| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Heart Noise [CEO2152 - 5] |
0 | 2'50 | Baptiste Charvet | Expectant, serious & constant. Synths, heartbeat, electronics & | 稳定的 进行中 稀疏 司法 | Cm | 86 | |||
|
The Wealth of Data [CEO2152 - 6] |
0 | 1'09 | Baptiste Charvet | Determined, disturbing, urgent & dark. Sequences of synth, | 令人不安 司法 阴险 电影原声带 | Am | 81 | |||
|
Creeping Dawn [CEZ4577 - 17] |
0 | 2'30 | Christof Déjean | Ambient electro. Mysterious, suspended & obsessive. Piano & sound | 信息技术 稀疏 漂泊 冰冷 | E | 132 | |||
|
Digital Dystopia [EOS94 - 2] |
0 | 2'08 | Simon Gruwé | Underscore. Intriguing, bright & swirling. Marimba, piano & synth | 司法 疑问 调查研究 神秘 | Cm | 130 | |||
|
Memoryscape [EOS94 - 4] |
0 | 2'15 | Simon Gruwé | Electronica. Digital, dark & sparkling. Arpeggiator, synth & rhythm. | 司法 信息技术 疑问 调查研究 | G | 76 | |||
|
High Souled [CEZ4560 - 1] |
1'56 | Jean-Baptiste Alvaar | Minimal Electro & Electronical Scores. Confident, thoughtful, | 电子乐宣传片 电子 反省 现代 | Fm | 172 | ||||
|
High Souled Alternate [CEZ4560 - 12] |
版本. | 1'51 | Jean-Baptiste Alvaar | Alternative version without strings. | 电子 调查研究 稳定的 司法 | Fm | 172 | |||
|
Cerebral Synthesis [CEZ4560 - 8] |
0 | 2'15 | Jean-Baptiste Alvaar | Minimal Electro & Electronical Scores. Brilliant, introspective, arty | 信息技术 司法 极简电子音乐 明朗 | Cm | 110 | |||
|
A Perpetual Doubt [CEG5035 - 4] |
0 | 1'20 | Baptiste Thiry | Discontinued, urgent, epic & heady. Staccato strings, vibes with echo | 当代历史 司法 画面感 中断 | Em | 95 | |||
|
Passing Time [TBX151 - 2] |
1'47 | Sergey Kolosov | Emotive, climactic, tense. Bright bell notes play out a descending | 疑问 严谨 时间(滴答声) 周期性的 | Dm | 130 | ||||
|
Passing Time (Alt Version) [TBX151 - 15] |
版本. | 1'47 | Sergey Kolosov | Emotive, climactic, tense. Bright bell notes play out a descending | 疑问 严谨 周期性的 固执 | Dm | 130 | |||
|
Passing Time (Underscore A) [TBX151 - 16] |
版本. | 1'46 | Sergey Kolosov | Emotive, climactic, tense. Bright bell notes play out a descending | 疑问 严谨 时间(滴答声) 周期性的 | Dm | 130 | |||
|
Passing Time (Underscore B) [TBX151 - 17] |
版本. | 1'45 | Sergey Kolosov | Emotive, climactic, tense. Bright bell notes play out a descending | 疑问 严谨 周期性的 固执 | Dm | 130 | |||
|
Passing Time (Underscore C) [TBX151 - 18] |
版本. | 1'35 | Sergey Kolosov | Emotive, climactic, tense. Clock percussive FX convey a need to be | 疑问 严谨 时间(滴答声) 周期性的 | Dm | 130 | |||
|
Passing Time (Underscore D) [TBX151 - 19] |
版本. | 1'31 | Sergey Kolosov | Emotive, climactic, tense. Descending strings give a decisive feeling | 疑问 严谨 周期性的 固执 | F | 130 | |||
|
The Best Souffle [TBX151 - 8] |
3'09 | Rachael Philip | Playful, tense, fun. Clicking sounds give way to low piano note and | 社会悲剧 调查研究 进步 严谨 | Em | 130 | ||||
|
The Best Souffle (Underscore) [TBX151 - 28] |
版本. | 3'07 | Rachael Philip | Playful, tense, fun. Soft piano and pads give way to playful string | 社会悲剧 调查研究 进步 严谨 | Em | 130 | |||
|
Time Is Money [TBX151 - 12] |
1'47 | Sergey Kolosov | Stirring, conclusive, riveting. Layered clock ticks meet with | (音效)计时声 时间(滴答声) 伴音 司法 | Cm | 147 | ||||
|
Time Is Money (Alt Version) [TBX151 - 34] |
版本. | 1'41 | Sergey Kolosov | Stirring, conclusive, riveting. Solitary bell sound gifts a feeling | 伴音 司法 调查研究 固执 | Cm | 147 | |||
|
Time Is Money (Underscore A) [TBX151 - 35] |
版本. | 1'27 | Sergey Kolosov | Stirring, conclusive, riveting. Clock ticking meet with solitary bell | (音效)计时声 时间(滴答声) 伴音 司法 | Cm | 98 | |||
|
Time Is Money (Underscore B) [TBX151 - 36] |
版本. | 1'27 | Sergey Kolosov | Stirring, conclusive, riveting. Solitary bell sound gifts a feeling | 时间(滴答声) 伴音 司法 调查研究 | Cm | 147 | |||
|
Reddish Tinge [INP045 - 10] |
1'36 | Ronnie W Verboom | Strange, futuristic, spooky. Odd sounding synth notes play out, met | 神秘 电子琴 司法 令人不安 | A | 119 | ||||
|
Reddish Tinge (Underscore) [INP045 - 24] |
版本. | 1'23 | Ronnie W Verboom | Strange, futuristic, spooky. Thundering low bass infers an intense | 神秘 司法 令人不安 伴音 | Am | 120 | |||
|
Deadly Games [ISC015 - 4] |
2'33 | Gabriel Saban | Intro with a rising tension & evolving with ghostly piano, cinematic | 恐怖片 画面感 司法 进行中 | Gm | 142 | ||||
|
Deadly Games Alternate [ISC015 - 15] |
版本. | 2'33 | Gabriel Saban | Alternate version without percussion. | 恐怖片 画面感 司法 进行中 | Gm | 142 | |||
|
No One Has Ever Returned [CEZ4510 - 9] |
3'25 | Blesvik | Strange, intriguing & somber. Percussive delay FX intro evolving with | 调查研究 太空 奇怪 有毒 | D | 124 | ||||
|
No One Has Ever Returned
[CEZ4510 - 20] |
版本. | 3'25 | Blesvik | Alternate without percussion. | 奇怪 令人不安 神秘 太空 | D | 124 | |||
|
The Jury's Doubts feat.
[CEZ4505 - 7] |
0 | 3'16 | Hiroki Ishikura | Resilient & poignant piano with electronic sound effects & discrete | 社会悲剧 反省 内心 司法 | Eb | 80 | |||
|
Deliberation [CEZ4505 - 10] |
0 | 2'54 | Felix Weber | Waiting, haunting & almost hypnotic. Repetitive arpeggiator, discrete | 神秘 调查研究 固执 周期性的 | Cm | 148 | |||
|
Alibi [CEZ4505 - 11] |
0 | 2'09 | Runar Hauge Blesvik | Suspenseful intro evolving into a paranormal, strange, investigative | 间谍片 调查研究 伴音 司法 | Am | 164 | |||
|
A Last Adjournment [CEZ4505 - 14] |
0 | 1'06 | Sonny Nieuwenhuizen | Misty & confused. Questioning piano & disturbing FX. Dark textures @ | 司法 间谍片 令人不安 调查研究 | D | 100 | |||
|
Objection Dismissed [CEZ4505 - 17] |
0 | 2'17 | Thomas Lucas | Insidious, tormented & enigmatic. Punctuated piano & strange synth. | 调查研究 阴险 动荡 司法 | Am | 88 | |||
|
Sure as Fate [CEZ4506 - 7] |
0 | 1'59 | Nicolas Dubois, Nicolas Fabrié, Thomas Lesseur | Hip-hop beat. Inexorable, sad & interrogative. Suggested for destiny, | BEAT MAKING 都市 无情 神秘 | Em | 115 |