Indie folk bed. Easy-going, confident & peaceful in an exotic mood. Indie folk bed. Easy-going, confident & peaceful in an exotic mood. Suggested for DIY, childhood. Ukulele, whistling, bass & percussion.
Modern classical arrangement, electro chiptune, 8-bit music. Funny, Modern classical arrangement, electro chiptune, 8-bit music. Funny, childish & jumpy. Iconoclastic. From "The Barber of Seville" by Rossini. Recommended for cartoons, bloopers, video games, commercials. Synth & rhythm. Gun FX @ 0'21.
Modern classical arrangement, electro chiptune, 8 bit music. Funny, Modern classical arrangement, electro chiptune, 8 bit music. Funny, childish & jumpy. From "The Barber of Seville" by Rossini. Recommended for video games, commercials. Synth & rhythm.
Modern classical arrangement. Dignified, royal & proud then cyclic & Modern classical arrangement. Dignified, royal & proud then cyclic & decided @ 1'09. Serious yet iconoclastic. From "Music for the Funeral of Queen Mary" by Purcell. Suggested for commercials. Synth & choir.
Modern classical arrangement. Dignified, royal & proud then cyclic & Modern classical arrangement. Dignified, royal & proud then cyclic & decided @ 1'09. Serious yet iconoclastic. From "Music for the Funeral of Queen Mary" by Purcell. Suggested for commercials. Synth.
Modern classical arrangement, electro, almost dubstep. Fatal, dark & Modern classical arrangement, electro, almost dubstep. Fatal, dark & spiritual. Iconoclastic. From Mozart's Requiem. Recommended for religion. Synth, choir & orchestra.
Modern classical arrangement, electro. Fatal, dark & spiritual. Modern classical arrangement, electro. Fatal, dark & spiritual. Iconoclastic. From Mozart's Requiem. Recommended for religion. Synth & orchestra.
Modern classical arrangement. Noble, classy & melancholic. From Modern classical arrangement. Noble, classy & melancholic. From "Orpheus Britannicus" by Purcell. Synth, lyrical male singer & orchestra. 歌词
Modern classical arrangement. Noble, classy & melancholic. From Modern classical arrangement. Noble, classy & melancholic. From "Orpheus Britannicus" by Purcell. Synth & orchestra.
Deep heart-broken folk-blues-rock, sung in Spanish. Female voice, Deep heart-broken folk-blues-rock, sung in Spanish. Female voice, folk guitar, electric guitar, electric piano, backing vocals. Rhythm @ 0'42.歌词
ES:
Encerraste mi corazón para juzgarlo, evaluarlo y compararlo
Escogiste estrenar un nuevo corazón sin llanto, sin camino,
sin rasguños, sin tantos malos ratos.
Oyeme si yo fallé con tus pies, me tropecé.
Fue tan fácil, primero no era por mí, era por ti.
El juego de la veleta comenzó
y en el fondo fondo se quedó.
Fue tan fácil, para matar el amor
La receta secreta para distraer la cabeza
El antídoto que cada poro cerró.
Tu amor, se esfumó tan pronto amaneció,
tan pronto la pasión llegó.
Sinceridad, esperaba de tu boca destilar
Oh la cara dar, qué poca fe quedaba.
Fue tan fácil, primero no era por mí, era por ti.
El juego de la veleta comenzó
y en el fondo fondo se quedó.
Fue tan fácil, para matar el amor
La receta secreta para distraer la cabeza
El antídoto que cada poro cerró.
Y todos esos meses que luché por ti,
pusiste al límite mi corazón.
Un te amo mal usado,
pudiste haberme ahorrado malos ratos.
Corazón herido, corazón furioso
Yo te sano con mi voz.
1915 días a tu lado, creo que fueron más pero ahora no importa tanto,
esos días fueron comparados con unos cuantos, con unos cuantos.
Fue tan fácil, primero no era por mí, era por ti.
El juego de la veleta comenzó
Y en el fondo fondo se quedó.
EN:
You locked up my heart to judge it, evaluate it and compare it
You chose to open a new heart without tears, without a path,
without scratches, without so many bad times.
Hear me if I failed with your feet, I stumbled.
It was so easy, first it wasn't for me, it was for you.
The game of the wind vane began
and at the bottom it stayed at the bottom.
It was so easy, to kill love
The secret recipe to distract the head
The antidote that closed every pore.
Your love, vanished as soon as it dawned,
As soon as passion came.
Sincerity, I expected from your mouth to distill.
Oh to face it, how little faith was left.
It was so easy, first it wasn't for me, it was for you.
The game of the wind vane began
and at the bottom it remained.
It was so easy, to kill love
The secret recipe to distract the head
The antidote that closed every pore.
And all those months that I fought for you,
You pushed my heart to the limit.
A misused I love you,
You could have saved me some bad times.
Wounded heart, angry heart
I heal you with my voice.
1915 days by your side, I think it was more but now it doesn't matter so much,
those days were compared to a few, to a few.
It was so easy, first it wasn't for me, it was for you.
The game of the wind vane began
And deep in the bottom it stayed.
Sentimental & catchy rock-pop sung in Spanish. Female singer, Sentimental & catchy rock-pop sung in Spanish. Female singer, electric guitar & rhythm. Suggested for telenovelas & teen TV drama. 歌词
ES:
Suelo enmohecido por un firmamento dulce que se aleja lento.
Suelo que sé que se partirá en pedazos por la ausencia de su cielo.
Hoy sé lo que es quedarse sola en plena noche y perder la fe.
Hoy sé lo que es buscar la luz en las entrañas y volver a ver.
No hables porque todo lo que dices cambia con las mañanas.
Cambia, el mundo es lo que quieras y no te vencerá.
No hables porque todo lo que dices cambia con las mañanas.
Cambia, el mundo es lo que quieras y no te vencerá.
Pienso otra vez en rabias infundadas contra una impotencia grande,
De vencer el miedo de aceptar que puedo transformarme en lo que quiera.
Hoy puedo entender que todo lo hasta ahora hecho se puede borrar.
Hoy miro hacia atrás y sé que lo que viene por delante importa más.
No hables porque todo lo que dices cambia con las mañanas.
Cambia, el mundo es lo que quieras y no te vencerá.
No hables porque todo lo que dices cambia con las mañanas.
Cambia, el mundo es lo que quieras y no te vencerá.
No hay una forma concreta de explicar lo que es,
tener la vida en las manos, dejarla caer y atraparla otra vez.
No hables porque todo lo que dices cambia con las mañanas.
Cambia, el mundo es lo que quieras y no te vencerá.
No hables porque todo lo que dices cambia con las mañanas.
Cambia, el mundo es lo que quieras y no te vencerá.
EN:
Moldy soil by a sweet firmament that slowly moves away.
A soil that I know will break into pieces because of the absence of its sky.
Today I know what it is to be alone in the middle of the night and lose faith.
Today I know what it is to search for the light in the guts and see again.
Don't talk because everything you say changes with the mornings.
Change, the world is whatever you want and it will not defeat you.
Don't talk because everything you say changes with the mornings.
Change, the world is what you want and it will not defeat you.
I think again of unfounded rages against a great impotence,
Of overcoming the fear of accepting that I can transform myself into whatever I want.
Today I can understand that everything done so far can be erased.
Today I look back and I know that what lies ahead matters more.
Don't talk because everything you say changes with the mornings.
Change, the world is whatever you want it to be and it will not defeat you.
Don't talk because everything you say changes with the mornings.
Change, the world is whatever you want and it will not defeat you.
There is no concrete way to explain what it is,
to hold life in your hands, drop it and catch it again.
Don't talk because everything you say changes with the mornings.
Change, the world is whatever you want it to be and it won't defeat you.
Don't talk because everything you say changes with the mornings.
Change, the world is whatever you want and it won't beat you.
Liberating & uplifting tango-gyspy fusion-pop sung in Spanish & in Liberating & uplifting tango-gyspy fusion-pop sung in Spanish & in French @1'39. Female singer, electric guitar, rhythmic, mandolin, choeurs mixtes. Solo bandoneon, violin & rhythm change @2'24.歌词
ES:
Cantaré una tonada de esas de ayer,
no insista mas, no quiero hablar,
báilese un tango y déjeme en paz.
En mi voz, está el dolor
del amargo sabor que en mi dejó
el recuerdo de un adiós.
Fui volando hasta París
cantando mis canciones lejos de aquí.
Tú no sabes que te oí diciendo que no eras feliz.
Y me voy en tren hacia Berlín,
me llevo mis canciones lejos de ti.
No te atrevas a venir,
te digo que yo soy feliz
tocándome un tango así.
No hablaré hasta que el ritmo llegue otra vez,
no te falle lo sabes bien; y mientras tanto canto en francés.
(Francés)
Fui volando hasta París
cantando mis canciones lejos de aquí.
Tú no sabes que te oí diciendo que no eras feliz.
Y me voy en tren hacia Berlín,
me llevo mis canciones lejos de ti.
No te atrevas a venir,
te digo que yo soy feliz
tocándome un tango...
Fui volando hasta París
cantando mis canciones lejos de aquí.
Tú no sabes que te oí diciendo que no eras feliz.
Y me voy en tren hacia Berlín,
me llevo mis canciones lejos de ti.
No te atrevas a venir,
te digo que yo soy feliz
tocándome un tango así.
EN:
I'll sing one of those tunes from yesterday,
don't insist any more, I don't want to talk,
Go dance a tango and leave me alone.
In my voice there is the pain
of the bitter taste left in me by
the memory of a goodbye.
I went flying to Paris
singing my songs far from here.
You don't know that I heard you saying that you were not happy.
And I'm leaving in train to Berlin,
I'm taking my songs far away from you.
Don't you dare come,
I tell you that I'm happy
playing tango like this.
I won't speak until the rhythm comes again,
don't fail you know it well; and in the meantime I' ll sing in French.
(French)
I went flying to Paris
singing my songs far from here.
You don't know that I heard you saying that you were not happy.
And I'm leaving on a train to Berlin,
I'm taking my songs far away from you.
Don't you dare come,
I tell you that I'm happy
playing tango...
I went flying to Paris
singing my songs far from here.
You don't know that I heard you saying that you were not happy.
And I'm leaving in train to Berlin,
I'm taking my songs far away from you.
Don't you dare come,
I tell you that I'm happy
playing tango like this.
Confident & lively rock-pop sung in Spanish. Female singer, bass Confident & lively rock-pop sung in Spanish. Female singer, bass synth, electric guitar, rhythm. Suggested for telenovelas.歌词
ES:
Quiero que me digas cuántos sueños aplazaste por mi culpa.
Quiero que me cuentes las historias que cambiaste por mis luchas.
Si yo no he de ser buena para ti, prefiero no seguir creando tus silencios.
No quiero ser la piedra que
enredó tus pasos cambió el rumbo y te hizo perder.
No quiero ser tormenta que dañó tus alas y te vio caer.
Cuántos argumentos hacen falta para demostrarle al mundo
que el compartir un corazón no siempre hace que seamos uno.
Si yo logré sacar lo bueno de tu esencia,
no quiero continuar dañando tu conciencia.
No quiero ser la piedra que
enredó tus pasos cambió el rumbo y te hizo perder.
No quiero ser tormenta que dañó tus alas y te vio caer.
No quiero ser la piedra que
enredó tus pasos cambió el rumbo y te hizo perder.
No quiero ser tormenta que dañó tus alas y te vio caer.
Te ves tan lejos ya,
así es mejor verás que es cierto
y me darás la razón.
EN:
I want you to tell me how many dreams you postponed because of me.
I want you to tell me the stories you changed because of my struggles.
If I am not good enough for you, I prefer to stop creating your silences.
I don't want to be the stone that
tangled your steps, changed your course and made you lose.
I don't want to be the storm that damaged your wings and saw you fall.
How many arguments are needed to demonstrate to the world
that sharing a heart doesn't always make us one.
If I managed to get the good out of your essence,
I don't want to continue damaging your conscience.
I don't want to be the stone that
tangled your steps, changed your course and made you lose.
I don't want to be the storm that damaged your wings and saw you fall.
I don't want to be the stone that
tangled your steps changed the course and made you lose.
I don't want to be the storm that damaged your wings and saw you fall.
You look so far away already,
it' s better this way you'll see that it's true
and you'll prove me right.
Summery, contemporary, upbeat. Muted guitars are joined by bright, Summery, contemporary, upbeat. Muted guitars are joined by bright, minimal synths, delicate clicking percussion and soft yet confident female vocals. Sparse verses build with determined synths to cool choruses with propulsive electronic beats and loads of attitude. Commercial female pop with swagger.歌词
V1: Ur italic in The way u say it U know me know I’m inpatient rewrite our Write our history
baby don’t say Something thatchau don’t mean
PC: been awake since Tuesday thinking about ur face it’s not what u said it’s the way (said) Those three worlds I’ve been waiting babe it’s almost 3 am walking round my room pacing This is gonna be
CH A longer night than i hadthought been Waiting for you to just call, me back this back and forth is getting old/hot and cold If you’re gonna say it, say it Say it, say it
In bold
V2: got a novel (of)what I’m feeling right now writing pages Should I rip them right out? I don’t know babe
Where your heads even at If you picked up I’d call ur bluff In all caps
PC: been awake since Tuesday thinking about ur face it’s not what u said it’s the way (said) Those three worlds I’ve been waiting babeit’s almost 3 am walking round my room pacing This is gonna be
CH A longer night than i hadthought been Waiting for you to just call, me back this back and forth is getting old/hot and cold If you’re gonna say it, say it Say it, say it
Summery, contemporary, upbeat. Muted guitars are joined by bright, Summery, contemporary, upbeat. Muted guitars are joined by bright, minimal synths and delicate clicking percussion. Sparse verses build with determined synths to cool choruses with propulsive electronic beats and loads of attitude. Commercial female pop with swagger. Stripped back underscore version.
Summery, contemporary, upbeat. Delicate clicking percussion is joined Summery, contemporary, upbeat. Delicate clicking percussion is joined by deep bass. Sparse verses build to cool choruses with propulsive electronic beats and determined bass. Commercial female pop with swagger. Stripped back underscore version.
Upbeat, curious, motivating. Contemporary piano cue with an Upbeat, curious, motivating. Contemporary piano cue with an investigative, lively melodies weaving dynamically. Propulsive with a building sense of determination. Mysterious bridge from 00:55 with synth atmospheres and beats builds to a positive finale.
Brooding, rebellious, dark. Stomp clap rock with dramatic cello Brooding, rebellious, dark. Stomp clap rock with dramatic cello melodies, determined guitar lines with eerie, mysterious harmonics and purposeful beats. Atmospheric rock cue with a creeping feel of dark intentions.
Intriguing, atmospheric, brooding. South American inspired Intriguing, atmospheric, brooding. South American inspired traditional music, with a narcoculture flavour and mysterious yet confident lead guitar melody. Brass, piano, classical and electric guitars and percussion.
Intriguing, atmospheric, brooding. Alternative, stripped back Intriguing, atmospheric, brooding. Alternative, stripped back version. South American inspired traditional music, with a narcoculture flavour. Brass, piano, classical and electric guitars and percussion.
