Driving beats and gritty synths, give way to atmospheric piano lines ...Driving beats and gritty synths, give way to atmospheric piano lines and a satifying build. An energetic dance track with dramatic edge.
Electro pop. Lively & happy. Synths, male singer, electric guitar & ...Electro pop. Lively & happy. Synths, male singer, electric guitar & rhythm.歌词
Was It planned for today or never been expected Was it a waste of time or the start of a game Was it mean or too fun to be repeated Well it’s always the same when you’re looking at me
We know we’ve started something we didn’t get the end Is it light or too heavy to be carried If it happened Would you let it happen Are you too straight are you too scared
If it happened Would you let it happen It’s on the way you’ll have to say Would it change anything between us if we do it again Would it make any difference for you if we dive in again
Take a chance at a glance and assume to be defeated One step in doesn’t mean you’re Inside till the very last day
Christmas Pop. Magical & bright intro with "Christmas" choir. Bell @ ...Christmas Pop. Magical & bright intro with "Christmas" choir. Bell @ 0'19 playing "Deck the Halls". Catchy, positive, feel-good, unifying & festive. English female singer, lyrics about a magical Christmas, drum machine, synth, sleigh bells, bass & piano.歌词
I'm on my sleigh, I'm on my sleigh ride
Snowflakes, snowflakes are dancing wild
Tell me, is it the season? Hold me, I just want to feel Christmas
Christmas in your smile
I'm on my sleigh, I'm on my sleigh ride
Frosted windows, a silent night
Help me, I just want to hold you, show you how it feels
refrain:
Christmas is magic
Twinkles in the night
Everyone’s laughing
Warming the coldest heart
Christmas is magic
Twinkles in the night
Everyone’s laughing
Warming the coldest heart
couplet:
I'm on my sleigh, I'm on my sleigh ride
Snowflakes falling, the stars aligned
Tell me, can we believe it? Show me what it means—Christmas
Christmas in your heart
I'm on my sleigh, I'm on my sleigh high
Hoping magic is passing by
Tell me, is it the real one? Whisper, let me feel Christmas
Christmas in your light
Explosive, modern, heavy. Crowd cheering leads into slick ...Explosive, modern, heavy. Crowd cheering leads into slick instrumentation, with riser displaying a sense of hype and excitement. Dives into explosion and colourful electronic instrumentation with ad libbed voices giving power and determination. A stylish but strong energy.
Explosive, modern, heavy. Crowd cheering leads into slick ...Explosive, modern, heavy. Crowd cheering leads into slick instrumentation, with riser displaying a sense of hype and excitement. Dives into explosion and colourful electronic instrumentation. A stylish but strong energy. Instrumental version.
Explosive, modern, heavy. Slick electronic instrumentation, with ...Explosive, modern, heavy. Slick electronic instrumentation, with riser displaying a sense of hype and excitement. Dives into explosion and colourful electronic instrumentation. A stylish but strong energy. Bed version.
Soft, hypnotic, modern. Chill garage-inspired beat with floating ...Soft, hypnotic, modern. Chill garage-inspired beat with floating notes offering a zen energy, before sustained bells support peacefulness. Blossom floating in the air, a person taking a deep breath and centring themselves. Dance-coded chords join to give bouncy energy. Short sharp vocal samples give emotive tinges.
Soft, hypnotic, modern. Chill garage-inspired beat with floating ...Soft, hypnotic, modern. Chill garage-inspired beat with floating notes offering a zen energy, before sustained bells support peacefulness. Blossom floating in the air, a person taking a deep breath and centring themselves. Dance-coded chords join to give bouncy energy. Instrumental version.
Soft, hypnotic, modern. Chill garage-inspired beat with floating ...Soft, hypnotic, modern. Chill garage-inspired beat with floating notes offering a zen energy, before sustained bells support peacefulness. Blossom floating in the air, a person taking a deep breath and centring themselves. Dance-coded chords and sub bass join to give bouncy energy. Stripped back underscore version.
Soft, hypnotic, modern. Drifting zen notes give an ambient beauty ...Soft, hypnotic, modern. Drifting zen notes give an ambient beauty before sustained bells support peacefulness. Blossom floating in the air, a person taking a deep breath and centring themselves. Dance-coded chords and sub bass join to give bouncy energy. Stripped back underscore no beats version.
Cool, modern, stylish. Warm organ chords vibrate with a zen style, ...Cool, modern, stylish. Warm organ chords vibrate with a zen style, opening up an atmosphere of laidback carefree energy. Chilled drumbeat picks up head-nodding momentum. Hip hop vibes from vocal ad libs and glitchy synths. A cool advert for trainers or a slick showcase with stylish outfits and models. A person at ease with themselves.
Cool, modern, stylish. Warm organ chords vibrate with a zen style, ...Cool, modern, stylish. Warm organ chords vibrate with a zen style, opening up an atmosphere of laidback carefree energy. Chilled drumbeat picks up head-nodding momentum. Hip hop vibes from boom bap percussion and cool ad libs. A cool advert for trainers or a slick showcase with stylish outfits and models. A person at ease with themselves. Stripped back underscore version.
Slick, pretty, cool. Water FX lead into fancy chords and muffled ...Slick, pretty, cool. Water FX lead into fancy chords and muffled percussion, rising up into full beat with forceful sense of relaxation behind it. A chilled lounge trap beat with sub bass offering a tight atmosphere around glassy bells and funk-inspired melodies. A stylish person looking glamorous and at ease with themselves.
Slick, pretty, cool. Water FX lead into fancy chords and muffled ...Slick, pretty, cool. Water FX lead into fancy chords and muffled percussion, rising up into full beat with forceful sense of relaxation behind it. A chilled lounge trap beat with sub bass offering a tight atmosphere around glassy bells and funk-inspired melodies. A stylish person looking glamorous and at ease with themselves. Stripped back underscore version.
Progressive. Melodic techno. Punchy, heavy, rough & danceable. Drop @ ...Progressive. Melodic techno. Punchy, heavy, rough & danceable. Drop @ 2'53. Spoken voice @ 3'53. Drop 2 @ 4'35. Synth, beat, bass & spoken male voice. Suggested for clubbing, rave party, techno music festival, dancefloor, chase & racing video games.歌词
In futures yet unknown, tread with care, For paths once clear may lead to despair.
Innovations grand, like stars in flight,
Can cast shadows long, obscuring light of humankind.
Technology embrace, a double-edged sword,
Convenience gained, but freedom ignored. Nature's balance, a fragile dance,
Dystopian echoes may advance. Seek wisdom's guide, lest progress blind, A cautionary tale of humankind
Modern, spacey, pulsating. Bass and light electro percussion push ...Modern, spacey, pulsating. Bass and light electro percussion push forward before diving into full-throated energy. A spacey 80s-coded bassline offers a sense of retro future wonder. A cityscape bustling with people and action. Synth and traditional middle-eastern strings combine to create a synergy between past and present. Silent moment @ 1'05with clear piano offering a ray of light before launching back into big beat.
Modern, spacey, pulsating. Bass and light electro percussion push ...Modern, spacey, pulsating. Bass and light electro percussion push forward before diving into full-throated energy. A spacey 80s-coded bassline offers a sense of retro future wonder. A cityscape bustling with people and action. Synth and traditional middle-eastern strings combine to create a synergy between past and present. Silent moment at 01:05 with clear piano offering a ray of light before launching back into big beat. Instrumental version.
Modern, spacey, pulsating. Bass and light electro percussion push ...Modern, spacey, pulsating. Bass and light electro percussion push forward before diving into full-throated energy. A spacey 80s-coded bassline offers a sense of retro future wonder. A cityscape bustling with people and action. Synth and traditional middle-eastern strings combine to create a synergy between past and present. Silent moment @ 1'05 with clear piano offering a ray of light before launching back into big beat. Stripped back underscore version.
ella dice que no le gusta mucho el reggaeton pero que no puede escuchar un dancehall porque le provoca moverse sin aviso
yyo le due que compromiso ma' ... vela, como se luce con su piel canela y con ese tum bao metiene enamora'o move your body
move your body you are fyah girla
cuando tu escuchas dancehall
yo se que ella estaba pendiente
de ir a vacilar, por esq me le acerque vamo'a baila le dije
ya cuadre con el dj pa'que pusiera dancehall
y ahora tetocaati ...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo ... y ahora te toca a tl ...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo ... y ahora tetocaati ...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo ... y ahora tetocaati ...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo ...
y si te dice que le da pena pero luego se te pega
esas son de las que son candela mejor que aguantes la pela
because she likes, she likes to move down, down (a ella le gusta el dancehall y lo danza)
y si te dice que le da pena pero luego se te pega
esas son de las que son candela mejor que aguantes la pela
because she likes, she likes to move down, down...
y ahora te toca a tl ...
(she likes to move down, move down, move down) (she likes to move down, move down, move down) y ahora te toca a tl ...
(she likes to move down, move down, move down) (she likes to move down, move down, move down)
yo se que ella estaba pendiente
de ir a vacilar, por esq me le acerque vamo'a baila le dije
ya cuadre con el dj pa'que pusiera dancehall y ahora tetocaati ...
ENG:
she likes to move down... let's dance, i said.
i already talked to the dj to put on some dancehall music.
and now tetocaati...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo... and now tetocaati...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo... and now tetocaati...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo... and now tetocaati...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo ...
and she moved without a care
she says she doesn't like reggaeton very much but she can't listen to dancehall because it makes her move without warning
and i gave her that commitment... look how she shines with her cinnamon skin and that tum bao metiene inamorado move your body
move your body you are fyah girla
when you listen to dancehall
i know she was ready
to go out and have fun, so i approached her let's dance, i said
i already arranged with the dj to play dancehall
and now it's your turn...
down, down, down, down, down... and now it's your turn...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo ... and now it's your turn ...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo ... and now it's your turn ...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo ...
and if she says she's ashamed but then she sticks to you
those are the ones who are hot better you hold on to the fight
because she likes, she likes to move down, down (she likes dancehall and she dances)
and if she says she's ashamed but then she sticks to you
those are the ones who are hot better to put up with the fight
because she likes, she likes to move down, down...
and now it's your turn...
(she likes to move down, move down, move down) (she likes to move down, move down, move down) and now it's your turn...
(she likes to move down, move down, move down) (she likes to move down, move down, move down)
i know she was ready
to go out and have fun, so i went up to her and said, “let's dance.”
i already talked to the dj to put on dancehall and now it's your turn...
FR:
elle aime descendre... je vais danser, je lui ai dit
je dois demander au dj de mettre du dancehall
elle dit qu'elle n'aime pas vraiment le reggaeton mais qu'elle ne peut pas écouter de dancehall parce que ça la fait bouger sans prévenir
yyo le due que compromiso ma' ... je suis si heureux de te voir, je suis si heureux de te voir, je suis si heureux de te voir, je suis si heureux de te voir, je suis si heureux de te voir, je suis si heureux de te voir.
je suis un homme qui a beaucoup d'amour pour toi
quand tu écoutes du dancehall
je sais qu'elle était impatiente
je sais qu'elle avait hâte d'aller au dancehall, c'est pourquoi je l'ai approchée vamo'a baila je lui ai dit
je vais danser avec le dj, alors il a mis du dancehall
et maintenant tetocaati ...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo ... et maintenant c'est votre tour ...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo... et maintenant tetocaati ...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo... et maintenant tetocaati...
pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo ...
et s'il te dit qu'il est désolé pour toi mais qu'ensuite il te colle à la peau
je suis un peu candela, je suis un peu candela, je suis un peu candela, je suis un peu candela
parce qu'elle aime, elle aime descendre, descendre (elle aime le dancehall et elle le danse)
et si elle dit qu'elle est désolée pour toi mais qu'ensuite elle te drague
c'est le genre de personne qui est candela tu ferais mieux de l'accepter
parce qu'elle aime, elle aime descendre, descendre...
et maintenant, c'est à vous de jouer...
(elle aime bouger, bouger, bouger) (elle aime bouger, bouger, bouger) (elle aime bouger, bouger, bouger) y ahora te toca a tl ...
(elle aime descendre, descendre, descendre, descendre) (elle aime descendre, descendre, descendre, descendre)
je sais qu'elle était impatiente
je sais qu'elle avait hâte d'aller à vacilar, alors je l'ai abordée vamo'a baila je lui ai dit
j'ai déjà demandé au dj de passer du dancehall et maintenant du tetocaati ...
Nonchalant, fresh, stylish. Clean bouncy bass gives a pumped-up ...Nonchalant, fresh, stylish. Clean bouncy bass gives a pumped-up platform for whispered female vocals about embodying the latest trends with a powerful aura. Real bass and dynamic vocal switch give a more theatrical energy, guitar power chords @ 0'48 and trap percussion @ 1'36 give a rapid style shift, fun-loving vibe.歌词
Can’t break my stride, Yeah, I’m dressing to the nines, Get on my level, or you better run and hide, Strut in the light, show 'em what you got tonight, Don’t be a hater, see you later, bye, Don’t kill my vibe, Don’t kill my vibe.
Yeah, you talk, talk, talk, talk, But don’t walk, walk the walk, Got no reason for being the way that you are, Yeah, you’re hating the game, But, babe, you love to play, So I’ll be me, you be you, Just get out my way.
Can’t break my stride, Yeah, I’m dressing to the nines, Get on my level, Or you better run and hide, Strut in the light, Show 'em what you got tonight, Don’t be a hater, see you later, bye, Don’t kill my vibe.
Don’t kill my vibe, You can’t break me, You can’t shake me, Kill my vibe, And you’ll be sorry, Try me, hate me, but don’t you blame me, Kill my vibe, And you’ll be sorry.
Can’t break my stride, Yeah, I’m dressing to the nines, Get on my level, or you better run and hide, Strut in the light, show 'em what you got tonight, Don’t be a hater, see you later, bye, Don’t kill my vibe, Don’t kill my vibe.
Nonchalant, fresh, stylish. Clean bouncy bass gives a pumped-up aura. ...Nonchalant, fresh, stylish. Clean bouncy bass gives a pumped-up aura. Real bass gives a more theatrical rock energy, guitar power chords @ 0'48 and trap percussion @ 1'36 give a rapid style shift, fun-loving vibe. Stripped back underscore version.
