| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Gravity [INP002 - 3] |
0 | 2'49 | Mark Adam Burnett, Nicholas Paul Smith | Industrial, relentless, mechanical. Huge percussion with growling | 极限运动 预告片 军事冲突 动作片 | Cm | 127 | |||
|
No Object [INP002 - 5] |
2'45 | Guy Purssell | Tense, mystery & intrigue. Atmospheric and propulsive bass pulses | 调查研究 科幻片 气氛 悬念 | Bm | 90 | ||||
|
No Object Underscore [INP002 - 14] |
版本. | 2'02 | Guy Purssell | Eerie, dark and atmospheric synth bass pulse underscore. Tense, | 科幻片 调查研究 稳定的 间谍片 | B | 90 | |||
|
Code Red [INP002 - 6] |
0 | 2'27 | Guy Purssell | Tense, propulsive, investigative. Growling synth drones are joined by | 赛车 调查研究 预告片 气氛 | D | 117 | |||
|
Cyberspace [INP002 - 7] |
0 | 2'03 | Konstantinos Psaras, Nicholas Paul Smith | Suspenseful, threatening, dark. Glitchy electronic beats with tense, | 军事冲突 预告片 改变 科幻片 | Am | 148 | |||
|
Granulator [INP002 - 9] |
0 | 2'29 | Mark Adam Burnett, Nicholas Paul Smith | Tense, dark, atmospheric. Clicking, airy synth bursts with growling, | 军事冲突 有毒 预告片 恐怖 | Gm | 123 | |||
|
Overlord [INP002 - 11] |
0 | 2'15 | Mark Adam Burnett, Nicholas Paul Smith | Tense, brooding, suspenseful. Ominous, investigative, electronic | 军事冲突 预告片 强调突出 科幻片 | Ebm | 144 | |||
|
Reduction [INP002 - 12] |
0 | 2'12 | Konstantinos Psaras, Nicholas Paul Smith | Glitchy, building, Investigative. Atmospheric, sparse intro is joined | 军事冲突 神秘 预告片 气氛 | Am | 151 | |||
|
Conflict [INP007 - 1] |
1'59 | Adam Kevin Brown, Lukasz Ledzki | Dynamic, percussive trailer track. Brooding intro, hypnotic and | 高潮 军事冲突 无情 预告片 | Cm | 99 | ||||
|
Conflict Underscore [INP007 - 11] |
版本. | 1'59 | Adam Kevin Brown, Lukasz Ledzki | Dynamic, trailer underscore. Brooding intro, hypnotic and driving. | 高潮 军事冲突 无情 预告片 | Cm | 100 | |||
|
Conflict - 30sec [INP007 - 20] |
版本. | 0'31 | Adam Kevin Brown, Lukasz Ledzki | Alternate version. 30 seconds. | 高潮 军事冲突 无情 预告片 | Cm | 100 | |||
|
Sand Storm [INP005 - 13] |
0 | 1'56 | Nico Willems | Score like dark building trailer music. Sense of building drama and | 战争 战士 画面感 军事冲突 | Dm | 140 | |||
|
Step Down [INP005 - 14] |
0 | 1'48 | Nico Willems | Atmospheric score like trailer sound design. Big, scary and dark. | 战争 战士 画面感 军事冲突 | Am | 142 | |||
|
Chase Them [INP005 - 15] |
0 | 1'56 | Nico Willems | Dark trailer sound design. Dramatic, tense and powerful. Percussive | 战争 追逐场面 画面感 固执 | Gm | 155 | |||
|
Countdown Timer [CET9003 - 6] |
2'22 | Gabriel Saban, Philippe Briand | Anticipating intro with clock & percussive hits evolving towards | 预告片 画面感 动作片 调查研究 | E | 120 | ||||
|
Countdown Timer Alternate
[CET9003 - 19] |
版本. | 2'22 | Gabriel Saban, Philippe Briand | Anticipating intro with echoing piano evolving towards determined | 预告片 画面感 动作片 动作游戏 | Em | 120 | |||
|
Countdown Timer Alternate
[CET9003 - 20] |
版本. | 2'22 | Gabriel Saban, Philippe Briand | Echoing piano & sound design evolving towards ominous synth sequence | 预告片 画面感 悬念 动作片 | E | 120 | |||
|
Collateral Effect Without
[CET9003 - 21] |
2'29 | Baptiste Thiry | Moody intro with a sudden impact evolving towards nervous & | 预告片 画面感 悬念 间谍片 | Dm | 91 | ||||
|
Collateral Effect [CET9003 - 7] |
版本. | 2'29 | Baptiste Thiry | Moody intro with sudden impact evolving towards nervous & relentless | 预告片 画面感 间谍片 调查研究 | Dm | 91 | |||
|
Thinking Outside the Box [CEZ4312 - 2] |
2'18 | Elisabeth Skornik, Guy Skornik | Sudden & obstinate but with intermissions. Keyboards, electronics & | 调查研究 地理政治 神秘 科学 | Dm | 80 | ||||
|
Thinking outside the Box
[CEZ4312 - 17] |
版本. | 1'52 | Elisabeth Skornik, Guy Skornik | Sudden, interrogative & mysterious. Percussion & electronic keyboards. | 调查研究 疑问 科学 小说纪录片 | Dm | 80 | |||
|
Thinking outside the Box
[CEZ4312 - 18] |
版本. | 1'46 | Elisabeth Skornik, Guy Skornik | Sudden, suspenseful & jerky. Piano & percussion. | 悬念 调查研究 神秘 科学 | D | 80 | |||
|
Digital Memories [TBX006 - 2] |
0 | 1'58 | Sergey Kolosov | Scene-setting soundscapes, neutral in tonality. Building, with a | 气氛 神秘 全景 悬念 | Cm | 85 | |||
|
Tainted Heart [TBX006 - 6] |
0 | 2'20 | Peter Henry Mayne, Lee Sparey | Creeping and brooding sci-fi synths. Extra-terestial activity | 诡异 悬念 神经病 悬念 | Cm | 120 | |||
|
Pulses & Bells [TBX006 - 7] |
0 | 1'27 | Peter Henry Mayne, Lee Sparey | Arpeggiated synth pulses. Neutral and ambient. 80s sfx and bass with | 固执 诡异 悬念 电子琴 | Ebm | 120 | |||
|
Catching a Killer [TBX006 - 12] |
0 | 2'33 | Peter Nickalls | Sinister and deep bass with deranged ambient sfx. Undulations give | 灾难 悬念 漂泊 调查研究 | Cm | 120 | |||
|
Drone Two [TBX006 - 20] |
0 | 1'57 | Peter Henry Mayne | Electronic pulses and ambience, with a melancholic overtone. | 令人不安 全景 悬念 调查研究 | Bb | 130 | |||
|
On the Prowl [CEZ4298 - 9] |
0 | 1'59 | Julien Vega | Careful but determined. Pizz & small instrumental ensemble. | 悲喜剧 讽刺 & 恶意 拨奏 悬念 | D | 100 |