Stirring, joyful, tough. Large classic rock guitar vibe as claps lead ...Stirring, joyful, tough. Large classic rock guitar vibe as claps lead a feeling of momentum, guitar plays out a swirling violin line reminiscent of folky music. Unrestrained energy from intense instrumentation and distorted guitar communicating power and rebelliousness. Instrumental version.
Stirring, joyful, tough. Large classic rock guitar vibe as claps lead ...Stirring, joyful, tough. Large classic rock guitar vibe as claps lead a feeling of momentum, guitar plays out a swirling violin line reminiscent of folky music. Gravelly male voice sings about being a strong man, leaving home and fighting for your identity. Unrestrained energy from explosive vocals and chants, meshing with folk energy.歌词
There comes a time in a young man’s life when he has to make a choice, To stay at home and be afraid or leave the nest and fight, To shut himself away for good or live a life of pride, With a courage that will never fray, through storms and swelling tide, So from craggy shore to broken sky and to all that came before, We raise a glass to those that choose to fight for something more!
With your fists held tight, That they just might break, Like the dawn that comes, It’s not too late.
Just grit your teeth and stand your ground, (Wooahhhhhoooaahhh) Don't ever let them hold you down, (Wooahhhhhoooaahhh) From far and wide they'll hear us yell, (Wooahhhhhoooaahhh) ‘We'll stand together and give ‘em hell’. (Wooahhhhhoooaahhh)
It’s never quite enough you see to work until your old, To live a life of sacrifice with nothing good to show, For when it’s time to meet your end and look back on your life, Did you stay within dotted lines or rise against and fight? From the craggy shores to broken skies and to all that came before, We raise a glass to those that choose to fight for something more!
Hold your fists up tight, You know It’s not too late.
Just grit your teeth and stand your ground, (Wooahhhhhoooaahhh) Don't ever let them hold you down, (Wooahhhhhoooaahhh) From far and wide they'll hear us yell, (Wooahhhhhoooaahhh) ‘We'll stand, together, and give, them, hell’.
Fun, rustic, passionate. Banjo notes give a country vibe as rock ...Fun, rustic, passionate. Banjo notes give a country vibe as rock instrumentation carries them on a rousing and fun-loving energy with winding riffs. Searching sequence at 01:00 with building flutes. Incessant rhythm gives a jaunty momentum and swing, giving a celtic spirit. Instrumental version.
Fun, rustic, passionate. Banjo notes give a country vibe as rock ...Fun, rustic, passionate. Banjo notes give a country vibe as rock instrumentation carries them on a rousing and fun-loving energy with winding riffs and stirring vocals. Searching sequence at 01:00 with building flutes. Incessant rhythm gives a jaunty momentum and swing, giving a celtic spirit.
Fun-loving, quaint, gentle. Rolling snares give way to soft folk ...Fun-loving, quaint, gentle. Rolling snares give way to soft folk instrumentation with vocal shouts and enjoyable celtic melodies. Bass and drums roll together in a fast-paced jig rhythm. Images of people dancing fast and smiling joyously together in a warm pub or inn. Winding, ornate notes at 01:10 lead into quaint breakdown, as larger guitar comes in. Stripped back underscore version.
Fun-loving, quaint, gentle. Rolling snares give way to soft folk ...Fun-loving, quaint, gentle. Rolling snares give way to soft folk instrumentation with vocal shouts and enjoyable celtic melodies. Bass and drums roll together in a fast-paced jig rhythm. Images of people dancing fast and smiling joyously together in a warm pub or inn. Winding, ornate notes at 01:10 lead into quaint breakdown, as larger guitar comes in.
Rebellious, nautical, raucous. Winding accordion meets with distorted ...Rebellious, nautical, raucous. Winding accordion meets with distorted guitar, launching into dramatic drumbeat in a determined rock instrumentation. Sea shanty vibe from rolling rhythm and stern chord progressions. Instrumentation disappears for banjo solo at 01:46, giving a sense of tension and spirit. Instrumental version.
Rebellious, nautical, raucous. Winding accordion meets with distorted ...Rebellious, nautical, raucous. Winding accordion meets with distorted guitar, launching into dramatic drumbeat in a determined rock instrumentation. Sea shanty vibe from vocals as lyrics describe as dangerous situation as a ship sinks. Imagery of the devil gives a sense of real danger and intrigue, a mythic energy.歌词
Fire, Fire, Fire burning gold, Better get those waggon wheels a-turnin’, Fire, Fire, Fire in the hold, Better get a bucket boys, she’s burnin’.
The devil himself is shippin’ to sea, He’s settin’ out to follow me, He’s got his black flag flowin’ free, The devil himself is shippin’ to sea!
Fire, Fire, Fire burning gold, Better get those waggon wheels a-turnin’, Fire, Fire, Fire in the hold, Better get a bucket boys, she’s burnin’.
Nautical, spirited, eerie. Sparse instrumentation gives a sense of ...Nautical, spirited, eerie. Sparse instrumentation gives a sense of drama and a vast landscape, with wavering strings offering images of wide open seas and rough waves. Launch into energetic folk instrumentation. Fiery guitar gives a sense of rebelliousness. Instrumental version.
Nautical, spirited, eerie. Sparse instrumentation gives a sense of ...Nautical, spirited, eerie. Sparse instrumentation gives a sense of drama and a vast landscape, with flute FX offering images of wide open seas and rough waves. Launch into energetic folk instrumentation. Gravelly voiced male vocals sing of life on the seas, danger and unforgiving conditions. Fiery guitar gives a sense of rebelliousness.歌词
Hey hey hey Hey Hey hey hey.
Arrrrrrr Mutiny will not be tolerated, Hey hey hey Hey Hey hey hey, The sea’s a cold mistress, The ocean claims her own, Mutiny will not be tolerated, Dead men tell no tales, Save yourself, Dead men tell no tales, Fire in the hole Fire in the hole, The ocean claims her own, The sea is a cold mistress, When we take your gold, We take no prisoners, Arrrrrrr Arrrrrrr Arrrrrrr, Mutiny will not be tolerated.
Electro. Electro clash. Progressive intro with UK garage-style swing ...Electro. Electro clash. Progressive intro with UK garage-style swing rhythm, synth lead & backing vocals. Drop @ 1'15 with catchy & powerful electric guitar. Danceable, catchy & unifying. Choirs, electric guitar, analogue synth & rhythm. Ideal for TV show intro, magazine, advertising, sports, clubbing & racing.
Determined, rough, powerful. Large trumpet impacts march alongside ...Determined, rough, powerful. Large trumpet impacts march alongside ticking percussion that builds momentum into bass drop. Big stomping sound from sub bass and riser FX, a formidable opponent showing their strength. Slick sound effects and sharp percussion gifts a feeling of skill and energy.
Determined, rough, powerful. Large trumpet impacts march alongside ...Determined, rough, powerful. Large trumpet impacts march alongside ticking light percussion that builds momentum into bass drop. Big stomping sound from sub bass and riser FX, a formidable opponent showing their strength. Slick sound effects and sharp percussion gifts a feeling of skill and energy. Stripped back underscore version.
Electro hip hop. Wonky beat. Head banger, mechanical, heavy, ...Electro hip hop. Wonky beat. Head banger, mechanical, heavy, determined & attitude. Synth, sound design & drum machine. Suggested for advertising, digital technology, e-sports, video games & futur clubbing.
Hip-hop/Rock. Song about the need to have fun. Positive, energetic & ...Hip-hop/Rock. Song about the need to have fun. Positive, energetic & tense. Lead male voice rapping, synths, electric guitar & drum machine. Suggested for action rock, work out & team sports.歌词
[Verse] I came out to play hey It’s a good day hey Nothing in my way hey hey hey I’ve been stuck inside Now it’s time to vibe Hit the gas and ride Let’s party tonight I’ve been waiting too long So now it’s time to get it on I’ve been cooped up way too long So I ain’t coming home I’m having too much fun right now Leave a message at the tone
[Chorus] I’ve been waiting too long So now it’s time to get it on I’ve been cooped up way too long So I ain’t coming home I’m having too much fun right now Leave a message at the tone We somewhere in the world Getting our party on
[Verse 2] I’m having a good time check Nothing is on my mind check I’m feeling fine check Ain’t worried about the time check check It’s a beautiful night check Everything‘s all right check Best friends for life check Love of my life check We just having a good time up in the world The world is our oyster now we just found a pearl We just been too busy always lost in the swirl Now we shine so bright, like diamonds and pearls I’m having too much fun right now Leave a message at the tone
[Chorus] I’ve been waiting too long So now it’s time to get it on I’ve been cooped up way too long So I ain’t coming home I’m having too much fun right now Leave a message at the tone We somewhere in the world Getting our party on I’ve been waiting too long So now it’s time to get it on I’ve been cooped up way too long So I ain’t coming home I’m having too much fun right now Leave a message at the tone We somewhere in the world Getting our party on
[Bridge] I’m having too much fun right now Leave a message at the tone hey I’m having too much fun right now Leave a message at the tone hey I’m having too much fun right now Leave a message at the tone hey And if you don’t hear back for me I’ll see you when I get home hey
Claustrophobic, heavy, frantic. Fast-paced drumming is joined by ...Claustrophobic, heavy, frantic. Fast-paced drumming is joined by sharp bassline and laboured breathing, creating an atmosphere of panic and tension. Vocals at 00:28 add to this, accentuating pace of rhythm. Launch into more determined melodic section at 00:40 with effected guitar notes and searing solo. Austere notes and breathing conjures visions of tall buildings and a frantic city scene.
Claustrophobic, heavy, frantic. Fast-paced drumming is joined by ...Claustrophobic, heavy, frantic. Fast-paced drumming is joined by sharp bassline and breathing FX, creating an atmosphere of panic and tension. Launch into more determined melodic section at 00:40 with effected guitar notes and searing solo. Austere notes and breathing conjures visions of tall buildings and a frantic city scene. Instrumental version.
Claustrophobic, heavy, frantic. Fast-paced drumming is joined by ...Claustrophobic, heavy, frantic. Fast-paced drumming is joined by spacey synths and breathing FX, creating an atmosphere of panic and tension. Stripped back underscore version.
Rough, digital, industrial. Synth bass plays pedal note tune, ...Rough, digital, industrial. Synth bass plays pedal note tune, instiling a fast-paced rhythm and a sense of determination as digital and industrial FX circle around. Drumbeat meshes organic with electronic, a strange vision of the future with technology and humans. Straightforward bassline infers a sense of drive. An individual with a tremendous amount of focus on a goal or objective. Industrial sounds build in conclusion.
Rough, digital, industrial. Drumbeat meshes organic with electronic, ...Rough, digital, industrial. Drumbeat meshes organic with electronic, a strange vision of the future with technology and humans. Fast-pace infers determination and drive. Straightforward bassline infers a sense of drive. An individual with a tremendous amount of focus on a goal or objective. Industrial sounds build in conclusion. Stripped back underscore version.
Gritty, brash, cool. Muddy bass tune plays out with buoyant indie ...Gritty, brash, cool. Muddy bass tune plays out with buoyant indie drumline. A feeling of slick brilliance with rough edges with distorted guitars. Male vocals shout and repeat lyrics further supporting loud and rude indie style. Tone changes at 00:47 as euphoria and emotive synths bring a sense of emotion to the fray before bursting back into boisterous indie style.歌词
It might be closed, Won ́t you open the dolls, Won ́t you open the dolls, Won ́t you open the dolls, Won ́t you open the dolls, Won ́t you open the dolls, Won ́t you open the dolls, Won ́t you open the dolls, Won ́t you open the dolls.
It might be closed, But you open the dolls, But you open the dolls, But you open the dolls, But you open the dolls.
It might be closed, But you open the dolls, But you open the dolls, But you open the dolls, But you open the dolls. But you lie, but you lie sometimes.
Gritty, brash, cool. Muddy bass tune plays out with buoyant indie ...Gritty, brash, cool. Muddy bass tune plays out with buoyant indie drumline. A feeling of slick brilliance with rough edges with distorted guitars. Tone changes at 00:47 as euphoria and emotive synths bring a sense of emotion to the fray before bursting back into boisterous indie style. Instrumental version.
Gritty, brash, cool. Muddy bass tune plays out with buoyant indie ...Gritty, brash, cool. Muddy bass tune plays out with buoyant indie drumline. A feeling of slick brilliance with rough edges with distorted guitars. Tone changes at 00:47 as euphoric synths bring a sense of emotion to the fray before bursting back into boisterous indie style. Stripped back underscore version.
Loud, punk, intense. Booming punk drumming leads into distorted ...Loud, punk, intense. Booming punk drumming leads into distorted guitar chords communicating power and rage. Contrasted with subtle bass moment building into crescendo again. High intensity situation with a feeling of aggression or a charged sense of fun. A street race or a fight.
Loud, punk, intense. Booming punk drumming leads into rough bassline ...Loud, punk, intense. Booming punk drumming leads into rough bassline communicating aggression, contrasting with subtle moment building into a crescendo again. High intensity situation with a feeling of aggression or a charged sense of fun. A street race or a fight. Stripped back underscore version.
Big Beat based on a rockabilly beat. Energetic, fun, fenzied, quirky ...Big Beat based on a rockabilly beat. Energetic, fun, fenzied, quirky & happy. Break beat drum & bass @ 1'19. Whistle, guitar, bass, rhythm, male vocal & vintage fx. Suggested for street sports & adverts.歌词
Punk rock / Pop Punk. Soft guitar intro building-up with huge drums & ...Punk rock / Pop Punk. Soft guitar intro building-up with huge drums & emotional rock female voice. Chorus @ 0'35 with massive wall of guitars. Energetic, furious, heavy & rebellious. Suggested for teens, fan of skate & extreme sports.歌词
You can stay here one more nightLet’s fall in love just one more timeI need you by my sideI didn’t meant to hurt your prideWill you come backWhen will you come backCause I’m not alrightYeah I’m not alright I'm sorry, don't leave me, all I want is you here with meI know it’s all my fault, I know it's all my faultI can't breathe, I’m so weak, I wish things were that easyIs all your love just gone,Is all your love just gone Our friends all ask about you, and I say that you're doing fineBut they all know that I'm crying, I just can't sleep at nightAnd I'm still waiting for a sign from you almost anytimeI'm sorry for all the lies I told youI know it was not rightIt was not right I'm sorry, don't leave me, all I want is you here with meI know it’s all my fault, I know it's all my faultI can't breathe, I’m so weak, I wish things were that easyIs all your love just gone,Is all your love just gone