| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Angels and Demons at Play [EOS125 - 2] |
0 | 3'02 | Anthony Mowat | Waiting, suspended & tense. BAss, guitar, drums, synth& distant | 社会悲剧 进行中 漂泊 间谍片 | Fm | 60 | |||
|
Nightcrawler [EOS125 - 7] |
0 | 1'42 | Anthony Mowat, Tommy Rizzitelli | Cavernous, tense & obstinate. Distant vocals, guitar, bass, drums, | 警匪片 令人不安 进行曲 固执 | Gb | 83 | |||
|
The Last One [AMS5043 - 3] |
2'53 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. First part slowly burning with | 后摇滚 固执 影院摇滚 高潮 | Am | 96 | ||||
|
The Last One Alternate 1 [AMS5043 - 20] |
版本. | 2'53 | Aleksandar Dimitrijevic | Version without bass & drums | 后摇滚 固执 影院摇滚 高潮 | Am | 96 | |||
|
The Last One Alternate 2 [AMS5043 - 21] |
版本. | 2'53 | Aleksandar Dimitrijevic | Version without guitars & drums | 后摇滚 固执 影院摇滚 高潮 | Am | 96 | |||
|
The Last One Alternate 3 [AMS5043 - 22] |
版本. | 2'53 | Aleksandar Dimitrijevic | Version with bass & drums only | 后摇滚 固执 影院摇滚 高潮 | Am | 96 | |||
|
The Last One Edit 1 (30 sec) [AMS5043 - 23] |
版本. | 0'30 | Aleksandar Dimitrijevic | 30 seconds cut | 后摇滚 固执 影院摇滚 无情 | Am | 96 | |||
|
The Last One Edit 2 (15 sec) [AMS5043 - 24] |
版本. | 0'15 | Aleksandar Dimitrijevic | 15 seconds cut | 后摇滚 固执 影院摇滚 无情 | Am | 96 | |||
|
Push Through [AMS5043 - 8] |
2'23 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. Mysterious & inspirational intro | 社会悲剧 电吉他 忧伤 警匪片 | Em | 105 | ||||
|
Push Through Alternate 1 [AMS5043 - 45] |
版本. | 2'23 | Aleksandar Dimitrijevic | Version without drums | 社会悲剧 电吉他 忧伤 警匪片 | Em | 105 | |||
|
Push Through Alternate 2 [AMS5043 - 46] |
版本. | 2'23 | Aleksandar Dimitrijevic | Version with rock band only | 社会悲剧 电吉他 忧伤 警匪片 | Em | 105 | |||
|
Push Through Alternate 3 [AMS5043 - 47] |
版本. | 2'23 | Aleksandar Dimitrijevic | Underscore | 社会悲剧 忧伤 警匪片 后摇滚 | Em | 105 | |||
|
Push Through Edit 1 (30 sec) [AMS5043 - 48] |
版本. | 0'30 | Aleksandar Dimitrijevic | 30 seconds cut | 社会悲剧 电吉他 忧伤 警匪片 | Em | 105 | |||
|
Push Through Edit 2 (15 sec) [AMS5043 - 49] |
版本. | 0'15 | Aleksandar Dimitrijevic | 15 seconds cut | 社会悲剧 电吉他 忧伤 警匪片 | Em | 104 | |||
|
Chemical Rush [CEZ4641 - 3] |
3'05 | Apollo Noir | Ambient electro, analog horror. Disturbing, insistant & psychotic | 电子实验室 令人不安 奇怪 催眠 | C | 120 | ||||
|
Chemical Rush Alternate [CEZ4641 - 13] |
版本. | 2'36 | Apollo Noir | Alternate ambient. | 令人不安 奇怪 催眠 有毒 | C | 120 | |||
|
Recurrence [CEG5050 - 2] |
2'20 | Jia | Cinematic Dark Score. Deep & mysterious with pulsating sound & harsh, | 画面感 神秘 电子琴 进行中 | Eb | 140 | ||||
|
Recurrence Alternate [CEG5050 - 13] |
版本. | 2'21 | Jia | Version underscore. | 画面感 神秘 电子琴 进行中 | Eb | 140 | |||
|
Vaccum [CEG5050 - 4] |
1'59 | Jia | Cinematic Dark Score. Tense, menacing, urgent, sinister & insidious. | 画面感 史诗 战士 令人不安 | Fm | 120 | ||||
|
Vaccum Alternate [CEG5050 - 15] |
版本. | 1'59 | Jia | Version underscore. | 画面感 史诗 战士 令人不安 | Fm | 120 | |||
|
Silent Alarms [AUD041 - 1] |
2'18 | Lee Volfoni | Electronic score. Insidious, slow-burning & threatening. Slow | 恐怖 electronic score 科幻片 恐怖片 | Bm | 92 | ||||
|
Silent Alarms Alternate 1 [AUD041 - 6] |
版本. | 0'33 | Lee Volfoni | Short edit | 恐怖 electronic score 科幻片 恐怖片 | Bm | 92 | |||
|
Silent Alarms Alternate 2 [AUD041 - 11] |
版本. | 2'19 | Lee Volfoni | Alternative version | electronic score 科幻片 恐怖片 无情 | Bm | 91 | |||
|
Perilous Descent [AUD041 - 5] |
2'16 | Lee Volfoni | Electronic score. Weird, dark & malefic. Electronics & synth pads. A | electronic score 无情 悬念 恐怖 | Cm | 90 | ||||
|
Perilous Descent Alternate 1 [AUD041 - 10] |
版本. | 0'32 | Lee Volfoni | Short edit | electronic score 无情 悬念 恐怖 | Bm | 90 | |||
|
Perilous Descent Alternate 2 [AUD041 - 15] |
版本. | 2'16 | Lee Volfoni | Alternative version | electronic score 无情 悬念 恐怖 | Cm | 101 | |||
|
Evidence is Mounting [CEG5048 - 4] |
1'51 | Antoine Glatard | Disturbing, punctuated, expectant, mysterious & serious. Strings & | 政治 进行中 疑问 调查研究 | Gm | 104 | ||||
|
Evidence is Mounting Alternate [CEG5048 - 19] |
版本. | 1'52 | Antoine Glatard | Alternate minimalist version | 电影原声带 社会悲剧 进行中 政治 | G | 104 | |||
|
Private Life [CEG5048 - 10] |
0 | 1'47 | Antoine Glatard | Melancholic, hesitant, waving & introspective. Piano & synth strings. | 自然灾害 社会悲剧 反省 伤心 | Am | 123 | |||
|
The Inquiry Goes Wild [CEG5048 - 14] |
1'25 | Antoine Glatard | Desolate, wandering, mysterious, dark & questioning. Decided, fast & | 司法 当代历史 电影原声带 社会悲剧 | D | 104 | ||||
|
The Inquiry Goes Wild
[CEG5048 - 32] |
版本. | 1'20 | Antoine Glatard | Alternate minimalist version | 司法 当代历史 电影原声带 社会悲剧 | D | 104 | |||
|
Past Futures [CEZ4636 - 1] |
3'00 | Thierry Caroubi | Retro-futuristic sci-fi. Introduction. Like a theme from a 60s | 科幻片 美式复古电视剧 令人不安 神秘 | Ebm | 110 | ||||
|
Past Futures Alternate 1 [CEZ4636 - 13] |
版本. | 3'00 | Thierry Caroubi | Alternate version without Theremin. | 科幻片 美式复古电视剧 令人不安 神秘 | Ebm | 110 | |||
|
Past Futures Alternate 2 [CEZ4636 - 14] |
版本. | 2'13 | Thierry Caroubi | Alternate version without rhythm. | 科幻片 美式复古电视剧 令人不安 神秘 | Ebm | 110 | |||
|
Commuter Train [CEG5045 - 1] |
3'10 | DoubtingThomas | Downtempo, trip-hop. Regular, patient & atmospheric. Synth, strings & | 缓拍 调查研究 夜晚 都市景色 | Em | 84 | ||||
|
Commuter Train Alternate [CEG5045 - 9] |
版本. | 3'14 | DoubtingThomas | Alternate version. | 缓拍 调查研究 夜晚 都市景色 | Bm | 85 | |||
|
Perpetuity [AMS5036 - 9] |
1'45 | SHIFUMI | Cinematic trap. Anxious, stubborn & jerky. Drum machine, synthesizers | 电影节奏 调查研究 电子琴 都市 | Gbm | 70 | ||||
|
Perpetuity Alternate 1 [AMS5036 - 53] |
版本. | 1'45 | SHIFUMI | Alternate without percussion. | 电影节奏 调查研究 电子琴 都市 | Gbm | 70 | |||
|
Perpetuity Alternate 2 [AMS5036 - 54] |
版本. | 1'45 | SHIFUMI | Alternate "light" version. | 电影节奏 调查研究 电子琴 都市 | Gbm | 70 | |||
|
Perpetuity Edit 1 (60 sec) [AMS5036 - 55] |
版本. | 1'00 | SHIFUMI | 60 second cut. | 电影节奏 调查研究 电子琴 都市 | Gbm | 70 | |||
|
Perpetuity Edit 2 (30 sec) [AMS5036 - 56] |
版本. | 0'30 | SHIFUMI | 30 second cut. | 电影节奏 调查研究 电子琴 都市 | Gbm | 140 | |||
|
Perpetuity Edit 3 (15 sec) [AMS5036 - 57] |
版本. | 0'15 | SHIFUMI | 15 second cut. | 电影节奏 调查研究 电子琴 都市 | Gbm | 140 | |||
|
The Spiral of Lies [CEO2162 - 5] |
1'43 | Baptiste Thiry | Hybrid score. Underlying tension, sly & intriguing. Intro with | 阴险 调查研究 画面感 令人不安 | C | 91 | ||||
|
The Spiral of Lies Alternate [CEO2162 - 13] |
版本. | 2'35 | Baptiste Thiry | Alternate version with staccato string crescendo. | 阴险 调查研究 画面感 令人不安 | D | 86 | |||
|
Insidious Methods [CEO2162 - 6] |
0 | 2'32 | Baptiste Thiry | Hybrid score. Retstrained at first, then violent & epic @ 1'13 with | 画面感 史诗 固执 令人不安 | Cm | 103 | |||
|
Suspicious Thoughts [BIB269 - 6] |
2'32 | Emma Jackson | Investigative, buoyant, sudden. Wandering bass string sequence gives | 令人不安 阴险 调查研究 固执 | Dm | 110 | ||||
|
Suspicious Thoughts
[BIB269 - 22] |
版本. | 2'32 | Emma Jackson | Investigative, buoyant, sudden. Wandering bass string sequence gives | 令人不安 阴险 调查研究 固执 | Dm | 110 | |||
|
Forming The Plan [BIB269 - 9] |
2'31 | Emma Jackson | Quick, modern, sophisticated. Subtle sub bass gives a buoyant but | 固执 调查研究 新古典音乐 严谨 | Abm | 100 | ||||
|
Forming The Plan (Underscore
[BIB269 - 27] |
版本. | 2'31 | Emma Jackson | Quick, modern, sophisticated. Bassy strings give a buoyant energy, as | 固执 调查研究 新古典音乐 严谨 | Abm | 100 | |||
|
Forming The Plan (Underscore
[BIB269 - 28] |
版本. | 2'31 | Emma Jackson | Quick, modern, sophisticated. Bassy strings and concerned | 固执 调查研究 新古典音乐 严谨 | Abm | 100 | |||
|
Operation Fortitude [CEO2164 - 11] |
0 | 2'04 | Baptiste Thiry | Patient, toxic, sinister & menacing. Clockwork fx, low synth layer, | 军事冲突 令人不安 画面感 稳定的 | D | 100 |