| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Aftermath [IOM035 - 10] |
2'06 | David Birnie | Dystopian, raw, dangerous. Impact into shadowy sci-fi soundscape with | 战争 冲突 战士 画面感 | Bm | 150 | ||||
|
Aftermath (Underscore) [IOM035 - 81] |
版本. | 1'55 | David Birnie | Dystopian, raw, dangerous. Shadowy sci-fi soundscape with strange | 战争 冲突 战士 画面感 | Abm | 150 | |||
|
Aftermath (Percussion Only) [IOM035 - 82] |
版本. | 2'03 | David Birnie | Dystopian, raw, dangerous. Shadowy sci-fi soundscape with strange | 战争 画面感 火热 固执 | B | 151 | |||
|
Aftermath (60 sec) [IOM035 - 83] |
版本. | 1'02 | David Birnie | Dystopian, raw, dangerous. Shadowy sci-fi soundscape leads into sense | 战争 冲突 战士 画面感 | Bm | 150 | |||
|
Aftermath (30 sec) [IOM035 - 84] |
版本. | 0'30 | David Birnie | Dystopian, raw, dangerous. Shadowy sci-fi soundscape leads into sense | 战争 冲突 战士 画面感 | Bm | 150 | |||
|
Aftermath (15 sec) [IOM035 - 85] |
版本. | 0'15 | David Birnie | Dystopian, raw, dangerous. Explosive sci-fi energy. Aliens or robots | 战争 冲突 战士 画面感 | Bm | 150 | |||
|
Aftermath (10 sec) [IOM035 - 86] |
版本. | 0'10 | David Birnie | Dystopian, raw, dangerous. Explosive sci-fi energy. Aliens or robots | 战争 冲突 战士 画面感 | Bm | 150 | |||
|
Aftermath (5 sec) [IOM035 - 87] |
版本. | 0'06 | David Birnie | Dystopian, raw, dangerous. Explosive sci-fi energy. Aliens or robots | 战争 冲突 战士 画面感 | Bm | 136 | |||
|
Aftermath (Sting) [IOM035 - 88] |
版本. | 0'04 | David Birnie | Dystopian, raw, dangerous. Screeching riser for sci-fi action | 战争 冲突 战士 画面感 | Cm | 145 | |||
|
Rupture [INP068 - 6] |
1'34 | Richard Reinhardt | Action, fiery, intense. Subtle riser leads into fuzzy impact and | 战争 爆炸 (音效)开火 动作游戏 | C | 165 | ||||
|
Rupture (Underscore) [INP068 - 16] |
版本. | 1'36 | Richard Reinhardt | Action, fiery, intense. Subtle riser leads into yawning dissonance. | 战争 动作游戏 预告片 冲突 | Cm | 83 | |||
|
Zero Dark Thirty [ISC041 - 1] |
2'16 | Giorgos Lorantakis | Long, discontinuous, mechanical, urgent & explosive intro with timer | 战争 (音效)开火 动作游戏 机械的 | Abm | 110 | ||||
|
Zero Dark Thirty Alternate 1 [ISC041 - 11] |
版本. | 2'16 | Giorgos Lorantakis | Alternate version without guns. | 战争 动作游戏 冲击 爆炸 | Abm | 110 | |||
|
Zero Dark Thirty Alternate 2 [ISC041 - 12] |
版本. | 2'16 | Giorgos Lorantakis | Alternate version without clock. | 战争 (音效)开火 动作游戏 机械的 | Gm | 110 | |||
|
Turf War [ISC041 - 2] |
2'07 | Giorgos Lorantakis | Mechanical, jangling & metallic intro with weapon loading fx. | 战争 战士 冲突 动作游戏 | D | 100 | ||||
|
Turf War Alternate 1 [ISC041 - 13] |
版本. | 2'07 | Giorgos Lorantakis | Alternate version without guns. | 战争 战士 冲突 动作游戏 | D | 100 | |||
|
Turf War Alternate 2 [ISC041 - 14] |
版本. | 2'07 | Giorgos Lorantakis | Alternativer version with perc only. | 战争 战士 冲突 机械的 | Gm | 100 | |||
|
Baptism of Fire [ISC041 - 4] |
2'10 | Giorgos Lorantakis | Rumbly & menacing intro with sound design & metallic noises. Violent, | 战争 冲突 战士 固执 | Cm | 120 | ||||
|
Baptism of Fire Alternate 1 [ISC041 - 17] |
版本. | 2'10 | Giorgos Lorantakis | Alternate version without guns. | 战争 冲突 战士 固执 | Cm | 120 | |||
|
Baptism of Fire Alternate 2 [ISC041 - 18] |
版本. | 2'10 | Giorgos Lorantakis | Alternativer version with perc only. | 战争 冲突 战士 固执 | Cm | 118 | |||
|
Warface [ISC041 - 5] |
2'00 | Giorgos Lorantakis | Urgent & metallic intro with rhythmic & gun loading sounds. | 战争 冲突 紧急 战士 | Gm | 146 | ||||
|
Warface Alternate [ISC041 - 19] |
版本. | 2'00 | Giorgos Lorantakis | Alternate version without guns. | 战争 冲突 紧急 战士 | Gm | 146 | |||
|
Ambush [ISC041 - 7] |
2'11 | Giorgos Lorantakis | Oppressive & menacing intro with alarm fx & metallic weapon loading | 战争 令人不安 冲突 (音效)警报声 | Dm | 106 | ||||
|
Ambush Alternate 1 [ISC041 - 22] |
版本. | 2'11 | Giorgos Lorantakis | Alternate version without guns. | 战争 令人不安 冲突 (音效)警报声 | D | 106 | |||
|
Ambush Alternate 2 [ISC041 - 23] |
版本. | 2'03 | Giorgos Lorantakis | Alternative version without alarm. | 战争 令人不安 冲突 动作游戏 | Dm | 106 | |||
|
Semper Fi [ISC041 - 8] |
2'04 | Giorgos Lorantakis | Sudden, wild & aggressive intro with detonation, tribal percussion & | 战争 战士 动作游戏 机械的 | Abm | 128 | ||||
|
Semper Fi Alternate [ISC041 - 24] |
版本. | 2'04 | Giorgos Lorantakis | Alternate version without guns. | 战争 战士 动作游戏 机械的 | Abm | 128 | |||
|
Conflict of Interest [ISC041 - 9] |
2'17 | Giorgos Lorantakis | Aggressive intro with sudden deafening impacts creating a rhythm. | 战争 金属 机械的 冲突 | Bbm | 125 | ||||
|
Conflict of Interest Alternate [ISC041 - 25] |
版本. | 2'17 | Giorgos Lorantakis | Alternate version without guns. | 战争 机械的 冲突 战士 | Bbm | 125 | |||
|
The Battle of the Hedges [CEO2164 - 7] |
0 | 1'52 | Baptiste Thiry | Warlike, martial, menacing, obstinate & solemn. Staccato strings, | 战争 爱国主义 军事冲突 史诗 | Gm | 166 | |||
|
Weaponized Unrest [ISC041 - 3] |
2'13 | Giorgos Lorantakis | Aggressive intro with saturated rock guitar riff & mechanical gun | 动作游戏 战争 固执 冲突 | Dm | 126 | ||||
|
Weaponized Unrest Alternate 1 [ISC041 - 15] |
版本. | 2'13 | Giorgos Lorantakis | Alternate version without guns. | 动作游戏 战争 固执 冲突 | Dm | 126 | |||
|
Weaponized Unrest Alternate 2 [ISC041 - 16] |
版本. | 2'13 | Giorgos Lorantakis | Alternate version without guitar. | 动作游戏 战争 固执 冲突 | Dm | 126 | |||
|
Quick Reaction Force [ISC041 - 10] |
2'42 | Giorgos Lorantakis | Stubborn & rhythmic intro with pounding percussion & cinematic | 动作游戏 战争 机械的 固执 | Cm | 130 | ||||
|
Quick Reaction Force
[ISC041 - 26] |
版本. | 2'42 | Giorgos Lorantakis | Alternate version without guns. | 动作游戏 战争 机械的 固执 | Cm | 130 | |||
|
Quick Reaction Force
[ISC041 - 27] |
版本. | 2'42 | Giorgos Lorantakis | Alternate version without guitar. | 战争 机械的 固执 冲突 | Cm | 130 | |||
|
Sand Storm [INP005 - 13] |
0 | 1'56 | Nico Willems | Score like dark building trailer music. Sense of building drama and | 战争 战士 画面感 军事冲突 | Dm | 140 | |||
|
Step Down [INP005 - 14] |
0 | 1'48 | Nico Willems | Atmospheric score like trailer sound design. Big, scary and dark. | 战争 战士 画面感 军事冲突 | Am | 142 | |||
|
Chase Them [INP005 - 15] |
0 | 1'56 | Nico Willems | Dark trailer sound design. Dramatic, tense and powerful. Percussive | 战争 追逐场面 画面感 固执 | Gm | 155 | |||
|
The Power of Destruction [CEZ4311 - 9] |
0 | 1'29 | Sebastijan Duh | Impacts. Trailers. Action. Powerful, bombastic & frightening. | 战争 大电影打击乐 冲突 画面感 | Gm | 130 | |||
|
Submarine Warfare [CEZ4311 - 11] |
1'40 | Gregory Cotti | Impacts. Trailers. Action. Bombing. Sudden & intense. Cinematic | 回响 战争 大电影打击乐 画面感 | Am | 98 | ||||
|
Submarine Warfare Alternative
[CEZ4311 - 24] |
版本. | 1'40 | Gregory Cotti | Drone. Investigation. Mysterious & atmospheric. Cinematic percussion | 军事冲突 伴音 低沉 有毒 | A | 130 | |||
|
Fight for Life [CET9105 - 2] |
2'55 | Brian Delgado | Epic tension trailer. Intro as a psychological preparation with | 动作片 战争 画面感 史诗 | Dm | 140 | ||||
|
Fight for Life Alternate 1 [CET9105 - 13] |
版本. | 2'55 | Brian Delgado | Version without percussion. | 画面感 史诗 动作片 战争 | Dm | 140 | |||
|
Fight for Life Alternate 2 [CET9105 - 14] |
版本. | 2'55 | Brian Delgado | Tense version without choir, strings & brass. | 画面感 史诗 动作片 战争 | Dm | 105 | |||
|
Anticipated Emergence [BIB283 - 3] |
2'17 | Michael Panayiotis | Determined, climactic, sharp. Droning strings fall into fast beat, | 地理政治 画面感 战争 令人不安 | G | 120 | ||||
|
Anticipated Emergence
[BIB283 - 15] |
版本. | 2'17 | Michael Panayiotis | Determined, climactic, sharp. Droning strings cause a sense of | 画面感 地理政治 动作片 无情 | G | 120 | |||
|
Anticipated Emergence
[BIB283 - 16] |
版本. | 2'17 | Michael Panayiotis | Determined, climactic, sharp. Droning strings fall into fast beat, | 画面感 地理政治 无情 pulsation | Gm | 120 | |||
|
Dismantle [INP061 - 8] |
1'58 | Damir Agovic | Ominous, militaristic, intimidating. Pulsing kick drum and | 冲突 画面感 恐怖片 战争 | Ebm | 80 | ||||
|
Dismantle (Underscore) [INP061 - 18] |
版本. | 1'53 | Damir Agovic | Ominous, militaristic, intimidating. High-pitched sound emanate from | 冲突 画面感 恐怖片 战争 | D | 80 |