| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Chemical Reaction [CEZ4486 - 7] |
0 | 2'45 | Elisabeth Skornik, Guy Skornik | Questioning, introspective, rigorous & serious. Electronics, layers & | 工业噪音 医疗 进行中 疑问 | Cm | 140 | |||
|
In-Phase [CEZ4486 - 8] |
0 | 2'33 | Elisabeth Skornik, Guy Skornik | Punctuated, introspective, narrative & regular. Staccato strings, | 科学 神秘 信息技术 令人不安 | Fm | 89 | |||
|
Clinical Trial [CEZ4484 - 9] |
2'08 | Anselm Kreuzer, Andreas Suttner | Intriguing, interrogative & narrative. Double bass, electro | 伴音 耐心 神秘 科学 | C | 60 | ||||
|
Clinical Trial Alternate [CEZ4484 - 32] |
版本. | 2'08 | Anselm Kreuzer, Andreas Suttner | Minimalist alternate version. Intriguing, interrogative & narrative. | 伴音 耐心 神秘 科学 | C | 60 | |||
|
Like the Cat and Mouse Game [CEO2131 - 6] |
0 | 1'00 | Baptiste Charvet | Mysterious, crystalline & fairy in a dramedy spirit. Pizzicato | 悲喜剧 阴险 神秘 进行中 | Gm | 112 | |||
|
Race Day [BIX002 - 4] |
2'39 | Matthew Terry | Mysterious, gritty, brooding. Distorted synth over atmospheric bed. | 赛车 影院摇滚 工业噪音 无情 | D | 115 | ||||
|
Race Day (Underscore A) [BIX002 - 27] |
版本. | 2'39 | Matthew Terry | Mysterious, woozy, brooding. Space-like atmospheric bed, dancing | 工业噪音 动作游戏 沉重 警匪片 | D | 115 | |||
|
Race Day (Underscore B) [BIX002 - 28] |
版本. | 2'39 | Matthew Terry | Mysterious, gritty, brooding. Distorted synth over atmospheric | 工业噪音 动作游戏 沉重 警匪片 | D | 115 | |||
|
Race Day (Sting) [BIX002 - 29] |
版本. | 0'12 | Matthew Terry | Dark, gritty, brooding. Hard hitting drums, dark swirling synths and | 工业噪音 动作游戏 沉重 警匪片 | D | 115 | |||
|
Red Oyster [BIX002 - 10] |
2'15 | Matthew Terry | Dark, gritty, brooding. Pulsating synth rhythm and synthwave sci-fi | 动作片 画面感 固执 电子鼓 | Em | 100 | ||||
|
Red Oyster (Underscore A) [BIX002 - 50] |
版本. | 2'15 | Matthew Terry | Dark, gritty, brooding. Pulsating synth rhythm and synthwave sci-fi | 画面感 动作片 固执 电子鼓 | Em | 100 | |||
|
Red Oyster (Underscore B) [BIX002 - 51] |
版本. | 2'15 | Matthew Terry | Dark, brooding, rousing. Pulsating gritty synth rhythm and sci-fi | 画面感 动作片 令人不安 固执 | Em | 100 | |||
|
Red Oyster (Underscore C) [BIX002 - 52] |
版本. | 2'15 | Matthew Terry | Dark, gritty, brooding. Pulsating synth rhythm and sci-fi feel. | 画面感 动作片 固执 工业噪音 | Em | 100 | |||
|
Red Oyster (Underscore D) [BIX002 - 53] |
版本. | 2'05 | Matthew Terry | Synthwave, pulsating, sci-fi. Pulsing synth rhythm and synthwave | 画面感 动作片 固执 电子鼓 | Em | 100 | |||
|
Red Oyster (Sting) [BIX002 - 54] |
版本. | 0'06 | Matthew Terry | Dark, gritty, impactful. Pulsating synth rhythm, sci-fi feel and big | 画面感 动作片 固执 电子鼓 | Em | 100 | |||
|
Conspiracy in the Palace [CEC8015 - 2] |
0 | 2'05 | Yum BGM | Sudden, frightening, shrill, mysterious & threatening. Discontinuous | 恐怖片 阴险 中国 中国电影 | Bm | 82 | |||
|
Ghost of the Past [CEC8015 - 12] |
0 | 2'01 | Yum BGM | Suspenseful, scary, sparse & uncertain. Strings, sound design, drone | 悬念 恐怖 悬念 伴音 | Bb | 65 | |||
|
Ancient Oracle [CEC8015 - 14] |
0 | 2'07 | Yum BGM | Expecting, suspended, inexorable & mysterious. Yangqin, low piano | 悬念 无情 悬念 稳定的 | Em | 82 | |||
|
Kharma of Chaos [CEC8015 - 15] |
0 | 2'15 | Yum BGM | Bewitching, mystical, strange, unsettling & insistent as a procession | 催眠 悬念 中国 恐怖 | C | 104 | |||
|
Coronation Ceremony [CEC8010 - 3] |
0 | 2'03 | Yum BGM | Enigmatic, suspended & imposing. Dark strings, percussion, guzheng & | 中国 中国电影 疑问 进行中 | A | 107 | |||
|
The March to the West [CEC8010 - 11] |
0 | 2'22 | Yum BGM | Suspenseful, haunting, disturbing & progressing. Constant percussion, | 中国 中国电影 社会悲剧 令人不安 | C | 60 | |||
|
The Black Dahlia [CEG5030 - 3] |
0 | 3'01 | Paul Martin Pritchard | Mysterious, nocturnal & intriguing. Trumpet, double bass & tenor sax | 黑色电影 夜晚 神秘 弱音小号 | C | 74 | |||
|
Les Masques Tombent [CEG5030 - 15] |
0 | 0'49 | Pablo Pico | Intriguing, interrogative & thoughtful. Clarinet, vibraphone & | 法国电影 中音单簧管 疑问 神秘 | C | 84 | |||
|
Weegee's New-York Street [CEG5030 - 18] |
0 | 1'07 | Marc-Olivier Dupin | Broody, irregular & wandering. Tenor sax duo & piano. | 抱歉 悬疑探案 忧伤 历史旁白 | Bb | 106 | |||
|
La Route du Rosé [CEG5030 - 22] |
0 | 1'23 | Pablo Pico | Characteristic rhythm of detective films. Double-bass, snaps, vibes & | 神秘 悬疑探案 放松 拨奏低音提琴 | Em | 120 | |||
|
The Setup [CEG5030 - 26] |
0 | 1'38 | Daniel Diaz | Night wandering, mysterious & questioning. Walking bass & snaps. | 进行曲 懒惰 神秘 爵士 | Em | 108 | |||
|
Our Man in Miami [CEG5030 - 27] |
0 | 1'37 | Daniel Diaz | Night time suspense with an exotic feel. Hi-hat cymbal, bass guitar, | 冲击 悬念 电声低音 鼓 | Em | 156 | |||
|
Jazz Message [CEG5030 - 29] |
0 | 3'13 | Simon Goubert | Standard jazz rhythm (chabada) from detective films. Solo drums. | 铙钹 稳定的 侦探喜剧 警匪片 | Gm | 123 | |||
|
Brush Basics [CEG5030 - 30] |
0 | 2'06 | Simon Goubert | Standard jazz rhythm (chabada) from detective films played with | 带刷小鼓 神秘 侦探喜剧 警匪片 | A | 120 |