| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Dead Beacon [AMS5061 - 4] |
1'50 | Felix Weber | Cinematic trap. Scratchy & repetitive with a slightly out of tune | 电影节奏 固执 阴险 疑问 | D | 140 | ||||
|
Dead Beacon Alternate 1 [AMS5061 - 29] |
版本. | 1'50 | Felix Weber | Version without percussion | 电影节奏 固执 阴险 疑问 | D | 140 | |||
|
Dead Beacon Alternate 2 [AMS5061 - 30] |
版本. | 1'50 | Felix Weber | Version with percussion only | 电影节奏 固执 阴险 疑问 | Abm | 140 | |||
|
Dead Beacon Alternate 3 [AMS5061 - 31] |
版本. | 1'50 | Felix Weber | Bed version | 电影节奏 固执 阴险 疑问 | D | 140 | |||
|
Dead Beacon Alternate 4 [AMS5061 - 32] |
版本. | 1'50 | Felix Weber | Underscore version | 电影节奏 固执 阴险 疑问 | D | 140 | |||
|
Dead Beacon Edit 1 30 sec [AMS5061 - 33] |
版本. | 0'32 | Felix Weber | 30 second cut | 电影节奏 固执 阴险 疑问 | Dm | 140 | |||
|
Dead Beacon Edit 2 15 sec [AMS5061 - 34] |
版本. | 0'17 | Felix Weber | 15 second cut | 电影节奏 固执 阴险 疑问 | Dm | 140 | |||
|
Low Orbit [AMS5061 - 7] |
2'16 | Felix Weber | Cinematic trap. Edgy, tense & dark. Trap beat, strings, vox fx, flute | 电影节奏 固执 悬念 态度 | D | 162 | ||||
|
Low Orbit Alternate 1 [AMS5061 - 50] |
版本. | 2'16 | Felix Weber | Version without percussion | 电影节奏 固执 悬念 态度 | D | 161 | |||
|
Low Orbit Alternate 2 [AMS5061 - 51] |
版本. | 2'16 | Felix Weber | Version with percussion only | 电影节奏 固执 悬念 态度 | Gbm | 162 | |||
|
Low Orbit Alternate 3 [AMS5061 - 52] |
版本. | 2'16 | Felix Weber | Version without vox | 电影节奏 固执 悬念 态度 | Dm | 162 | |||
|
Low Orbit Alternate 4 [AMS5061 - 53] |
版本. | 2'16 | Felix Weber | Bed version | 电影节奏 固执 悬念 态度 | D | 162 | |||
|
Low Orbit Alternate 5 [AMS5061 - 54] |
版本. | 2'16 | Felix Weber | Underscore version | 电影节奏 固执 悬念 态度 | D | 162 | |||
|
Low Orbit Edit 1 30 sec [AMS5061 - 55] |
版本. | 0'31 | Felix Weber | 30 second cut | 电影节奏 固执 悬念 态度 | Dm | 161 | |||
|
Low Orbit Edit 2 15 sec [AMS5061 - 56] |
版本. | 0'17 | Felix Weber | 15 second cut | 电影节奏 固执 悬念 态度 | Dm | 162 | |||
|
Midnight On Kepler [AMS5061 - 8] |
1'57 | Felix Weber | Cinematic trap. Bright, shimmering & peaceful. Trap beat, piano, | 疑问 调查研究 电影节奏 周期性的 | Abm | 140 | ||||
|
Midnight On Kepler Alternate 1 [AMS5061 - 57] |
版本. | 1'57 | Felix Weber | Version without percussion | 疑问 调查研究 电影节奏 周期性的 | Abm | 140 | |||
|
Midnight On Kepler Alternate 2 [AMS5061 - 58] |
版本. | 1'57 | Felix Weber | Version with percussion only | 疑问 调查研究 电影节奏 周期性的 | Abm | 143 | |||
|
Midnight On Kepler Alternate 3 [AMS5061 - 59] |
版本. | 1'57 | Felix Weber | Version without strings | 疑问 调查研究 电影节奏 周期性的 | Abm | 140 | |||
|
Midnight On Kepler Alternate 4 [AMS5061 - 60] |
版本. | 1'57 | Felix Weber | Bed version | 疑问 调查研究 电影节奏 周期性的 | Abm | 140 | |||
|
Midnight On Kepler Alternate 5 [AMS5061 - 61] |
版本. | 1'57 | Felix Weber | Underscore version | 疑问 调查研究 电影节奏 周期性的 | Abm | 140 | |||
|
Midnight On Kepler Edit 1 30
[AMS5061 - 62] |
版本. | 0'31 | Felix Weber | 30 second cut | 疑问 调查研究 电影节奏 周期性的 | Abm | 140 | |||
|
Midnight On Kepler Edit 2 15
[AMS5061 - 63] |
版本. | 0'17 | Felix Weber | 15 second cut | 疑问 调查研究 电影节奏 周期性的 | Abm | 140 | |||
|
Solar Wind [CCB1072 - 4] |
2'44 | Dalga | Electronica. Sensual, atmospheric & patient. Synth, sampled female | 电子 梦幻 性感 青春剧 | Cm | 116 | ||||
|
Solar Wind Alternate [CCB1072 - 7] |
版本. | 2'44 | Dalga | Alternate instrumental. | 电子 梦幻 性感 青春剧 | Cm | 116 | |||
|
Hey Kanka [IOM043 - 5] |
2'47 | Thomas Caruana | Communal, warm, cool. Laidback but lively rhythm is joined by big | 阳光 电影原声带 自信 动人 | Fm | 92 | ||||
|
Hey Kanka (Bed) [IOM043 - 22] |
版本. | 2'47 | Thomas Caruana | Communal, warm, cool. Laidback but lively rhythm is joined by big | 阳光 电影原声带 自信 动人 | Fm | 92 | |||
|
Hey Kanka (Bed Sparse) [IOM043 - 23] |
版本. | 2'47 | Thomas Caruana | Communal, warm, cool. Laidback but lively rhythm is joined by big | 阳光 电影原声带 自信 动人 | Fm | 92 | |||
|
Hey Kanka (Underscore) [IOM043 - 24] |
版本. | 2'36 | Thomas Caruana | Communal, warm, cool. Bass lays out a fun rhythm, joined by vocals | 阳光 电影原声带 自信 动人 | Fm | 92 | |||
|
Bursa Beats [IOM043 - 8] |
3'47 | Thomas Caruana, Richard Halligan | Cool, dirty, desolate. Overdriven guitar chugs along as melody | 自信 六十年代迷幻乐 日常生活 七十年代 | E | 98 | ||||
|
Bursa Beats (Bed) [IOM043 - 31] |
版本. | 3'46 | Thomas Caruana, Richard Halligan | Cool, dirty, desolate. Overdriven guitar chugs along as melody | 自信 六十年代迷幻乐 日常生活 七十年代 | Em | 98 | |||
|
Bursa Beats (Bed Sparse) [IOM043 - 32] |
版本. | 3'27 | Thomas Caruana, Richard Halligan | Cool, dirty, desolate. Overdriven guitar chugs along as melody | 自信 六十年代迷幻乐 日常生活 七十年代 | E | 98 | |||
|
Smoked [TBX228 - 7] |
3'24 | Luke Appleton | Glitchy, determined, nostalgic. Stuttering samples set out an agile | 夜晚 自信 动人 时尚 | Am | 107 | ||||
|
Smoked (Underscore) [TBX228 - 23] |
版本. | 3'24 | Luke Appleton | Glitchy, determined, nostalgic. Stuttering samples set out an agile | 夜晚 自信 动人 时尚 | Am | 107 | |||
|
Buttercup [TBX228 - 11] |
2'19 | Luke Appleton | Slick, pretty, cool. Water FX lead into fancy chords and muffled | 周期性的 electro chill out 动人 海滨 | Cm | 100 | ||||
|
Buttercup (Underscore) [TBX228 - 28] |
版本. | 2'19 | Luke Appleton | Slick, pretty, cool. Water FX lead into fancy chords and muffled | 周期性的 electro chill out 动人 海滨 | Cm | 100 | |||
|
Humanity [ISC111 - 1] |
6'57 | Sacha Meyer | Progressive. Melodic techno. Punchy, heavy, rough & danceable. Drop @ 歌词 | 俱乐部 动人 朗朗上口 沉重 | Gm | 122 | ||||
|
Humanity Alternate 1 [ISC111 - 9] |
版本. | 6'57 | Sacha Meyer | Instrumental version. | 俱乐部 动人 朗朗上口 沉重 | Gm | 122 | |||
|
Humanity Alternate 2 [ISC111 - 10] |
版本. | 6'57 | Sacha Meyer | Version without percussion. | 俱乐部 沉重 极限运动 赛车 | Gm | 122 | |||
|
Journey [ISC111 - 8] |
7'04 | Sacha Meyer | Progressive. Melodic techno. Exaltant, émouvant, atmosphérique, | 令人激动 俱乐部 感动 气势 | Bbm | 120 | ||||
|
Journey Alternate [ISC111 - 18] |
版本. | 7'04 | Sacha Meyer | Version without percussion. | 令人激动 俱乐部 感动 气势 | Bbm | 120 | |||
|
Bazaar Rush [BIB291 - 6] |
1'41 | Daniel Illetschek Laguna | Frantic, dynamic, tense. Ornate plucked string of middle-eastern | 动人 时尚 态度 舞动 | C | 114 | ||||
|
Bazaar Rush Instrumental [BIB291 - 25] |
版本. | 1'41 | Daniel Illetschek Laguna | Frantic, dynamic, tense. Ornate plucked string of middle-eastern | 动人 时尚 态度 舞动 | C | 114 | |||
|
Bazaar Rush Underscore [BIB291 - 26] |
版本. | 1'41 | Daniel Illetschek Laguna | Frantic, dynamic, tense. Ornate plucked string of middle-eastern | 动人 时尚 态度 舞动 | C | 114 | |||
|
Castle of Cards [CEZ4669 - 4] |
2'18 | Sebastijan Duh | Trapedy, hip-hop beat with an Eastern-European vibe. Funny, ironic & | 讽刺 & 恶意 trapedy 好玩 复古游戏 | Dm | 140 | ||||
|
Castle of Cards Alternate [CEZ4669 - 27] |
版本. | 2'17 | Sebastijan Duh | Alternate no rhythm. | 讽刺 & 恶意 好玩 复古游戏 trapedy | Dm | 140 | |||
|
Castle of Cards Edit 60 sec [CEZ4669 - 28] |
版本. | 1'00 | Sebastijan Duh | 60 second cut. | 讽刺 & 恶意 trapedy 好玩 复古游戏 | Dm | 140 | |||
|
Castle of Cards Edit 30 sec [CEZ4669 - 29] |
版本. | 0'30 | Sebastijan Duh | 30 second cut. | 讽刺 & 恶意 trapedy 好玩 复古游戏 | Eb | 140 | |||
|
Castle of Cards Edit 20 sec [CEZ4669 - 30] |
版本. | 0'20 | Sebastijan Duh | 20 second cut. | 讽刺 & 恶意 trapedy 好玩 复古游戏 | Gm | 140 | |||
|
Castle of Cards Edit Sting [CEZ4669 - 31] |
版本. | 0'18 | Sebastijan Duh | Sting | 讽刺 & 恶意 trapedy 好玩 复古游戏 | Cm | 140 | |||
|
The Mysterious Joker [CEZ4669 - 5] |
2'05 | SHIFUMI | Trapedy, hip-hop beat. Curious, whimsical & playful. Pizz, celesta, | 好玩 自信 trapedy 态度 | Cm | 164 | ||||
|
The Mysterious Joker Alternate [CEZ4669 - 32] |
版本. | 2'09 | SHIFUMI | Alternate no rhythm. | 好玩 自信 态度 骄傲 | G | 132 | |||
|
The Mysterious Joker Edit 60
[CEZ4669 - 33] |
版本. | 1'00 | SHIFUMI | 60 second cut. | 好玩 自信 trapedy 态度 | Cm | 164 | |||
|
The Mysterious Joker Edit 30
[CEZ4669 - 34] |
版本. | 0'30 | SHIFUMI | 30 second cut. | 好玩 自信 trapedy 态度 | Cm | 164 | |||
|
The Mysterious Joker Edit 20
[CEZ4669 - 35] |
版本. | 0'20 | SHIFUMI | 20 second cut. | 好玩 自信 trapedy 态度 | Cm | 164 | |||
|
The Mysterious Joker Edit
[CEZ4669 - 36] |
版本. | 0'11 | SHIFUMI | Sting | 好玩 自信 trapedy 态度 | Cm | 164 | |||
|
Trapped in Retrogaming [CEZ4669 - 8] |
2'09 | Sebastijan Duh | Trapedy, hip-hop beat. Mocking but entertaining & cheerful. Synth & | 讽刺 & 恶意 trapedy 好玩 陷阱音乐 | Cm | 132 | ||||
|
Trapped in Retrogaming
[CEZ4669 - 47] |
版本. | 2'09 | Sebastijan Duh | Alternate no rhythm. | 悲喜剧 讽刺 & 恶意 好玩 稳定的 | G | 132 | |||
|
Trapped in Retrogaming Edit
[CEZ4669 - 48] |
版本. | 1'00 | Sebastijan Duh | 60 second cut. | 讽刺 & 恶意 trapedy 好玩 陷阱音乐 | Cm | 132 | |||
|
Trapped in Retrogaming Edit
[CEZ4669 - 49] |
版本. | 0'30 | Sebastijan Duh | 30 second cut. | 讽刺 & 恶意 trapedy 好玩 陷阱音乐 | Cm | 132 | |||
|
Trapped in Retrogaming Edit
[CEZ4669 - 50] |
版本. | 0'20 | Sebastijan Duh | 20 second cut. | 讽刺 & 恶意 trapedy 好玩 陷阱音乐 | Cm | 132 | |||
|
Trapped in Retrogaming Edit
[CEZ4669 - 51] |
版本. | 0'11 | Sebastijan Duh | Sting | 讽刺 & 恶意 trapedy 好玩 陷阱音乐 | Cm | 131 | |||
|
Randomly Here [CEZ4669 - 9] |
1'56 | Rémo | Trapedy, hip-hop beat. Cosy, sarcastic & mischievous. Pizz, synth & | 耐心 稳定的 疑问 讽刺 & 恶意 | Am | 112 | ||||
|
Randomly Here Alternate [CEZ4669 - 52] |
版本. | 1'56 | Rémo | Alternate no rhythm. | 耐心 稳定的 疑问 讽刺 & 恶意 | A | 112 | |||
|
Randomly Here Edit 60 sec [CEZ4669 - 53] |
版本. | 1'00 | Rémo | 60 second cut. | 耐心 稳定的 疑问 讽刺 & 恶意 | Am | 112 | |||
|
Randomly Here Edit 30 sec [CEZ4669 - 54] |
版本. | 0'30 | Rémo | 30 second cut. | 耐心 稳定的 疑问 讽刺 & 恶意 | Am | 112 | |||
|
Randomly Here Edit 20 sec [CEZ4669 - 55] |
版本. | 0'20 | Rémo | 20 second cut. | 耐心 稳定的 疑问 讽刺 & 恶意 | Am | 112 | |||
|
Randomly Here Edit Sting [CEZ4669 - 56] |
版本. | 0'11 | Rémo | Sting | 耐心 稳定的 疑问 讽刺 & 恶意 | Am | 111 | |||
|
Bagpipes And Hustle [AMS5057 - 1] |
2'26 | Mylène Ballion, SHIFUMI | Baroque & medieval trap. Solemn, bewitching & bold. Beatless break @ | 态度 陷阱音乐 电影节奏 沉重 | Dm | 130 | ||||
|
Bagpipes And Hustle Alternate
[AMS5057 - 9] |
版本. | 2'26 | Mylène Ballion, SHIFUMI | Version without beat | 态度 抒情 固执 广告 | Dm | 130 | |||
|
Bagpipes And Hustle Alternate
[AMS5057 - 10] |
版本. | 2'26 | Mylène Ballion, SHIFUMI | Instrumental version | 态度 陷阱音乐 电影节奏 沉重 | Dm | 130 | |||
|
Bagpipes And Hustle Edit 1 60
[AMS5057 - 11] |
版本. | 1'00 | Mylène Ballion, SHIFUMI | 60 second cut | 态度 陷阱音乐 电影节奏 沉重 | Dm | 130 | |||
|
Bagpipes And Hustle Edit 2 30
[AMS5057 - 12] |
版本. | 0'30 | Mylène Ballion, SHIFUMI | 30 second cut | 态度 陷阱音乐 电影节奏 沉重 | Dm | 130 | |||
|
Bagpipes And Hustle Edit 3 15
[AMS5057 - 13] |
版本. | 0'15 | Mylène Ballion, SHIFUMI | 15 second cut | 态度 陷阱音乐 电影节奏 沉重 | Dm | 130 | |||
|
Are You Coming With [TBX225 - 4] |
2'05 | Joseph Capalbo, Julianna Pollifrone | Bouncy, fun-loving, carefree. Bass leads into modern house style with 歌词 | 舞蹈流行音乐 动人 人物 女歌手 | Em | 122 | ||||
|
Are You Coming With
[TBX225 - 23] |
版本. | 2'05 | Joseph Capalbo, Julianna Pollifrone | Bouncy, fun-loving, carefree. Bass leads into modern house style with | 舞蹈流行音乐 动人 人物 俱乐部 | Em | 122 | |||
|
Are You Coming With Underscore [TBX225 - 24] |
版本. | 2'05 | Joseph Capalbo, Julianna Pollifrone | Bouncy, fun-loving, carefree. Bass leads into modern house style with | 舞蹈流行音乐 动人 人物 俱乐部 | Em | 122 | |||
|
Are You Coming With 30 sec [TBX225 - 25] |
版本. | 0'30 | Joseph Capalbo, Julianna Pollifrone | Bouncy, fun-loving, carefree. Big dirty bass supports charismatic | 舞蹈流行音乐 动人 人物 女歌手 | Em | 122 | |||
|
Are You Coming With 30 sec
[TBX225 - 26] |
版本. | 0'30 | Joseph Capalbo, Julianna Pollifrone | Bouncy, fun-loving, carefree. Big dirty bass supports a sense of | 舞蹈流行音乐 动人 人物 俱乐部 | Em | 122 | |||
|
Snow In December, Nothing
[IOM039 - 10] |
3'12 | Iain Harper, Madeline St John | Fancy, glittery, fresh. Plucked strings offer a quaint vibe building 歌词 | 舞蹈流行音乐 态度 女歌手 果断 | Am | 112 | ||||
|
Snow In December, Nothing
[IOM039 - 41] |
版本. | 3'12 | Iain Harper, Madeline St John | Fancy, glittery, fresh. Plucked strings offer a quaint vibe building | 舞蹈流行音乐 态度 果断 动人 | Am | 112 | |||
|
Snow In December, Nothing
[IOM039 - 42] |
版本. | 3'12 | Iain Harper, Madeline St John | Fancy, glittery, fresh. Plucked strings offer a quaint vibe building | 舞蹈流行音乐 态度 果断 动人 | Am | 112 | |||
|
The World of Tomorrow [CEZ4679 - 1] |
2'12 | Pegazi | Electro beat, corporate electro. Bright, confident & federative. | 自信 联盟 电子乐宣传片 令人激动 | D | 114 | ||||
|
The World of Tomorrow Edit 60
[CEZ4679 - 13] |
版本. | 1'00 | Pegazi | 60 second cut. | 自信 联盟 电子乐宣传片 令人激动 | Gbm | 114 | |||
|
The World of Tomorrow Edit 30
[CEZ4679 - 14] |
版本. | 0'30 | Pegazi | 30 second cut. | 自信 联盟 电子乐宣传片 令人激动 | D | 114 | |||
|
The World of Tomorrow Edit 20
[CEZ4679 - 15] |
版本. | 0'20 | Pegazi | 20 second cut. | 自信 联盟 电子乐宣传片 令人激动 | D | 114 | |||
|
The World of Tomorrow Edit
[CEZ4679 - 16] |
版本. | 0'09 | Pegazi | Sting. | 自信 联盟 电子乐宣传片 令人激动 | Bm | 115 | |||
|
From the Concept to the Real [CEZ4679 - 5] |
2'40 | Rémo | Electro beat, corporate electro. Serious, obstinate & steady. Synth & | 固执 electro beat 严谨 工业 | Em | 110 | ||||
|
From the Concept to the Real
[CEZ4679 - 34] |
版本. | 2'40 | Rémo | Alternate no FX. | 固执 electro beat 严谨 工业 | Em | 110 | |||
|
From the Concept to the Real
[CEZ4679 - 35] |
版本. | 2'13 | Rémo | Underscore version. | 固执 electro beat 严谨 工业 | Em | 110 | |||
|
From the Concept to the Real
[CEZ4679 - 36] |
版本. | 1'00 | Rémo | 60 second cut. | 固执 electro beat 严谨 工业 | Em | 110 | |||
|
From the Concept to the Real
[CEZ4679 - 37] |
版本. | 0'30 | Rémo | 30 second cut. | 固执 electro beat 严谨 工业 | Em | 110 | |||
|
From the Concept to the Real
[CEZ4679 - 38] |
版本. | 0'20 | Rémo | 20 second cut. | 固执 electro beat 严谨 工业 | Em | 110 | |||
|
From the Concept to the Real
[CEZ4679 - 39] |
版本. | 0'10 | Rémo | Sting. | 固执 electro beat 严谨 工业 | G | 109 |