Bouncy, rhythmic & boisterous calypso / soca with reggaeton-pop vibes ...Bouncy, rhythmic & boisterous calypso / soca with reggaeton-pop vibes sung in Spanish. You left & now you want to come back. Male singer, male backing vocals, synth, steel drums, Latin & electronic percussion.歌词
ES:
Esa niña me dejó
Pa' después volver aquí
Y mira que te lo advertí
Y mira que te lo advertí
Babe no sé lo que pasó
Pero ya no estoy en ti
Y mira que te lo expliqué
Y mira que te lo expliqué
Tu te fuiste y me quedé
Por que tu no sientes
Y ahora tu quieres volver
Mami estás caliente
Te marchaste, tu te fuiste
Un día ganaste, pero hoy perdiste
Y mira que te lo advertí
Y mira que te lo advertí
Y mira que te lo expliqué
Y mira que te lo expliqué
Ya no quiero tallita, no quiero carita,
Ya no soy el mismo de ayer
Lo siento cosita, ya no estás tan rica
Así que sale a resolver
Y ahora me enteré que tu me estás buscando
Parece que se te puso duro el mambo
Cuando te marchaste te fuiste gozando
Hasta donde, hasta cuando
Esa niña me dejó
Pa' después volver aquí
Y mira que te lo advertí
Y mira que te lo advertí
Babe no sé lo que pasó
Pero ya no estoy en ti
Y mira que te lo expliqué
Y mira que te lo expliqué
Tu te fuiste y me quedé
Por que tu no sientes
Y ahora tu quieres volver
Mami estás caliente
Te marchaste, tu te fuiste
Un día ganaste, pero hoy perdiste
Y que será
Y que será
Y que será
Y que será
Ya tu no suenas mi china
Y que será
Y que será
Y que será
Y que será
Arranca el carro y camina
Y que será
Y que será
Y que será
Y que será
Ya tu no suenas mi china
Y que será
Y que será
Y que será
Y que será
Arranca el carro y camina
Tu no tienes sentimientos
Porque estás vacía por dentro
Si te dejo regresar
Sé que volvería a pasar
Ahora llegó mi momento
Tu te fuiste y me quedé
Por que tu no sientes
Y ahora tu quieres volver
Mami estás caliente
Te marchaste, tu te fuiste
Un día ganaste, pero hoy perdiste
Esa niña me dejó
Pa' después volver aquí
Y mira que te lo advertí
Y mira que te lo advertí
Babe no sé lo que pasó
Pero ya no estoy en ti
Y mira que te lo expliqué
Y mira que te lo expliqué
EN:
That girl left me
To come back later here
And look, I warned you about it
And look, I warned you about it
Babe, I don't know what happened
But I'm not into you anymore
And look, I explained it to you
And look, I explained it to you
You left and I stayed
Because you don't feel
And now you want to come back
Mami, you're hot
You left, you went away
One day you won, but today you lost
And look, I warned you about it
And look, I warned you about it
And look, I explained it to you
And look, I explained it to you
I don't want your little games anymore, I don't want your cute face
I'm not the same as yesterday
Sorry, little thing, you're not as appealing anymore
So go and figure things out
And now I found out you're looking for me
Seems like things got tough for you
You left while having a good time
How far, how long
That girl left me
To come back later here
And look, I warned you about it
And look, I warned you about it
Babe, I don't know what happened
But I'm not into you anymore
And look, I explained it to you
And look, I explained it to you
You left and I stayed
Because you don't feel
And now you want to come back
Mami, you're hot
You left, you went away
One day you won, but today you lost
And what will it be
And what will it be
And what will it be
And what will it be
You don't sound charming anymore
And what will it be
And what will it be
And what will it be
And what will it be
Start the car and go
And what will it be
And what will it be
And what will it be
And what will it be
You don't sound charming anymore
And what will it be
And what will it be
And what will it be
And what will it be
Start the car and go
You have no feelings
Because you're empty inside
If I let you come back
I know it would happen again
Now my moment has come
You left and I stayed
Because you don't feel
And now you want to come back
Mami, you're hot
You left, you went away
One day you won, but today you lost
That girl left me
To come back later here
And look, I warned you about it
And look, I warned you about it
Babe, I don't know what happened
But I'm not into you anymore
And look, I explained it to you
And look, I explained it to you
Danceable, sensual & catchy Afro pop with bongo flava influences sung ...Danceable, sensual & catchy Afro pop with bongo flava influences sung in English & Swahili. Baby let me show you my love. Male singer, synth, electronic keyboard, African & electronic percussion. Lead saxophone @ 1'08 & @ 2'42.歌词
SW/EN:
Mami
So tell me what you want
Niweke wazi
Tusipitwe na wakati
Girl call me daddy
Coz I can give you everything you wanted
So let me come please your body
Na sipendagi kuvunja ahadi
Ukianza kudeka naweka
No matter the time of the day
Na vile hainaga mabega
Unajua haiwezi delay
Ukianza kudeka naweka
No matter the time of the day
Na vile hainaga mabega
Baby let me slide in
Pale
Wacha niweke pale
Pale
So baby si usare
Pale
Wacha niweke pale
Pale
So baby si usare
Ukitaka za ki mandingo umefika
Better believe damu moto ya kiafrika
Mwanamwali mbona una taabika
Njoo upate raha ki uhakika
Speedy ni mia ishirini,tia fora
Nikuweke kwa ceiling kama solar
Tukiwa si wawili hadi jikoni
Nikupe lishe kamili nyama choma
Ukianza kudeka naweka
No matter the time of the day
Na vile hainaga mabega
Unajua haiwezi delay
Ukianza kudeka naweka
No matter the time of the day
Na vile hainaga mabega
Baby let me slide in
Pale
Wacha niweke pale
Pale
So baby si usare
Pale
Wacha niweke pale
Pale
So baby si usare
Bamchikicha chikicha chikicha
Namfikicha bila kubakisha
Bamchikicha chikicha chikicha
Namfikicha bila kubakisha
Baby please yeah
Let me in mami
Baby please yeah
Let me in mami
Baby please yeah
Let me in mami
Baby please yeah
Let me in mami
Pale
Pale
EN:
Mami
So tell me what you want
Make me understand
Let's not waste time
Girl call me daddy
Coz I can give you everything you wanted
So let me come please your body
I dont break my promises
If you start vibing I put it
No matter the time of the day
And because it has no shoulders
You know it doesnt delay
If you start vibing I put it
No matter the time of the day
And because it has no shoulders
Baby let me slide in
There
Let me put it there
There
So baby let me
There
Let me put it there
There
So baby let me
If you want it the mandingo way you got it
Better believe my blood is warm I'm African
Why are you troubled my lady
Come get guaranteed happiness
Speed is 120 no jokes
Put you to the ceiling like solar
Just the two of us in the kitchen
I give you complete nutrition like grilled meat
If you start vibing I put it
No matter the time of the day
And because it has no shoulders
You know it doesnt delay
If you start vibing I put it
No matter the time of the day
And because it has no shoulders
Baby let me slide in
There
Let me put it there
There
So baby let me
There
Let me put it there
There
So baby let me
Bamchikicha chikicha chikicha
I hit it without leaving a thing
Bamchikicha chikicha chikicha
I hit it without leaving a thing
Baby please yeah
Let me in mami
Baby please yeah
Let me in mami
Baby please yeah
Let me in mami
Baby please yeah
Let me in mami
Yearning, romantic, wistful. Bright glissando guitar joins with ...Yearning, romantic, wistful. Bright glissando guitar joins with gentle piano, before settling into a swaying ballad rhythm. Impassioned saxophone bleats out heartfelt notes. Warm chords in a Hispanic style inspire a feeling of heated romance. A lover watching their partner leave, wishing to keep their significant other close to them.
Yearning, romantic, wistful. Bright glissando guitar joins with ...Yearning, romantic, wistful. Bright glissando guitar joins with gentle piano, before settling into a swaying ballad rhythm.Warm chords in a Hispanic style inspire a feeling of heated romance. A lover watching their partner leave, wishing to keep their significant other close to them. Stripped back underscore version.
Warm, feel good & danceable instrumental zouk. Ideal for setting the ...Warm, feel good & danceable instrumental zouk. Ideal for setting the scene for festive, celebratory, beach party & tropical leisure segments in advertising or reality TV shows. Acoustic guitar, brass section, synth, Latin & electronic percussion.
Underscore. Warm, feel good & danceable instrumental zouk. Ideal for ...Underscore. Warm, feel good & danceable instrumental zouk. Ideal for setting the scene for festive, celebratory, beach party & tropical leisure segments in advertising or reality TV shows. Synth pads, Latin & electronic percussion.
Positive, percussive & catchy instrumental salsa choke, a mix from ...Positive, percussive & catchy instrumental salsa choke, a mix from both Colombian Caribbean and Pacific coasts rhythms. Sets the mood for festive celebrations & vibrant beach party scenes. Piano, synth brass section, Latin & electronic percussion.
Underscore. Positive, percussive & catchy instrumental salsa choke, a ...Underscore. Positive, percussive & catchy instrumental salsa choke, a mix from both Colombian Caribbean and Pacific coasts rhythms. Sets the mood for festive celebrations & vibrant beach party scenes. Piano, Latin & electronic percussion.
Arrogant, confident, tough. Rattling percussion emerges alongside ...Arrogant, confident, tough. Rattling percussion emerges alongside vocal samples and scratchy rough guitar. Launch into rock hip hop instrumentation with cool male vocal ad libs. Lyrics about dominating and self-belief leading to victory. Triumphant trumpet parts in chorus with choral sounds create a feeling of catharsis and achievement, with dirty instrumentation conveying competition.歌词
Let me tell you how it's gonna go down, I ain't coming just to win, I am coming to be crowned king. When we're done you won't wanna run it back, When gonna see my hand raised, Then it's time to fall back.
Oh you might talk the talk, But I walk the walk, One mistake away from coming up short. Face to face now, Time to double down, There’s two of us but only one crown.
When it’s all said and done, And I got you on the run, I'll say, I came I saw I conquered. Let me take some time to set the record straight, I came to dominate, Not here to hesitate. If you're gonna take me lightly, It’s gonna get unsightly, You think it’ a nightmare? It might.
Everyday I'm out here grindin, While you’ve been finding excuses & hiding, Face to face now, Time to double down, There ain't enough room in this town. When it’s all said and done, And I got you on the run, I'll say, I came I saw I conquered, I came, I saw, I came, I saw, I came, I saw, I came, I saw, I conquered.
Arrogant, confident, tough. Rattling percussion emerges alongside ...Arrogant, confident, tough. Rattling percussion emerges alongside vocal samples and scratchy rough guitar. Launch into rock hip hop instrumentation with powerful chords and rhythmic cowbell. Triumphant trumpet parts in chorus with choral sounds create a feeling of catharsis and achievement, with dirty instrumentation conveying competition. Instrumental version.
Arrogant, confident, tough. Rattling percussion emerges alongside ...Arrogant, confident, tough. Rattling percussion emerges alongside vocal samples and scratchy rough guitar. Launch into rock hip hop instrumentation with powerful chords and rhythmic cowbell. Triumphant trumpet parts in chorus with choral sounds create a feeling of catharsis and achievement, with dirty instrumentation conveying competition. Stripped back underscore version.
Assured, strong, determined. Electronic percussion meets with slowly ...Assured, strong, determined. Electronic percussion meets with slowly emerging, sharp guitar tone before launching into slow and steady instrumentation. Slow rhythm gives a sense of true power, an army marching in unison or a large force moving slowly but confidently. Cowbell percussion gives a sense of rough edges and a feeling of industrial strength. Instrumental version.
Assured, strong, determined. Electronic percussion meets with slowly ...Assured, strong, determined. Electronic percussion meets with slowly emerging, sharp guitar tone before launching into slow and steady instrumentation. Slow rhythm gives a sense of true power, an army marching in unison or a large force moving slowly but confidently. Shouted backing vocals with commanding lyrics. Cowbell percussion gives a sense of rough edges and a feeling of industrial strength.歌词
I work hard so I'm hard to beat, No nothing ever came from disbelief, I wake up with a mantra on repeat, I work hard so I'm hard to beat. Everyday I'm getting better and I never blame the weather, Rain or shine I find a way to grind and keep moving my feet, And yes I am ready to compete, more levels to complete, It’s showtime now take your seat, Let’s go. Go and get it & when it’s said and done they won't forget it, And anyone who doubts you they'll regret, Only came for one thing yeah I said, I said, Go and get it. In this game everybody comes everybody goes, But I'm out here every day and the work rate shows, I'm about this life, cannot be denied, Check your wrist tick-tock I show up on time. I wake up with a mantra on repeat, I work hard so I'm hard to beat, I wake up with a mantra on repeat, I work hard so I'm hard to beat.
Mix of rock fusion and traditional Asian instruments. anticipating ...Mix of rock fusion and traditional Asian instruments. anticipating intro. Triumphant, punchy & confident. Rock band, taiko, guqin, guzheng, xiao & shamisen. Suggested for animation movies., manga, video games & action sports.
Rough, mean, fiery. Heavy dirty bass beat with screeching guitar and ...Rough, mean, fiery. Heavy dirty bass beat with screeching guitar and trumpet. Assertive male vocals communicate a winning mentality, being at the top of your game. Triumphant energy, an individual that only wins, is consistently victorious. Strings playing out austere melody offer a meaningful energy. A talent and skill to be taken seriously.
Rough, mean, fiery. Heavy dirty bass beat with screeching guitar and ...Rough, mean, fiery. Heavy dirty bass beat with screeching guitar and trumpet. Triumphant energy, an individual that only wins, is consistently victorious. Strings playing out austere melody offer a meaningful energy. A talent and skill to be taken seriously. Instrumental version.
Rough, mean, fiery. Heavy dirty bass beat with screeching guitar and ...Rough, mean, fiery. Heavy dirty bass beat with screeching guitar and trumpet. Triumphant energy, an individual that only wins, is consistently victorious. Strings playing out austere melody offer a meaningful energy. A talent and skill to be taken seriously. Stripped back underscore version.
Dark, macabre, raw. Funereal dissonance sets out a grave atmosphere, ...Dark, macabre, raw. Funereal dissonance sets out a grave atmosphere, before moving into heavy dubstep bass and trappy percussion. Sneaky vocal performance with lyrics surrounding death and resurrection. Theatrical rock instrumentation in chorus gives a sense of performance, zombies and ghouls dancing in unison.
Dark, macabre, raw. Funereal dissonance sets out a grave atmosphere, ...Dark, macabre, raw. Funereal dissonance sets out a grave atmosphere, before moving into heavy dubstep bass and trappy percussion. Theatrical rock instrumentation in chorus gives a sense of performance, zombies and ghouls dancing in unison. Instrumental version.
Dark, macabre, raw. Funereal dissonance sets out a grave atmosphere, ...Dark, macabre, raw. Funereal dissonance sets out a grave atmosphere, before moving into heavy dubstep bass and trappy percussion. Searching piano notes offer a feeling of being lost in a cemetery or graveyard. Stripped back underscore version.
Famous 19th century folksong also known as The Great Rock Island ...Famous 19th century folksong also known as The Great Rock Island Route and became a country music standard. "From the great Atlantic Ocean to the wide Pacific shore...". Male country singer, rhythm section, banjo, mandolin with a bluegrass touch. Harmonica solo @ 1'25 & electric guitar. Instrumental tr-26.歌词
Verse 1 From the great Atlantic ocean to the wide Pacific shore From the queen of flowing mountains to the south side by the shore She's mighty tall and handsome and known quite well by all She's the combination on the Wabash Cannonball
Verse 2 Now She came down from Birmingham one cold December day As she rolled into the station you could hear all the people say There's that gal from Tennessee she's long and she's tall She came down from Birmingham on the Wabash Cannonball
Verse 3 Yeah Listen to the jingle the rumble and the roar As she glides along the woodland through the hills and by the shore Hear the mighty rush of the engine hear that lonesome hobo call You're traveling through the jungle on the Wabash Cannonball
Verse 4 Our Eastern states are dandy so the people always say From New York to St. Louis and Chicago by the way From the hills of Minnesota where the rippling waters fall No chances can be taken on the Wabash Cannonball
Verse 5 So Listen to the jingle the rumble and the roar As she glides along the woodland through the hills and by the shore Hear the mighty rush of the engine hear that lonesome hobo call You're traveling through the jungle on the Wabash Cannonball
Traditional arranged by Manuel Galvin & Jean-Jacques Milteau
Playful, chic, adventurous. Fun and positive bassline instils a happy ...Playful, chic, adventurous. Fun and positive bassline instils a happy vitality, sharp guitar plays out as male vocals croon passionately and playfully in the background. Soft major chords support a sense of joy with moments of uncertainty and fun danger.歌词
Playful, chic, adventurous. Fun and positive bassline instils a happy ...Playful, chic, adventurous. Fun and positive bassline instils a happy vitality, sharp guitar plays out. Soft major chords support a sense of joy with moments of uncertainty and fun danger. Instrumental version.
Playful, chic, adventurous. Fun and positive bassline joins with ...Playful, chic, adventurous. Fun and positive bassline joins with joyful chords to instil a happy vitality. Soft major chords support a sense of happiness. Stripped back underscore version.
Dirty, bluesy, sultry. Sturdy light jazz drums join with thick sludgy ...Dirty, bluesy, sultry. Sturdy light jazz drums join with thick sludgy bass and cool sharp guitar tones. Contrast at 00:30 with drumbeat dropping out and explorative trumpet notes. Launching back into bouncy instrumentation. A cool, slick vibe. An individual sitting outside a bar smoking and looking intriguing.
Dirty, bluesy, sultry. Sturdy light jazz drums join with thick sludgy ...Dirty, bluesy, sultry. Sturdy light jazz drums join with thick sludgy bass. Contrast at 00:30 with drumbeat dropping out and explorative trumpet notes. Launching back into bouncy instrumentation. A cool, slick vibe. An individual sitting outside a bar smoking and looking intriguing. Stripped back underscore version.
Warm, yearning, ambitious. Fuzzy dissonance gives way to strong ...Warm, yearning, ambitious. Fuzzy dissonance gives way to strong guitar pedal note and emotive chord sequence, meshing feelings of longing and triumph. Post-rock energy as kick drum marches forward into a large expanse. A sense of wonder, an individual trudging through a landscape under a beautiful starry sky. Large explosive burst at 01:25 with layered guitars and strong drumbeat. Twinkling pianos embrace with overdriven guitars.
Warm, yearning, ambitious. Fuzzy dissonance gives way to strong ...Warm, yearning, ambitious. Fuzzy dissonance gives way to strong guitar pedal note and emotive chord sequence, meshing feelings of longing and triumph. Post-rock energy as kick drum marches forward into a large expanse. A sense of wonder, an individual trudging through a landscape under a beautiful starry sky. Catharsis at 01:25 with instrumental cohesion. Stripped back underscore version.
Warm, yearning, ambitious. Fuzzy dissonance gives way to strong ...Warm, yearning, ambitious. Fuzzy dissonance gives way to strong guitar pedal note and emotive chord sequence, meshing feelings of longing and triumph. Post-rock energy from euphoric guitar tones. A sense of wonder, an individual trudging through a landscape under a beautiful starry sky. Stripped back underscore version.
Cold, passionate, pacy. Flashy ride cymbal percussion gives way to ...Cold, passionate, pacy. Flashy ride cymbal percussion gives way to inquisitive christmas melody that rises in intensity. Guitar and piano trade melodies in a fast-paced back and forth. Sharp instrumentation conjures visions of a slick jazz band playing an impassioned seasonal song.
Cold, passionate, pacy. Flashy ride cymbal percussion gives way to ...Cold, passionate, pacy. Flashy ride cymbal percussion gives way to inquisitive christmas melody that rises in intensity. Male and female vocals quickly trade lyrics about christmastime, joy and fun for everyone. Pacy style gifts a jazzy coolness. Brass instruments build at 00:48 into more impassioned vocal section. Vocal version.歌词
Hark how the bells, Sweet silver bells, All seem to say, Throw cares away.
Christmas is here, Bringing good cheer, To young and old, Meek and the bold.
Ding dong, That is the song, With joyful ring, All carolling.
One seems to hear, Words of good cheer, From everywhere, Filling the air.
Oh, how they pound, Raising their sound, O'er hill and dale, Telling their tale.
Gaily they ring, While people sing, Songs of good cheer, Christmas is here.
Cold, passionate, pacy. Flashy ride cymbal percussion gives way to ...Cold, passionate, pacy. Flashy ride cymbal percussion gives way to inquisitive christmas melody that rises in intensity. Lonely guitar is joined by piano as the instruments trade melody lines in quick succession. Pacy style gifts a jazzy coolness. Stripped back underscore version.
