Determined, spacey, epic. Sharp synth bass and lower sub march Determined, spacey, epic. Sharp synth bass and lower sub march together in a sturdy rhythmic sequence, joined by chattering percussion and spacey riser FX. Scanning synth pads convey visions of dark neon cities and bustling crowds. Steady beat suggests an atmosphere of action, a city on the brink of disaster or a major event.
Determined, spacey, epic. Low sub bass marches in a sturdy rhythmic Determined, spacey, epic. Low sub bass marches in a sturdy rhythmic sequence, joined by chattering percussion and spacey riser FX. Steady beat suggests an atmosphere of action, a city on the brink of disaster or a major event. Stripped back underscore version.
Determined, spacey, epic. Sharp synth bass and lower sub march Determined, spacey, epic. Sharp synth bass and lower sub march together in a sturdy rhythmic sequence joined by spacey FX. Steady rhythm suggests an atmosphere of action, a city on the brink of disaster or a major event. Stripped back underscore version.
Funky, buoyant, purposeful. Cool drumbeat meets with dynamic brass Funky, buoyant, purposeful. Cool drumbeat meets with dynamic brass and bass to create a fun-loving funk sequence. Wah-wah guitar and strong trumpet stabs convey a feeling of determination and fun. A group of individuals out to have a good time and follow their own rules. Fast pace and dynamic instrumentation offers a feeling of liveliness and vibrancy.
Funky, buoyant, purposeful. Cool drumbeat meets with dynamic piano Funky, buoyant, purposeful. Cool drumbeat meets with dynamic piano and bass to create a fun-loving funk sequence. Wah-wah guitar and strong trumpet stabs convey a feeling of determination and fun. A group of individuals out to have a good time and follow their own rules. Fast pace and dynamic instrumentation offers a feeling of liveliness and vibrancy. Stripped back underscore version.
Meaningful, bold, dominant. Serious bass sequence is joined by Meaningful, bold, dominant. Serious bass sequence is joined by crunchy overdriven guitars and excitable drums and percussion. Throng of sound builds behind uplifting chord sequence, with bright brass providing trills and stabs, delivering an austere but ornate atmosphere. Sharp vocal stabs add a sense of passion and emotion, a room full of people dancing, getting low and working hard to pull off impressive moves.
Meaningful, bold, dominant. Serious bass sequence is joined by Meaningful, bold, dominant. Serious bass sequence is joined by crunchy overdriven guitars and excitable drums and percussion. Throng of sound builds behind uplifting chord sequence, with bright brass providing trills and stabs, delivering an austere but ornate atmosphere. Instrumental version.
Meaningful, bold, dominant. Serious bass sequence is joined by Meaningful, bold, dominant. Serious bass sequence is joined by crunchy overdriven guitars and excitable drums and percussion.Throng of sound builds behind uplifting chord sequence, with sharp vocal stabs adding a sense of passion and emotion, a room full of people dancing, getting low and working hard to pull off impressive moves. Stripped back underscore version.
Raw, excitable, chaotic. Powerful electronic build inspires a feeling Raw, excitable, chaotic. Powerful electronic build inspires a feeling of immediate excitement and shock, into heavy breakdown featuring middle eastern melodies and solid hip hop percussion. Visions of a modern city in a hot location, authentic Arabian garments and large groups of people shown in quick succession, a chaotic and crowded atmosphere.
Raw, excitable, chaotic. Powerful electronic build inspires a feeling Raw, excitable, chaotic. Powerful electronic build inspires a feeling of immediate excitement and shock, into heavy breakdown featuring middle eastern melodies and solid hip hop percussion. Visions of a modern city in a hot location, authentic Arabian garments and large groups of people shown in quick succession, a chaotic and crowded atmosphere. Instrumental version.
Raw, excitable, chaotic. Powerful electronic build inspires a feeling Raw, excitable, chaotic. Powerful electronic build inspires a feeling of immediate excitement and shock, into heavy breakdown featuring middle eastern melodies and solid hip hop percussion. Visions of a modern city in a hot location, authentic Arabian garments and large groups of people shown in quick succession, a chaotic and crowded atmosphere. Stripped back underscore version.
Raw, excitable, chaotic. Powerful electronic build up inspires a Raw, excitable, chaotic. Powerful electronic build up inspires a feeling of immediate excitement and shock, into heavy breakdown featuring middle eastern melodies and solid hip hop percussion. Visions of a modern city in a hot location, authentic Arabian garments and large groups of people shown in quick succession, a chaotic and crowded atmosphere. Stripped back underscore version.
Mystic, subtle, daunting. Dazzling euphoric sound mixes with plucked Mystic, subtle, daunting. Dazzling euphoric sound mixes with plucked strings, into sharp melody inspiring feelings of uncertainty. A secretive situation or a mission done under cover of darkness. Heavy sub bass injects a modern energy, contrasted with middle eastern instrumentation. Eerie vocals add to sense of intrigue and suspense.
Mystic, daunting. Dazzling euphoric sound mixes with plucked strings, Mystic, daunting. Dazzling euphoric sound mixes with plucked strings, into sharp melody inspiring feelings of uncertainty. A secretive situation or a mission done under cover of darkness. Heavy sub bass injects a modern energy, contrasted with middle eastern instrumentation. Instrumental version.
Mystic, daunting. Dramatic riser leads into sharp beat and heavy, Mystic, daunting. Dramatic riser leads into sharp beat and heavy, modern sub bass. A secretive situation or a mission done under cover of darkness. Eerie vocals add to sense of intrigue and suspense. Stripped back underscore version.
Exotic, determined, hypnotic. Drooping synth notes play out over a Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Male autotuned vocals sing about an individual that treats them bad, but they can't get enough of, a lustful love situation. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men.歌词
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
So cold sayin' things you don’t mean, Only time we good when I’m in dem jeans, Either that or bad ain no in between, But I want ya I be feelin' like a fiend, Goosebumps every time dat you touch me, When we up I be feelin' like I’m lucky, When we down I be feelin like I’m cursed, Slick talk and attitudes be da worse, But you love it when dem racks in yo purse, Nails done hair did girl I see you work, But u steady playin' wit my top like a jerk, Heart so cold I got used to the hurt.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you got me hard, Like Medusa, From the back, you know I kill it, I’m the ruler, Iced out, chain on, Shout out to my jeweler, Big rocks, big clocks, Hmmmm Frank Mueller, He might russel with you, But I’m tryna be ya future, If you are scared of the thunder, Then go, If you stay, mmmmm Ima watch it roll, Don’t be shy, Baby come up out them clothes, Shawty slow down, When you wine down that poll,
Left cheek, right cheek, Mamma shaking fast,Shawty getting money, And she got her haters mad, You don’t pay her bills, Keep them slicks to yourself, Shawty she a G and, She don't need nobody else.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future,
I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you know you cold like Medusa,
I can tell you been messin' wit losers,
But I got some things I wanna do to ya, But I know you bad for my future,
I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya,
Exotic, determined, hypnotic. Drooping synth notes play out over a Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men. Instrumental version.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Lyrics about a toxic relationship, someone looking for affection at the wrong times. Two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy.歌词
Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line. You got needs, I got what you need, It’s so good ima bring you to ya knees, You looking good girl you need some high fashion, It’s first-class when you rollin' out with me, Money be callin', you know dat I answer, Way dat you movin' dat body like dancers, Hope dat you don’t mind I pull out my camera, You just do yo thing, we gone shoot a scene, When I pop a Xanny I might need some bed rest, Servin' Off White in the trap dead fresh, In a jump, pushing work leg press, Put you on a test just to see where to head at, Run off in yo spot be like where dat bread at, Rollin off a addy so my eyes dead red, I ain’t even vote but I need dead presidents, Drop me da location I’m pullin' up yo residence, in the late night. Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Reminiscent of a sad but emotionally charged situation, two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy. Instrumental version.
Strong, cool, slick. Echoing plucked strings and keys produce an Strong, cool, slick. Echoing plucked strings and keys produce an atmosphere of tranquility and pain, a wistful energy. Male sings about keeping his woman safe, being focused on his work, how is skills enable him to conduct himself without fear of punishment or reprisal. Sharp lyrical delivery mixing with melodious singing further asserting talent and supremacy.歌词
Shawty keep tellin' me when she wit me she feel safe, Tell me yo secrets baby I’ll keep ‘em it’s ok (talk to me, talk to me), I need da paper so much that it’s really gone fill up the safe, I got my lawyer on speed dial I’m beating the case.
I feel like OJ I kill it and never be leavin' a trace, Wit a A K feel like T K doin' a Race, Man I’m so sick I’m in quarantine and
I'm never reportin' the case, I just rolled up a Gorilla finger and I'm finna take it to the face, Stock market on the crash, Streets locked raising price on the gas, Tip top when I roll out the bag, Jungle man when I pull out that jag, Do da dash burnin' out goin' fast, I could never let 'em mess up the cash, I keep the stick like Yosemite Sam, Call me collect if you get in a jam, Wizard of Oz you don’t use yo brain like the scarecrow, I meet my plug he lookin' like Eddie Guerrero, whoa,
I get that funny bone for the low that’s an elbow, Shawty she bad, you know she keeping that Chanel glow, Disrespectin' my love is a hell no.
Shawty keep tellin' me when she wit me she feel safe, Tell me yo secrets baby I’ll keep ‘em it’s ok (talk to me, talk to me), I need da paper so much that it’s really gone fill up the safe, I got my lawyer on speed dial I’m beating the case.
I feel like OJ I kill it and never be leavin' a trace, Wit a A K feel like T K doin' a Race.
Strong, cool, slick. Echoing plucked strings and keys produce an Strong, cool, slick. Echoing plucked strings and keys produce an atmosphere of tranquility and pain, a wistful energy. Subtle vocal echoes offer a dramatic energy, with flute melodies offering a buoyant energy. Chattering trap hi hats keep a steady beat, visions of a calm and collected individual keeping themselves focused. Instrumental version.
Serious, determined, stylish. Austere guitar lines sets out a Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass, rhythm and emotive lyrical delivery. Lyrics about being popular and only trusting friends due to negative experiences and betrayals of trust. Concealing criminal activity successfully from authorities, fast delivery asserting a skill. Organ notes further supporting a feeling of seriousness, an individual who means business.歌词
You go to that level I can’t go there with ya, I be fresh to death they wanna take my picture,
Rolling up da gas when I break down my swisher, Know I’m high, go inside, You ain’t gang, you ain’t live, You can’t tell me nothin' baby, I done been through it all, Need my fix or I get sick, I need that money to ball, She gone trip and flip on me, If I be missing her call, But that all go out the window, When I’m beating them walls.
Money steady callin' got me answering,
Saran wrapping them packages wit Vaseline, They think I work at the corner store got gasoline, Know da vibes, even wit a stick you never beat the price, Know dat I get it, run up da digits, All of my pockets, money can’t fit it, Girl, I’m a dog, give me da kitty, Know ima hit it I get to da city, Mane I’m addicted to hustle committed, DNA I got Benjamin in me, Seen a likk, I’m so tempted to hit it, Then ima call a Uber when we finish.
Rollin' up the doh I feel like Homer Simpson, Baby I'm a mack but don't play with my pimping, We can ball together like we Jordan Pippen Moral of the story I don't do the trippin’,
You go to that level I can’t go there with ya,
I be fresh to death they wanna take my picture,
Rolling up da gas when I break down my swisher, Know I’m high, go inside, You ain’t gang, you ain’t live, You can’t tell me nothin' baby, I done been through it all, Need my fix or I gzt sick, I need that money to ball, She gone trip and flip on me, If I be missing her call, But that all go out the window, When I’m beating them walls.
Serious, determined, stylish. Austere guitar lines sets out a Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass and rhythm. Organ notes further supporting a feeling of seriousness, an individual who means business. Instrumental version.
Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass, with swiftly delivered ad libs. Lyrics about stacking a lot of money in a short time, conducting business with a merciless demeanour. Lyrics with wordplay asserting a talent and a carefree energy. Slick instrumental asserts a sinister power.歌词
Hey, hey, hey, Hey, hey, hey, Hey, hey, hey, Hey, hey, hey. You say you ready let yo soul float away, Big racks they on me and that’s all from today, Runnin' dat check up crazy gotta pay to play, Money heist I only want the code to the safe, Man down man down, I advise everybody just to stand down, Don’t ask don’t tell, Asking me questions no I do not hear a sound, Shawty she silly go dumb don’t it, I got the remedy bum bum, Out of yo misery that’s what you finna be, After we finished I’m done done. Runnin' through big stacks, Wit a quarter pound no Big Mac, Mane ima flex like a 6 pack, I come off uh da hip make em get back, Cross my ex no tic tac, Ion even really do chit chat, Big sawed off wit a kickback, Looking for the cheese where the likkz at. You switching up like you Brady, Ballin' they never could play me, Carry the drum like a cadence, Wanna talk to me gone pay me, Pop me a 30 go crazy, Rollin' could never be lazy, Alter my thoughts and be changing my mind when I think about it it’s amazing, I got a plug on the latest, Better handcuff to your lady, I ain’t trying to make you my baby, I want the cake like a happy belated, Rollin' stone I be so many places, Yellowstone call me Rip never play, Diamond on him lookin' like some Dasani, U can just call me the dock of the bay, Diamond on him lookin' like some Dasani, U can just call him the dock of the bay. And I go so hard, I really don't play You mess with my cake I come at yo face, Feel like I’m part of the alphabet a G wit a K, Feel like I’m part of the alphabet a G wit a K. You say you ready let yo soul float away, Big racks they on me and that’s all from today, Runnin' dat check up crazy gotta pay to play, Money heist I only want the code to the safe, Man down man down, I advise everybody just to stand down, Don’t ask don’t tell, Asking me questions no I do not hear a sound, Shawty she silly go dumb don’t it, I got the remedy bum bum, Out of yo misery that’s what you finna be, After we finished I’m done done.
Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass. Slick instrumental asserts a sinister power. Instrumental version.
Heavy, soulful, raw. Swirling piano sample and organ meets with Heavy, soulful, raw. Swirling piano sample and organ meets with strings offering a serious energy, supported by wobbling organ notes. Launch into heavy sub bass and trickling percussion. Sharp bouncy lyrical delivery about asking someone to show their love. Reminiscent of a group of people looking serious, stacking money and taking care of their business.歌词
Shawty mad at me so I had to buy a Rollie, Ice like hockey tryna block like a goalie, Mask on hittin' me a likk no Covid, Ballin' baby my game on Kobe, Finna put a tax on da ticket dat you owe me, You know I be all in da hood like a motor, Shawty said she love me so I told her gotta show it, Take her to da room baby let me see you throw it.
I just made it back in a day, I can’t even see da hate cause da racks in da way, If they ever try to play, Gotta hot pocket on me, When I pop it baby now I gotta throw it, Finna put a tax on da ticket dat you owe me, You know I be all in da hood like a motor, Shawty said she love me so I told her gotta show it, Take her to da room baby let me see you throw it.
I’m poppin' like soda, Different strands it’s a odor, Feel like quay cause I’m global, Feel like klay wit diz jumper, When I shoot I don’t miss plus I got the assist you check on my numbers, Plus I just had a party wit nothing but chicks you should check on yo woman, Runnin' up the bag got racks in da safe, Thinking he a killer wit the tats in the face, Mane fa da cheese they’ll rat on da case, Talk bad on ya back but uh dap in ya face, Roll up I gotta blow it, Pour a cup I had to slow it, Gettin' to it better know it, Talk to her like a poet.
Shawty mad at me so I had to buy a Rollie, Ice like hockey tryna block like a goalie, Mask on hittin' me a likk no Covid, Ballin' baby my game on Kobe, Finna put a tax on da ticket dat you owe me, You know I be all in da hood like a motor, Shawty said she love me so I told her gotta show it, Take her to da room baby let me see you throw it.
I just made it back in a day, I can’t even see da hate cause da racks in da way, If they ever try to play, Gotta hot pocket on me, When I pop it baby now I gotta throw it, Finna put a tax on da ticket dat you owe me, You know I be all in da hood like a motor, Shawty said she love me so I told her gotta show it, Take her to da room baby let me see you throw it.
Heavy, soulful, raw. Swirling piano sample meets with strings Heavy, soulful, raw. Swirling piano sample meets with strings offering a serious energy, supported by wobbling organ notes. Launch into heavy sub bass and trickling percussion. Reminiscent of a group of people looking serious, stacking money and taking care of their business. Instrumental version.
Lofi Hip-hop beat, Hip-hop bed with an East-coast vibe. Catchy, Lofi Hip-hop beat, Hip-hop bed with an East-coast vibe. Catchy, groovy, determined & nocturne. Piano, bass, synth, brass & rhythm. Suggested for business, fashion, street art & city life.
Alternative hip hop. Classy, hybrid, confident, streetwise & proud. Alternative hip hop. Classy, hybrid, confident, streetwise & proud. Break @ 1'31. Drum machine, piano, brass & strings. Music for entertainment, lifestyle & tv underscore.
Hip Hop track. Striking, motivating, swagger, strong & determined. Hip Hop track. Striking, motivating, swagger, strong & determined. Beat, brass, percussion, guitar & synth. Synth line @ 0'41. For sport challenge, fitness, fighting spirit, action & video games.
