| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
As Life Flows - Electro
[CEZ4700 - 3] |
0 | 2'51 | Elisabeth Skornik, Guy Skornik | Electronic version. Corporate. Restrained but with emotion. Regular | electronic score 调查研究 悬念 稳定的 | A | 104 | |||
|
Endless Worlds [BIB289 - 11] |
2'52 | Richard Lewis, Paper Boy | Otherworldly, spacey, awesome. Phased chord progression gives a sense | 悬念 反省 科幻片 气氛 | Em | 114 | ||||
|
Endless Worlds Alt Version [BIB289 - 26] |
版本. | 2'52 | Richard Lewis, Paper Boy | Otherworldly, spacey, awesome. Phased chord progression gives a sense | 科幻片 画面感 漂泊 太空 | Em | 100 | |||
|
Redline [CEZ4670 - 7] |
1'40 | Rajaah | Big beat. Dynamic, nervous, catchy & urgent. TB-303 bass, analog | 大节奏 动人 固执 追逐场面 | Em | 162 | ||||
|
Redline Edit 60 sec [CEZ4670 - 37] |
版本. | 1'00 | Rajaah | 60 second cut. | 大节奏 动人 固执 追逐场面 | Em | 162 | |||
|
Redline Edit 30 sec [CEZ4670 - 38] |
版本. | 0'29 | Rajaah | 30 second cut. | 大节奏 动人 固执 追逐场面 | Em | 162 | |||
|
Redline Edit 20 sec [CEZ4670 - 39] |
版本. | 0'20 | Rajaah | 20 second cut. | 大节奏 动人 固执 追逐场面 | Em | 162 | |||
|
Redline Edit Sting [CEZ4670 - 40] |
版本. | 0'12 | Rajaah | Sting. | 大节奏 动人 固执 追逐场面 | Em | 162 | |||
|
A Quiet Reflection [CCB1068 - 9] |
2'13 | Louis-Ronan Choisy | Electronic sequences, repetitive electronic music. Constant, | light tension 疑问 神秘 当代艺术 | Abm | 118 | ||||
|
A Quiet Reflection Edit 20 sec [CCB1068 - 34] |
版本. | 0'20 | Louis-Ronan Choisy | 20 second cut. | light tension 疑问 神秘 当代艺术 | Abm | 119 | |||
|
A Quiet Reflection Edit 30 sec [CCB1068 - 35] |
版本. | 0'30 | Louis-Ronan Choisy | 30 second cut. | light tension 疑问 神秘 当代艺术 | Abm | 118 | |||
|
A Quiet Reflection Sting [CCB1068 - 36] |
版本. | 0'17 | Louis-Ronan Choisy | Sting | light tension 疑问 神秘 当代艺术 | Abm | 118 | |||
|
Embryonic Emotional Simulation [BIB285 - 1] |
3'39 | James Cameron | Pained, astute, bubbly. Forlorn string chords play out with | 社会悲剧 忧伤 都市景色 伴音 | Am | 140 | ||||
|
Embryonic Emotional
[BIB285 - 12] |
版本. | 3'38 | James Cameron | Pained, astute, bubbly. Timid strings play out with a feeling of | 社会悲剧 忧伤 都市景色 伴音 | Am | 140 | |||
|
Embryonic Emotional
[BIB285 - 13] |
版本. | 3'39 | James Cameron | Pained, astute, bubbly. Forlorn string chords play out with | 社会悲剧 忧伤 都市景色 伴音 | Am | 140 | |||
|
Mechanical Metamorphosis [BIB285 - 3] |
4'04 | James Cameron | Concerned, fresh, excitable. A muffled bass tone playing out a | 忧伤 社会悲剧 电子琴 信息技术 | Am | 140 | ||||
|
Mechanical Metamorphosis
[BIB285 - 16] |
版本. | 2'39 | James Cameron | Concerned, fresh, excitable. Floaty pad above sizzling texture FX | 忧伤 社会悲剧 信息技术 周期性的 | Am | 140 | |||
|
Mechanical Metamorphosis
[BIB285 - 17] |
版本. | 4'03 | James Cameron | Concerned, fresh, excitable. Eerie muffled pads give way to sorrowful | 海底 忧伤 伴音 信息技术 | Am | 139 | |||
|
Machine Made Plastic People [BIB285 - 4] |
2'54 | James Cameron | Clean, explorative, modern. Bright positive sounding keys play out a | 严谨 电子琴 伴音 自信 | Dm | 136 | ||||
|
Machine Made Plastic People
[BIB285 - 18] |
版本. | 2'54 | James Cameron | Clean, explorative, modern. Bright positive sounding keys play out a | 严谨 电子琴 伴音 自信 | Dm | 136 | |||
|
Secret Lab [CEG5055 - 2] |
2'16 | Louis Edlinger | Organic electro. Obstinate, scientific & attentive with an aquatic | 原声电子 工业 极简电子音乐 间谍片 | Cm | 110 | ||||
|
Secret Lab Alternate 1 [CEG5055 - 13] |
版本. | 2'15 | Louis Edlinger | Version without bass. | 原声电子 工业 极简电子音乐 间谍片 | Cm | 110 | |||
|
Secret Lab Alternate 2 [CEG5055 - 14] |
版本. | 2'13 | Louis Edlinger | Version with less synth and no rythm. | 原声电子 工业 间谍片 稳定的 | C | 110 | |||
|
Floating In The Air [CCB1067 - 9] |
2'45 | Thomas Lucas | Shimmering, celestial & trendy. Dreamy intro with synth pads. Pulsing | 世界电子音乐 飞行 医疗 明朗 | Bbm | 81 | ||||
|
Floating In The Air Alternate [CCB1067 - 53] |
版本. | 2'45 | Thomas Lucas | Underscore version | 医疗 世界电子音乐 明朗 原声电子 | Bbm | 77 | |||
|
Floating In The Air Edit 1 20
[CCB1067 - 54] |
版本. | 0'20 | Thomas Lucas | Cut 20 secondes | 医疗 世界电子音乐 明朗 原声电子 | Db | 78 | |||
|
Floating In The Air Edit 2 30
[CCB1067 - 55] |
版本. | 0'30 | Thomas Lucas | Cut 30 secondes | 医疗 世界电子音乐 明朗 原声电子 | Db | 81 | |||
|
Floating In The Air Edit 3 60
[CCB1067 - 56] |
版本. | 1'00 | Thomas Lucas | Cut 60 secondes | 医疗 世界电子音乐 明朗 原声电子 | Db | 78 | |||
|
Floating In The Air Edit 4
[CCB1067 - 57] |
版本. | 0'14 | Thomas Lucas | Sting | 医疗 世界电子音乐 明朗 原声电子 | Bbm | 74 | |||
|
Spreading the Creative Wings [CEZ4664 - 6] |
1'19 | The Quantum | Corporate electro. Heavy, unifying & whirling. Synth, strings & | 气势 电子乐宣传片 令人激动 广告 | Abm | 135 | ||||
|
Spreading the Creative Wings
[CEZ4664 - 38] |
版本. | 1'19 | The Quantum | Alternate no rhythm. | 气势 电子乐宣传片 令人激动 广告 | Abm | 135 | |||
|
Spreading the Creative Wings
[CEZ4664 - 39] |
版本. | 1'00 | The Quantum | 60 second cut. | 气势 电子乐宣传片 令人激动 广告 | Abm | 135 | |||
|
Spreading the Creative Wings
[CEZ4664 - 40] |
版本. | 0'30 | The Quantum | 30 second cut. | 气势 电子乐宣传片 令人激动 广告 | Abm | 135 | |||
|
Spreading the Creative Wings
[CEZ4664 - 41] |
版本. | 0'15 | The Quantum | 15 second cut. | 气势 电子乐宣传片 令人激动 广告 | Abm | 135 | |||
|
Spreading the Creative Wings
[CEZ4664 - 42] |
版本. | 0'11 | The Quantum | Sting. | 气势 电子乐宣传片 令人激动 广告 | B | 135 | |||
|
Brute Force Attack [TBX217 - 1] |
1'59 | Gary Meek | Explorative, nervous, futuristic. Pads push out with concerned tones | 固执 信息技术 气势 琶音器 | Cm | 115 | ||||
|
Brute Force Attack
[TBX217 - 11] |
版本. | 1'59 | Gary Meek | Explorative, nervous, futuristic. Pads push out with concerned tones, | 固执 信息技术 气势 琶音器 | C | 117 | |||
|
Brute Force Attack
[TBX217 - 12] |
版本. | 1'59 | Gary Meek | Explorative, nervous, futuristic. Pads push out with concerned tones | 固执 信息技术 气势 琶音器 | C | 115 | |||
|
Brute Force Attack (30 Sec) [TBX217 - 13] |
版本. | 0'30 | Gary Meek | Explorative, nervous, futuristic. Sharp resonant synths and juddering | 固执 信息技术 气势 琶音器 | Cm | 115 | |||
|
Brute Force Attack (Sting) [TBX217 - 14] |
版本. | 0'12 | Gary Meek | Explorative, nervous, futuristic. Sharp sci-fi synths and juddering | 固执 信息技术 气势 琶音器 | C | 153 | |||
|
Cyber Hacker [TBX217 - 4] |
2'18 | Gary Meek | Eerie, sneaky, anticipatory. Juddering glassy pulsing notes are | 调查研究 信息技术 电子鼓 不平稳 | Em | 178 | ||||
|
Cyber Hacker (Underscore) [TBX217 - 23] |
版本. | 2'18 | Gary Meek | Eerie, sneaky, anticipatory. Juddering glassy pulsing notes play out, | 电子鼓 电子琴 信息技术 工业 | Em | 178 | |||
|
Cyber Hacker (Underscore No
[TBX217 - 24] |
版本. | 2'18 | Gary Meek | Eerie, sneaky, anticipatory. Juddering glassy pulsing notes play out, | 电子琴 信息技术 工业 疑问 | Em | 178 | |||
|
Cyber Hacker (30 Sec) [TBX217 - 25] |
版本. | 0'30 | Gary Meek | Eerie, sneaky, anticipatory. Juddering glassy pulsing notes play out, | 电子鼓 电子琴 信息技术 工业 | Em | 178 | |||
|
Cyber Hacker (Sting) [TBX217 - 26] |
版本. | 0'12 | Gary Meek | Eerie, sneaky, anticipatory. Pulsing notes and worried synth spread | 电子鼓 电子琴 信息技术 工业 | Em | 178 | |||
|
Mainframe [TBX217 - 5] |
2'05 | Gary Meek | Explorative, technological, important. Bright synth notes dazzle amid | 科学 调查研究 信息技术 太空 | Eb | 109 | ||||
|
Mainframe (Underscore) [TBX217 - 27] |
版本. | 2'05 | Gary Meek | Explorative, technological, important. Bright synth notes dazzle amid | 调查研究 科学 信息技术 太空 | Eb | 109 | |||
|
Mainframe (Underscore No
[TBX217 - 28] |
版本. | 2'05 | Gary Meek | Explorative, technological, important. Bright synth notes dazzle amid | 调查研究 科学 信息技术 太空 | Eb | 109 | |||
|
Mainframe (30 Sec) [TBX217 - 29] |
版本. | 0'30 | Gary Meek | Explorative, technological, important. Bright synth notes dazzle amid | 调查研究 科学 信息技术 太空 | Eb | 109 | |||
|
Mainframe (Sting) [TBX217 - 30] |
版本. | 0'15 | Gary Meek | Explorative, technological, important. Bright synth notes dazzle | 调查研究 科学 信息技术 太空 | Eb | 108 | |||
|
The Hacker Community [CEG5054 - 10] |
2'39 | Antoine Berquet | Cinematic beat. Combative, strong & epic. Progression & climax @ | 高潮 electro beat 间谍片 令人激动 | Am | 85 | ||||
|
The Hacker Community Alternate [CEG5054 - 54] |
版本. | 2'39 | Antoine Berquet | Alternate no rhythm. | 高潮 electro beat 间谍片 令人激动 | Am | 85 | |||
|
The Hacker Community Edit 60
[CEG5054 - 55] |
版本. | 0'15 | Antoine Berquet | 60 second cut. | 高潮 electro beat 间谍片 令人激动 | Am | 85 | |||
|
The Hacker Community Edit 30
[CEG5054 - 56] |
版本. | 0'30 | Antoine Berquet | 30 second cut. | 高潮 electro beat 间谍片 令人激动 | Am | 85 | |||
|
The Hacker Community Edit 15
[CEG5054 - 57] |
版本. | 1'00 | Antoine Berquet | 15 second cut. | 高潮 electro beat 间谍片 令人激动 | Am | 85 | |||
|
The Hacker Community Edit
[CEG5054 - 58] |
版本. | 0'07 | Antoine Berquet | Sting. | 高潮 electro beat 间谍片 令人激动 | A | 86 | |||
|
Spamware [CEG5054 - 11] |
1'44 | Benjamin Doherty | Electro beat. Swarming, noisy & inexorable. Synth & sound design. | 间谍片 稳定的 背景电子乐 工业 | Gm | 120 | ||||
|
Spamware Alternate [CEG5054 - 59] |
版本. | 1'43 | Benjamin Doherty | Alternate underscore. | 间谍片 稳定的 背景电子乐 工业 | G | 120 | |||
|
Spamware Edit 60 sec [CEG5054 - 60] |
版本. | 0'15 | Benjamin Doherty | 60 second cut. | 间谍片 稳定的 背景电子乐 工业 | Gm | 118 | |||
|
Spamware Edit 30 sec [CEG5054 - 61] |
版本. | 0'30 | Benjamin Doherty | 30 second cut. | 间谍片 稳定的 背景电子乐 工业 | Gm | 118 | |||
|
Spamware Edit 15 sec [CEG5054 - 62] |
版本. | 0'59 | Benjamin Doherty | 15 second cut. | 间谍片 稳定的 背景电子乐 工业 | Gm | 120 | |||
|
Spamware Edit Sting [CEG5054 - 63] |
版本. | 0'11 | Benjamin Doherty | Sting. | 间谍片 稳定的 背景电子乐 工业 | Gm | 118 | |||
|
The Knife Edge [CEG5051 - 3] |
3'00 | Bruno Alexiu | Heavy, punchy, incisive, distressing & energic. Beat, bass synth & | 调查研究 阴险 工业噪音 令人不安 | Cm | 70 | ||||
|
The Knife Edge Alternate [CEG5051 - 18] |
版本. | 3'00 | Bruno Alexiu | Version with percussion only. | 工业 IDM 令人不安 电子鼓 | Abm | 70 | |||
|
The Knife Edge Edit 1 (60sec) [CEG5051 - 19] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 阴险 工业噪音 令人不安 调查研究 | Fm | 70 | |||
|
The Knife Edge Edit 2 (60sec) [CEG5051 - 20] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 阴险 工业噪音 令人不安 调查研究 | Cm | 70 | |||
|
The Knife Edge Edit 3 (30sec) [CEG5051 - 21] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 阴险 工业噪音 令人不安 调查研究 | Fm | 70 | |||
|
The Knife Edge Edit 4 (30sec) [CEG5051 - 22] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 阴险 工业噪音 令人不安 调查研究 | Cm | 70 | |||
|
The Knife Edge Edit 5 (15sec) [CEG5051 - 23] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 阴险 工业噪音 令人不安 调查研究 | Fm | 70 | |||
|
The Knife Edge Edit 6 (15sec) [CEG5051 - 24] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 阴险 工业噪音 令人不安 调查研究 | Fm | 70 | |||
|
Digital Enigma [ISC087 - 3] |
2'38 | Norbert Gobor | Cinematic score. Emotional, intriguing & building. Moving piano & | 气氛 司法 进行中 调查研究 | D | 132 | ||||
|
Digital Enigma Alternate [ISC087 - 13] |
版本. | 2'38 | Norbert Gobor | Underscore | 气氛 司法 进行中 调查研究 | D | 131 | |||
|
Codebreaker [ISC087 - 5] |
2'19 | Norbert Gobor | Cinematic score. Mysterious, edgy & futuristic. Slowly building with | 警匪片 稳定的 electro beat 调查研究 | Dm | 99 | ||||
|
Codebreaker Alternate [ISC087 - 16] |
版本. | 2'19 | Norbert Gobor | Version without percussion | 稳定的 electro beat 调查研究 固执 | D | 99 | |||
|
Connectivity [ISC087 - 6] |
2'38 | Norbert Gobor | Cinematic score. Enigmatic, intriguing, cold, suspenseful & slowly | 司法 进行中 调查研究 神秘 | E | 90 | ||||
|
Connectivity Alternate 1 [ISC087 - 17] |
版本. | 2'38 | Norbert Gobor | Version without percussion | 司法 进行中 调查研究 神秘 | E | 90 | |||
|
Connectivity Alternate 2 [ISC087 - 18] |
版本. | 2'38 | Norbert Gobor | Version without lead synth | 司法 进行中 调查研究 神秘 | E | 89 | |||
|
Berlin Confidential [CEG5052 - 3] |
2'12 | Louis Edlinger | Minimal electro. Suspended, enigmatic & reflective. Sparkling synth | 极简电子音乐 神秘 夜晚 信息技术 | Dm | 96 | ||||
|
Berlin Confidential Alternate
[CEG5052 - 17] |
版本. | 2'12 | Louis Edlinger | Version without rhythm. | 神秘 夜晚 信息技术 间谍片 | Dm | 96 | |||
|
Berlin Confidential Alternate
[CEG5052 - 18] |
版本. | 2'07 | Louis Edlinger | Version without bass. | 极简电子音乐 神秘 夜晚 信息技术 | Dm | 96 |