| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Crime Experts [CEO2152 - 1] |
0 | 3'09 | Baptiste Charvet | Relentless & urgent. Bass synth pulse, piano loop & synth layers. | 调查研究 警匪片 pulsation 紧急 | Gm | 110 | |||
|
Tales of the Unexpected [CEG5035 - 9] |
0 | 1'48 | Baptiste Thiry | Dubitative, anticipating, evolving slowly & threatening. | 进行中 神秘 阴险 令人不安 | G | 94 | |||
|
Shadowland Theme [BIB170 - 2] |
3'08 | Ruairidh Davey, Arthur Lea, Chris Redmond, Riaan Vosloo | Breakbeat, hip hop drums, electronica, jazz, Dance. Eerie, atonal | 警匪片 电视主题曲 果断 opening (opening credits) | Gm | 100 | ||||
|
Shadowland Theme (Underscore) [BIB170 - 11] |
版本. | 2'28 | Ruairidh Davey, Arthur Lea, Chris Redmond, Riaan Vosloo | Rattling synth bass, into breakbeat drums, shakers. Synth bass slowly | 警匪片 电视主题曲 果断 都市景色 | Cm | 100 | |||
|
Dark Optimism [TBX067 - 15] |
2'49 | Killian Magee | Mysterious, suspenseful, investigative. Atmospheric synth bursts with | 美国独立制片电影 悬念 背景电子乐 间谍片 | C | 62 | ||||
|
Dark Optimism - Underscore [TBX067 - 40] |
版本. | 3'01 | Killian Magee | Mysterious, suspenseful, investigative. Stripped back underscore | 气氛 疑问 飞行 稳定的 | C | 63 | |||
|
Dark Optimism - 30sec [TBX067 - 41] |
版本. | 0'30 | Killian Magee | Mysterious, suspenseful, investigative. Stripped back underscore | 飞行 气氛 电子 疑问 | Cm | 62 | |||
|
Forensic Science [CEZ4425 - 2] |
5'08 | Hubwar | Downtempo, hip-hop beat. Interrogative & suspicious intro, then | 警匪片 疑问 BEAT MAKING 缓拍 | Cm | 90 | ||||
|
Forensic Science (alternate
[CEZ4425 - 21] |
版本. | 2'58 | Hubwar | Downtempo, hip-hop beat. Interrogative & suspicious intro, then | 警匪片 疑问 BEAT MAKING 缓拍 | Cm | 90 | |||
|
Years of Inquiry [CEZ4425 - 8] |
0 | 2'23 | Thomas Didier | Electro beat. Interrogative, mysterious yet lively. Investigation. | 调查研究 警匪片 社会悲剧 electro beat | Dm | 161 | |||
|
Why we fight [CEG5018 - 2] |
0 | 2'31 | Bruno Alexiu | Oppressive, mysterious & threatening. Heavy & dark loops with | 令人不安 悬念 间谍片 工业 | Cm | 74 | |||
|
Nothing Left to Lose [INP013 - 12] |
2'56 | Matthew St Laurent | Driving, epic, suspenseful. Determined retro style synths weave and | 间谍片 固执 悬念 时间(滴答声) | Em | 101 | ||||
|
Nothing Left to Lose -
[INP013 - 28] |
版本. | 2'56 | Matthew St Laurent | Driving, epic, suspenseful. Stripped back underscore version with | 间谍片 固执 悬念 时间(滴答声) | Em | 152 | |||
|
Nothing Left to Lose - 30sec [INP013 - 29] |
版本. | 0'33 | Matthew St Laurent | Driving, epic, suspenseful. Determined retro style synths with | 间谍片 固执 悬念 时间(滴答声) | Em | 101 | |||
|
The Elephant in the Room [CEZ4344 - 12] |
0 | 2'28 | Sophia Domancich, Raphaël Marc | Investigation. Crime. TV Series. Robotic & disturbing. Sampled | 悬念 调查研究 悬念 警匪片 | Cm | 123 | |||
|
Last Edition [CEO2064 - 12] |
0 | 1'24 | Elisabeth Skornik, Guy Skornik | Suspended, tense & narrative. Electronics & electric guitar harmonics. | 调查研究 警匪片 令人不安 悬念 | A | 162 | |||
|
Surrounded on all Sides [CEO2064 - 16] |
0 | 2'13 | Elisabeth Skornik, Guy Skornik | Questioning, insistent & narrative. Electronics, staccato strings & | 警匪片 令人不安 悬念 调查研究 | D | 140 | |||
|
One Minute Before the Crime [CEZ4311 - 4] |
0 | 1'41 | Mathieu Laurent | Impacts. Trailers. Action. Visceral, relentless & frightening. | 大电影打击乐 画面感 警匪片 冲击 | Fm | 104 | |||
|
People of Evil [CEZ4311 - 10] |
1'56 | Gabriel Saban, Philippe Briand | Impacts. Trailers. Action. Evil, gothic & epic. Constant progression. | 画面感 警匪片 预告片 冲突 | Dm | 128 | ||||
|
People of Evil Alternative
[CEZ4311 - 25] |
版本. | 1'56 | Gabriel Saban, Philippe Briand | Impacts. Action. Trailer. Frightening & sudden. Constant progression. | 画面感 预告片 动作片 回响 | Dm | 128 | |||
|
An Appointment with Death [CEZ4311 - 13] |
0 | 1'41 | Gregory Cotti | Impacts. Trailers. Action. Brooding, brutal & frightening. Cinematic | 大电影打击乐 画面感 动作片 警匪片 | A | 115 | |||
|
Time for Crime Alternative
[CEZ4311 - 23] |
1'35 | Gregory Cotti | Action, trailer, investigation. Mysterious & frightening. Sequencing | 警匪片 画面感 动作片 令人不安 | C | 120 | ||||
|
Time for Crime [CEZ4311 - 8] |
版本. | 1'36 | Gregory Cotti | Impacts. Trailers. Action. Sudden, evil & cavernous. Cinematic | 画面感 动作片 预告片 回响 | Cm | 120 | |||
|
Profiler [CEZ4295 - 7] |
0 | 2'23 | Gabriel Saban, Philippe Briand | Trip hop / downtempo. Secret, desolate & dark. Electric guitar, synth | 调查研究 间谍片 缓拍 社会悲剧 | Gm | 86 | |||
|
The Wire [CEZ4295 - 9] |
0 | 1'32 | Emmanuel Rousseau | Electro. Organic, sinuous & mysterious. Synth, electric guitar & | 间谍片 调查研究 令人不安 悬念 | Em | 120 | |||
|
Domestic Violence [CEZ4288 - 1] |
2'37 | Mathieu Laurent | Dark, lazy & sad. Electronics & rhythm. | 社会悲剧 警匪片 调查研究 令人不安 | Em | 113 | ||||
|
Domestic Violence Alternate
[CEZ4288 - 41] |
版本. | 1'18 | Mathieu Laurent | Disturbing, minimalist & sad. Electronics. | 伴音 安静 政治 sequencing | Em | 113 | |||
|
Domestic Violence Alternate
[CEZ4288 - 42] |
版本. | 1'06 | Mathieu Laurent | Powerful & disturbing. Cinematic percussion & electronics. | 固执 警匪片 令人不安 sequencing | Em | 185 | |||
|
Domestic Violence Alternate
[CEZ4288 - 43] |
版本. | 2'01 | Mathieu Laurent | Sad & disturbing. Cinematic strings & electronics. | 警匪片 调查研究 政治 悬念 | Em | 111 | |||
|
Beyond the Law [CEZ4288 - 2] |
0 | 1'57 | Jérémy Dirat | Disturbing & sad. Electronics, cinematic strings & percussion. | 社会悲剧 警匪片 调查研究 令人不安 | Am | 103 | |||
|
The Settler [CEZ4288 - 3] |
2'24 | Thierry Caroubi | Interrogative & disturbing. Cinematic strings, bass, electronics & | 警匪片 调查研究 社会悲剧 sequencing | Gbm | 142 | ||||
|
The Settler Alternate Version [CEZ4288 - 33] |
版本. | 2'24 | Thierry Caroubi | Interrogative & disturbing. Cinematic strings, bass & electronics. | 警匪片 令人不安 调查研究 政治 | Gbm | 140 |