Grimy, lamenting, downbeat. Shrouded bass melody rides on top of a ...Grimy, lamenting, downbeat. Shrouded bass melody rides on top of a big post-punk drumbeat as male vocals dictate with a sharp charisma. Lyrics about a society that push people down and denigrate humans, a system built on fake and struggle. Downbeat passion communicated in shuffling rhythm and melancholy but sharp guitar in chorus at 00:41. Meaningful moment @ 1'50 as instrumentation softens and becomes thoughtful.歌词
No patience, Not going anywhere, We don't route for the underdog, no, Complacent, Never had a care, don't argue, just do your job.
lost sleep, Rinse and repeat, Get lost in the sound of your grinding teeth, Reality, Checks are free, Can't you see here we're all in need.
Problem processing your payment, You better know your place in the simulation, More an inmate than a patient, You better know your place in the simulation, It's a sign, It's a sign, Never ask why, just comply, It’s a lie, It’s a lie, Does it remind you that you're breathing, That you're still alive.
Did your job, Can't see the point, We don't route for the underdog, no, Replacement, Life’s never fair, Doesn't argue, just does the work.
Best believe, No inner peace, Uncross your legs and take your leave, Reality, Never been free, Price goes up when we're all in need.
Problem processing your payment, You better know your place in the simulation, More an inmate than a patient, You better know your place in the simulation, It's a sign, It's a sign, Never ask why, just comply, It’s a lie, It’s a lie, Does it remind you that you're breathing, That you're still alive.
We don't route for the underdog, No, no, don't argue, just do your job, Your job, your job.
We don't route for the underdog, No, no, don't argue, just do your job, Your job, your job.
Problem processing your payment, You better know your place in the simulation, More an inmate than a patient, You better know your place in the simulation.
You better know your place in the simulation, You better know your place in the simulation, You better know your place in the simulation, You better know your place in the simulation.
Grimy, lamenting, downbeat. Shrouded bass melody rides on top of a ...Grimy, lamenting, downbeat. Shrouded bass melody rides on top of a big post-punk drumbeat. Detuned lead rises up with a sense of dirty power. Downbeat passion communicated in shuffling rhythm and melancholy but sharp guitar in chorus at 00:41. Meaningful moment at 01:50 as instrumentation softens and becomes thoughtful. Instrumental version.
Grimy, lamenting, downbeat. Shrouded bass melody rides on top of a ...Grimy, lamenting, downbeat. Shrouded bass melody rides on top of a big post-punk drumbeat. Detuned lead rises up with a sense of dirty power. Downbeat passion communicated in shuffling rhythm and eerie synth. Meaningful moment @ 1'50 as instrumentation softens and becomes thoughtful. Stripped back underscore version.
Frantic, dirty, loud. Fast drumbeat and bassline give a sense of ...Frantic, dirty, loud. Fast drumbeat and bassline give a sense of chaotic strength channelled through simple but powerful instrumentation. Lyrics suggest criminality and rebelliousness. Sense of political upheaval through the the tenacious overdriven guitar chords. Sharp guitar solo @ 1'18 further illustrates fiery energy.歌词
Holding a brick in a carrier bag, Driving round town in an unmarked van, Smash and grab, just stick to the plan, Play by the rules, what a business man.
Sanctioned hits, Not stealing, Bad memory, Keep em dreaming, You don't get this, you're not believing, Bad memory, Keep em bleeding.
So twist an arm, And break a fall, Born to rule, Born to rule, You'll waste your time, If you try to clumb this ladder up out, Born to rule, Born to rule, Born to rule.
Touching down in a private jet, Self sabotage, messiah complex, Smash and grab, won't break a sweat, You play by the rules, this is what you get.
Sanctioned hits, Not stealing, Bad memory, Keep em dreaming, You don't get this, you're not believing, Bad memory, Keep em bleeding.
So twist an arm, And break a fall, Born to rule, Born to rule, You'll waste your time, If you try to clumb this ladder up out, Born to rule, Born to rule, Born to rule.
Sanctioned hits, Not stealing, Bad memory, Keep em dreaming, You don't get this, you're not believing, Bad memory, Keep em bleeding.
Born to rule, Born to rule, Born to rule, Born to rule, Born to rule, Born to rule, Born to rule, Born to rule.
Frantic, dirty, loud. Fast drumbeat and bassline give a sense of ...Frantic, dirty, loud. Fast drumbeat and bassline give a sense of chaotic strength channelled through simple but powerful instrumentation. Chunky power chords give a sense of sadistic energy, exploding into chorus with layering of overdriven chords. Sharp guitar solo @ 1'18 further illustrates fiery aura. Instrumental version.
Frantic, dirty, loud. Fast drumbeat and bassline give a sense of ...Frantic, dirty, loud. Fast drumbeat and bassline give a sense of chaotic strength channelled through simple but powerful instrumentation. Deep and chunky overdriven bass launches in giving a driving sense of power. With dirty guitars @ 1'04 communicating a rebellious sadistic energy. Stripped back underscore version.
Strong, sleazy, loose. Chunky overdriven bassline gives a chaotic ...Strong, sleazy, loose. Chunky overdriven bassline gives a chaotic texture as male vocals communicate a rebellious, provocative message, teasing about conforming to society. Heavy sharp guitar @ 0'33 gives a thudding energy. A careless coarse atmosphere, contrasted glitchy synths at 00:57. Indie sleaze style.歌词
Hey, Get through the day, If that's what it takes, To fill the space between your ears, Just holding place, Not losing face in all this fear, Familiar taste, Sharp and bitter, All too clear.
Taking a backseat, One with the concrete, Bittersweet heartbeat, You take it for granted, Can't eat, don't sleep, Wasting on the scrap heap, Bittersweet heartbeat, You take it for granted.
No, I'm not alone, Made this a home, Dragged with the undertow, Rest in the deep below, Take what you're owed, Make no mistakes, In the weakness you show.
Taking a backseat, One with the concrete, Bittersweet heartbeat, You take it for granted, Can't eat, don't sleep, Wasting on the scrap heap, Bittersweet heartbeat, You take it for granted.
Never been so low, Never been so low, Never been so low.
Taking a backseat, One with the concrete, Bittersweet heartbeat, You take it for granted, Can't eat, don't sleep, Wasting on the scrap heap, Bittersweet heartbeat, You take it for granted.
Meaningful, lively, hopeful. Excited claps and percussion lead into ...Meaningful, lively, hopeful. Excited claps and percussion lead into male vocal coos and heartfelt melody with trumpets and bright piano. Instrumentation clears for dramatic vocal performance, lyrics about journeys toward a better place, staying strong amidst adversity. Pacy percussive momentum with organic sounds and driving kick drum. Wholesome, emotive country music aura, reminiscent of a long journey through woods and forests toward a sunny clearing.
Meaningful, lively, hopeful. Excited claps and percussion lead into ...Meaningful, lively, hopeful. Excited claps and percussion lead into male vocal coos and heartfelt melody with trumpets and bright piano. Pacy percussive momentum with organic sounds and driving kick drum. A feeling of triumph and determination communicated by positive melodies and engaging, fun instrumentation. Wholesome, emotive country music aura, reminiscent of a long journey through woods and forests toward a sunny clearing. Alternative version.
Meaningful, lively, hopeful. Excited claps and percussion lead into ...Meaningful, lively, hopeful. Excited claps and percussion lead into heartfelt melody with trumpets and bright piano. Pacy percussive momentum with organic sounds and driving kick drum. A feeling of triumph and determination communicated by positive melodies and engaging, fun instrumentation. Wholesome, emotive country music aura, reminiscent of a long journey through woods and forests toward a sunny clearing. Instrumental version.
Meaningful, lively, hopeful. Excited claps and percussion lead into ...Meaningful, lively, hopeful. Excited claps and percussion lead into heartfelt guitar chords. Pacy momentum gifts a feeling of progression and spirit. An aura of triumph and determination communicated through strong chords and persistent strumming. Wholesome, emotive country music aura, reminiscent of a long journey through woods and forests toward a sunny clearing. Stripped back underscore version.
Solemn, emotive, honest. Sorrowful acoustic guitar is joined by ...Solemn, emotive, honest. Sorrowful acoustic guitar is joined by passionate male choral voices. Lyrics present an individual in deep sadness, expressing feelings of isolation and mental anguish. Shaking voice and impassioned tone illustrate a deeply tear-jerking energy, lending itself to feelings of forgiveness and redemption. Slow, folky instrumentation gives a sense of struggle, a heartbroken individual making their way through a cold world alone.歌词
I am a soul for sale, Walking inside a maze, I am a hidden trail, Lost in myself for days, It’s not the life I choose, This is the straw I drew, It’s not the game I play, This is the price I pay.
I'm sorry I'm sorry, For what I've done, I'm sorry I'm sorry, For what I've done.
Plans I had all fall through, The moment that I saw you, Here we go round again, Swept up in your whirlwind, This is the final stand, Beating me down again, All my defences fail, Everything fades away.
I'm sorry I'm sorry, For what I've done, I'm sorry I'm sorry, For what I've done.
Solemn, emotive, honest. Sorrowful acoustic guitar presents an ...Solemn, emotive, honest. Sorrowful acoustic guitar presents an atmosphere of austere sadness. Slow, folky instrumentation gives a sense of struggle, a heartbroken individual making their way through a cold world alone. Instrumental version.
Solemn, emotive, honest. Sorrowful acoustic guitar presents an ...Solemn, emotive, honest. Sorrowful acoustic guitar presents an atmosphere of austere sadness. Epic electric guitar offers a grandiose feeling, large panoramic landscapes. Slow, folky instrumentation gives a sense of struggle, a heartbroken individual making their way through a cold world alone. Stripped back underscore version.
Fresh, bubbly, excitable. Reverbed trumpets rise up with modern riser ...Fresh, bubbly, excitable. Reverbed trumpets rise up with modern riser sound into buoyant African-coded rhythm with a fast pace. Cool female vocals rap about being fresh and new. Modern vibe from fast pace giving a sense of progression. Vocals lead instrumentation with chants, giving a sense of leadership and skill. Riser into sub bass at 02:02 giving an infectious sense of action and a party vibe.歌词
So fresh too cool, New year new you, Time to switch it up, Get in the mix, Show em no one can do it like this, Avant garde, you just can't loose, New year, new you, Time to switch it up, Pick and choose, But this time make it brand new, So fresh too cool, New year new you, Time to switch it up, Get in the mix, Show em no one can do it like this, So fresh, too cool, New year, make em feel brand new, Time to switch it up, Pick and choose, But This time make it brand new, So Fresh, that new new, Show em no one can do it like you do, Ain't seen this before they google, Get to work make yourself useful, Got that fresh, that new new, Stay working the magic like voodoo, Look in the mirror and see a new you, Like 65432 you the one.
Let’s go, Lets go, Let it loose, Let’s go, show and prove, They want more more of you, Make em make em fell brand new, Time to switch it up, Get in the mix, Show em no one can do it like this, Avant garde, you just can't loose, New year, new you, Time to switch it up, Get in the mix, show em no one can do it like this, So fresh too cool, New year new you, Time to switch it up, Pick and choose, But This time make it brand new, So fresh, too cool, New year, make em feel brand new, Time to switch it up, Pick and choose, But this time make it brand new.
So fresh, too cool, New year, new you, So fresh, too cool, New year, new you, So fresh, too cool, New year, new you, So fresh, too cool, New year, new you.
Let’s go, Lets go, So Fresh, that new new, Show em no one can do it like you do, Ain't seen this before they google, Get to work make yourself useful, Got that fresh, that new new, Stay working the magic like voodoo, Look in the mirror and see a new you, Like 65432 Ooh, So fresh, too cool, New year, new you, So fresh, too cool, New year, new you, So fresh, too cool, New year, new you, So fresh, too cool, New year, new you.
Fresh, bubbly, excitable. Reverbed trumpets rise up with modern riser ...Fresh, bubbly, excitable. Reverbed trumpets rise up with modern riser sound into buoyant African-coded rhythm with a fast pace. Modern vibe from fast pace giving a sense of progression. Riser into sub bass at 02:02 giving an infectious sense of action and a party vibe. Instrumental version.
Fresh, bubbly, excitable. Reverbed trumpets rise up with modern riser ...Fresh, bubbly, excitable. Reverbed trumpets rise up with modern riser sound into buoyant African-coded rhythm with a fast pace. Modern vibe from fast pace giving a sense of progression. Riser into sub bass at 02:02 giving an infectious sense of action and a party vibe. Stripped back underscore version.
Fresh, bubbly, excitable. Reverbed trumpets rise up with modern riser ...Fresh, bubbly, excitable. Reverbed trumpets rise up with modern riser sound into buoyant African-coded rhythm with a fast pace. Modern vibe from fast pace giving a sense of progression. Short sharp bass transitions into sustained sub bass at 02:02, giving an infectious sense of action and a party vibe. Alternate version.
Hybrid score. First surreptitious then determined. Piano & ...Hybrid score. First surreptitious then determined. Piano & electronics, slow build up with synth pulse @ 0'54, beat @ 1'31 & staccato strings. Suggested for social documentaries & investigation.
Trap / Freak Hip Hop. Determined, nightmarish & dark. Nu piano, ...Trap / Freak Hip Hop. Determined, nightmarish & dark. Nu piano, horror FX, rapper, string section, drum machine, synth bass, chorus & theremin. Freaky lyrics about a dangerous individual being out for blood, acting like classic horror monsters. Suggested for edgy urban environments & horror-inspired media.歌词
muhuhaha
this may be the strangest tale ever told and what you hear may shock you
Thunder and lightning, I turn into Frankenstein
Life is frightening that’s just my state of mind
Grabbin the candy, nah I won’t be wasting time
If you ain’t tryna get scared better stay inside
You do not wanna come near when the moon is full
Start with a howl then I turn into a wolf
Nothing in life is really ever how it looks
Hop out my spider web man we gone leave em shook yeah
I got fangs Baby I got fangs
I feel strange, crazy, I feel strange
I go zombie look for brains woah
I go zombie look for brains uh
I came back from the grave
Give me a second I’ll change
came in on a ufo
Alien boy, you already know
Make em standstill like a scarecrow
Jaw drop like you just saw a ghost
I got the magic potion
fly like a bat, My presence a omen
Don’t need a broomstick, I’m naturally floating
I think that I’m haunted, actually I know it
They treat us like witches cuz we are too different For normies
They see something out their comfort zone and they call it sorcery
I must be wicked Like wickedly dope
Cuz this world is a bore to me..
And when you live like a freak well… every days Halloween
I got fangs Baby I got fangs
I feel strange, crazy, I feel strange
I go zombie look for brains woah
I go zombie look for brains uh
I came back from the grave
give me a second I’ll change
So I think it’s safe to say, now you know the truth
Empowering, lively, electrifying. Strong stomp clap rhythm followed ...Empowering, lively, electrifying. Strong stomp clap rhythm followed by dirty guitar with blues sequence. Powerful female voice with lyrics inspiring a sense of absolution and joy. Choral voices support a sense of camaraderie and friendship. People helping others through life, putting trust in their faith and in the beauty of the lord. Sturdy and pacy rhythm gives a sense of energy and positivity. Dirty blues solo at 01:28 conveys a rustic atmosphere, contrasted with hopeful choral voices.歌词
Tell that lonely teacher, Don't give up the fight, Tell that lonely preacher, Everyone unite, Tell that lonely teacher, he’s a friend of mine, From the darkness into the shining light.
Been on this road so long, were gonna find a way, Oh forgotten all my songs, we'll help you sing all day, Been on this lonely road, don't you let me down, Shine a light in the place that is my home.
We're gonna ride, ride, ride, until the sun goes down, And you can hide, hide, hide, until they call you home, Or you can shine, shine, shine, until the sun goes down, Till the Lord or the Devil calls you home.
If you call on me, I ain't gonna let you down, If you call on me, you know you're not alone, But tell that two-timin’ loser, he ain't no friend of mine, I ain't blind to the truth from now on.
Well I look up, I look up and I look down, I look down, And everywhere, everywhere there’s greed around, greed around, you're making it up, make it upit’s dragging me down, drag me down, Do you want lies or the truth from now on?
We're gonna ride, ride, ride, until the sun goes down, And you can hide, hide, hide, until they call you home, Or you can shine, shine, shine, until the sun goes down, Till the Lord or the Devil calls you home.
I'll keep on playing, playing, playing, playing, playing till the sun goes down, I'll keep on playing, playing, playing, playing, playing till they call me home, I'll keep on playing, playing, playing, playing, playing till the sun goes down, Till the lord or the devil takes me home, I try to find a way till the lord or the devil takes me home, Oh till the lord or the devil takes me home.
Empowering, lively, electrifying. Strong stomp clap rhythm followed ...Empowering, lively, electrifying. Strong stomp clap rhythm followed by dirty guitar with blues sequence. Powerful female choral vocals support a sense of camaraderie and friendship. People helping others through life, putting trust in their faith and in the beauty of the lord. Sturdy and pacy rhythm gives a sense of energy and positivity. Dirty blues solo at 01:28 conveys a rustic atmosphere, contrasted with hopeful choral voices. No lead vocal version.
Empowering, lively, electrifying. Strong stomp clap rhythm followed ...Empowering, lively, electrifying. Strong stomp clap rhythm followed by dirty guitar with blues sequence. Chattering dirty rock drums convey a feeling rustic brilliance, supported by dirty guitar solo at 01:28. Instrumental version.
Soulful, bluesy, faithful. Rough piano joins with powerful loose ...Soulful, bluesy, faithful. Rough piano joins with powerful loose drumming to give a messy feeling of power, blues style. Raspy charismatic female vocal performance in a call and response with uplifting choir. A sense of faith and hope despite struggles. An unstoppable force powered by belief and godliness. Sharp female vocals give a sense of guttural power counterpointed by pure choral power. A communal sense of celebration.歌词
Everybody's preaching to their sons Hallelujah, Hallelujah, Keep our sisters safe, they're on the run Hallelujah, Hallelujah, And tell your brothers they can sing out loud Hallelujah, Hallelujah, Till all our sisters are out and proud Hallelujah, Hallelujah.
Hallelujah, On your feet, get heard, you gotta feel it, Hallelujah, Say it loud.
When love descends I'll clap my hands, When you give the nurse more G's to spend, In germville they got hooked for their roll got the frontlines living on the dole, Hallelujah, Hallelujah, Hallelujah, Hallelujah, Hallelujah, Hallelujah, Hallelujah, Hallelujah.
Hallelujah, On your feet, get heard, you gotta feel it, Hallelujah, Say it loud, get down.
Don't believe fish wrapper tales Hallelujah, Hallelujah, When they wanna put your mind in a jail Hallelujah, Hallelujah, They wrap their tails around your leg Hallelujah, Hallelujah, Kiss that snake with a dagger in my hand Hallelujah, Hallelujah.
Hallelujah, Meet me at the midnight train before I lay my body down.
Hallelujah, sing it with me, Hallelujah, everybody, we're in this thing together, man! Hallelujah, alright everybody, Come on gotta say it loud! Hallelujah, oh take it!
Hallelujah, Say it loud, come on, Hallelujah, Hallelujah, Get up, that's right, Hallelujah, Lord have mercy, I can't fight no more, Hallelujah, ooh yeah, ah well.
Soulful, bluesy, faithful. Rough piano joins with powerful loose ...Soulful, bluesy, faithful. Rough piano joins with powerful loose drumming to give a messy feeling of power, blues style. Choir provides an uplifting energy. A sense of faith and hope despite struggles. An unstoppable force powered by belief and godliness. A communal sense of celebration. No lead vocal version.
Soulful, bluesy, faithful. Rough piano joins with powerful loose ...Soulful, bluesy, faithful. Rough piano joins with powerful loose drumming to give a messy feeling of power, blues style. A sense of faith and hope despite struggles. An unstoppable force powered by belief and godliness. A communal sense of celebration. Instrumental version.
Moody, rebellious, peaceloving. Low drums emerge alongside organ and ...Moody, rebellious, peaceloving. Low drums emerge alongside organ and guitar in a gloomy tone. Raspy female vocals sing about lies and wrongdoing by greedy members of the society. Low humming give a blues-y painfulness to the instrumentation. Tone shift at 00:50 into a gospel style, chorus lyrics about peace and understanding, a cathartic religious-coded refrain. Percussion becomes more fiery, a sense of upheaval and passion.歌词
Got us hatin', feedin' us their lies, Cash in on division, rake it in that’s right, Shine on, you're tough, what you hating for, Shake down in love until we're all gone, Yeah and if we want it we could have it all.
You gotta lay, lay down your arms, You gotta lay, lay down your arms, And so, it's your call.
Got no ticket to leave it all behind, yeah, Got the spirit in our drunken minds, Shine on, you're tough, what d’you shake ‘em for, Shake down in love until we're all gone, And if we want it we could have it all.
You gotta lay, lay down your arms, You gotta lay, lay down your arms, And so, it's your call.
Moody, rebellious, peaceloving. Low drums emerge alongside organ and ...Moody, rebellious, peaceloving. Low drums emerge alongside organ and guitar in a gloomy tone. Low humming give a blues-y painfulness to the instrumentation. Tone shift at 00:50 into a gospel style, choral vocal flood in with a sense of love and warmth. No lead vocal version.
Moody, rebellious, peaceloving. Low drums emerge alongside organ and ...Moody, rebellious, peaceloving. Low drums emerge alongside organ and guitar in a gloomy tone. Tone shift at 00:50 into a gospel style, organ pushes out with pride into more striding section, major chords giving a feeling of triumph. Instrumental version.
Bright, warm, happy. Wavering organs give a gospel style of ...Bright, warm, happy. Wavering organs give a gospel style of happiness, female vocals support feeling of positivity, despite lyrics about storms and thunder. An act of cleansing and rebirth. A person ready to embrace the lord or a sunny positive day. Chorus vocals offer an accepting atmosphere. Drums build to give a burst of cathartic release.歌词
I hear the coming storm, Wait for the rain to wash us clean and for the sun to keep us warm.
I know that I've done wrong, I've done my best and repossessed, And I will rest where I belong.
I've lived a hard life and I've seen a lot, I've lied and cheated I lost the plot, Too many tantrums I was so mean, I'm getting ready, I'm getting ready, I'm getting ready, I'm gettin' ready it's time to have peace, I'm getting ready.
I'm getting ready, I'll be restored, I'm getting ready for my reward, I am so ready, I just can't wait, Hope you are ready, just don't be late.
I can release my soul, I have made peaceset for my flight up to the light, No more control, I'm getting ready.
Bright, warm, happy. Wavering organs give a gospel style of ...Bright, warm, happy. Wavering organs give a gospel style of happiness, instrumentation slowly unfolds with a bright wonderful aura. An act of cleansing and rebirth. A person ready to embrace the lord or a sunny positive day. Chorus vocals offer an accepting atmosphere. Drums build to give a burst of cathartic release. No lead vocal version.
Bright, warm, happy. Wavering organs give a gospel style of ...Bright, warm, happy. Wavering organs give a gospel style of happiness, instrumentation slowly unfolds with a bright wonderful aura. An act of cleansing and rebirth. A person ready to embrace the lord or a sunny positive day. Instrumental version.
Fast - Upbeat and carefree 60's easy-listening in a modern way. Funky ...Fast - Upbeat and carefree 60's easy-listening in a modern way. Funky guitar, brass, vintage electric piano, female vocal accent. Tv game excitement.
Medium - Jazzy and elegant 1960-early 70's easy-listening. Acoustic ...Medium - Jazzy and elegant 1960-early 70's easy-listening. Acoustic guitar, vintage electric piano, vibraphone, muted trumpet. Mischievous and glossy. Cocktail time with Danny Wilde and Brett Sinclair.
Slick, romantic, charismatic. Emotive sustained keys set out a warm ...Slick, romantic, charismatic. Emotive sustained keys set out a warm and romantically charged atmosphere before a hip hop beat sweeps instrumentation up with a confident rhythm. Male vocals reminisce about times with a loved one. Two stylish people flirting with eachother. Austere style offers a feeling of real emotion mixed with naughty club vibes.歌词
I want that, I need that, I got that, I had a little boo thang, And we had some good times, We had some wild times, We had some wild times, We had some wild times, We had some wild times.
Pulled up at the party with my crew in the cut, Seen shorty from the way she was moving her what, Had slide over see what she talmbout, I'm a smooth operator I been wooing and such, I'm like let's leave, she said I'm doing too much, But the way she looked at me, I knew what was up, They was playing old school, we was doing the butt, We in our part of town so we throwing it up, And somebody say something then we don't give what It’s a celebration so you know we pouring it up, Said you don't have to call cuz you know I'm the plug, She said you know when to ball or be humble and stuff, And she like that….well drop it down low and bring it right back, I said one more song then a night cap, I said one more song then a night cap.
I want that, I need that, I got that, I had a little boo thang, And we had some good times, We had some wild times, We had some wild times, We had some wild times, We had some wild times.
Slick, romantic, charismatic. Emotive sustained keys set out a warm ...Slick, romantic, charismatic. Emotive sustained keys set out a warm and romantically charged atmosphere before a hip hop beat sweeps instrumentation up with a confident rhythm. Austere style offers a feeling of real emotion mixed with a dancey club vibe. Instrumental version.
Slick, romantic, charismatic. Emotive sustained keys set out a warm ...Slick, romantic, charismatic. Emotive sustained keys set out a warm and romantically charged atmosphere before a hip hop beat sweeps instrumentation up with a confident rhythm. Austere style offers a feeling of real emotion mixed with a dancey club vibe. Stripped back underscore version.
Spacey, cool, rocky. Sharp slapback guitar leads into a full, indie ...Spacey, cool, rocky. Sharp slapback guitar leads into a full, indie soul vibe with breathy male vocals with lyrics about an individual trying to romance a romantic partner. Vibe softened by resonant bells and cool pacy rhythm. Spacey keys solo at 00:53 gives a starry, twinkly vibe. Visions of a love story underneath the night sky of a city.歌词
Like a metronome, I was trying to find, Trying to find some little peace of mind, When everything is so fine, And that you are just mine, I was trying to walk home, My heart beats like a metronome, And then this song came on my radio, And I just feel I love you so, Ouh what’s not to like, (When you come to me) Ouh what’s not to like, (When you set me free) Ouh what’s not to like, (When you make me feel) What you'll find in me, Is that we're meant to be, I was trying to find, Trying to find some little peace of mind I was trying to get you, Inside of my mind.
Ouh what’s not to like What you'll find in me, Is that we're meant to be, Ouh what’s not to like, (When you come to me) Ouh what’s not to like, (When you set me free) Ouh what’s not to like, (When you make me feel) What you'll find in me, Is that we're meant to be.
Spacey, cool, rocky. Sharp slapback guitar leads into a full, indie ...Spacey, cool, rocky. Sharp slapback guitar leads into a full, indie soul vibe with strong bass, resonant synths and full old-school drumbeat. Vibe softened by resonant bells and cool pacy rhythm. Spacey keys solo at 00:53 gives a starry, twinkly vibe. Visions of a love story underneath the night sky of a city. Instrumental version.
Spacey, cool, rocky. Sharp slapback guitar leads into a full, indie ...Spacey, cool, rocky. Sharp slapback guitar leads into a full, indie soul vibe with strong bass. Vibe softened by shaky synth pads and cool pacy rhythm. Evolving synths give a spacey twinkly texture. Stripped back underscore version.
Careless, explosive, passionate. Strong bass and claps push out with ...Careless, explosive, passionate. Strong bass and claps push out with a feeling of determination in the melody, an individual that means business. Female vocals lamenting a romantic situation, driven by lust and heartbreak. Trumpets communicate a power, an individual that's fed up of being treated badly. An impassioned admission of love.歌词
I'm shook, you got me on a hook, I've gotta get a fix, if only just another look, You're fine and I'm just waiting on a sign.
You got me folding up in feelings, Rolled up in love, I'm straight up reeling, Gotta tell you now, how it’s going down, Now You've lit the fuse, nothing left to lose.
One time, I put it on the line, Put my money where my lips are sealed tight, Could you be mine, or am I running out of time.
When we ran solo and felt free, We were just Youngbloods, it’s crazy, I got your number, don't block me, The rest is now all just history.
Careless, explosive, passionate. Strong bass and claps push out with ...Careless, explosive, passionate. Strong bass and claps push out with a feeling of determination in the melody, an individual that means business. Trumpets communicate a power, an individual that's fed up of being treated badly. An impassioned admission of love. Instrumental version.
Careless, explosive, passionate. Strong bass and claps push out with ...Careless, explosive, passionate. Strong bass and claps push out with a feeling of determination in the melody, an individual that means business. Determined bassline conjures visions of a lovelorn situation. An individual that's fed up of being treated badly. An impassioned admission of love. Stripped back underscore version.
Hip hop opera in a dramedy spirit. Delicate & suspended intro with ...Hip hop opera in a dramedy spirit. Delicate & suspended intro with string section & pizz. Hip hop beat @ 0'29. Upbeat, positive, quirky & eccentric. String section, beat, scratch & hip hop vocal sample. Suggested for youth content & advertising.
Hip hop dramedy with a touch of opera. Old-fashioned intro with ...Hip hop dramedy with a touch of opera. Old-fashioned intro with vintage voice sample & children's choir. Beat @ 0'24. Eccentric, amusing, heavy-handed & supported. Choir, small ensemble, brass, pizzicato strings & beat. Suggested for youth content.
