Energetic, hearty, jazzy. Lone timpani drumbeats stretch out, Energetic, hearty, jazzy. Lone timpani drumbeats stretch out, becoming rhythmic off the back of trickling percussive hits, falling into big band late-night jazz and diving into intense double bass beat. Fiery jazz with a passionate pace. The bright lights of the big city with frantic movement and fun happening all around. Trilling saxophones and agile ride cymbal rhythms.
Energetic, hearty, jazzy. Lone timpani drumbeats stretch out, Energetic, hearty, jazzy. Lone timpani drumbeats stretch out, becoming rhythmic off the back of trickling percussive hits, diving into intense double bass beat. A passionate pace. The bright lights of the big city with frantic movement and fun happening all around. Agile ride cymbals convey a sense of quickening spirit. Stripped back underscore version.
Energetic, hearty, jazzy. Lone timpani drumbeats stretch out, Energetic, hearty, jazzy. Lone timpani drumbeats stretch out, becoming rhythmic off the back of trickling percussive hits. The bright lights of the big city with frantic movement and fun happening all around. Retro vibe, the 1930s and 1940s. Drums only version.
Mischievous, fashionable, fun-loving. Instrumentation dives straight Mischievous, fashionable, fun-loving. Instrumentation dives straight in with 12-bar blues bassline and call and response brass elements. Wandering bassline gives a sense of community and social energy, a bar of people laughing and joking, a basement that's a little gloomy but hip and stylish. Saxophone solo at 00:43 languishes in the midst of instrumentation, supporting feeling of freeform chill. Sharp melodic impacts peppered throughout track give a feeling of energy.
Suspicious, cunning, devious. Leading saxophone melody joins with Suspicious, cunning, devious. Leading saxophone melody joins with light percussion to create a sense of cool suspicion. Visions of an old school police car roaming the streets and looking for a culprit. Jazzy style gives the impression of a big industrial city in the USA. An innocent person escaping from prison and going on the run.
Bluesy, anxious, pacy. Fast rhythm begins with subtle 12-bar blues Bluesy, anxious, pacy. Fast rhythm begins with subtle 12-bar blues bass. Tight instrumentation communicates a high-strung vibe. Someone at their wits end, making their way through a crowded city street. Trumpet solo at 01:18 gives a more freeform energy, a person wandering the street in despair.
Fun, excitable, meaningful. Muted trumpet and piano join together in Fun, excitable, meaningful. Muted trumpet and piano join together in a warm embrace, playing through an emotive but reassuring melody. Big swell of brass instrumentation meets with pacy cymbals, launching the melody into a tight jazzy style.
Fun, excitable, meaningful. Muted trumpet and piano join together in Fun, excitable, meaningful. Muted trumpet and piano join together in a warm embrace, playing through an emotive but reassuring melody. Big swell of brass instrumentation meets with pacy cymbals, launching into a tight jazzy style with briskly delivered female vocal performance with lyrics expressing a pride in the religious story. A time for celebration and fun. Vocal version.歌词
Go, tell it on the mountain, Over the hills and everywhere,Go, tell it on the mountain, That Jesus Christ is born.
While shepherds kept their watching, O'er silent flocks by night, Behold throughout the heavens, There shone a Holy light.
Go, tell it on the mountain,
Over the hills and everywhere, Go, tell it on the mountain, That Jesus Christ is born.
Go, tell it on the mountain, Over the hills and everywhere, Go, tell it on the mountain, That Jesus Christ is born.
The shepherds feared and trembled, When, lo! Above the Earth, Rang out the angel chorus, That hailed our Savior's birth.
Go, tell it on the mountain, Over the hills and everywhere, Go, tell it on the mountain, That Jesus Christ is born.
Fun, excitable, meaningful. Muted trumpet and piano join together in Fun, excitable, meaningful. Muted trumpet and piano join together in a warm embrace, playing through an emotive but reassuring melody. Big swell of pacy cymbals, launching the melody into a tight jazzy style. Stripped back underscore version.
Fun, celebratory, jazzy. Jazz drumming launches into jazzy refrain Fun, celebratory, jazzy. Jazz drumming launches into jazzy refrain with blues bass riff, clean guitar and sharp accenting brass bursts. A positive and uplifting rhythm with carefree jazzy crescendos. Drumming turns up in intensity with splashing ride cymbals expressing a jovial vibe.
Fun, celebratory, jazzy. Jazz drumming launches into jazzy refrain Fun, celebratory, jazzy. Jazz drumming launches into jazzy refrain with blues bass riff, clean guitar and sharp accenting brass bursts. Female vocals sing out passionately about Santa Claus bringing joy and having fun. A positive and uplifting rhythm with carefree jazzy crescendos. Drumming turns up in intensity with splashing ride cymbals expressing a jovial vibe. Vocal version.歌词
Up on the house top reindeer pause, Out jumps good old Santa Claus, Down through the chimney with lots of toys, All part of a little ones with Christmas joys.
Oh ho ho, who wouldn't go? Ho-ho-ho who wouldn't go? Up on the housetop, click-click-click, Down to the chimney with the good St. Nick.
First comes the stocking of little Nell, Oh, dear Santa will fill it well, Give her a dolly that laughs and cries, One that can open and shut its eyes.
Oh ho ho, who wouldn't go? Ho-ho-ho who wouldn't go? Up on the housetop, click-click-click, Down to the chimney with the good St. Nick.
Fun, celebratory, jazzy. Jazz drumming launches into jazzy refrain Fun, celebratory, jazzy. Jazz drumming launches into jazzy refrain with blues bass riff and clean guitar. A positive and uplifting rhythm. Drumming turns up in intensity with splashing ride cymbals expressing a jovial vibe. Stripped back underscore version.
Romance in the spirit of Broadway musicals of 40s & 50s. Sensual, Romance in the spirit of Broadway musicals of 40s & 50s. Sensual, sentimental, lazy & sophisticated. Male singer in crooner style, orchestra, string ensemble, brass & rhythm. Lead muted trumpet @ 1'42.歌词
I JUST DON’T CARE
Music by Sebastijan Duh Lyrics by John Greaves
THERE IS SOMETHING IN HIS EYES THAT I SHOULD RECOGNIZE BE SMART BE COOL BEWARE
EVEN THO I REALIZE IT’S PROBABLY UNWISE I JUST DON’T CARE
MY FEET ARE OFF THE GROUND MY POOR HEAD IS SPINNING AROUND
PLEASE JUST LET ME FANTASIZE HE’S NOT LIKE OTHER GUYS IT’S REAL LOVE I HAVE FOUND
LOOKS LIKE THE WRITING’S ON THE WALL NO USE IN FIGHTING, NONE AT ALL WHO COULD HAVE THOUGHT THAT I WOULD FALL SO HELPLESSLY ?
IF YOU’RE THINKING I AM DUMB TO FALL UNDER HIS THUMB DUMB MAYBE BUT I’M HAPPY
Romance in the spirit of Broadway musicals of 40s & 50s. Sensual, Romance in the spirit of Broadway musicals of 40s & 50s. Sensual, lazy & sophisticated. Female singer, orchestra with string ensemble, brass & brushes. Muted trumpet @ 1'42.歌词
I JUST DON’T CARE
Music by Sebastijan Duh
Lyrics by John Greaves
THERE IS SOMETHING IN HIS EYES
THAT I SHOULD RECOGNIZE
BE SMART BE COOL BEWARE
EVEN THO I REALIZE
IT’S PROBABLY UNWISE
I JUST DON’T CARE
MY FEET ARE OFF THE GROUND
MY POOR HEAD IS SPINNING AROUND
PLEASE JUST LET ME FANTASIZE
HE’S NOT LIKE OTHER GUYS
IT’S REAL LOVE I HAVE FOUND
LOOKS LIKE THE WRITING’S ON THE WALL
NO USE IN FIGHTING, NONE AT ALL
WHO COULD HAVE THOUGHT THAT I WOULD FALL
SO HELPLESSLY ?
IF YOU’RE THINKING I AM DUMB
TO FALL UNDER HIS THUMB
DUMB MAYBE BUT I’M HAPPY
We May Fall in Love We May Fall in Love Instrumental [CEZ4511 - 10]
0
2'03
Julien Vega
Waltz. Melancholic & sentimental. Orchestra with string ensemble, Waltz. Melancholic & sentimental. Orchestra with string ensemble, piano , saxophone, trumpet & rhythm. In the spirit of Broadway musicals of 40s & 50s.
The Lyricist's Lament The Lyricist's Lament Instrumental [CEZ4511 - 17]
0
1'59
Sebastijan Duh John Greaves
Medium swing, on tiptoe. Orchestra, string ensemble, lead vibes, Medium swing, on tiptoe. Orchestra, string ensemble, lead vibes, brass, pizzicato & rhythm.
Bluesy song in the spirit of the musicals,. Lazy, melancholic. Male Bluesy song in the spirit of the musicals,. Lazy, melancholic. Male singer in crooner style, Orchestra, pizz, piano, string ensemble, brass & rhythm with brushes.歌词
RAINY DAY
Music by Julien Vega
Lyrics by John Greaves & Julien Vega
Rainy day
Feeling blue
Skies are grey
Where are you?
I know I
Shouldn’t feel this way
But I do
Don’t know where
Don’t know when
But I swear
We’ll meet again
And we’ll laugh away
That rainy day
From way back then
Rainy day
Sentimental, tender & moving waltz. Music hall orchestra, string Sentimental, tender & moving waltz. Music hall orchestra, string ensemble, piano, brass & rhythm. In the spirit of Broadway musicals of 50s & 60s.
Dancing & exotic show song. Rumba. Danceable, sun-drenched & exotic. Dancing & exotic show song. Rumba. Danceable, sun-drenched & exotic. Male singer, orchestra, string ensemble, piano, brass, marimba, Latin percussion & rhythm. In the spirit of Broadway musicals of the 30s, 40s & 50s.歌词
COCONUT TREE
Music by Julien Vega
Lyrics by John Greaves & Julien Vega
I’VE BEEN TO PARIS AND LONDON
IT’S ALL WORK THERE’S NO FUN
PUSHING, SHOVING ALL AROUND
NOBODY’S HAPPY I’LL BE BOUND
I’VE BEEN TO MOSCOW AND TO TORONTO
NEVER SEEN SO MUCH SNOW
THIS IS NOT THE PLACE TO BE
10 BELOW IS NOT FOR ME
THE SEA THE SUN AND THE COCONUT TREE
THAT IS ALL YOU NEED TO SEE
THERE’S NO BETTER PLACE TO BE
THE SEA, THE SUN AND A COCONUT TREE
ONE THING I’M SURE OF
I NEED SOME MORE OF
ENCORE, ENCORE OF
THE SEA THE SUN AND THE COCONUT TREE
I BEEN TO TOKYO AND NEW YORK
ALL THEM SIGNS SAY STOP DON’T WALK
I JUST WANT TO FLY AWAY
BACK TO WHERE THE STEEL BANDS PLAY
THAT IS ALL THAT I WANT TO SAY
THE SEA THESUN AND A COCONUT TREE
THAT IS ALL YOU NEED TO SEE
THERE’S NO BETTER PLACE TO BE
THE SEA, THE SUN AND THE COCONUT TREE
60's. TV series. Comedy. Jazzy. Joyful & carefree. Big band, bell 60's. TV series. Comedy. Jazzy. Joyful & carefree. Big band, bell tree, xylophone & rhythm.
Propulsive, energetic, intriguing. Upbeat and determined jazz drums Propulsive, energetic, intriguing. Upbeat and determined jazz drums with cool trumpet melodies. Solo percussive interludes rise with dramatic brass stabs to huge, confident peaks. Sensational big band jazz track with style.
Ragtime. The Golden Age (Early Jazz of the 1910s and 1920s). Joyful & Ragtime. The Golden Age (Early Jazz of the 1910s and 1920s). Joyful & dancefloor. Big band.
Fun, impassioned, nimble. Flapper drumming slides into buoyant bass Fun, impassioned, nimble. Flapper drumming slides into buoyant bass and piano, followed by lighter instrumentation with horn and sibilant cymbals. Light-footed feeling, agile and carefree dancing. Saxophone solo at 01:20 provides a passionate refrain joined by lower trumpets all cloying with cool tunes and riffs. Visions of large rooms of people dancing non-stop, old-fashioned cocktails.
