| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
One & Only [INP081 - 5] |
2'27 | Chun-Hsiang Chen, Sebastian Sprenger | Emboldened, epic, important. Large muffled beat and droning bass give | 画面感 固执 进步 预告片 | Cm | 110 | ||||
|
One & Only Underscore [INP081 - 15] |
版本. | 2'27 | Chun-Hsiang Chen, Sebastian Sprenger | Emboldened, epic, important. Piano and string combination rise up | 画面感 固执 进步 预告片 | Cm | 110 | |||
|
Irae [AMS5056 - 2] |
2'47 | Dmytro Berezhnyi from P.D. | ☆ Nominated "Best Wildcard" @Production Music Awards UK 2025 ☆ | 古典音乐改编曲 沉重 极限运动 史诗 | Gm | 148 | ||||
|
Irae Alternate 1 [AMS5056 - 16] |
版本. | 2'47 | Dmytro Berezhnyi from P.D. | Version without percussion | 古典音乐改编曲 史诗 极限运动 动作片 | Gm | 147 | |||
|
Irae Alternate 2 [AMS5056 - 17] |
版本. | 2'47 | Dmytro Berezhnyi from P.D. | Version with percussion only | 古典音乐改编曲 极限运动 史诗 动作片 | Gm | 148 | |||
|
Irae Alternate 3 [AMS5056 - 18] |
版本. | 2'47 | Dmytro Berezhnyi from P.D. | Version without choir | 古典音乐改编曲 沉重 极限运动 史诗 | Gm | 148 | |||
|
Irae Alternate 4 [AMS5056 - 19] |
版本. | 2'47 | Dmytro Berezhnyi from P.D. | Version without strings | 古典音乐改编曲 沉重 极限运动 史诗 | Gm | 148 | |||
|
Irae Alternate 5 [AMS5056 - 20] |
版本. | 2'47 | Dmytro Berezhnyi from P.D. | Bed version | 古典音乐改编曲 极限运动 动作片 史诗 | Gm | 148 | |||
|
Irae Alternate 6 [AMS5056 - 21] |
版本. | 2'47 | Dmytro Berezhnyi from P.D. | Underscore version | 古典音乐改编曲 沉重 极限运动 史诗 | Gm | 148 | |||
|
Irae Edit 1 30s [AMS5056 - 22] |
版本. | 0'30 | Dmytro Berezhnyi from P.D. | 30 second cut | 古典音乐改编曲 沉重 极限运动 史诗 | Gm | 148 | |||
|
Irae Edit 2 15s [AMS5056 - 23] |
版本. | 0'15 | Dmytro Berezhnyi from P.D. | 15 second cut | 古典音乐改编曲 沉重 极限运动 史诗 | Gm | 148 | |||
|
The World is Mine [AMS5055 - 1] |
3'07 | Philippe Briand | ☆ Nominated "Best Hip Hop" @Production Music Awards UK 2025 ☆ 歌词 | 嘻哈预告风 高潮 骄傲 预告片 | Dm | 96 | ||||
|
The World is Mine Alternate 1 [AMS5055 - 7] |
版本. | 3'07 | Philippe Briand | Version without percussion | 嘻哈预告风 高潮 骄傲 预告片 | Dm | 96 | |||
|
The World is Mine Alternate 2 [AMS5055 - 8] |
版本. | 3'07 | Philippe Briand | Version with percussion only | 嘻哈预告风 高潮 骄傲 预告片 | Fm | 96 | |||
|
The World is Mine Alternate 3 [AMS5055 - 9] |
版本. | 3'07 | Philippe Briand | Instrumental version | 嘻哈预告风 高潮 骄傲 预告片 | Dm | 96 | |||
|
The World is Mine Alternate 4 [AMS5055 - 10] |
版本. | 3'07 | Philippe Briand | Bed version | 嘻哈预告风 高潮 骄傲 预告片 | Dm | 96 | |||
|
The World is Mine Alternate 5 [AMS5055 - 11] |
版本. | 3'07 | Philippe Briand | Underscore version | 嘻哈预告风 高潮 骄傲 预告片 | Dm | 96 | |||
|
The World is Mine Edit 1 30
[AMS5055 - 12] |
版本. | 0'28 | Philippe Briand | 30 second cut | 嘻哈预告风 骄傲 预告片 态度 | Am | 96 | |||
|
The World is Mine Edit 2 15
[AMS5055 - 13] |
版本. | 0'15 | Philippe Briand | 15 second cut | 嘻哈预告风 骄傲 预告片 态度 | Am | 96 | |||
|
Wake Up! [AMS5053 - 2] |
2'13 | Thomas Langan | Trailer. Clean intro with beeping, distant strings & sub FX. | 爆炸 预告片 画面感 进行中 | Am | 118 | ||||
|
Wake Up! Alternate 1 [AMS5053 - 14] |
版本. | 2'13 | Thomas Langan | Version without percussion. | 预告片 画面感 进行中 无情 | A | 117 | |||
|
Wake Up! Alternate 2 [AMS5053 - 15] |
版本. | 2'13 | Thomas Langan | Version with percussion only. | 爆炸 预告片 画面感 进行中 | Em | 118 | |||
|
Wake Up! Alternate 3 [AMS5053 - 16] |
版本. | 2'13 | Thomas Langan | Bed version. | 爆炸 预告片 画面感 进行中 | Am | 118 | |||
|
Wake Up! Edit 1 30 sec [AMS5053 - 17] |
版本. | 0'33 | Thomas Langan | 30 second cut. | 爆炸 预告片 画面感 进行中 | A | 118 | |||
|
Wake Up! Edit 2 15 sec [AMS5053 - 18] |
版本. | 0'17 | Thomas Langan | 15 second cut. | 爆炸 预告片 画面感 进行中 | Am | 118 | |||
|
Death Blossom [AMS5053 - 3] |
2'06 | Thomas Langan | Trailer. Intro with bass synth, trailer FX & ticking FX. Industrial, | 沉重 画面感 高潮 令人不安 | G | 80 | ||||
|
Death Blossom Alternate 1 [AMS5053 - 19] |
版本. | 2'06 | Thomas Langan | Version without percussion. | 画面感 高潮 令人不安 沉重 | G | 80 | |||
|
Death Blossom Alternate 2 [AMS5053 - 20] |
版本. | 2'06 | Thomas Langan | Version with percussion only. | 沉重 画面感 高潮 令人不安 | Em | 162 | |||
|
Death Blossom Alternate 3 [AMS5053 - 21] |
版本. | 2'06 | Thomas Langan | Bed version. | 画面感 高潮 令人不安 预告片 | G | 80 | |||
|
Death Blossom Edit 1 30 sec [AMS5053 - 22] |
版本. | 0'28 | Thomas Langan | 30 second cut. | 沉重 画面感 高潮 令人不安 | G | 80 | |||
|
Death Blossom Edit 2 15 sec [AMS5053 - 23] |
版本. | 0'15 | Thomas Langan | 15 second cut. | 沉重 画面感 高潮 令人不安 | Gm | 162 | |||
|
Launch Codes [AMS5053 - 4] |
2'12 | Thomas Langan | Trailer. Noxious intro with ticking FX & bass synth. Tense, urgent & | 无情 画面感 令人不安 沉重 | Dm | 88 | ||||
|
Launch Codes Alternate 1 [AMS5053 - 24] |
版本. | 2'12 | Thomas Langan | Version without percussion. | 无情 画面感 令人不安 沉重 | D | 88 | |||
|
Launch Codes Alternate 2 [AMS5053 - 25] |
版本. | 2'12 | Thomas Langan | Version with percussion only. | 无情 画面感 令人不安 沉重 | Em | 88 | |||
|
Launch Codes Alternate 3 [AMS5053 - 26] |
版本. | 2'12 | Thomas Langan | Bed version. | 无情 画面感 令人不安 沉重 | D | 88 | |||
|
Launch Codes Edit 1 30 sec [AMS5053 - 27] |
版本. | 0'32 | Thomas Langan | 30 second cut. | 无情 画面感 令人不安 沉重 | Em | 88 | |||
|
Launch Codes Edit 2 15 sec [AMS5053 - 28] |
版本. | 0'18 | Thomas Langan | 15 second cut. | 无情 画面感 令人不安 沉重 | Gm | 88 | |||
|
Malfunction [AMS5053 - 7] |
2'02 | Thomas Langan | Trailer. Intro with sound design, metallic FX & pulsations. | 冲突 战争 画面感 战士 | Em | 102 | ||||
|
Malfunction Alternate 1 [AMS5053 - 39] |
版本. | 2'02 | Thomas Langan | Version without percussion. | 战争 画面感 令人不安 固执 | Em | 136 | |||
|
Malfunction Alternate 2 [AMS5053 - 40] |
版本. | 2'02 | Thomas Langan | Version with percussion only. | 冲突 战争 画面感 战士 | Em | 102 | |||
|
Malfunction Alternate 3 [AMS5053 - 41] |
版本. | 2'02 | Thomas Langan | Bed version. | 战争 画面感 令人不安 沉重 | Em | 101 | |||
|
Malfunction Edit 1 30 sec [AMS5053 - 42] |
版本. | 0'31 | Thomas Langan | 30 second cut. | 冲突 战争 画面感 战士 | Em | 102 | |||
|
Malfunction Edit 2 15 sec [AMS5053 - 43] |
版本. | 0'16 | Thomas Langan | 15 second cut. | 冲突 战争 画面感 战士 | Em | 102 | |||
|
Car Bomb [AMS5053 - 8] |
2'24 | Thomas Langan | Trailer. Anxious intro with sound design & riser FX. Scary, toxic & | 冲击 画面感 预告片 垃圾音效 | Dm | 131 | ||||
|
Car Bomb Alternate 1 [AMS5053 - 44] |
版本. | 2'24 | Thomas Langan | Version without percussion. | 画面感 预告片 冲突 战争 | Dm | 172 | |||
|
Car Bomb Alternate 2 [AMS5053 - 45] |
版本. | 2'24 | Thomas Langan | Version with percussion only. | 冲击 画面感 预告片 垃圾音效 | Gm | 131 | |||
|
Car Bomb Alternate 3 [AMS5053 - 46] |
版本. | 2'24 | Thomas Langan | Bed version. | 冲击 画面感 预告片 垃圾音效 | Dm | 130 | |||
|
Car Bomb Edit 1 30 sec [AMS5053 - 47] |
版本. | 0'30 | Thomas Langan | 30 second cut. | 冲击 画面感 预告片 垃圾音效 | Dm | 131 | |||
|
Car Bomb Edit 2 15 sec [AMS5053 - 48] |
版本. | 0'16 | Thomas Langan | 15 second cut. | 冲击 画面感 预告片 垃圾音效 | Em | 131 | |||
|
Moving Skies [CET9106 - 10] |
2'36 | Brian Delgado | Majestic epic trailer. Tense & transcendent introduction with | 凯旋 冒险片 画面感 庄严 | Dm | 178 | ||||
|
Moving Skies Alternate [CET9106 - 20] |
版本. | 2'36 | Brian Delgado | Version without percussion. | 凯旋 冒险片 画面感 庄严 | Dm | 178 | |||
|
Ground Rumble [CET9104 - 4] |
2'09 | Sigurd Johnk-Jensen | Trailer rock. Introduction with distorted synth, neo piano ping & | 影院摇滚 令人激动 沉重 冲击 | Em | 70 | ||||
|
Ground Rumble Alternate 1 [CET9104 - 26] |
版本. | 2'09 | Sigurd Johnk-Jensen | Version without percussion. | 影院摇滚 令人激动 预告片 态度 | Em | 70 | |||
|
Ground Rumble Alternate 2 [CET9104 - 27] |
版本. | 2'09 | Sigurd Johnk-Jensen | Version with percussion only. | 影院摇滚 令人激动 沉重 冲击 | Gm | 70 | |||
|
Ground Rumble Alternate 3 [CET9104 - 28] |
版本. | 2'09 | Sigurd Johnk-Jensen | Bed version. | 影院摇滚 令人激动 预告片 冲突 | Em | 70 | |||
|
Ground Rumble Alternate 4 [CET9104 - 29] |
版本. | 2'09 | Sigurd Johnk-Jensen | Underscore version. | 影院摇滚 令人激动 预告片 强调突出 | Em | 70 | |||
|
Ground Rumble Edit 1 30s [CET9104 - 30] |
版本. | 0'29 | Sigurd Johnk-Jensen | 30 second cut. | 影院摇滚 令人激动 沉重 冲击 | Em | 70 | |||
|
Ground Rumble Edit 2 15s [CET9104 - 31] |
版本. | 0'18 | Sigurd Johnk-Jensen | 15 second cut. | 影院摇滚 令人激动 沉重 冲击 | Em | 70 | |||
|
Authority [CET9104 - 7] |
2'15 | Sigurd Johnk-Jensen | Trailer rock. Introduction with FX sub and sound design. Urgent, | 影院摇滚 气势 极限运动 态度 | Em | 100 | ||||
|
Authority Alternate 1 [CET9104 - 44] |
版本. | 2'15 | Sigurd Johnk-Jensen | Version without percussion. | 影院摇滚 极限运动 态度 男人 | Em | 100 | |||
|
Authority Alternate 2 [CET9104 - 45] |
版本. | 2'15 | Sigurd Johnk-Jensen | Version with percussion only. | 影院摇滚 极限运动 态度 男人 | Gm | 100 | |||
|
Authority Alternate 3 [CET9104 - 46] |
版本. | 2'15 | Sigurd Johnk-Jensen | Bed version. | 影院摇滚 极限运动 态度 男人 | Em | 100 | |||
|
Authority Alternate 4 [CET9104 - 47] |
版本. | 2'15 | Sigurd Johnk-Jensen | Underscore version. | 影院摇滚 极限运动 态度 男人 | Em | 100 | |||
|
Authority Edit 1 30s [CET9104 - 48] |
版本. | 0'31 | Sigurd Johnk-Jensen | 30 second cut. | 影院摇滚 气势 极限运动 态度 | Em | 100 | |||
|
Authority Edit 2 15s [CET9104 - 49] |
版本. | 0'19 | Sigurd Johnk-Jensen | 15 second cut. | 影院摇滚 气势 极限运动 态度 | Em | 100 | |||
|
Here We Go [CET9104 - 8] |
2'17 | Sigurd Johnk-Jensen | Trailer rock. Introduction with FX sub, riser & sound design. Heavy, | 吵闹 影院摇滚 火热 沉重 | Em | 172 | ||||
|
Here We Go Alternate 1 [CET9104 - 50] |
版本. | 2'17 | Sigurd Johnk-Jensen | Version without percussion. | 影院摇滚 态度 高潮 令人激动 | Em | 165 | |||
|
Here We Go Alternate 2 [CET9104 - 51] |
版本. | 2'17 | Sigurd Johnk-Jensen | Version with percussion only. | 吵闹 影院摇滚 火热 预告片 | Abm | 172 | |||
|
Here We Go Alternate 3 [CET9104 - 52] |
版本. | 2'17 | Sigurd Johnk-Jensen | Bed version. | 影院摇滚 火热 预告片 态度 | Em | 172 | |||
|
Here We Go Alternate 4 [CET9104 - 53] |
版本. | 2'17 | Sigurd Johnk-Jensen | Underscore version. | 影院摇滚 火热 预告片 态度 | Em | 172 | |||
|
Here We Go Edit 1 30s [CET9104 - 54] |
版本. | 0'29 | Sigurd Johnk-Jensen | 30 second cut. | 紧急 预告片 吵闹 高潮 | Em | 85 | |||
|
Here We Go Edit 2 15s [CET9104 - 55] |
版本. | 0'18 | Sigurd Johnk-Jensen | 15 second cut. | 吵闹 影院摇滚 火热 沉重 | Em | 172 | |||
|
Cyber Doom [AMS5052 - 2] |
2'31 | Thomas Lucas | Electro clash. Determined, marching, robotic, insidious & aggressive. | 俱乐部 撞击电子乐 时尚 固执 | Bm | 103 | ||||
|
Cyber Doom Alternate 1 [AMS5052 - 13] |
版本. | 2'31 | Thomas Lucas | Percussion only version. | 俱乐部 撞击电子乐 时尚 固执 | Bm | 103 | |||
|
Cyber Doom Alternate 2 [AMS5052 - 14] |
版本. | 2'31 | Thomas Lucas | Underscore version. | 俱乐部 撞击电子乐 时尚 固执 | Bm | 103 | |||
|
Cyber Doom Edit 1 30 sec [AMS5052 - 15] |
版本. | 0'37 | Thomas Lucas | 30 second cut. | 俱乐部 撞击电子乐 时尚 固执 | B | 103 | |||
|
Cyber Doom Edit 2 15 sec [AMS5052 - 16] |
版本. | 0'18 | Thomas Lucas | 15 second cut. | 俱乐部 撞击电子乐 时尚 固执 | B | 103 | |||
|
Oblivion [AMS5052 - 7] |
2'13 | Thomas Lucas | Electro clash. Spasmodic, sustained, mid-tempo & rough. Synths, | 撞击电子乐 俱乐部 固执 机器人 | Ebm | 101 | ||||
|
Oblivion Alternate 1 [AMS5052 - 33] |
版本. | 2'13 | Thomas Lucas | Percussion only version. | 撞击电子乐 俱乐部 固执 机器人 | Gm | 101 | |||
|
Oblivion Alternate 2 [AMS5052 - 34] |
版本. | 2'13 | Thomas Lucas | Underscore version. | 撞击电子乐 俱乐部 固执 机器人 | Ebm | 101 | |||
|
Oblivion Edit 1 30 sec [AMS5052 - 35] |
版本. | 0'38 | Thomas Lucas | 30 second cut. | 撞击电子乐 俱乐部 固执 机器人 | Ebm | 101 | |||
|
Oblivion Edit 2 15 sec [AMS5052 - 36] |
版本. | 0'19 | Thomas Lucas | 15 second cut. | 撞击电子乐 俱乐部 固执 机器人 | Eb | 101 | |||
|
Overdrive Resistance [AMS5052 - 8] |
2'00 | Thomas Lucas | Electro clash / Dubstep. Glitchy, mechanical, fiery & heavy. | 态度 回响贝斯 动人 沉重 | Bm | 120 | ||||
|
Overdrive Resistance
[AMS5052 - 37] |
版本. | 2'00 | Thomas Lucas | Percussion only version. | 态度 回响贝斯 动人 沉重 | Gbm | 120 | |||
|
Overdrive Resistance
[AMS5052 - 38] |
版本. | 2'00 | Thomas Lucas | Underscore version. | 态度 回响贝斯 动人 沉重 | Gbm | 120 | |||
|
Overdrive Resistance Edit 1
[AMS5052 - 39] |
版本. | 0'32 | Thomas Lucas | 30 second cut. | 态度 回响贝斯 动人 沉重 | Bm | 120 | |||
|
Overdrive Resistance Edit 2
[AMS5052 - 40] |
版本. | 0'16 | Thomas Lucas | 15 second cut. | 态度 回响贝斯 动人 沉重 | Bm | 120 | |||
|
Butterfly Effect [INP077 - 1] |
2'24 | Willie Eaglin, Ashley Holbrook | Prepared, embattled, epic. Sharp strings and ghostly choral voices | 团队运动 嘻哈预告风 沉重 固执 | Cm | 140 | ||||
|
Butterfly Effect (Underscore) [INP077 - 11] |
版本. | 2'24 | Willie Eaglin, Ashley Holbrook | Prepared, embattled, epic. Sharp strings and ghostly choral voices | Cm | 140 | ||||
|
Brash [INP077 - 5] |
2'21 | Willie Eaglin, Ashley Holbrook | Confident, climactic, epic. String sequence trickles down through | 冲击 火热 嘻哈预告风 沉重 | Dm | 162 | ||||
|
Brash (Underscore) [INP077 - 15] |
版本. | 2'20 | Willie Eaglin, Ashley Holbrook | Confident, climactic, epic. String sequence falls from the back of | Dm | 162 | ||||
|
Scratch And Claw [INP077 - 9] |
2'36 | Willie Eaglin, Ashley Holbrook | Dramatic, heroic, meaningful. Large bass impact fires out, giving | 嘻哈预告风 沉重 固执 极限运动 | Cm | 130 | ||||
|
Scratch And Claw (Underscore) [INP077 - 19] |
版本. | 2'36 | Willie Eaglin, Ashley Holbrook | Dramatic, heroic, meaningful. Large bass impact fires out, giving | Cm | 130 | ||||
|
Treachery [INP077 - 10] |
2'31 | Willie Eaglin, Ashley Holbrook | Brave, anticipatory, climactic. Gritty synth gives atmosphere a raw | 嘻哈预告风 气势 极限运动 态度 | Gm | 162 | ||||
|
Treachery (Underscore) [INP077 - 20] |
版本. | 2'31 | Willie Eaglin, Ashley Holbrook | Brave, anticipatory, climactic. Gritty synth gives atmosphere a raw | Gm | 162 | ||||
|
Rebel Machines [AMS5048 - 3] |
1'40 | Philippe Briand, Salvador Casais | Cinematic rock trailer. Stomping, heavy & with attitude. Saturated | 摇滚说唱 团队运动 街头运动 影院摇滚 | Em | 138 | ||||
|
Rebel Machines Alternate 1 [AMS5048 - 19] |
版本. | 1'40 | Philippe Briand, Salvador Casais | Version without percussion | 影院摇滚 电吉他效果器 摇滚说唱 气势 | Em | 137 | |||
|
Rebel Machines Alternate 2 [AMS5048 - 20] |
版本. | 1'40 | Philippe Briand, Salvador Casais | Version with percussion only | 影院摇滚 摇滚说唱 气势 团队运动 | Gm | 137 | |||
|
Rebel Machines Alternate 3 [AMS5048 - 21] |
版本. | 1'40 | Philippe Briand, Salvador Casais | Bed version | 影院摇滚 电吉他效果器 摇滚说唱 气势 | Em | 138 | |||
|
Rebel Machines Alternate 4 [AMS5048 - 22] |
版本. | 1'40 | Philippe Briand, Salvador Casais | Underscore version | 影院摇滚 电吉他效果器 摇滚说唱 气势 | Am | 138 | |||
|
Rebel Machines Edit 1 30 sec [AMS5048 - 23] |
版本. | 0'31 | Philippe Briand, Salvador Casais | 30 second cut | 影院摇滚 电吉他效果器 摇滚说唱 气势 | Em | 138 | |||
|
Rebel Machines Edit 2 15 sec [AMS5048 - 24] |
版本. | 0'15 | Philippe Briand, Salvador Casais | 15 second cut | 影院摇滚 电吉他效果器 摇滚说唱 气势 | Am | 137 |