 86 | ||||
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Contaminated [CEZ4097 - 10] |
版本. | 2'36 | Denis Levaillant | Irritating & frightening. Maracas, djembe, piano & electronics. | 不稳定 历史旁白 悬念 动作片... | G | 60 | |||
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Execution 2 [CEZ4097 - 60] |
2'40 | Denis Levaillant | Trippy ascent. Treated orchestra & electronics. | 科幻片 气氛 吵闹 抱歉... | Ebm | 83 | ||||
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Execution [CEZ4097 - 23] |
版本. | 2'43 | Denis Levaillant | Gore and bloody. Snare drum, toms & electronics. | 恐怖 恐怖片 无情 令人不安... | Ebm | 100 |