Intriguing, theatrical, powerful. Strings align with trickling trap Intriguing, theatrical, powerful. Strings align with trickling trap hi hat to provide a bright and silly energy, supercharged by sub bass and kick drums. A fresh and energetic texture with humorous use of clarinets and classical instruments on top of heavy beats. Big bass impacts give an air of seriousness and pressure. A hard interview or interrogation.
Intriguing, theatrical, powerful. Strings align with trickling trap Intriguing, theatrical, powerful. Strings align with trickling trap hi hat to provide a bright and silly energy, supercharged by sub bass and kick drums. A fresh and energetic texture with heavy beats. Big bass impacts give an air of seriousness and pressure. A hard interview or interrogation. Stripped back underscore version.
Intriguing, theatrical, powerful. Strings align with squelching bass, Intriguing, theatrical, powerful. Strings align with squelching bass, supercharged by sub notes. A fresh and energetic texture with heavy beats. Big bass impacts give an air of seriousness and pressure. A hard interview or interrogation. Stripped back no drums underscore version.
Adventurous, cheeky, lively. Buoyant plucked string melodies capture Adventurous, cheeky, lively. Buoyant plucked string melodies capture a playful atmosphere, mixed with theatrical moments of confusion and energy, an animation or a spritely character causing trouble or delving deeper into a troubling situation played off for fun and laughs. Build up @ 1'04 given character by vocal FX and chattering percussion. Toy box vibe, colourful walls and big plush toys.
Adventurous, cheeky, lively. Buoyant plucked string melodies and Adventurous, cheeky, lively. Buoyant plucked string melodies and synth capture a playful atmosphere, mixed with theatrical moments of confusion and energy, an animation or a spritely character causing trouble or delving deeper into a troubling situation played off for fun and laughs. Build up around 01:04 given character by vocal FX and chattering percussion. Toy box vibe, colourful walls and big plush toys. Stripped back underscore version.
Adventurous, cheeky, lively. Buoyant plucked string melodies and Adventurous, cheeky, lively. Buoyant plucked string melodies and synth capture a playful atmosphere, mixed with theatrical moments of confusion and energy, an animation or a spritely character causing trouble or delving deeper into a troubling situation played off for fun and laughs. Build up around 01:04 given character by vocal FX. Toy box vibe, colourful walls and big plush toys. Stripped back underscore no drums version.
Pumped, confident, driven. Sliding pacy trap rhythm hits with cold Pumped, confident, driven. Sliding pacy trap rhythm hits with cold and solemn melody, high-pitched vocals @ 0'16. A sense of street justice. An individual confident in their hometown, who knows the streets well and understands the community. Powerful sub bass injects an energy and solemn strength into trap beat.
Pumped, confident, driven. Sliding pacy trap percussion hits with Pumped, confident, driven. Sliding pacy trap percussion hits with cold and solemn melody, high-pitched vocals @ 0'16. A sense of street justice. An individual confident in their hometown, who knows the streets well and understands the community. Powerful sub bass injects an energy and solemn strength into trap beat. Stripped back underscore.
Empowered, rude, unapologetic. Menacing melody with rough energy Empowered, rude, unapologetic. Menacing melody with rough energy offers a mean atmosphere. Vocals chant empowering hook over rhythmic shouting. Female vocals about empowering girls with a sense of power. A power in appearance and tenacity. Uplifting bridges contrast raw verses.歌词
She runs the world, Queen, queen, queen, queen, You can’t compete with girls, girls, girls, girls, She runs the world, Queen, queen, queen, queen, You can’t compete with girls, girls, girls, girls.
They say I’m a girl’s girl, I empower my sisters, it’s how I roll, Got my crown on my head, The head ain’t heavy no it’s gentle, I’m emotional, sentimental, I’m a spiritual girl, not mental, And if I harm you its accidental, I’m a peace love type, But I’ll back my self, There are lessons that you learn, And some you find out for yourself, Sometimes it cuts your health, But in order to succeed you’ve gotta fail, And you need to trust yourself.
Coz a queen never heels, A queen can’t be brought to her knees, Coz a queen is an empress, A queen is born to lead.
Coz a queen never heels, A queen can’t be brought to her knees, Coz a queen is an empress, I’m a queen and I’m born to lead.
She runs the world, Queen, queen, queen, queen, You can’t compete with girls, girls, girls, girls, She runs the world, Queen, queen, queen, queen, You can’t compete with girls, girls, girls, girls.
Your skit’s lit plus cute earrings, And the cute one’s car is steering, Now off to the left he’s veering, Coz he can’t stop looking, peering.
I’m one of a kind, I’m a rare one, I’m the one that they meet but can’t have none, Coz I value myself and my power, I’m a queen and my presence is louder, I don’t fall back, I walk into, I don’t run when I am fearful, I’m a queen so I leave when I need to, They’re depending on me and I need to.
Yeah.
Coz a queen never heels, A queen can’t be brought to her knees, Coz a queen is an empress, A queen is born to lead.
Coz a queen never heels, A queen can’t be brought to her knees, Coz a queen is an empress, I’m a queen and I’m born to lead.
She runs the world, Queen, queen, queen, queen, You can’t compete with girls, girls, girls, girls, She runs the world, Queen, queen, queen, queen, You can’t compete with girls, girls, girls, girls.
She runs the world, Queen, queen, queen, queen, You can’t compete with girls, girls, girls, girls, She runs the world, Queen, queen, queen, queen, You can’t compete with girls, girls, girls, girls.
Empowered, rude, unapologetic. Menacing melody with rough energy Empowered, rude, unapologetic. Menacing melody with rough energy offers a mean atmosphere. A power from sub bass and sharp percussion. Uplifting bridges contrast raw verses. Instrumental version.
Empowered, rude, unapologetic. Menacing melody with rough energy Empowered, rude, unapologetic. Menacing melody with rough energy offers a mean atmosphere. A power from sub bass and sharp percussion. Uplifting bridges contrast raw verses. Stripped back underscore version.
Explosive, modern, heavy. Crowd cheering leads into slick Explosive, modern, heavy. Crowd cheering leads into slick instrumentation, with riser displaying a sense of hype and excitement. Dives into explosion and colourful electronic instrumentation with ad libbed voices giving power and determination. A stylish but strong energy.
Explosive, modern, heavy. Crowd cheering leads into slick Explosive, modern, heavy. Crowd cheering leads into slick instrumentation, with riser displaying a sense of hype and excitement. Dives into explosion and colourful electronic instrumentation. A stylish but strong energy. Instrumental version.
Explosive, modern, heavy. Slick electronic instrumentation, with Explosive, modern, heavy. Slick electronic instrumentation, with riser displaying a sense of hype and excitement. Dives into explosion and colourful electronic instrumentation. A stylish but strong energy. Bed version.
J-Rap. Confident, bouncy & full of attitude. Japanese rap, trap beat, J-Rap. Confident, bouncy & full of attitude. Japanese rap, trap beat, 808 bass, string section, shamisen sample. Lyrics about the fast life in Tokyo's Shibuya district. Suggested for street sports, teen attitude & japanese underground culture.歌词
[JPN]/[ENG]
いらっしゃいませ ここ眠らぬ街
ろくでなしがおもてなし
要らないジェラシー
i need therapy
嬉しい悲しい楽しい乱高下な話
渋谷スクスクの前でskrr skrr
すくすく育ったスカした姉ちゃん
良い感じじゃん high five high five
物語求め夜な夜な徘徊
生中 乾杯
ハイボール 乾杯
ストレス発散
居酒屋 満杯
競争 競争
毎日が競争
No ABS
ブレーキは踏めない
ホンダ 三菱
ポルシェ911
AKIRA NAKAIさん
みたくオリジナル
FAST LIFE
今日もハイになる
put your hands up
ええじゃないか
ええじゃないか
ええじゃないか
put your hands up
ええじゃないか
ええじゃないか
ええじゃないか
1234
ええじゃないか
ええじゃないか
ええじゃないか
1234
ええじゃないか
ええじゃないか
ええじゃないか
マンデーから稼ぎまくるガッチリ
あの街この街 どいつもこいつも
どのみちこの道 on my way
ただひたすら進むだけ switch lane switch lane
put your hands up
ええじゃないか
ええじゃないか
ええじゃないか
put your hands up
ええじゃないか
ええじゃないか
ええじゃないか
1234
ええじゃないか
ええじゃないか
ええじゃないか
1234
ええじゃないか
ええじゃないか
ええじゃないか
なぜか わからん
今日も ざわつく
なぜか わからん
こころ ざわつく
なぜか わからん
今日も ざわつく
なぜか わからん
こころ ざわつく
Tokyo neon が照らしてる
アスファルトのうえ火照ってる
Tokyo neon が照らしてる
アスファルトのうえ火照ってる
ええじゃないか...
[ENG]
Welcome, to the city that never sleeps
Where scoundrels are your hosts
No need for jealousy
I need therapy
Happy, sad, fun, a roller coaster of a story
In front of Shibuya Scramble Square, skrr skrr
A cool girl who grew up fast and chic
Lookin' good, high five, high five
Searching for a story, roaming night after night
Draft beer — cheers!
Highball — cheers!
Letting off steam
The izakaya's packed
Competition, competition
Every day's a competition
No ABS
Can’t hit the brakes
Honda, Mitsubishi
Porsche 911
Mr. AKIRA NAKAI
Original like him
Fast life
Gonna get high again today
Put your hands up
It's all good!
It's all good!
It's all good!
Put your hands up
It's all good!
It's all good!
It's all good!
1, 2, 3, 4
It's all good!
It's all good!
It's all good!
1, 2, 3, 4
It's all good!
It's all good!
It's all good!
Even a dog, just by walking, can stumble into something
Today's actions decide tomorrow
Imagine a fun future
Skyscrapers at my back, running wild again today
Right and left, concrete jungle
Dashing through, I'm a cheetah or Rambo
Nimbly dodging, enemies go bang bang
Wangan run and gun
Overtake, pass by, everyone's desperate
My path, I just keep pushing straight ahead
Wallet's broke, but my spirit's rich
From Monday, raking it in solid
That town, this town, every last one of 'em
Either way, this is my road, on my way
Just keep moving forward, switch lane, switch lane
Put your hands up
It's all good!
It's all good!
It's all good!
Put your hands up
It's all good!
It's all good!
It's all good!
1, 2, 3, 4
It's all good!
It's all good!
It's all good!
1, 2, 3, 4
It's all good!
It's all good!
It's all good!
Don’t know why
But today too, it's stirring
Don’t know why
My heart is restless
Don’t know why
But today too, it's stirring
Don’t know why
My heart is restless
Tokyo neon is shining down
The asphalt below is blazing hot
Tokyo neon is shining down
The asphalt below is blazing hot
Slick, emotive, stylish. Keys give a chill energy with an air of Slick, emotive, stylish. Keys give a chill energy with an air of seriousness to descent of notes. Gossamer instruments and soft keys convey a sense of relaxation and drifting ambience. A person chilled out in a state of peaceful zen. Vocal samples @ 1'01 twist things into a garage lounge style.
Slick, emotive, stylish. Keys give a chill energy with an air of Slick, emotive, stylish. Keys give a chill energy with an air of seriousness to descent of notes. Gossamer instruments and soft keys convey a sense of relaxation and drifting ambience. A person chilled out in a state of peaceful zen. Romanticised energy with fading camera shots and emotive close-ups. Instrumental version.
Slick, emotive, stylish. Keys give a chill energy with an air of Slick, emotive, stylish. Keys give a chill energy with an air of seriousness to descent of notes. Gossamer instruments and soft keys convey a sense of relaxation and drifting ambience. A person chilled out in a state of peaceful zen. Romanticised energy with fading camera shots and emotive close-ups. Stripped back underscore version.
Fresh, wistful, nostalgic. Chopping guitar ambience gives a sense of Fresh, wistful, nostalgic. Chopping guitar ambience gives a sense of laidback wistfulness. Guitar sequence offers emo-coded emotion, backed by poppy percussion. A light but melancholic atmosphere. An individual wandering down streets or through fields, contemplating life. Organic power from rough lead instrument. Chilled melodies offer a feeling of relaxed melancholy.
Fresh, wistful, nostalgic. Chopping guitar ambience gives a sense of Fresh, wistful, nostalgic. Chopping guitar ambience gives a sense of laidback wistfulness. Guitar sequence offers emo-coded emotion, backed by poppy percussion. A light but melancholic atmosphere. An individual wandering down streets or through fields, contemplating life. Stripped back underscore version.
Determined, quick, foreign. Fast-moving rhythm carried by hand drums Determined, quick, foreign. Fast-moving rhythm carried by hand drums gives support to middle-eastern strings playing through a daring and defiant melody, picked up afterwards by modern house bass synth. Sidechained traditional instrumentation gives a sense of modern Arab countries. Heroic tone shift @ 1'13 with persistent chord sequence conveying longing and passion.
Determined, quick, foreign. Fast-moving rhythm carried by hand drums Determined, quick, foreign. Fast-moving rhythm carried by hand drums gives support to middle-eastern strings playing through a daring and defiant melody, picked up afterwards by modern house bass synth. Sidechained traditional instrumentation gives a sense of modern Arab countries. Heroic tone shift at 01:13 with persistent chord sequence conveying longing and passion. Instrumental version.
Determined, quick, foreign. Fast-moving rhythm carried by hand drums Determined, quick, foreign. Fast-moving rhythm carried by hand drums welcomes modern house bass synth. Sidechained traditional instrumentation gives a sense of modern Arab countries. Heroic tone shift @ 1'13 with persistent chord sequence conveying longing and passion. Stripped back underscore version.
Dreamy, hypnotic, modern. Reversed ambience plays out with a pulsing Dreamy, hypnotic, modern. Reversed ambience plays out with a pulsing sense of peace and hypnotising air. Middle-eastern percussion begins to play as tabla-like instruments lead pads with stoic sequences. Dub bass echoes through ambient soundscape as dance beat rises up. Whistling and shrouded melodies give a sense of heat and desert sand, as triumphant whistles and strings rise up out of the sandy instrumentation.
Dreamy, hypnotic, modern. Reversed ambience plays out with a pulsing Dreamy, hypnotic, modern. Reversed ambience plays out with a pulsing sense of peace and hypnotising air. Middle-eastern percussion begins to play as tabla-like instruments lead pads with stoic sequences. Dub bass echoes through ambient soundscape as dance beat rises up. Whistling and shrouded melodies give a sense of heat and desert sand. Instrumental version.
Dreamy, hypnotic, modern. Reversed ambience plays out with a pulsing Dreamy, hypnotic, modern. Reversed ambience plays out with a pulsing sense of peace and hypnotising air. Middle-eastern percussion begins to play as tabla-like instruments lead pads with stoic sequences. Dub bass echoes through ambient soundscape as dance beat rises up. Stripped back underscore version.
Dreamy, hypnotic, modern. Ambient pads plays out with a pulsing sense Dreamy, hypnotic, modern. Ambient pads plays out with a pulsing sense of peace and hypnotising air. Middle-eastern percussion begins to play as tabla-like instruments lead pads with stoic sequences. Dub bass echoes through ambient soundscape as dance beat rises up. Stripped back underscore version.
Fun, bustling, mysterious. Hand drums launch into pulsing Fun, bustling, mysterious. Hand drums launch into pulsing middle-eastern instrumentation powered by electronic beats. Sirens and rhythmic chanting offers a sense of power and modern strength. A group of people entering a club or an establishment brimming with confidence. Samples of Arabian singing in phrygian scale offers a passion and dedication to tradition and country.
Fun, bustling, mysterious. Hand drums launch into pulsing Fun, bustling, mysterious. Hand drums launch into pulsing middle-eastern instrumentation powered by electronic beats. Sirens and rhythmic chanting offers a sense of power and modern strength. A group of people entering a club or an establishment brimming with confidence. Instrumental version.
Fun, bustling, mysterious. Hand drums launch into pulsing and Fun, bustling, mysterious. Hand drums launch into pulsing and trilling middle-eastern instrumentation. A group of people entering a club or an establishment brimming with confidence. Stripped back underscore version.
Fun, bustling, dreamy. Big heavy kick drum sets out a sturdy beat, as Fun, bustling, dreamy. Big heavy kick drum sets out a sturdy beat, as pulsing percussion and traditional middle-eastern melodies snake behind it in a swirling hypnotising style. Female vocals lost within the whirling instrumentation gives a sense of power and mysterious. A person on a mission, making their way through bazaars or narrow streets in Dubai, Ankara, Tehran or Cairo.
Fun, bustling, dreamy. Big heavy kick drum sets out a sturdy beat, as Fun, bustling, dreamy. Big heavy kick drum sets out a sturdy beat, as pulsing percussion and traditional middle-eastern melodies snake behind it in a swirling hypnotising style. A person on a mission, making their way through bazaars or narrow streets in Dubai, Ankara, Tehran or Cairo. Instrumental version.
Fun, bustling, dreamy. Big bass sets out a sturdy instrumentation Fun, bustling, dreamy. Big bass sets out a sturdy instrumentation with traditional middle-eastern string melodies. A person on a mission, making their way through bazaars or narrow streets in Dubai, Ankara, Tehran or Cairo. Stripped back underscore version.
Arrogant, stylish, bumping. Comedic intro with trappy percussion and Arrogant, stylish, bumping. Comedic intro with trappy percussion and charismatic female vocals asking mirror who the most stylish person is. Explosion into trappy sub bass energy, a person who commands attention. Loud and proud energy. Winning attitude supported by inane instrumentation with bouncy sub bass and chattering hi hats. A charismatic or arrogant character demanding looks and whispers.歌词
Mirror, mirror on the wall, Am I the prettiest? Am I the flyest? You can't walk like me, you can't talk like me, So what you gonna do, Let’s Go.
All them eyes on me, all them eyes on me ya ya, All them eyes on me, Who run it, All them eyes on me, all them eyes on me ya ya, All them eyes on me.
Cuz I'm up, watch me turn it up, Walking in the club yea yea, Pull it pull it up, give me what I want.
I'm a big stepper, all eyes on me, When I walk in, I move like a queen, Gold on my neck, ice on my sleeve, I do with real rich, I do with ease.
My money super long, stack super neat, And I ain't gotta flex but they still try to compete, My crown super high, my throne super deep, And I don't lose no sleep, I just win and repeat.
Cuz I'm up, watch me turn it up, Walking in the club yea yea, Pull it pull it up, sipping from my cup yea yea, And I'm super fly and you know whatsup yea yea, I'm just swiping by, give me what I want.
All them eyes on me, all them eyes on me ya ya, All them eyes on me, Who run it, All them eyes on me, all them eyes on me ya ya, All them eyes on me.
I'm shameless, find me in the bag girl pages, Soon as you get home, gimme that, And your wages, You like it don't you, yea we on the same pages, I'm rude and I'm famous, I take a lot of patience.
Now baddies come in threes and the money come go early, So gimme all the cheese, You don't need it, you ain't worthy, And look me in my eyes and show me all your pearlys, Bet you've never ever seen a body this curvy.
All them eyes on me, all them eyes on me ya ya, All them eyes on me, Who run it, All them eyes on me, all them eyes on me ya ya, All them eyes on me.
Arrogant, stylish, bumping. Trappy percussion explodes into sub bass Arrogant, stylish, bumping. Trappy percussion explodes into sub bass energy, a person who commands attention. Loud and proud energy. Inane instrumentation with bouncy sub bass and chattering hi hats. A charismatic or arrogant character demanding looks and whispers from onlookers. No lead vocal version.
Arrogant, stylish, bumping. Trappy percussion explodes into sub bass Arrogant, stylish, bumping. Trappy percussion explodes into sub bass energy, a person who commands attention. Loud and proud energy. Inane instrumentation with bouncy sub bass and chattering hi hats. A charismatic or arrogant character demanding looks and whispers from onlookers. Instrumental version.
Arrogant, stylish, bumping. Trappy percussion explodes into sub bass Arrogant, stylish, bumping. Trappy percussion explodes into sub bass energy, a person who commands attention. Loud and proud energy. Inane instrumentation with bouncy sub bass and chattering hi hats. A charismatic or arrogant character demanding looks and whispers from onlookers. Stripped back underscore version.
Rude, powerful, explosive. Big sub bass joins confident female vocals Rude, powerful, explosive. Big sub bass joins confident female vocals giving a sense of arrogance and power. Booming beat takes over along with obnoxious lyrics. Empowered vibe with brazen attitude. Money and glamour with a side of rudeness and mean tenacity.歌词
Face, body, everything milly, Drip, down, keeping it chilly, You, never gonna touch this level, I rock hard, you still pebble.
Juggling about a million wins, Hips stay heated, got a couple jeans, Do what I want on every whim, don't play with sharks if you can't swim.
What I look like, what I shop like What I cook like, what I push like, What I look like, what I cook like What I shop like, she a bad, bad girl, I run the yard, yeah I'm the one in charge, yeah, She run the yard, yeah She a bad, bad girl.
I'm like, hold up Give me all your money, better run, run, run, Hold up We throw it up from where I'm from, Duck, she a shooter Got a dark eye for the future, You cool, but I'm cooler Got a more sugar than a ruler.
What I look like, what I shop like What I cook like, what I push like, What I look like, what I cook like What I shop like, she a bad, bad girl.
I'm on everybody's brain When I do what they like, she a saint, Trendsetter, best not upsetter Keep some stack on the bedroom dresser, Oh, you wanna spar with me? Didn't you hear how far I reach? Please don't make my dorms unleash terror, straight terror.
What I look like, what I shop like What I cook like, what I push like, What I look like, what I cook like What I shop like, she a bad, bad girl, Ooh, I run the yard, yeah I'm the one in charge, yeah, She run the yard, yeah She a bad, bad girl.
I'm like, hold up Give me all your money, better run, run, run, Hold up We throw it up from where I'm from, Ooh, I run the yard, yeah I'm the one in charge, yeah, She run the yard, yeah She a bad, bad girl.
What I shop like, what I cook like What I push like, What I look like, what I cook like What I shop like, she a bad, bad girl.
Rude, powerful, explosive. Big sub bass joined by clicking Rude, powerful, explosive. Big sub bass joined by clicking percussion. Booming beat takes over along with kick and snare. Empowered vibe with brazen attitude. Money and glamour with a side of rudeness and mean tenacity. Instrumental version.
Rude, powerful, explosive. Clicking percussion gives a sense of Rude, powerful, explosive. Clicking percussion gives a sense of anticipation until booming beat takes over with kick and snare. Empowered vibe with brazen attitude. Money and glamour with a side of rudeness and mean tenacity. Stripped back underscore version.
Stylish, playful, strong. Big beat explodes with brass in a classic Stylish, playful, strong. Big beat explodes with brass in a classic hip hop vibe. Male vocals rap fast and slick about overcoming adversaries lyrically and flaunting style. A cool fun individual with a tenacious talented side. Brass gives a warm vibe, a fun-loving party. Soulful break @ 1'45 as percussion drops out and strings bring a rousing energy.歌词
I'm ‘bout to kick in the door, Watch how I ride on them all put a key in their soul, See I'm the guy I'm the boss I'm the reason they’re woke, I got them all in their feelings leave them right in the cold, It’s never draws losers you can't win on this show, They get appalled really you should see it a ghost, I let them bark silly they be eager to boasts, It’s only talk leave it and believe in the Goat baby yeah, Overseas I'm a pro, I'm something raw students come and follow the coach, I got the sauce smell it like it’s all on your nose And I’ma ball cruising like I'm driving the boat yeah, Then call my dogs they ‘gon finish the bowl yeah.
Don't let the Beasts come out, Don't let the Beasts come out, Don't let the Freaks come out, Don't let the Freaks come out, Get inside get inside get inside get inside, Don't let the Beasts come out, Don't let the Beasts come out, Don't let the Freaks come out, Don't let the Freaks come out, Get inside get inside they’re outside and alive yeah.
Yeah yeah yeah yeah.
They know who I am the man so what about it, Step like a giant and land right where it’s crowded, Let’s do some damage and stand I'm never quiet, I’ll bring the family the van and start a riot, We move the meter we move the people, Don't play around and make us loose our freedom, We know it’s bound they know our secrets, We’re still crowned they looking at the leader let’s get it, We’re still crowned they looking at the leader let’s get it yeah.
Don't let the Beasts come out, Don't let the Beasts come out, Don't let the Freaks come out, Don't let the Freaks come out, Get inside get inside get inside get inside, Don't let the Beasts come out, Don't let the Beasts come out, Don't let the Freaks come out, Don't let the Freaks come out, Get inside get inside they’re outside and alive yeah.
Yeah yeah yeah yeah, We’re still crowned they’re looking at the leader let’s get it.
Stylish, playful, strong. Big beat explodes with brass in a classic Stylish, playful, strong. Big beat explodes with brass in a classic hip hop vibe. A cool fun individual with a tenacious talented side. Brass gives a warm vibe, a fun-loving party. Soulful break @ 1'45 as percussion drops out and strings bring a rousing energy. Instrumental version.
Stylish, playful, strong. Big beat explodes with brass in a classic Stylish, playful, strong. Big beat explodes with brass in a classic hip hop vibe. A cool fun individual with a tenacious talented side. Brass gives a warm vibe, a fun-loving party. Soulful break @ 1'45 as percussion drops out and strings bring a rousing energy. Stripped back underscore version.
Big, determined, fun. Sharp sample plays into boom bap rhythm. Male Big, determined, fun. Sharp sample plays into boom bap rhythm. Male vocals give a stylish performance, a fun energy. A club full of people nodding along with cool tunes. A cool troop of people blasting tunes from an old school hi-fi. Flutes at conclusion give a fresh and bouncy feeling.歌词
Yeah bounce Yeah bounce.
Hold up like where they at, Me and bro coasting in the front they're in the back, Give them what they what pulling stunts like Men in Black, ‘Bout to make it jump turn it up where the volume at? We got it yeah we got it, And you know we got them hits that make ya.
Head bounce, Yeah you know we got them hits to make ya head bounce, We keep it G we feed the streets and get the bread out, We keep it G we feed the streets and get the bread out, We on they head now!
Uh Like their they go, Pull up at the stop and the top like where it go, We about to drop on they block and lock the show, We them boys hotter than a pot of stolen gold yeah, We ridin we ridin deep no doubt about it we got the we got the keys, A problem baby, We shine cause we grind on beats, We pulling up like heroes to supply the streets you know we got it, Yeah we got it, And you know we got them hits make ya.
Head bounce, Yeah you know we got them hits to make ya head bounce, We keep it G we feed the streets and get the bread out, We keep it G we feed the streets and get the bread out, We on they head now!
Big, determined, fun. Sharp sample plays into boom bap rhythm. A fun Big, determined, fun. Sharp sample plays into boom bap rhythm. A fun energy. A club full of people nodding along with cool tunes. A cool troop of people blasting tunes from an old school hi-fi. Flutes give a fresh and bouncy feeling. Instrumental version.
Big, determined, fun. Sharp sample plays into boom bap rhythm. A fun Big, determined, fun. Sharp sample plays into boom bap rhythm. A fun energy. A club full of people nodding along with cool tunes. A cool troop of people blasting tunes from an old school hi-fi. Flutes give a fresh and bouncy feeling. Stripped back underscore version.
