Solemn, mystical & celestial. A capella choir. Piano & strings @ Solemn, mystical & celestial. A capella choir. Piano & strings @ 1"36. Finale with choir @ 2'11. Suggested for religious ceremonies.
Charles Gounod's Ave Maria. based on J.S Bach's Prelude and Fugue in Charles Gounod's Ave Maria. based on J.S Bach's Prelude and Fugue in C major BWV 846. Quiet, inspiring & spiritual Solo church organ. Suggested for Catholic & Protestant ceremonial occasions.
Solemn, inspirational & exhilarating nearly religious. Orchestra with Solemn, inspirational & exhilarating nearly religious. Orchestra with celestial choir & church organ. Suggested for sport or religious ceremonies.
Classic soul. Inspirational & spiritual protest song about slavery & Classic soul. Inspirational & spiritual protest song about slavery & religion. Soul band, male singer, soft backing vocals & wah-wah guitar. Suggested for films & human documentaries.歌词
ENG:
I don't need no congregation what if scriptures were a symbol
I don't need to face to his to pray to my God, a year a Sunday morning sermon.
The truth surpasses what any faith can teach. I have the claims that way with the only way to peace.
Is the name of God if guilt unconsciously, mass insanity I don't want none of this. The people that you got before they knew the Western world, now the truth’s buried forgotten across the shores of Africa. The people that you got before they knew the Western world, now the truth’s buried forgotten across the shores of Africa.
Why should I care if she called Jehovah? Go to a mosque and pray to Buddha.
Every path needs toleration.
For every man and woman need to find a way to heaven
What do you really know about the book you swear by?
They brought it along with guns and shackles.
But after the greatest lie that's been told to mankind
As the passed down true religion.
The truth surpasses what any faith can teach.
Again the claims that were is the only way to peace.
Is the name of God if guilt unconsciously, mass insanity I don't want none of this. The people that you got before they knew the Western world, now the truth’s buried forgotten across the shores of Africa. The people that you got before they knew the Western world, now the truth’s buried forgotten across the shores of Africa.
My people had their Orishas. My people had Ọbàtálá, my people had Òrúnmìlà, my people had Ọ̀ṣun. The truth surpasses what any faith can teach. And yet they claim there is only one way to peace.
Is the name of God if guilt unconsciously, mass insanity I don't want none of this. The people that you got before they knew the Western world, now the truth’s buried forgotten across the shores of Africa. The people that you got before they knew the Western world, now the truth’s buried forgotten across the shores of Africa.
Chorus
So please, my brother, don't force your ways on me. So please, my sister, don't force your ways on me…
Tell the culprit that I have seen the light, so don't even try it. Don't fuss your ways on me. Let me be. I find my own way to heaven.
FR:
Je n’ai pas besoin de congrégation, et si les écritures étaient un symbole
Je n’ai pas besoin de faire face à lui pour prier mon Dieu, un sermon du dimanche matin chaque année.
La vérité dépasse ce que n'importe quelle foi peut enseigner. J’ai les affirmations que c’est la seule voie vers la paix.
Est-ce au nom de Dieu que la culpabilité se cache inconsciemment, une folie collective dont je ne veux pas.
Les gens que tu as guidés avant qu’ils ne connaissent le monde occidental, maintenant la vérité est enterrée et oubliée sur les rivages de l'Afrique.
Les gens que tu as guidés avant qu’ils ne connaissent le monde occidental, maintenant la vérité est enterrée et oubliée sur les rivages de l'Afrique.
Pourquoi devrais-je me soucier si elle appelle Jéhovah ? Va à la mosquée et prie Bouddha.
Chaque chemin a besoin de tolérance.
Chaque homme et femme doivent trouver leur propre chemin vers le paradis.
Que sais-tu vraiment du livre sur lequel tu jures ?
Ils l'ont apporté avec des fusils et des chaînes.
Mais après le plus grand mensonge jamais raconté à l’humanité
Comme la véritable religion transmise.
La vérité dépasse ce que n'importe quelle foi peut enseigner.
Encore une fois, les affirmations que c’est la seule voie vers la paix.
Est-ce au nom de Dieu que la culpabilité se cache inconsciemment, une folie collective dont je ne veux pas.
Les gens que tu as guidés avant qu’ils ne connaissent le monde occidental, maintenant la vérité est enterrée et oubliée sur les rivages de l'Afrique.
Les gens que tu as guidés avant qu’ils ne connaissent le monde occidental, maintenant la vérité est enterrée et oubliée sur les rivages de l'Afrique.
Mon peuple avait ses Orishas. Mon peuple avait Ọbàtálá, mon peuple avait Òrúnmìlà, mon peuple avait Ọ̀ṣun.
La vérité dépasse ce que n'importe quelle foi peut enseigner.
Et pourtant, ils prétendent qu'il n’y a qu'une seule voie vers la paix.
Est-ce au nom de Dieu que la culpabilité se cache inconsciemment, une folie collective dont je ne veux pas.
Les gens que tu as guidés avant qu’ils ne connaissent le monde occidental, maintenant la vérité est enterrée et oubliée sur les rivages de l'Afrique.
Les gens que tu as guidés avant qu’ils ne connaissent le monde occidental, maintenant la vérité est enterrée et oubliée sur les rivages de l'Afrique.
(Refrain)
Alors s'il te plaît, mon frère, ne force pas tes façons sur moi. Alors s'il te plaît, ma sœur, ne force pas tes façons sur moi…
Dis au coupable que j'ai vu la lumière, alors n'essaie même pas. Ne m’impose pas tes façons. Laisse-moi être. Je trouve mon propre chemin vers le paradis.
Eerie, apocalyptic, epic. Discordant cymbal creeking gives way to a Eerie, apocalyptic, epic. Discordant cymbal creeking gives way to a torrent of voices, offering a hellish and strange atmosphere. An underworld or place of great suffering. Voices pulse in and out to create dramatic effect, reaching crescendo @ 0'58 that then recedes. Daunting piano note welcomes voices back in. Religious importance and scale, with horror vibe with last vocal swells.
Eerie, apocalyptic, epic. Numb bass tone emerges giving a sense of Eerie, apocalyptic, epic. Numb bass tone emerges giving a sense of creepiness and foreboding. An underworld or place of great suffering. Metallic dissonance rises up at 00:57 to then recede. Daunting piano note welcomes spooky strings. Religious importance and scale, with horror vibe with last swells. Instrumental version.
Eerie, apocalyptic, epic. Torrent of voices communicate horror and Eerie, apocalyptic, epic. Torrent of voices communicate horror and doom as background noise begins to permeate, metallic sharp atmosphere. An underworld or place of great suffering. Metallic dissonance rises up at 00:57 to then recede. Religious importance and scale, with horror vibe with last swells. Stripped back underscore version.
Empowering, lively, electrifying. Strong stomp clap rhythm followed Empowering, lively, electrifying. Strong stomp clap rhythm followed by dirty guitar with blues sequence. Powerful female voice with lyrics inspiring a sense of absolution and joy. Choral voices support a sense of camaraderie and friendship. People helping others through life, putting trust in their faith and in the beauty of the lord. Sturdy and pacy rhythm gives a sense of energy and positivity. Dirty blues solo at 01:28 conveys a rustic atmosphere, contrasted with hopeful choral voices.歌词
Tell that lonely teacher, Don't give up the fight, Tell that lonely preacher, Everyone unite, Tell that lonely teacher, he’s a friend of mine, From the darkness into the shining light.
Been on this road so long, were gonna find a way, Oh forgotten all my songs, we'll help you sing all day, Been on this lonely road, don't you let me down, Shine a light in the place that is my home.
We're gonna ride, ride, ride, until the sun goes down, And you can hide, hide, hide, until they call you home, Or you can shine, shine, shine, until the sun goes down, Till the Lord or the Devil calls you home.
If you call on me, I ain't gonna let you down, If you call on me, you know you're not alone, But tell that two-timin’ loser, he ain't no friend of mine, I ain't blind to the truth from now on.
Well I look up, I look up and I look down, I look down, And everywhere, everywhere there’s greed around, greed around, you're making it up, make it upit’s dragging me down, drag me down, Do you want lies or the truth from now on?
We're gonna ride, ride, ride, until the sun goes down, And you can hide, hide, hide, until they call you home, Or you can shine, shine, shine, until the sun goes down, Till the Lord or the Devil calls you home.
I'll keep on playing, playing, playing, playing, playing till the sun goes down, I'll keep on playing, playing, playing, playing, playing till they call me home, I'll keep on playing, playing, playing, playing, playing till the sun goes down, Till the lord or the devil takes me home, I try to find a way till the lord or the devil takes me home, Oh till the lord or the devil takes me home.
Empowering, lively, electrifying. Strong stomp clap rhythm followed Empowering, lively, electrifying. Strong stomp clap rhythm followed by dirty guitar with blues sequence. Powerful female choral vocals support a sense of camaraderie and friendship. People helping others through life, putting trust in their faith and in the beauty of the lord. Sturdy and pacy rhythm gives a sense of energy and positivity. Dirty blues solo at 01:28 conveys a rustic atmosphere, contrasted with hopeful choral voices. No lead vocal version.
Empowering, lively, electrifying. Strong stomp clap rhythm followed Empowering, lively, electrifying. Strong stomp clap rhythm followed by dirty guitar with blues sequence. Chattering dirty rock drums convey a feeling rustic brilliance, supported by dirty guitar solo at 01:28. Instrumental version.
Soulful, bluesy, faithful. Rough piano joins with powerful loose Soulful, bluesy, faithful. Rough piano joins with powerful loose drumming to give a messy feeling of power, blues style. Raspy charismatic female vocal performance in a call and response with uplifting choir. A sense of faith and hope despite struggles. An unstoppable force powered by belief and godliness. Sharp female vocals give a sense of guttural power counterpointed by pure choral power. A communal sense of celebration.歌词
Everybody's preaching to their sons Hallelujah, Hallelujah, Keep our sisters safe, they're on the run Hallelujah, Hallelujah, And tell your brothers they can sing out loud Hallelujah, Hallelujah, Till all our sisters are out and proud Hallelujah, Hallelujah.
Hallelujah, On your feet, get heard, you gotta feel it, Hallelujah, Say it loud.
When love descends I'll clap my hands, When you give the nurse more G's to spend, In germville they got hooked for their roll got the frontlines living on the dole, Hallelujah, Hallelujah, Hallelujah, Hallelujah, Hallelujah, Hallelujah, Hallelujah, Hallelujah.
Hallelujah, On your feet, get heard, you gotta feel it, Hallelujah, Say it loud, get down.
Don't believe fish wrapper tales Hallelujah, Hallelujah, When they wanna put your mind in a jail Hallelujah, Hallelujah, They wrap their tails around your leg Hallelujah, Hallelujah, Kiss that snake with a dagger in my hand Hallelujah, Hallelujah.
Hallelujah, Meet me at the midnight train before I lay my body down.
Hallelujah, sing it with me, Hallelujah, everybody, we're in this thing together, man! Hallelujah, alright everybody, Come on gotta say it loud! Hallelujah, oh take it!
Hallelujah, Say it loud, come on, Hallelujah, Hallelujah, Get up, that's right, Hallelujah, Lord have mercy, I can't fight no more, Hallelujah, ooh yeah, ah well.
Soulful, bluesy, faithful. Rough piano joins with powerful loose Soulful, bluesy, faithful. Rough piano joins with powerful loose drumming to give a messy feeling of power, blues style. Choir provides an uplifting energy. A sense of faith and hope despite struggles. An unstoppable force powered by belief and godliness. A communal sense of celebration. No lead vocal version.
Soulful, bluesy, faithful. Rough piano joins with powerful loose Soulful, bluesy, faithful. Rough piano joins with powerful loose drumming to give a messy feeling of power, blues style. A sense of faith and hope despite struggles. An unstoppable force powered by belief and godliness. A communal sense of celebration. Instrumental version.
Bright, warm, happy. Wavering organs give a gospel style of Bright, warm, happy. Wavering organs give a gospel style of happiness, female vocals support feeling of positivity, despite lyrics about storms and thunder. An act of cleansing and rebirth. A person ready to embrace the lord or a sunny positive day. Chorus vocals offer an accepting atmosphere. Drums build to give a burst of cathartic release.歌词
I hear the coming storm, Wait for the rain to wash us clean and for the sun to keep us warm.
I know that I've done wrong, I've done my best and repossessed, And I will rest where I belong.
I've lived a hard life and I've seen a lot, I've lied and cheated I lost the plot, Too many tantrums I was so mean, I'm getting ready, I'm getting ready, I'm getting ready, I'm gettin' ready it's time to have peace, I'm getting ready.
I'm getting ready, I'll be restored, I'm getting ready for my reward, I am so ready, I just can't wait, Hope you are ready, just don't be late.
I can release my soul, I have made peaceset for my flight up to the light, No more control, I'm getting ready.
Bright, warm, happy. Wavering organs give a gospel style of Bright, warm, happy. Wavering organs give a gospel style of happiness, instrumentation slowly unfolds with a bright wonderful aura. An act of cleansing and rebirth. A person ready to embrace the lord or a sunny positive day. Chorus vocals offer an accepting atmosphere. Drums build to give a burst of cathartic release. No lead vocal version.
Bright, warm, happy. Wavering organs give a gospel style of Bright, warm, happy. Wavering organs give a gospel style of happiness, instrumentation slowly unfolds with a bright wonderful aura. An act of cleansing and rebirth. A person ready to embrace the lord or a sunny positive day. Instrumental version.
Emotive, uplifting, overwhelming. Strings slowly emerge with a sense Emotive, uplifting, overwhelming. Strings slowly emerge with a sense of grace and beauty. Gushing piano floods out, a tearjerking atmosphere with a warmth. A person smiling, with a bittersweet tear in their eye, witnessing the beauty of creation. Soulful vocals emerge from euphoria with ad libbed passionate cries. Ethereal nature tidies up with lower more inspirational piano chords. A feeling of acceptance and absolution.
Emotive, uplifting, overwhelming. Strings slowly emerge with a sense Emotive, uplifting, overwhelming. Strings slowly emerge with a sense of grace and beauty. Gushing piano floods out, a tearjerking atmosphere with a warmth. A person smiling, with a bittersweet tear in their eye, witnessing the beauty of creation. Ethereal nature tidies up with lower more inspirational piano chords. A feeling of acceptance and absolution. Instrumental version.
Felix Mendelssohn's Wedding March in C major. Solemn, festive & Felix Mendelssohn's Wedding March in C major. Solemn, festive & majestic. Solo church organ. Traditional wedding hymn & opening of the ceremony.
Noble & stately introduction. Wedding March in C @ 0'59. Solo church Noble & stately introduction. Wedding March in C @ 0'59. Solo church organ. Traditional wedding hymn & opening of the ceremony.
Richard Wagner's Bridal Chorus or Wedding March - "Treulich geführt" Richard Wagner's Bridal Chorus or Wedding March - "Treulich geführt" from Lohengrin. Solemn, majestic & dignified. Solo organ In a cathedral environment. Traditional wedding hymn & opening of the ceremony.
Prelude & Nuptial March. Ceremonial atmopshere awaiting the bride and Prelude & Nuptial March. Ceremonial atmopshere awaiting the bride and groom. Bridal march @ 1'17. Traditional wedding hymn & opening of the ceremony.
Johann Pachelbel's Canon in D maj. Solemn & exhilarating in a baroque Johann Pachelbel's Canon in D maj. Solemn & exhilarating in a baroque mood. Solo organ in a temple/chapel environment. Suggested for both Protestant & Catholic ceremonies.
J.S Bach's Toccata and Fugue in D minor. BWV 565. 1st part. Toccata. J.S Bach's Toccata and Fugue in D minor. BWV 565. 1st part. Toccata. Imperious & tragic. Solo organ in a cathedral context. Suggested for both Protestant & Catholic ceremonies.
J.S Bach's Toccata and Fugue in D minor. 2nd part. Fugue. Solo organ J.S Bach's Toccata and Fugue in D minor. 2nd part. Fugue. Solo organ in a cathedral environment. Suggested for both Protestant & Catholic ceremonies.
Dramatic & solemn overture followed by J.S Bach's Toccata and Fugue Dramatic & solemn overture followed by J.S Bach's Toccata and Fugue in D minor BWV 565 @ 1'04. Solo organ in a cathedral environment. Suggested for both Protestant & Catholic ceremonies.
From Jupiter, the Bringer of Joy, Gustav Holst's orchestral suite The From Jupiter, the Bringer of Joy, Gustav Holst's orchestral suite The Planets, Op. 32. Peaceful & solemn followed by a moving & stately crescendo. Solo organ in a cathedral context. Suggested for British & Anglican ceremonial occasions.
