Heartwarming, comforting, supportive. Fragile male vocal coos over Heartwarming, comforting, supportive. Fragile male vocal coos over emotive acoustic guitar sequence. Lyrics inspiring feelings of closeness and trust, an individual indebted to making someone comfortable and loved. Uplifting chorus at 00:51 with repeated lyrics asserting support and affection. Bending guitar with bottleneck style communicates a rustic country style. High-pitched vocals convey a vulnerability and honesty.歌词
I'll keep you close, No matter what it takes, When hopes goes, I'll show you the way. We know it's not impossible for the waves to crash on us. I will be, I will be, I will be there, Whenever you're in need. I will be, I will be, I will be there, You can count on me. I'll stick by you, No matter your mistakes, When hope goes, I'll show you the way. We could be unstoppable if you hold my hand and trust. I will be, I will be, I will be there, Whenever you're in need. I will be, I will be, I will be there, You can count on me. I will be there, I will be there.
Heartwarming, comforting, supportive. Emotive acoustic guitar Heartwarming, comforting, supportive. Emotive acoustic guitar sequence sets out a feeling of bittersweet warmth, reminiscent of a sad but comforting moment. Uplifting chorus at 00:51 with passionate drums. Bending guitar with bottleneck style communicates a rustic country style. High-pitched vocals convey a vulnerability and honesty. Instrumental version.
Heartwarming, comforting, supportive. Emotive acoustic guitar Heartwarming, comforting, supportive. Emotive acoustic guitar sequence sets out a feeling of bittersweet warmth, reminiscent of a sad but comforting moment. Bending guitar with bottleneck style communicates a rustic country style. High-pitched vocals convey a vulnerability and honesty. Stripped back underscore version.
Funky, playful, soulful. Confident brass with upbeat bass is joined Funky, playful, soulful. Confident brass with upbeat bass is joined by carefree organ tones, propulsive drums and cool male vocals. Positive and atmospheric soul with attitude, catchy melodies and an instrumental section from 01:29 to get you up and dancing with groovy guitar solos.歌词
Hold back my feelings 'Cos my feet are on the run today
Trying to find the old walk path
Where we shook these old blue shoes away
Oh these old beats still kick my mind
The day we shook the tock from time
Oh! Yeah this old dog, ain't lying down (Shake these old dog blues of mine)
Going to kick the beat, till I'm in the ground (Shake these old dog blues of mine)
Going to stamp my feet, to a new groove (Shake these old dog blues of mine)
Oh, it feels so fine, yeah
I got some new shoes on my mind (Shake these old dog blues of mine)
Gonna shake these old dog blues
Shake 'em in the morning
In the evening, summer time,
I feel alive
Everything's so fine, so fine
In these new shoes of mine
Gonna shake these old dog blues
Gonna step a new groove in these shoes of mine
All night long
Shake 'em in the morning
In the evening, shake it, shake it
Everything's so fine, so fine
Yeah, got these new shows on my mind
Gonna kick these old dog blues
Yeah in these shoes of mine
It's all I want, shake 'em off
Gonna let me loose, and set me free (Shake these old dog blues of mine)
Alright, kick 'em off, gonna let me breathe (Shake these old dog blues of mine)
Everything's so fine, so fine (Shake these old dog blues of mine)
Electro. Sad keyboard arpeggios, inevitable & secret. Suggested for Electro. Sad keyboard arpeggios, inevitable & secret. Suggested for digital investigation, cybernetics, research, science. Synth.
Sweet, inspiring, powerful. Dissonant euphoria contrasts with soft Sweet, inspiring, powerful. Dissonant euphoria contrasts with soft percussion and piano to create a quaint energy with uncertain undertones. Echoing synth notes and arpeggiations empower instrumentation into rapid-fire snare breakdown bass drop at 01:34. Feeling of unkempt emotion takes over at 01:52 with distorted synth melody soaring above instrumentation.
Sweet, inspiring, powerful. Dissonant euphoria contrasts with soft Sweet, inspiring, powerful. Dissonant euphoria contrasts with soft percussion and piano to create a quaint energy with uncertain undertones. Synth arpeggiations empower instrumentation into rapid-fire snare breakdown at 01:34. Stripped back underscore version.
Sweet, inspiring, powerful. Dissonant euphoria contrasts with soft Sweet, inspiring, powerful. Dissonant euphoria contrasts with soft percussion and piano to create a quaint energy with uncertain undertones. Synth arpeggiations empower instrumentation with electronic energy. Bass at 01:36 provides further feelings of power and wonder as synths continue to scatter across soundscape. Feeling of unkempt emotion takes over at 01:52 with distorted synth melody soaring above instrumentation. Stripped back underscore version.
Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Sung in Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Sung in Spanish. Male singer, piano, brass, Latin percussion with bongo, conga & cowbell. Suggested for Latin party & telenovella.歌词
ES:
Hace tiempo que no se de ti
Te confieso vivo en el ayer
De tu sonrisa
Mis días se tornan de color gris
Y aun no cierra esa cicatriz
Que no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
esas noches en que te llamé
fueron las veces que te recordé
acariciándome una y otra vez
tu y yo sabemos fue mas de una vez
sigues fingiendo estar feliz con otro
quedaste con el corazón bien roto
y sin nada
eras mi café del medio día
mi cigarrillo al comenzar el día
yo solo tu cuento de fantasias
al que besabas por hipocresía
yo confie en ti pero estabas con otro
quise olvidarte pero el corazón
Ya no me deja
esto me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
Hace tiempo que no se de ti
Te confieso vivo en el ayer
De tu sonrisa
Mis días se tornan de color gris
Y aun no cierra esa cicatriz
Que no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
Ya no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
EN:
It's been a long time since I heard from you
I confess you that I live in the yesterday
Of your smile
My days are turning gray
And still does not close that scar
That won't leave me
That kills me, poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
those nights when I called you
were the times I remembered you
caressing me again and again
you and I know it was more than once
you're still pretending to be happy with someone else
you were left with a broken heart
and with nothing
you were my midday coffee
my cigarette at the beginning of the day
I was just your fantasy story
I trusted you but you were with another one
I wanted to forget you but the heart
Won't let me anymore
This kills me it poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
It's been a long time since I heard from you
I confess you that I live in the yesterday
Of your smile
My days are turning gray
And still does not close that scar
That won't leave me
That kills me, poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
It no longer leaves me It kills me it poisons me
It runs through my veins
It pushes me and slows me down
It frees me and condemns me
towards you
Instrumental. Modern salsa/ latin pop. Romantic, warm, upbeat & Instrumental. Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Piano, brass, Latin percussion with bongo, conga, guiro & cowbell.
Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Sung in Spanish. Singer, brass, piano & Latin percussion with gonga, timables, guiro & cowbell. Suggested for Latin party. 歌词
ES:
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Oye caballero, lo que tiene esa negra es
Candela
Esa negra tiene
Mala la cintura
Quiere que la toque
Y me la lleve a la luna
Porque cuando ella mueve sus caderas
ya es un motivo de preocupación
Si sabe bien que estoy loco por ella
Y ella esta loca por bailar mi son
Pero no quiere que le digan nada
Cuando la ven llegando por la esquina
Porque ella sabe que es la mas buscada
Y yo soy el único que le gustó
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Ay dios,
Esa negra quiere lo que tengo yo
Le gusta mi salsa, se que le gustó
Y mas cuando lo esta tocando Boogaloo
Se activa
Cuando ella baila se pone agresiva
Porque al que dios se lo dio
San Pedro se lo bendiga
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Es una cosa que le sube
Es una cosa que le baja
Camínalo !
Es una cosa que le sube
Es una cosa que le baja
Y yo y yo
Y yo la quiero tener pa' mi
De mi esa negra esta enamorada
Es una cosa que le sube
Es una cosa que le baja
Gústele a quien le guste
Yo me quedo con mi negra
Ay no me digan mas nada
Es una cosa que le sube
Es una cosa que le baja
Y pensaste que se acabó?
No no no no no no
Es una cosa que le sube
Es una cosa que le baja
EN:
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Hey gentleman, what that black woman has is
Fire
That black woman has
A bad waist
She wants me to touch her
And take her to the moon
Cause when she moves her hips
She's a cause for concern
If she knows well that I'm crazy about her
And she's crazy about dancing to my tune
But she doesn't want to be told anything
When you see her coming around the corner
Cause she knows she's the most wanted
And I'm the only one who she liked
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Oh my God,
That black woman wants what I have
She likes my salsa, I know she does
And more when it's Boogaloo that's playing it
She gets active
When she dances she gets aggressive
Because to whom God gave it to
San Pedro will bless it
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
It's a thing that goes up
It's a thing that goes down
Walk it!
It's a thing that goes up
It's a thing that goes down
And I and I
And I want to have her for me
That black woman is in love with me
It's a thing that goes up
It's a thing that goes down
No matter who likes it
I'll stay with my black girl
Oh don't tell me nothing else
It's a thing that goes up
It's a thing that goes down
And you thought it was over?
No no no no no no
It's a thing that goes up
It's a thing that goes down
Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Brass, piano & Latin percussion with gonga, timables, guiro & cowbell.
Euphoric, teary, heartfelt. Icy ambience creates an atmosphere of Euphoric, teary, heartfelt. Icy ambience creates an atmosphere of fragility. Simple indie guitar chords and emotional reversed notes emerge from the hazy soundscape. Downbeat and wistful bass sequence pushes instrumentation forward in a sad lethargy. Cathartic sequence with emotive drumbeat at 01:30, glimmers of hope in a more positive melodic section. Choral voices and speed picking lead guitar increase feelings of sorrow and sadness.
Euphoric, teary, heartfelt. Icy ambience creates an atmosphere of Euphoric, teary, heartfelt. Icy ambience creates an atmosphere of fragility. Downbeat and wistful bass sequence emerges, pushing instrumentation forward in a sad lethargy. Fizzling euphoria represents unkempt and impassioned emotion. Choral voices and speed picking lead guitar increase feelings of sorrow and sadness. Stripped back underscore version.
Heavy, uplifting, passionate. Heavy R&B beat meets with impassioned Heavy, uplifting, passionate. Heavy R&B beat meets with impassioned whispered vocals that set out a mysterious scene, reminiscent of introspection, an individual exploring the darkness of their heart. Cathartic release at 00:41 as vocalist delivers emotive elongated notes, singing of a love or connection breaking down. Ambience in the verse communicated by panning vocal samples and relaxed instrumentation helps to embolden explosion of the chorus.歌词
Feeling Something Moving Closer All the reasons I can find
Finding Holding Secrets
Together You’re all the reasons I can find
Stop breaking down We hit the ground Stop pushing
Running Faster Dreaming Closer All the reasons I can find
Heavy, uplifting, passionate. Heavy R&B beat sets out a mysterious Heavy, uplifting, passionate. Heavy R&B beat sets out a mysterious energy. Cathartic release at 00:41 as heavy synths and basslines rattle in an uplifting sequence. Ambience in the verse communicated by more relaxed instrumentation helps to embolden explosion of the chorus. Instrumental version.
Uplifting, carefree, fun. Propulsive beats with happy whistling and Uplifting, carefree, fun. Propulsive beats with happy whistling and mallet melodies are joined by confident and positive male vocals. Summery, catchy and upbeat indie pop with a folk feel and lyrics about fun, romance and adventure.歌词
I feel there’s something in the air It’s leading me to anywhere I know the best is yet to come I know we’re going to have some fun. I hear the ocean at my feet I hear Miami calling me You say it’s warm this time of year I say it’s time we disappeared And we take our getaway.
So, let’s go round the world To somewhere unfamiliar I know there’s something in the sun I know we’ve only just begun.
Let’s fly away for a year Let’s be adventure pioneers Head out to somewhere in the sun Let’s go around the world.
Where to go? This is what I think, Would you pour me another drink? I’d like to go to Singapore I’d like to learn to sing some more. You really love your summer hair.
I like your skimpy underwear! And you love the smell of sun cream And I love the time we disappear Just to make our getaway.
Epic, warm, longing. Organ synth plays through a meaningful sequence Epic, warm, longing. Organ synth plays through a meaningful sequence as twinkling indie guitar glides in with confident riff. Triumphant drumbeat with 80s tom fills creating a feeling of striving toward positivity. Starlit keys disappear into the distance, reminiscent of someone running or driving through the night toward a loved one or into the great unknown.
Epic, warm, longing. Organ synth plays through a meaningful sequence Epic, warm, longing. Organ synth plays through a meaningful sequence as twinkling indie guitar glides in with confident riff. Triumphant kick drum momentum with 80s tom fills creating a feeling of striving toward positivity. Reminiscent of someone running or driving through the night toward a loved one or into the great unknown. Stripped back underscore version.
Fiery, dramatic, inspiring. Huge impacts of bass and drums set out a Fiery, dramatic, inspiring. Huge impacts of bass and drums set out a raw rock aura, augmented by tense repeated notes instilling a sense of drama and urgency. Large gritty guitar riffs make way for male vocals singing about freedom, the innocent and broken systems. Rousing politicised energy with fun, guitar-driven rock power. A call for truth and uprising, the oppressed taking back what is theirs. Slower more classic feeling in the chorus as lyrics sing about money, believing in oneself. Dramatic string solo at 02:13 gifting an astute and mature aura.歌词
You're screaming for freedom, Like everything else is burned.
Resisting the needle,
But healing can hurt.
Never to name shame the innocent and the fractured,
Never to name and shame the broken system at all.
I bet anything you're gonna put my money on you
Yeah, yeah, yeah
I bet anything you're gonna be the one to come through,
Yeah, yeah, yeah.
This healing is needed,
For everyone falls in time.
Constricting the bleeding,
Regenerate life.
Never to name shame the innocent and the fractured,
Never to name and shame the broken system at all.
Never to name shame the innocent and the fractured,
Never to name and shame the broken system at all.
I bet anything you're gonna put my money on you
Yeah, yeah, yeah
I bet anything you're gonna be the one to come through,
Fiery, dramatic, inspiring. Huge impacts of bass and drum set out a Fiery, dramatic, inspiring. Huge impacts of bass and drum set out a raw rock aura, augmented by tense repeated notes instilling a sense of drama and urgency. Large gritty guitar riffs join with performative percussion played in a steady rock style. Slower more classic feeling in the chorus. Dramatic string solo at 02:13 gifting an astute and mature aura. Instrumental version.
Energetic, hopeful, powerful. Pacy hi hats are joined by heavy Energetic, hopeful, powerful. Pacy hi hats are joined by heavy overdriven guitar riff, featuring frantic and dissonant playing style. Male vocals sing about feeling uncomfortable in life, a willingness and passion to make a change. Emotive vocal delivery in chorus alongside driving but meaningful chord sequence. Reminiscent of a montage where someone works their way toward success after tribulation, a time of redemption or retribution. Heated guitar breakdown at 02:18 with sliding guitar notes into silence. Muted guitar reprises main hook, creating a tense and burgeoning atmosphere which explodes into life.歌词
We've all been on the wrong side lately And I've been waiting for my life
Sitting by the window daily
Thinking through my whole damn life
I know you gotta start somewhere
But it’s time to make a change
I know you that you've kept your head down
When everything tore apart
I know that we've all been waiting for
The right time to get it
I know you poured your heart out
Waiting on a start
But no time like the present
For the right time to get it
In the heat of the moment I swear
I could have ran for miles
Minute after minute
Searching for a high
But I ain't waiting
Waiting any longer I'll pull myself together
And get up for the last time
Cause it’s time to make a change
I know you that you've kept your head down
When everything tore apart
I know that we've all been waiting for
The right time to get it I know you poured your heart out
Energetic, hopeful, powerful. Pacy hi hats are joined by heavy Energetic, hopeful, powerful. Pacy hi hats are joined by heavy overdriven guitar riff, featuring frantic and dissonant playing style. Reminiscent of a montage where someone works their way toward success after tribulation, a time of redemption or retribution. Heated guitar breakdown at 02:18 with sliding guitar notes into silence. Muted guitar reprises main hook, creating a tense and burgeoning atmosphere which explodes into life. Instrumental version.
Energetic, hopeful, powerful. Pacy hi hats fall into heavy percussion Energetic, hopeful, powerful. Pacy hi hats fall into heavy percussion with bass playing through cool rock sequence. Dynamic bass performance with tap ons and slides. Energy reminiscent of a montage where someone works their way toward success after tribulation, a time of redemption or retribution. Breakdown at 02:18 with heavy sliding notes that then fall into silence. Snare roll leads in reprisal of main hook with new and explosive atmosphere. Stripped back underscore version.
Energetic, hopeful, powerful. Pacy hi hats are joined by heavy Energetic, hopeful, powerful. Pacy hi hats are joined by heavy overdriven guitar riff, featuring frantic and dissonant playing style. Driving but meaningful chord sequence in chorus, reminiscent of a montage of someone working their way toward success after tribulation, a time of redemption or retribution. Heated guitar breakdown at 02:18 with sliding guitar notes into silence. Muted guitar reprises main hook, creating a tense and burgeoning atmosphere which explodes into life. Stripped back underscore version.
